Monthly Archives: February 2023

Qwertyman No. 30: Alternatives to Cha-cha

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Qwertyman for Monday, February 27, 2023

WE PINOYS know—as night follows day—that every time a new administration comes to power, a fresh initiative emerges to amend the 1987 post-EDSA Constitution. Fidel V. Ramos tried it with his ill-fated PIRMA campaign, followed by Joseph Estrada’s “Constitutional Correction for Development,” the attempt of Gloria Macapagal-Arroyo’s congressional allies to form a constituent assembly without the Senate, and even Noynoy Aquino’s reported openness to giving the President a second term. Rodrigo Duterte included “charter change” or cha-cha in his platform and tried to push it until Covid came.

Most Filipinos, let’s admit it, don’t even know what the Constitution contains, but a few of us seem hell-bent on changing whatever is in there. Never, of course, for selfish reasons like extending term limits (now why would we even suspect our politicos capable of such nefarious designs?) but for “economic provisions only” (although extending one’s term limit is a very healthy economic provision, as far as I can tell). 

Cha-cha is in the air once again, fellow citizens, going around the House and Senate like a marching band, despite President Marcos Jr.’s public disavowal of support for the proposal. 

Even the National Economic and Development Authority’s estimate that cha-cha—the convention and the plebiscite—could cost as much as P28 billion (yes, that’s a B) isn’t likely to deter its proponents from advancing their cause. With more than five years to go under BBM, a lot of plausible reasons could be found for coughing up that money. Why, even the President could change his mind over that period, persuaded perhaps by a groundswell of demand for cha-cha that he can’t possibly ignore. (Why am I suddenly thinking of that pool resort in Cavite with the artificial wave machine that we so enjoyed last summer?)

Perplexed by this insistence on the need for cha-cha now, I turned to my favorite chatmate, sounding board, and political counselor—ChatGPT—for some answers and explanations. (I know what you’re thinking—I’m just making all of this up—but no: I actually paid good money for this app, so I’m going to get  my money’s worth. If you don’t believe me, try asking it the same questions.) Here’s a transcript of my conversation with ChatGPT:

ChatGPT: Hello, How can I assist you?


Qwertyman: How important is cha-cha to the Philippines?


ChatGPT: Cha-cha is an important dance to the Philippines, as it represents their culture and traditions. It holds a special place in the hearts of many Filipinos and is regarded as a national dance. It is often performed in public gatherings and celebrations to bring people together and express joy and happiness.

(Hmmm, I don’t know where you got that, ChatGPT. Pinoys who remember Nestor de Villa and “Dancetime with Chito” might have a hankering for the cha-cha, but I don’t see any great demand for it from millennials or even their parents. Are you sure it’s that special to us?)


Qwertyman: Why cha-cha? Why not the twist or the shingaling?


ChatGPT: The cha-cha is a distinctive Latin dance with an easily recognizable beat, which makes it easy to follow. It’s also more graceful and flowing than other partner dances, making it well-suited to more formal events. In addition, its pattern of three steps forward and two steps back is easy to learn, making it a great choice for beginners.

(That’s what worries me, ChatGPT. As you say, it’s “a great choice for beginners,” which is probably why a rookie senator is on top of the process. Some of us are also worried that cha-cha will mean two steps forward and three steps back.)


Qwertyman: But what if people just want to sit down and not do the cha-cha?


ChatGPT: That’s perfectly fine! There are many ways to have fun and enjoy one another’s company without having to do the cha-cha. You could play board games, cards, watch a movie, listen to music, engage in conversation, etc. Whatever makes you and the people around you comfortable and entertained is the best way to go!

(Totally agree! Someone should tell our esteemed lawmakers that they can do this, too—play board games, cards, watch a movie, listen to music, engage in conversation—rather than tinker with the Constitution, especially if it’s beyond their comprehension.)


Qwertyman: What are the dangers of doing the cha-cha?


ChatGPT: The dangers of doing the cha-cha include: 1. Potential for pulled muscles or sprains due to improper form, which increases the risk of injury. 2. Risk of slipping and falling since the cha-cha can involve quick, sharp movements. 3. Risk of strain on the joints due to the fast, jumping nature of the dance. 4. Risk of overheating due to the amount of movement required for the cha-cha.

