Penman No. 458: An Artist in Leather

Penman for Sunday, January 7, 2024

FEW WILL remember this, but one of the very first things I wrote about when I began this column for the STAR back in mid-2000 was my passion for leather. By that I mean good, well-crafted leather briefcases, bags, watch straps, and such accessories beloved of both men and women seeking a timeless alternative to today’s synthetics. There’s still nothing like leather to suggest authenticity, tradition, pedigree, and care—care because it requires skillful crafting as well as devoted maintenance by its user.

All these came to mind when I first met Raymund Nino Bumatay, who goes by the trade name “Amon Ginoo,” at the Manila Pen Show last March, where he introduced his Leather Luxe line of luxury pen cases. At my age, and having seen quite a bit of what’s out there, I’m a difficult man to please, but Amon’s work ticked all the boxes (except perhaps one—affordability, which we’ll get to later), particularly the quality and craftsmanship that connoisseurs demand. He catered to a highly specialized clientele, so I wanted to know how he could merge art and business and succeed on both counts. 

Amon was engaged in graphic design and marketing when the pandemic hit, hitting his profession badly. Over the long lockdowns, he began thinking of ways to both express himself creatively and make some money. That was when the idea of making leather cases for fountain pens came to him, spurred on by instructional YouTube videos. Why pens?

“I have been a fountain pen enthusiast since 2015,” Amon told me. “I started out with a simple and reliable Lamy Safari that’s still with me, and while journaling and writing were a common pastime during the lockdowns of 2020, I yearned to make something by hand that would house my humble fountain pen collection. This was why the very first and noteworthy leathercraft that I successfully completed was a fountain pen case.”

Amon, it must be said, is but one of a new generation of fountain pen collectors and users, among whom Filipinos now rank among the world’s largest and most enthusiastic communities. The Fountain Pen Network-Philippines (FPN-P), which I helped found in 2008, began with 20 members but now counts more than 13,000 in its Facebook group, most of them successful young professionals between 30 and 45, along with more senior CEOs, Cabinet undersecretaries, topnotch lawyers and doctors, and aging professors like me. 

This was Amon’s ready-made market. Most people will do with just one pen that they’ll typically clip into their breast pocket or toss into a bag, but for fanatical collectors who amass hundreds of pens and carry a dozen of them around to pen meets, good cases are de rigueur. For everyday use, a three-pen leather case is normal. 

Amon wouldn’t be alone in supplying this market. Aside from imports, some other local artisans have been making quality pen cases. But Amon’s are on a whole other level, employing the choicest leather and featuring exquisite and even bespoke designs, which account for their premium pricing. His cases are, to put it plainly, truly world-class.

First, of course, he had to learn his craft. “After making a couple of leather fountain pen cases with one of my daughters, my wife asked what I was planning to do with all those prototypes. I explained that those were just practice pieces that I wanted to perfect and play around with. She insisted that I sell them so I could make this venture sustainable. My wife urged me to start branding these handmade pieces, saying they would serve as great homes for the pen collections of other enthusiasts. It took me a year and a half to muster the courage to finally put a brand to the craft I started and to begin offering my goods to FPN-P members. Thus was LeatherLuxePh born.” 

He was soon spending long hours trying out new methods and designs, aside from amassing leathercrafting tools from around the region and from Europe. And then there was the key aspect of the leather itself. “When I was just starting, I got my leather from Marikina, but when things began to get serious, I had to resort to Italian and French leather, sourced from distributors in Singapore, South Korea, and Hong Kong. I’ve also sourced leather from Brazil and Indonesia.” Aside from top-grade hides, he also uses exotic leathers such as snakeskin, ostrich, and stingray. “Each pen case is meticulously handcrafted, handstitched, and assembled by hand. The hand stitching alone needs a calm and steady hand, but I find it relaxing. We have spared no expense in choosing the best leathers, tools and supplies available and continually reach out to our clients to be able to share in their experience and further improve on what we have started.”

Amon found a receptive audience among FPN-P’s advanced collectors, whose five- or even six-figure Montblancs and Nakayas couldn’t just be carried around in pedestrian plastic or cardboard boxes. Among Amon’s repeat clients is CEO Jun Castro, who says that “I need a pen case for my big pens. Normal size pen cases would not fit them or be too tight to easily take them out.” Amon, who is based in Baguio, would even come down to work with clients to make sure he meets their very specific needs.

Of course, I had to ask Amon if he planned to expand LeatherLuxePh’s line beyond fountain pen cases, given the narrow niche it occupies. Yes, he says—but not too far from his base that he would compromise quality. “I’ve noticed that most Pinoy leathercrafters flock to bags, wallets, belts, and the like. New entrants usually resort to pricing that tends to undermine the artisan side of the craft. We decided to focus on pen cases precisely because very few of us do it. But we’ll venture into related items such as leather covers for journals and even a traveler’s kit for fountain pen enthusiasts. We’ll also tap the international fountain pen market this 2024 as a proud Pinoy brand.”

The upcoming 2024 Manila Pen Show on March 16-17 should be the perfect venue for LeatherLuxePh’s new products and designs. Can’t wait to see what this artist in leather comes up with next! (Meanwhile, check out LeatherLuxePh on FB and IG.)

