Category Archives: UP

Qwertyman No. 219: Notes on Cesar Virata (1930-2026)

Posted on by
Reply

Qwertyman for Monday, October 12, 2026

FOR A personality so closely associated with the Marcos regime, it was inevitable that the obituaries following the passing last week of former Prime Minister Cesar Virata would reflect a broad range of opinion. 

The gentlest take on the man was that he was an honest, modest, and hardworking academic who found himself with an opportunity to help direct national economic policy, and who did his best, within a profligate bureaucracy, to mitigate economic catastrophe and sustain international support for the Philippines.

At the harshest extreme is his depiction as a complicit enabler of Marcosian martial law, a window-dresser for the regime, and ultimately an ineffectual technocrat—like others of his training and generation—who refused or failed to acknowledge the crimes of the regime he had been serving faithfully.

Those assessments came freely in social media last week, from friends I respect on either side. The variance told me as much about how we choose to remember history as how we choose what to forget, or at least to mediate after half a century, which probably tells more about us than about the other person.

I had several opportunities to meet with and to interview PM Virata, as he most likely would have wanted to be remembered, in the course of completing books to which he had something to contribute from his vast experience. We discussed mainly his life as an academic and as one of SGV’s early pillars, as well as being a member of Cavite’s prominent Aguinaldo and Virata clans. Inevitably—usually after the formal interviews, when he took me out to lunch for a more relaxed chat—he opened up about his life as a Marcos technocrat. He allowed me to take notes, from which I now share some interesting episodes and insights—edited for clarity—that might help complete whatever picture of the man we had in mind.

On martial law: “We didn’t know about the preparations for martial law. The President kept it to himself…. I was in the US when martial law was declared. I was attending a World Bank meeting. I went to my hotel room in DC, where we often stayed, although the actual meeting was at the Hilton. I got a call from one of the more senior Department of State reporters who had covered the negotiations on the Laurel-Langley Agreement. He said, ‘Don’t you know, Mr. Secretary, that martial law has been declared?’ I said no. That was around 4 pm because I had a 5 pm tennis game with Ambassador Suarez, who must also have been surprised, because he didn’t know, either. I thought of calling Joy, but she would have been asleep then, so we played our game and I waited until around 6 am to call her. When I did, the operator said, ‘All calls are suspended to the Philippines.’ Later, Alex Melchor and I were told to go to San Francisco and LA on our way home to tell the Filipinos and the consulate there about martial law. I still didn’t know what we were supposed to say. Eventually, when that same American reporter asked me for my reaction to martial law, what I said was, ‘Well, the Philippines just joined the rest of Asia,’ because everyone else around us had declared martial law—South Korea, Indonesia, Malaysia, etc.”

On the Aquino assassination: “August 21st, Ninoy was killed. I was at home in Philam that day. Joy was having a show in Makati, so I had lunch with my sister in Kalayaan. I went home and I fell asleep. I was woken up by my military aide, saying that Sen. Aquino had been killed and that the President would be making an announcement soon. We had a TV and a radio in my room and turned both of them on, but the President didn’t appear, just his photo. It turned out that he was about to have an operation. We were called to Malacañang, but when we got there, the guards told us not to approach the President, because he was all bundled up. He was really struggling and had to be helped to the elevator. We learned that he was going to have a kidney transplant! He did instruct us to pay our respects when Ninoy’s body arrived. We went to the house on Times Street but we weren’t allowed in, so I wrote a letter to Butz Aquino, who was the only one I knew then.”

On the Constitution: “I just learned recently that a Cabinet meeting was called right after martial law that I was not present at. The issue presented by the President to the Cabinet was that he had received a summons from the Supreme Court because there were petitions asking for martial law to be declared unconstitutional. There was a group that included the military and I think even Sec. Abad Santos who were in favor of declaring a revolutionary government. But the President did not accept this. He said, ‘How can you assert civilian authority over the military without a Constitution?’ He really believed in Atty. Estelito Mendoza, so he asked Mendoza to respond to the Supreme Court summons, and Mendoza said he’d try to argue that this was a political issue and not within the Court’s jurisdiction.”