(To which we can add: 1. The potential for a further decline in the quality of our leadership, by the extension of political dynasties into future generations of inbred politicians, raising the genetic potential for imbecility. 2. Risk of slipping and falling back into old ways and faces of governance. 3. Risk of strain on the national budget. 4. Risk of overheating the political climate.)

Qwertyman: Is it better to do the cha-cha today or some other time?


ChatGPT: That depends on what you have planned for today. If you have other commitments or would like to save the cha-cha for another time, it is best to choose an alternate date.

(Other commitments? Hmmm, let me think. Defending our patrimony in the West Philippine Sea? Achieving price stability for basic commodities? Fighting corruption? Raising the competencies of our children in STEM? Dispensing justice, especially in long drawn-out cases like the Maguindanao Massacre, the tokhang murders, and Leila de Lima’s incarceration? Providing housing, livelihood, and adequate social security to the poorest Filipinos? Is this list long enough?)


Qwertyman: What are the best alternatives to the cha-cha?


ChatGPT: 1. Bachata 2. Salsa 3. Merengue 4. Cumbia 5. Samba 6. Paso Doble 7. Tango 8. West Coast Swing 9. Bolero 10. Contemporary Latin Dance.

(I have to admit you got me there, ChatGPT. I’ve never heard of the bachata—unless you mean “ban charter talk”?)

(Image from The Adobo Chronicles)

Qwertyman No. 29: Balloon over Boracay

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Qwertyman for Monday, February 20, 2023

WHEN THE balloon was first spotted high over Boracay, some people thought it was a new ride, a welcome addition to the banana boats and paragliders that the tourists couldn’t seem to get enough of. 

“How much does it cost? Where does it land?” asked Akmal from landlocked Uzbekistan, whose belly was white as fish and whose hair reminded the locals of the red seaweed that sometimes strayed into the island’s waters. 

“Does it have a basket? I don’t see any people,” said Frida from icy Norway, who had actually flown on hot-air balloons where they were popular, as in Turkey’s Cappadocia and California’s Napa Valley. 

“It’s not from here,” said Gordo, the boy from Manoc-Manoc whose job it was to lash the ferry boats from Caticlan to their moorings and to take the hand of passengers stepping onto the pier. He had seen everything there was to see in Boracay in all of his seventeen years, from the shameless couplings on the surf to the occasional victim washed up on the shore, and all cuts of humankind from cigar-chomping Texans to barrel-chested Samoans, and he knew what belonged and what didn’t. This silver dot in the sky definitely did not. 

As if having a mind of its own, the balloon drifted north of the island to Yapak over Puka Shell Beach, then back down again over White Beach, where it attracted even more observers. Men who had been using their telescopes and cameras to focus on the usual bathing beauties turned their gear skyward to where people were pointing, and those with the longest lenses snapped pictures of the aerial intruder, for posting on Instagram and Facebook as the curiosity of the day.

Unknown to them, however, the balloon had been spotted much earlier by the government’s Aerial Surveillance Bureau, whose chief had hastily summoned his staff to an emergency meeting at the ASB’s secret command center, on the fringe of a golf course in southern Manila. The ASB’s Director O, a retired Air Force general, was still pulling off his gloves when his subordinates dropped into their seats and the lights went out. A blurry image of the drifting balloon appeared onscreen.

“This unidentified object entered our airspace above the Spratlys at 0423 hours, when it was too dark to be seen by our human spotters. It has since set course for Boracay Island, above which it has remained since 0933 hours, when it was finally spotted by one of our boys who was chasing a monkey up a coconut tree. Now the question is, what is it, who sent it, and why is it here? Is it friend or foe? The President expects me to report to him in the Palace in one hour and I need answers!”

“Sir, if I may,” said his Deputy Director M, “it looks exactly like the one they shot down over the USA and Canada. It’s a weather balloon from—from that country—equipped with advanced surveillance hardware and sophisticated communications capabilities.” It had been ordered since the previous administration not to mention “that country” by name in discussions of national security, so as not to give offense to a favored neighbor, and the habit had stuck, even in private conversations.