Penman No. 374: A Pen-Filled Weekend

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Penman for Monday, November 11, 2019

 

IT’S BEEN a while since I’ve written anything about the original inspiration behind this column and its title—my longtime passion for collecting and using fountain pens—so please indulge me as I return to it this week with a big announcement: the holding of the second Manila Pen Show this weekend, November 16-17, at the Holiday Inn and Suites Makati.

But before we go to the show, let me make my standard pitch for fountain pens, for readers new to them. To younger generations weaned on ballpoints, rollerballs, gel pens, and other disposable writing instruments, fountain pens may be strange anachronisms—colorful (and often expensive) metal or plastic tubes filled with ink that could make an awful mess on your paper (or worse, on your shirt or dress). Why even bother with them when there are far more convenient and cheaper writing tools around (and why even bother with physical writing in this age of digital ink)?

It’s because—given the times we live in, when computer fonts and emoticons can make us write and sound alike—many people have begun to feel the need to express their individuality, to step out of the crowd and say “This is me!” in a very visible way. And nothing achieves that better than handwriting, which is best undertaken with a fountain pen.

Of course you could also write with a pencil or a Bic ballpoint and say the same thing as you would with, say, a Parker 75 or a Sheaffer Balance fountain pen. But pencils and ballpens have hard, stiff points which, like rollerballs, leave even and uniform lines. Fountain pens can have softer “nibs” (the business end, either steel or gold, where ink touches paper) which allow for line variation—i.e., very thin or “fine” to very thick or “broad” lines—depending on the pressure you apply. Some so-called “flexible” nibs can even go from Extreme Fine (EF or XF) to Double Broad (BB). All of which means a lot of writing fun—and sometimes you don’t even have to write anything that means anything, as the doodling alone can bring hours of therapeutic pleasure.

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Not surprisingly, according to The Telegraph of London in an article from March 2018, “The fountain pen is enjoying a fresh renaissance with sales of the classic writing instrument rising, a trend which experts are crediting to youngsters wanting to find an ‘antidote’ to their increasingly digital lives.” The Washington Post agreed last December, in a column titled “The handwriting is on the wall: fountain pens are back!” Indeed, all over the world, fountain pen sales are soaring, with younger people rediscovering—sometimes as “fashion statements”—what their grandparents carried daily in their pockets or purses as work tools.

One important shift from the past to the present has been the disappearance or sidelining of the major vintage brands such as Parker, Sheaffer, Waterman, and Wahl-Eversharp in favor of upstarts such as TWSBI, Franklin-Cristof, and Moonman. While some of the old brands have resurrected themselves, and other standouts such as Montblanc, Pelikan, and Pilot have never gone away, it’s the availability online of colorful, inexpensive, and surprisingly well-built pens from such places as China and India that has moved the market for pens from middle-aged executives to college students and young professionals.

Many such youngsters comprise the 8,700-strong membership of Fountain Pen Network-Philippines (https://www.facebook.com/groups/159754404054904/), an organization of FP collectors and enthusiasts which I helped found in my backyard with 19 other pioneers eleven years ago. Like the pens themselves, some of us old fogeys are still around, nursing our collections of pre-war Parker Vacumatics (my specialty) and Waterman 52s, but we’ve happily been overtaken by a younger set obsessed with not just the pens but with inks and papers.

Now, about the Manila Pen Show: for veterans and newbies, and even with the proliferation of pen products on the Web, there’s nothing like going to a pen show to enjoy the whole carnival. The best way to choose and buy a pen is still to hold and feel it and see how it writes. I’ve been to pen shows in Chicago, Baltimore, Ohio, Singapore, and Detroit, among others, and you can imagine how exhilarating (and financially debilitating) those sorties can be, with thousands of glittery pens to choose from within so many square feet.

We held the first MPS last year at SM Aura to mark FPN-P’s tenth anniversary, and it was so successful that we decided to hold another one this weekend, this time for two days, from 9 am to 6 pm. Raffle tickets will be issued in exchange for donations to charity, in lieu of an entrance fee. According to our spokesperson and calligrapher extraordinaire Lorraine Marie Nepomuceno, “Modern and vintage pens will be available, as well as fountain pen inks, paper products, and accessories. Participating international retailers include Aesthetic Bay (Singapore), Atelier Musubi (Singapore), Newton Pens (USA), Pengallery (Malaysia), Pierre Cardin (Hong Kong), Regalia Writing Labs (USA) and Straits Pen (Singapore). Local retailers and brands represented at the pen show include Calibre and Friends, Cross Pens, Everything Calligraphy, Faber-Castell, Gav ‘n Sav, Guia’s Vintage Pens, Inks by Vinta, Kasama Pens, Lamy, National Bookstore/Noteworthy, Pengrafik, Peter Bangayan, Scribe, Shibui, and Troublemaker Inks. Enthusiasts with minor repair needs or who require nib regrinds can visit the booths of nibmeisters John Lim or JP’s Pen Spa. Workshops, as well as talks by special guests, have been organized for both days of the show.”

One of those special guests will be, ahem, me, to give a talk on collecting vintage pens on the afternoon of the 17th. See you at the Holiday Inn!

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