Penman for Monday, September 5, 2016
THERE WERE plenty of attractions at this year’s AsiaPOP Comicon, held August 26-28 at the SMX Convention Center at the Mall of Asia—chiefly the presence of such popular stars as X-Men’s Nicholas Hoult, The Vampire Diaries’ Claire Holt, Game of Thrones’ Joe Dempsie, and Stranger Things’ Millie Bobby Brown, and comic book artists Whilce Portacio, Mike Zeck, and Ken Lashley, among others. But what drew my attention and my wife Beng’s the most was the explosion of talent among Filipino graphic artists who displayed their work at the far end of the exhibition hall.
Let me take a step back and recall that just last July, thanks to the sheer luck of being in the right place at the right time, Beng and I found ourselves attending the San Diego Comic Con—the original and still the biggest pop-culture gathering of its kind. The sortie revived my juvenile interest in comics and all things strange and wonderful—an odd detour from the stodgy realism of my own work, but surprisingly refreshing. It was at the SDCC’s Artists’ Alley that I ran into the Fil-Am comics legend Whilce Portacio, and I interviewed him on the spot (the full interview will appear in a forthcoming issue of Esquire Philippines), during which I learned that he was coming to Manila soon for another pop culture event.
That event turned out to be AsiaPOP. AsiaPOP Comicon Manila was organized by Universal Events & Entertainment, a subsidiary of the Singapore-based Al Ahli Holding Group, whose head of Marketing and Business Development Abdulla Mahmood was glad to share the fact that AsiaPOP’s first Manila outing last year attracted 30,000 attendees—a more than respectable figure considering that the San Diego original typically brings in about 130,000 people over four days. “Pinoys are immersed in pop culture,” Abdulla told me, explaining why his group decided to launch their first such event in the Philippines. “They’re among the heaviest users of social media, too, which helps spread the word. From here, we’re bringing the show to Dubai, and from there on to other cities.”
New TV hit series like Stranger Things are central to that pop culture—Beng and I spent two sleepless nights binge-watching on Netflix, and now can’t wait for the next season to meet the Demogorgon (whom everyone seems to think is…). The senior citizen-professor in me has to wonder how Beng and I can so easily succumb to the seductions of superheroes and their ilk, but then I’d have to admit that with nothing much else to do outside of work, we’ve become TV and movie addicts who must’ve seen every nearly sci-fi and fantasy flick that’s been shown over the past five years (with some notable exceptions—we’ve yet to watch a single episode of Game of Thrones).
So we can understand all the buzz about Millie Bobby Brown, but as newcomers to the comics supershow, we’ve come to realize that the fun isn’t in chasing after individual characters and stars as much as imbibing the sheer variety and spectacle of the experience—everywhere you look, there’s something else to catch the eye, whether it’s the X-Men’s shapeshifting Mystique or a new superhero named… Lolang Tsora?
That was Tandang Sora as we knew her from our history books, but in her reincarnation in Anthony Dacayo II’s Bayani series, she employs a spinning dreamcatcher to thwart her foes. We found Anthony and his merry band of artists in AsiaPOP’s own version of the Artists’ Alley, which hosted exhibits from dozens of the most gifted comic book artists in the Philippines. Anthony himself works on stories (and some of the drawings) for his Bayani project, which has since been developed by Ranida Games into a phone-based game that employs Filipino heroes as characters with special skill sets (Joe Rizal uses a quill sword, for example, and Rio Mabini his Verdadero Decalogo). It was his way, said Anthony, of bringing our national heroes into the consciousness of a new generation.
In another booth, we found Iloilo-born Jann Galino, who’s already done penciling work for Virginia-based Azure Multimedia’s “Ranger” comics. Jann exemplifies the Pinoy artist on the brink of the big breakthrough. He’s gone back to school to finish his Fine Arts degree while putting together a portfolio that he hopes will be good enough to show the scouts from Marvel and DC the next time they come around. On the other hand, Bukidnon native Harvey Tolibao has already done work for Marvel, DC, and Japanese game companies, among others, co-founding HMT Studios with some friends to expand and speed up the work.
I was especially happy to run into a former student, Paolo Herras, who has published a series of Strange Native comic books for Quezon City-based Meganon Comics after stints in advertising and indie films, drawing on history and folklore to interrogate the present. Beside him was another young author and artist named Tepai Pascual, whose Maktan 1521 is a graphic retelling of the encounter between Magellan and Lapu-lapu.
The biggest Pinoy names in the comic-book industry may now be too busy to appear at AsiaPOP—like Leinil Yu who trained with Whilce Portacio in the 1990s and is now one of the world’s most sought-after artists, and Budjette Tan, who now works for Lego in Denmark as a creative director in Lego’s ad agency. (A week after AsiaPOP, I ran into the California-based animator Jess Española, who won an Emmy in 2008 for his work on The Simpsons; he missed AsiaPOP but was in town to help motivate younger artists at his alma mater, the UP College of Fine Arts.)
But there’s no lack of younger Filipino graphic talent eager to follow on their heels, and events like AsiaPOP and the big Comicon in San Diego can provide the best launch pads for these Wacom-wielding wizards. (To know more about Filipino comics and their creators, check out http://www.philippinecomics.net.)
WITHIN DAYS of each other, two dear friends passed away last week—gallery owner Norma Crisologo Liongoren and retired professor and children’s book author Sylvia Mendez Ventura.
Norma was a memorable character whose eye-catching fashions lent more than a dash of color to her exhibition openings and parties in Cubao’s pioneering Liongoren Gallery. Most importantly, she was a generous spirit, lending artists both new and old her unflagging support and outright charity. Beng was especially close to Norma, and when I found her weeping and praying in our gazebo in the garden early one morning, I knew Norma had passed on in the night.
Sylvia was my Shakespeare teacher when I returned to school in the 1980s, and after one of her subjects, I was hooked on Shakespeare and the English Renaissance for life. Impeccably coiffed, this New York-educated diplomat’s daughter was a style icon who, like Robert Graves’ White Goddess, could lay bare your ignorance and cut you down with a single phrase. For some reason (and much to my classmates’ annoyance), I became her pet in class, and she would sometimes hand the lesson over to me to teach—which helped me decide to stay on and become a teacher myself. Sylvia was also a gifted painter, and I don’t think we ever told her, but for these past ten years, one of her flower paintings has hung over headboard. Good night, sweet princess, and flights of angels sing thee to thy rest!