“Let’s not jump to conclusions!” said Director O. “There are many other countries perfectly capable of sending up these balloons. For all we know it could be a Lithuanian, a Ugandan, or a Wakandan balloon. I’m not going to upset the ambassador from that country with unproven allegations about his country’s behavior—however outrageous, obnoxious, and objectionable its actions are in the West Philippine Sea, just between you and me.”

“But why is it here, sir? And why Boracay?”

“Good question. Don’t quote me on this, but during the last National Security Council meeting, we were told that that country is preparing to reveal a new Thirteen-Dash Line map, supposedly drawn in the 16th century just before the Spanish came, that extends all the way to Boracay!”

“What?! But Stations 1, 2, and 3 are inalienable parts of our national patrimony! As Winston Churchill said, ‘We shall fight on the beaches, we shall fight on the landing ground, we shall fight on the hills, we shall never surrender!’”

“Yes, but in Boracay, people make love, not war. Imagine having to clean up all that white sand after an invasion. Another six-month lockdown! Can Philippine tourism afford it?”

“So what do we do, sir? Do we bring down this balloon?”

“With what? I already called the Air Force to see if they could fly by the object, but all of our fighters are undergoing maintenance—change oil, check battery, adjust brakes, etc.”

“What about kwitis?”

“Are you making a bad joke in a national emergency?”

“No, sir! The DOST and DND have a secret research program based in Bulacan called the Katipunan Weapons Initiative To Initiate Security, or KWITIS. It’s a multi-stage kwitis that can protect the archipelago against missiles, drones, asteroids, and UFOs like the Boracay balloon! It’s totally indigenous and sustainable, because it uses kawayan for the frame and kiping for decoration and employs out-of-work firecracker makers in the off-season—”

Just then another aide burst into the conference room, breathless with news.

“Sir! Turn on the TV! The balloon is down. The balloon came down!”

They switched to a live feed from CNN, which showed the balloon settled on the beach, its silver skin acting like a mirror for the dozens of kibitzers crowding around it, taking their selfies and groufies with gay abandon. A couple of local policemen who had tried to restrain the crowd were taking their selfies as well, flashing the “heart” hand-sign. “The balloon touched down about fifteen minutes ago on its own, and it is quickly becoming the center of what could become the biggest Boracay party ever! There are still no obvious indications of where it came from or why it is here, but this balloon seems to be totally harmless, so far, even ‘cute,’ according to Loujay, who’s visiting from London,” gushed the reporter. 

And then small puffs of red, blue, and yellow smoke came out of the metal box at the bottom of the balloon, and for a minute the people shrieked and began running away, but as the smoke dispersed and the people inhaled the fumes, their faces lit up in ecstasy and they began dancing. Music also poured out of the balloon—the frenetic techno club mix that brought even the masahistas and the barbecue vendors to their feet.

“I know that, sir! That’s Stefano DJ Stoneangels!” said Deputy Director M, whose shoulders began moving up and down. “This is even more mysterious than we thought. We are under attack!”

“Indeed we are,” said Director O. “We need to investigate further. Pack up, boys, and bring your trunks, we’re going to Boracay!”

(Image from madmonkeyhostels.com)

Qwertyman No. 28: Catching Fluffy

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Qwertyman for Monday, February 13, 2023

(Disclaimer: Our story today has nothing to do with the recent capture and deportation of the Japanese criminal mastermind known as “Luffy,” for which we congratulate our brave and vigilant law enforcers, although I have to admit to being inspired by that diabolically fearsome alias.)

HIS PHONE rang at the worst possible time. The chief of the Metropolitan Investigation Division was just about to reach the climax of his story—the ladies around him all open-mouthed and wide-eyed in anticipation—when the Tiktok “Moonlight” song, which he had been using as his ringtone, broke the spell, instantly sending some of the girls into their habitual gyrations.