On becoming Prime Minister: “The President kept me concurrently as Finance Minister, but my weakness really was that I wasn’t a politician, so I wanted Jose Roño, the Minister for Interior and Local Government, to be my deputy because he knew the local governments and politicians. At that time, Foreign Minister Romulo wanted to be the deputy PM. CPR said, ‘Look at Singapore, Rajaratnam serves as both deputy PM and foreign minister.’ I said, ‘Look, I’m not a politician and you’re away most of the time, so how will I operate? If there was more than one deputy prime minister, I’d probably nominate you, but there’s only one vacancy!’”

There was a lot more I learned from PM Virata, both about and outside of martial law, but there are some stories you realize are being told to you in confidence that are best kept that way. It’s a sad thing that the general tendency these days—especially in social media—is to reduce people to their politically posterized worst, discarding the innate complexity in every person. Maybe I’m too naïve and tolerant, but the fictionist in me looks for those complexities and ambiguities rather than bottomlines better left to accountants and scholars. 

One detail I do remember about Cesar Virata was that he was already dean of the UP School of Business Administration (which now bears his name) when his father Enrique, a professor of mathematics, was named Acting President of UP. Cesar resigned and joined SGV rather than put both of them in an awkward situation. I know his detractors might say that he could and should have exercised the same delicacy in his later positions in government, but that’s a longer argument for another time.

Qwertyman No. 218: A Dead Man’s Voice

Posted on by
Reply

Qwertyman for Monday, October 5, 2026

TODAY I’M going to turn over this column to the voice of a long-dead man, and all because—when last week I picked up a book he had published in 1957—I thought he might as well have been writing in the present, so uncannily familiar were the vignettes he recounted from this country’s political life seven decades and more ago.

The man was George A. Malcolm (1881-1961), the first full-time dean of the University of the Philippines College of Law whose building now bears his name, and later an Associate Justice of the prewar Philippine Supreme Court. The book he authored was American Colonial Careerist (Boston: The Chrisopher Publishing House, 1957), a collection of his memoirs and impressions as a civil servant under the American colonial regime over most of that period.

I was drawn to the Malcolm book because I collect antiquarian Filipiniana, for one, and of course because of the UP connection, but also because Malcolm graduated from the University of Michigan (where I and many other Filipino scholars took their graduate degrees) and had long been intrigued by Ann Arbor’s contributions (positive and surely some negative ones as well) to Philippine education and government. Michigan also produced Dean Worcester, who would defend America’s paternalistic rule, and lawyer Clyde De Witt, who would practice in the Philippines and later set up an endowment for Filipino student-lawyers in Michigan that would support such legal luminaries as Edgardo Angara, Miriam Defensor Santiago, and Raphael Lotilla.

Because of his positions, Malcolm came to know and befriend nearly all the major Filipino and American politicians and leaders of the prewar period, and his book gives intimate and sometimes saucy sketches of them. Manuel L. Quezon, not surprisingly, dominates his memoirs. “The Filipino is a natural and consummate politician,” he writes. “The great Jefe of them all for three decades was Manuel L. Quezon. He was the spectacular figure who gave color to the scene. A close second to Quezon in astuteness, but lacking his dynamic personality, was Sergio Osmeña.” But he also adds that “Quezon dearly loved the trappings of office. He relished the glittering appellation, ‘Your Excellency.’… An added Quezonian touch was a red shoulder-sash and three foreign decorations—a medal attached to his left lapel and two blazing badges pinned on the right side of his coat above the hip.”

Further, Malcolm notes, “Quezon gave an early demonstration of a desire to see the world at the expense of the taxpayers. In the role of official delegate of the Philippines to the International Congress of Navigation, held in czarist Russia in 1908, the young Assemblyman arrived in St. Petersburg (Leningrad) after the Congress had already adjourned. The P34,000 set aside for this trip was trivial compared to the fabulous expense accounts entailed in paying for other pilgrimages all over the globe with a large entourage. Curiously, the Filipino people were rather proud of the impression their effulgent leader was making in foreign lands and rarely complained of his prodigality.” (One who did complain was a young UP student named Ferdinand Marcos, who railed against MLQ’s “extravagance.”)

