Penman for Monday, July 25, 2016
AS YOU read this, I’ll be winging home with my wife Beng from California where we’ve spent the past two weeks engaged in a pioneering project that should bring the best of Philippine art to a broader American audience, if ongoing plans work out over the next few years.
Have you heard of the American Museum of Philippine Art? Probably not, since it’s still something of a pipe dream, but some people on both sides of the Pacific are blowing very hard on their pipes to make it happen. Those people include businessman Raffy Benitez, president of the Quezon City-based Erehwon Arts Center, and University of the Philippines professor and art expert Dr. Reuben Cañete, who developed the idea late last year after Erehwon’s successful involvement in a binational mural project at Chicago’s Field Museum sponsored by the John D. and Catherine T. MacArthur Foundation through Dr. Almira Astudillo-Gilles, a Chicago based Fil-Am writer and cultural advocate.
I reported on that project in this column last November 25, noting the warm response received by the participating Filipino and Filipino-American artists for their works—two murals, one at Erehwon and another at the Field—depicting the flows of Philippine culture and history from pre-Hispanic times to the present.
That positive experience encouraged Raffy and Reuben to conceive of a bigger and more enduring project that would bring Philippine art even closer to Americans—not just the huge and broadly dispersed Filipino community in the US, but the American public at large. Raffy and Reuben noted that the Mexicans and the Chinese, among other immigrant groups in America, both had their art museums, but that Filipinos—among the largest and fastest-growing minorities in America—did not.
Reuben recalled the long tradition of Filipino artists going over to the US to study and to work—such as Guillermo Tolentino, Victorio Edades, and Alfonso de Ossorio, among others—and observed that while strong cultural ties remained between the two countries, the connection was overwhelmingly one-way, with Philippine art (and music and literature, for that matter) being little known and appreciated in the US.
“In this age of globalization, art is now a global commodity that is exhibited and collected by various international venues, such as Art Basel Miami. Philippine Art, both in its historical as well as contemporary manifestations, must now be aggressively promoted in the United States, which is a major area of collection and promotion of global art,” Dr. Cañete would say in a concept paper on AMPA.
Karlota I. Contreras-Koterbay, a prizewinning Fil-Am sculptor and Director of the Slocumb Galleries at East Tennessee State University, agrees, writing that “There is a rich and dynamic art practice by Filipino-Americans in the US. However, there is a huge discrepancy in the visibility and recognition with regards to the idea and form of ‘Philippine Art’.
“The Philippines is the second highest Asian country whose citizens migrate to the US. The Filipinos have a long, complex history of immigration and residency in America, yet ‘Philippine Art’ is not as accessible nor recognizable in popular culture nor in the global art world. This statement does not claim that there is lack of talent nor creativity; on the contrary, there are thriving communities of artists, art groups and cultural workers who are making a difference in their respective locales, as well as receiving recognitions for their work in the field of arts.”
To take the first steps toward turning vision into reality, Raffy, Reuben, Beng, and I flew to LA to meet up with some prominent Filipino-American community leaders and artists to set up a foundation that would start the spadework on the museum. The American Museum of Philippine Art Foundation, Inc. (AMPAFI) was formally launched July 12 at the Holiday Inn in Diamond Bar, California, in a day-long meeting attended by a couple of dozen participants from all over the US.
Raffy Benitez will serve as chairman and president, and Reuben and I are joining him on the board, but we know that this project can’t be run from Manila, so the directors will also include art curator Karlota Contreras-Koterbay, physician Jose Botor Regullano, and engineer Ricardo Real Almonte. The officers include Fil-Am standouts Rafael Maniago, Art Zamora, Sal Budz Floriano, Rosie Vinluan Muñoz, Connie Buenaventura, Daniel Gutierrez Bassig, Dennis Martinez, Bobby Halili, Jess Española, Jun Sison, Ninette Tenza Umali, Ernan Ebreo, and Bernadette Escalona-Cooper. During the launch, a group of Fil-Am Artists headed by Paeng Maniago also rolled out a mural that they had executed to celebrate the occasion.
We all realize that this project will take many years, enormous resources, and tremendous effort and optimism to realize. (Being Filipinos, we expect a lot of naysaying, and I’ve been Raffy’s chief buzzkiller whenever I think someone needs to pull his feet back to earth, but I have to admire the man’s guts and what he’s done at Erehwon, which you can preview here: http://erehwonartfoundation.org.) The museum as Raffy and Reuben envisage it is a mini-CCP, with enough spaces for exhibitions and performances (and even classes in Pinoy cooking), and the renowned architect Conrado Onglao was motivated and generous enough to contribute a prospective design for the building. That may be years down the road, but in the meanwhile, AMPAFI is taking early and doable steps toward building a countrywide arts community—a virtual museum, as it were—in cooperation with other groups such as Bernadette Escalona-Cooper’s Silicon Valley-based Global Artists’ Creative Collaboration for Empowerment (GACCE), whose leaders also attended the launch.
Karlota reports that “Our first two official projects are: ‘Nandito N Ako’ by 11 emerging Filipinx artists from the School of Art Institute of Chicago (SAIC) and possible community mural headed by NY-based artist Art Zamora with the Phil-Am organization and ETSU organized by Slocumb Galleries in the Northeast. This will be early October 2016 in time for Filipino Heritage Month. Also on the same month on the West Coast is the proposed Indie Film Showing in LA by special committee on fundraising head Ernan Ebreo. Both are curated programming for awareness campaign and fundraising efforts.”
(Wait a minute, did I read “Filipinx?” Indeed I did—and this trip was the first time I encountered the term myself, which seems to be gaining currency among young Fil-Ams, who define “Filipinx”—which I’ve heard pronounced as “Filipinics”—as an effort “to make the community more inclusive—we changed the O in ‘Filipino’ to an X to remain gender-neutral and recognize all genders that exist in the Filipinx community. There’s apparently been a lot of debate on this issue, which we’ll deal with some other time.)
The AMPA website is up at http://www.ampafi.org. Contributions and donations are, of course, very welcome, but more than that, we need goodwill, prayers, and strength of spirit to see this vision through. Mabuhay at salamat sa lahat!