“Chief!” exclaimed Melanie, his special girl in the club, “I didn’t know you liked that song! You’re so cool! Come, let’s dance!” She took his free hand and tried to drag him to the dancefloor, but he resisted. It was unusual for Chief Tiny (short for “Agustin”) to resist Melanie’s persuasions, but she could see from his look that this was something serious.

Chief Tiny had spotted the name on the call—Bungi, his lead investigator—and he knew that Bungi knew not to call him at this hour for any reason less than to report the mysterious sighting of a bearded man walking on the waters of Manila Bay. If this was just to tell him that his wife was at the station looking for him again, for which Bungi was supposed to have had a dozen excuses at his disposal, why, he was going to make sure Bungi was demoted to jail guard in charge of sanitation. Tiny was especially annoyed because he had been trying to impress the girls with his story of how he had found and captured Don Waldo—the country’s most notorious drug and gambling lord, compadre to this senator and that congressman, master of a reputed harem of 100 women, and ruthless widow-maker dozens of times over. Tiny had geo-located him through the Facebook feeds of his then girlfriend, the previous year’s Ms. Matabungkay, and had negotiated his peaceful surrender, much to everyone’s relief. Of course, he wasn’t going to tell them that Don Waldo posted bail one hour after he was arrested, and that the two men had exchanged winks at the station after the media photographers had had their fill. It was all part of his standard MO: catch the bad guy, work out a deal, and let him off the hook on some technicality. 

“Boss,” said Bungi in a whisper over the phone, “we found him—Fluffy.”

“Fluffy!” Tiny screamed with all his 250 pounds, jolting everyone. “Are you sure it’s him, the Fluffy, ourFluffy?”

“Yes, sir. Of course they call him ‘Fruffy’ in Japanese, but I saw him myself—absolutely no doubt he’s our man.”

As Chief Tiny continued to chat with his caller, Melanie shrank back into her seat beside the chief, trying to catch as much of the conversation as she could while collecting her own thoughts. She knew this man called “Fluffy”—personally, professionally, biblically, in all kinds of ways. When the chief wasn’t around, Fluffy took his place in her private quarters, in a condo overlooking the Pasig River, from the other side of which she had triumphantly risen. Initially there had been a language problem—his vocabulary would have been considered coarse even in Japan—but what they needed to communicate did not require too many hand-signs. What didn’t need explaining was his nickname, made obvious by the two clumps of steel-woolly hair on his head, like a poodle.

From his Pinoy bodyguard, Melanie learned that Fluffy ran an extensive Japanese mafia in the Philippines, which controlled the distribution of everything from fake Japanese car parts, Ebisu dolls, Voltes V figurines, and ramen noodles. They competed with an equally vicious Korean mafia engaged in pushing fake Korean car parts, BTS coffee mugs, CLOY T-shirts, and kimchi, as well as a Chinese mafia flooding the market with fake American, European, and everyone-else’s car parts, imported galunggong, POGO workers, and tikoy. Sometimes the rivalry got too hot and blood was spilled on Manila’s streets, giving Chief Tiny unnecessary headaches that required a few hours with Melanie to cure. But now Melanie herself felt the onset of a massive migraine: if her two patrons found out about the other and their common interest, then all hell would break loose.

“Sorry, girls, but I have to go,” Chief Tiny announced, getting to his feet. “I have to catch a master criminal.” With that, he gave Melanie a quick hug, and hurried off.

Melanie had to think fast. Chief Tiny made her feel protected—not only when he encircled her in his ham-like arms, but more importantly when she or her friends ran into trouble or needed a big favor like a police escort for a relative’s funeral. Fluffy was strange but sweet, gifting her with exotic desserts like green tea cookies and mochi; she was scared but also thrilled by his insistence that she take on his tattoos. Whom would she choose? She thought of sending Chief Tiny an anonymous text message telling him where Fluffy was, but then they already knew that. She thought of sending Fluffy another message to tell him that Chief Tiny was on his way to get him, but if he ran away then that would only prolong her own predicament. She decided to let fate take its course and to stick by whoever survived. Meanwhile, she wasn’t going to waste her time, and moved on to the next cubicle to make the acquaintance of a Korean gentleman who reminded her of that oppa Gong Yoo.