But Quezon was hardly alone. Malcolm goes on to say that “Quirino filled the expensive shoes of Quezon, and even added frills of his own concoction. A P5,000 bed to case the President’s slumbers became the prize reference in political campaigns. An investigation conducted by an inquisitive Senate purported to reveal that Quirino had spent about a million pesos on four trips abroad. Journalist Teodoro M. Locsin cynically observed: ‘This is living.’”

Indeed, presidential or not, the corruption we seem so upset about these days was already widespread. Malcolm observes that “Certain phases of the electoral process in the Philippines merit special attention. Aspirants for office have flagrantly and repeatedly flaunted the provision of the Electoral Code which specifies that no candidate shall spend for his campaign more than the total amount of the candidate. Yet, it is common information that a candidate for a seat in Congress, whose annual salary is P7,200, has been required to deposit P25,000 with party chieftains and has had to part with many more pesos in addition to have a fighting chance. In the 1953 presidential election, such sums as P2,000,000 were openly mentioned as needed by each of the three contending parties to finance their campaigns.

“Where did this money come from? The money came from candidates who bankrupted their patrimony and from the ‘big shots,’ in particular the sugar tycoons. Moreover, millions of pesos of the people’s money was drained out of the public treasury, generally for local ‘public works,’ to influence the people’s will…. Many phrases descriptive of Philippine politics have been scattered about. Merely as examples, I quote the words of an American publisher and a Filipino educator. Wrote Roy W. Howard, Philippine politics is ‘a great national pastime,’ with politicians “ten centavos a dozen.” Declared Mariano V. de los Santos, President of the University of Manila: ‘There is no activity in which we can engage where partisan politics does not seep in. Business, industry, agriculture, all are permeated by bad politics. Under such a climate, naturally politicians of all sorts thrive. But they thrive at the expense of the general welfare.’”

And where did many of these politicians come from? We go back to the UP College of Law and its poorer cousins which seem to have mushroomed all over the place:

“One potent reason why politics has come to play such a large part in the life of the people is the preference on the part of the youth for academic education. The result is a bumper crop of lawyers with no place to go except into the government service or into politics. It would inure to good government to have legally-trained and disciplined men and women in public life, if such exaggerated importance was not attached to the title of abogado in the Philippines.

“The College of Law, University of the Philippines, was organized to supply quality, not quantity, leaders. All to no avail. Law schools mushroomed all over the Islands. The Bar examinations became great sporting events, with candidates ready to mortgage their patrimony and sell their souls if only they could get passing grades. Yet when the six long years of study were passed and the Bar examination was hurdled, no clients awaited the embryo lawyers. Droves of half-baked parasites were superimposed on an already top-heavy governmental structure and a lean economy.”

Perhaps we need to bring the spirit of Justice Malcolm back in a séance as amicus curiae in the Senate impeachment trial.

Qwertyman No. 217: The Edjop Effect

Posted on by
Reply

Qwertyman for Monday, September 28, 2026

I’LL GET right to the point: my wife Beng and I, along with a younger couple, caught one of the last few screenings of the movie “Edjop”—and we all emerged so moved, albeit in different ways, that we had to spend another hour-plus over coffee just to process what we saw. 

It wasn’t even a matter of “liking” or “not liking” the movie or director Katski Flores’ and scriptwriter Jade Castro’s treatment of the life of the martyred activist Edgar “Edjop” Jopson. Grappling with the broader contours of the story, we were in no mood to quibble over details gotten wrong (and yes, there were a few) or political lines blurred, as many subsequent reviews and critiques seem to have focused on, for their own good reasons.