Two hours later, Melanie and her new partner were happily warbling BTS’ “Butter” on the videoke: “Smooth like butter, like a criminal undercover / Gon’ pop like trouble breaking into your heart like that, ooh!”Suddenly she heard two all-too-familiar voices from the other side.

“You’re very hard to catch, Mr. Fluffy! You’re very good!”

“No, Mr. Tiny, you’re better because you caught me, haha!”

“Next time, don’t hide under the table, haha! That’s the first place we look!”

“Thank you for not shooting me, haha!”

“How can we be friends if I shoot you, haha! Now, let’s have a good time—I will introduce you to my very pretty girlfriend!”

“You also have a very pretty girlfriend, also here? Me, too! But my girlfriend is prettier, haha!”

The Korean gentleman in the next cubicle was perplexed. “Melanie! Where you go? Why you hiding under the table?”

(Photo from bbc.com)

Qwertyman No. 27: The Maalikaya Health Fund

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Qwertyman for February 6, 2023

THE HON. Victor M. Dooley, once again, was in a quandary. At the end of his trip to the World Economic Forum in Davos, he was brimming all over with enthusiasm, eager to prove to his constituents that the money spent for his first-class ticket (and for his Chief Political Officer and rumored girlfriend, Yvonne Macahiya) had not been wasted. 

There was a long list of sessions he had planned on attending, identified for him by Yvonne as strategically important, with titles like “What’s Next for Monetary Policy?”, “How to Turbocharge Development Finance”, “Living With Risk,” and “Mapping Russia’s Trajectories.” She had prepared briefs for him, along with a list of intelligent questions he could raise in the open forum, so they could take a picture of him, in his bespoke Senszio suit that he had ordered during his last junket in Brussels, on the floor. But as it happened, strolling up the Promenade on his way to the forum, Sen. Dooley found himself staring at a new Omega Seamaster 300 Co-Axial Master Chronometer at the window of a watch shop. He must have stood there for a very long time, because an unusually friendly salesman stepped out of the shop to invite him in. 

“Guten Tag! Bonjour! Buongiorno!” the man said in the city’s three languages. “Good morning! Are you Indonesian?” This year, the Indonesians had put up a large national pavilion along the Promenade. 

“No, no!” cried Victor. “I’m Filipino!” 

“Ah, Filipino! Magandang umaga!” said the salesman. “We love Filipinos! Many of them come to Davos! Many of them come to my store. Come in, come in!”

Victor allowed himself to be ushered into the boutique, which, he had to admit, was warm and pleasant compared to the bitter cold outside. Last night, as he cuddled in bed with the snoring Yvonne, he had wondered why the WEF (which he would often misquote as “WTF,” to Yvonne’s dismay) insisted on holding the forum in the dead of winter rather than in some nice summery spot, like that lakeside place he had seen on “Crash Landing on You.” Why would people even want to talk about something as boring as economics in all that snow? Davos was meant for cuddling—which, sadly, was all he could now do with Yvonne, much to the latter’s dismay, unless he took an overdose of the little blue pills, which dismayed Yvonne even more.

But of course the Hon. Victor M. Dooley couldn’t refuse the President’s invitation. As chairman of the Senate Committee on Basic Education, Culture, and the Arts, he frankly had no idea why he was going to an economic forum in Switzerland, except that he was sure the President’s appointments secretary had a crush on him, and added his name to the list, as she had done for him in Belgium; surely his movie-star looks couldn’t hurt the delegation. 

Naturally, Yvonne found and crafted a plausible reason for him: “Education, culture, and the arts are indispensable in shaping the new post-pandemic economy, especially given the global transition to online instruction and the response of creative industries to new opportunities created by this expanded platform. We cannot underestimate the importance of human creativity to economic growth. If traditional economics concerns itself with supply and demand, then creative industries can exert a powerful influence at both ends—creating new needs, new producers, and new resources that can only spur economic development, especially among sectors often marginalized by industrial homogenization. I would urge all our leaders here in the WTF—most notably those from the developed West—to look to the Philippines for new ideas, particularly in the fields of design, fashion, animation, music, indie filmmaking, food, and graphic arts. These are the growth industries of the 21st century, endeavors that our predominantly young populations can relate to with vigor and enthusiasm.”

Victor had to admit that it sounded good, although he had to have Yvonne explain “industrial homogenization” to him by pointing out that his Lexus looked like Congressman Tungkod’s Genesis G70, which also looked like Mayor Lanzones’ Audi A5, at which point Victor felt deeply depressed. But Yvonne pulled him out of his funk by having him memorize his spiel before a mirror—warning him, like a good coach, not to count off “design, fashion, animation, etc.” on his hand starting with his pinky finger, as Filipinos were wont to do. Victor felt energized; he couldn’t wait to fly to Davos and spring his little speech on the unsuspecting WTF’ers.

But now he was staring at the Omega Seamaster, glowing like a hypnotic planet. The salesman had taken it off the display shelf to cuff him with, and he felt locked to it for life, as if it belonged to him and he belonged to it forever. Why, it was James Bond’s watch, it went to the moon, and the price—well, surely Yvonne could free up half a million from his intelligence fund in the name of cultural diplomacy, which a little Filipino-Swiss transaction promoted. 

“It’s worthy of a president,” the salesman whispered in his ear. 

“I’m only a senator—yet,” said Victor. His throat felt dry. 

“Then it will lead you to your destiny.”

That evening, at the dinner for the delegation, Sen. Dooley was chagrined to find that two other senators and even the president’s third cousin sported the same new watch. And everyone around the table was talking about some “sovereign wealth fund” that was going to save the country, which Victor, sans Yvonne who was consigned to dine with the secretaries, was clueless about.

“I know all about it,” she told him later at the hotel, as they packed for the flight home. “The secretaries told me. It’s big, and it’s as good as done.”

“And I’m not part of it? I have to announce something when we get home!”

“Are you sure you want to? According to ChatGPT, sovereign wealth funds are subject to risk tolerances, liability matches, and liquidity concerns. As it’s my job to protect you, let’s think of something else.”

As they cuddled on their last night in Davos, and as he watched the seconds tick by on his Seamaster, Victor felt an old stirring under the blanket, going back to his misspent youth, that revived long-dormant memories of simpler pleasures. 

“I think I have it!” he told Yvonne. “This will be for everyone’s physical and mental health. We will train hundreds of thousands of masseurs and masseuses. Every Filipino, man or woman, will get a free massage after a hard day’s work.”

Yvonne seemed genuinely surprised. “Hmmm, that’s original!”

“We’ll call it the Maalikaya Health Fund. Our slogan will be ‘Every Filipino deserves a happy ending!”

Penman No. 447: A Tertulia and Tinio

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Penman for Sunday, February 5, 2023

WE CELEBRATE National Arts Month in February in the Philippines, but it came a little early for me this year, in a January packed full of memorable cultural events that reminded me of how much we’ve missed during the long pandemic. 

First off was a trip to Bacolod for a preview of the celebrated theater director Anton Juan’s new film, Amon Banwa Sa Lawud (Our Island of the Mangrove Moons). I’d known, of course, of Anton’s stellar work in theater for many decades now, but this was the first foray of his into cinema that I was aware of, and I—and the select audience that attended the preview at the Negros Museum’s Cinematheque—was not disappointed. 

Set and shot in the island-community of Subac in the city of Sagay, and based loosely on Thornton Wilder’s seminal play “Our Town,” the film chronicles the lives of villagers whose fortunes are inextricably wedded to the sea. Isolated from many of society’s most basic comforts, they survive through hard work, faith, and ambition, despite the many threats they face—among them, roving bands of pirates and, not too subtly suggested by a floating buoy, Chinese vessels encroaching on their fishing grounds. 

Shot in ten days with a mostly amateur cast, the film is a tribute to Pinoy industry and courage, and also of the sense of community that seems to have frayed for our people on a national scale. I remarked after the screening that most of us have lost touch with our maritime culture—the sea hardly figures in our literature, for example, except as a romantic backdrop—despite the fact that ours is a country of many islands like Subac. Anton’s film offers hope—but also delivers a stern warning about the dangers hovering on our national horizon. Kudos to the Erehwon Center for the Arts and to its founder Raffy Benitez, among other producers and sponsors, for making this film possible.

The second event that my wife Beng and I were privileged to attend was a musical tertulia at the historic Acosta-Pastor ancestral home in Batangas City, hosted by everyone’s musical tito, Atty. Tony “Tunying” Pastor. Every year, during the city’s fiesta, Ka Tunying sponsors a performance of renowned artists at his family’s home, which is a living museum of sorts, with a full-sized caruaje greeting visitors on the first floor.

This year, thanks to an invitation from the writer-curator Marian Pastor Roces, we were treated to a special program presented by the famed soprano Rachelle Gerodias, her tenor husband Byeong In Park, and tenor Nohmer Nival, fresh from their performances in last December’s “Turandot.” As was his wont, Ka Tunying—a music graduate from UP—joined the trio on the piano, and even sang gamely along. 

The repertoire comprised crowd pleasers like “Mutya ng Pasig” and “Nessun Dorma,” and the audience responded warmly, with more spontaneity than they could have shown at the CCP or some such venue. Somehow, the classics felt right at home in the 140-year-old house, which had resonated with music for decades, whose bright wooden floors had welcomed generations of guests eager for a day of revelry and good food (which was served downstairs, after the mini-concert). 

Most fascinating, however, was an evening we spent in Manila late in January with an old friend, the tenor and businessman Francisco “Frankie” Aseniero. In his other life as a bright young economist, Frankie had been our boss at the National Economic and Development Authority in the 1970s, where NEDA Director-General Gerry Sicat perhaps unwittingly nurtured a corps of writers and artists in his staff, including the late playwright Bienvenido “Boy” Noriega. 

When we met Frankie again recently to welcome home another officemate, the prizewinning Filipino-Canadian poet Patty Rivera, I asked him about his music, as he now spends most of his days as a gentleman-farmer in Dipolog, where his family has roots. (One grandfather was a student of Rizal, while another was a Swedish-American Thomasite—but that’s another long story.) He has concertized all over the world, was active with the UP Concert Chorus and the Madrigal Singers, and at one point had to choose between music and economics for further studies. He took the pragmatic option and joined NEDA, but never really let go of his singing.

One very interesting thing I learned during that chat with Frankie was how, back in the 1970s, he sang and recorded Filipino translations of classical and popular operatic pieces by the late Rolando Tinio. “We would be having lunch, and Rolando would just write his translation over the score on the table, and it would be perfect,” recalled Frankie’s wife Nenette. Tinio, of course, was a genius, for which he was rightfully named a National Artist, albeit a difficult person for some others to deal with (there’s an explosive episode recounted by the film director Mike de Leon in his two-volume memoir Last Look Back about an encounter with Tinio at the 1978 Metro Manila Film Festival). I had the privilege of having one of my plays directed by Tinio at the CCP as a young playwright, but thankfully escaped the edge of his scathing derision. At any rate, I was enamored of his Filipino translations for Celeste Legaspi in the mid-1970s—it’s an album I’ll never tire of listening to, especially the soaring “Langit Mo, Ulap Mo” (Michel Legrand’s “Summer Me, Winter Me”)—and learning that he also translated operatic and Broadway pieces intrigued me.

Frankie obliged by inviting us to his home for a soiree and a personal concert, featuring such popular favorites as “Yakap Mo’y Aking Napangarap” (“I Have Dreamed” from “The King and I”), “Wari Ko’y Di Ko Kaya ang Mag-isa” (“Stranger in Paradise” from”Kismet”), and “Ganiyan ang Aking Giliw” (“And This Is My Beloved” from “Kismet”). We had a good laugh over “Laging Nag-iiba Pusong Babae,” better known as “Donna e Mobile” from “Rigoletto.”

I can only wish that Frankie (and other Filipino singers) would make a studio recording of these Tinio translations for commercial release. It’s hidden treasure I was lucky to stumble on, but it deserves to be heard and enjoyed by many millions more.