For Beng and me, the impact was personal, having been activists ourselves who came of age during that tumultuous First Quarter Storm that Edjop—perhaps inadvertently—helped launch. We saw “Edjop” for what it likely set out to be—the story of a young middle-class idealist’s radicalization in an environment of gross injustice, poverty, and oppression. What made it particularly poignant—and this for me represented the film’s true strength, although others may have seen it as a needless diversion—was its framing as a father-daughter story, of a younger generation’s belated understanding and acceptance of their elders’ actions and even excesses. I found it well acted, especially the major roles.

Full disclosure: director Katski had interviewed me, among many others, even while the film project was just getting started, to get my views on Edjop. (She had, of course, other excellent sources, including Bing Pimentel’s books on the man and the period and Joe Cuaresma’s documentary.) I told Katski that I could contribute very little beyond impressions gained from one brief encounter with Edjop.

That encounter happened a few days before January 26, 1970—the date of Ferdinand Marcos’ State of the Nation Address at the old Senate building (now the National Museum), for which the National Union of Students of the Philippines (NUSP), which Edjop headed, was planning a massive protest rally. An organizational meeting for that rally was held somewhere in Quezon City, and for reasons I can no longer remember except possibly that I was already an activist at the Philippine Science High School, I was there, more of a kibitzer than anything.

I had just turned 16 a few days earlier. We had rallied in high school for local demands such as a new and larger building, but January 26 was going to be our first big exposure to national issues, and we took the lead from the NUSP, the so-called “moderates,” being then deeply mistrustful of the radical Left under the Kabataang Makabayan and Samahang Demokratiko ng Kabataan (KM-SDK). I recall that meeting of senior NUSP leaders and their allies, and Edjop in a white shirt or barong. What struck me was his earnestness, his passionate belief in his cause, conveyed in an even voice and manner. 

We joined the January 26 rally, assembling on the grounds of the University of Sto. Tomas, bearing “J26M” armbands. We marched to the Senate where Marcos was speaking. I was too far from the entrance to follow everything, but I could see that the KM-SDK were also there in front, and I would later learn (though this account might yet be corrected) that Edjop had decided to terminate the rally early because things were turning ugly, but then SDK firebrand Gary Olivar, a formidable speaker, grabbed the microphone to agitate the crowd. Marcos emerged, a black cardboard coffin was thrown his way from somewhere, the security forces moved, and a melee ensued. We ran for our lives. The FQS had formally begun. 

We moderates were almost as indignant about the way the Left had hijacked the event as by the State’s brutal response; I stayed out of the January 30-31 protest rally that proved even more violent, but watched on the news as students were teargassed and truncheoned along Mendiola and Malacañang. I dreaded what lay ahead; I was due to graduate from high school that year. It should have been a time of hope, but I knew only that something was terribly wrong, that the future was going to be harsh, and that I was as confused as anyone about what to do and whom to follow.

As it turned out, history carried a very wry sense of irony—even humor, were the setting not so tragic.

Within that year, I entered UP and almost immediately joined the Nationalist Corps, the Philippine Collegian, and the Alpha Sigma fraternity. The Nationalist Corps became my entry point to the SDK, and now I saw the “clerico-fascist” moderates to be sorely misguided and wanting in revolutionary fervor. In Alpha Sigma, one of my fraternity brothers was none other than the Gary Olivar we blamed for the J26M fiasco; in the Collegian, our editor was another frat brod, Tony Tagamolila. 

As the decade moved on, I would be arrested and imprisoned, and upon my release, I would take on a writing job I needed—with the government. Tony Tagamolila would die in an encounter with the military in Panay. Gary Olivar would move to the US and study at Harvard (and much, much later would become PGMA’s spokesman).

Little did I know that Edjop himself had become radicalized and was performing far more dangerous tasks in Mindanao than most of us ever did even in Manila. His death fell like a rebuke to those who had doubted him. Meanwhile, I had resigned from my NEDA job to go back to UP to study and to teach, and by the time the Ninoy assassination and EDSA happened, I had become convinced—as I still am—that the middle road remains the most viable if not the only one forward. It seems that I’ve returned to Edjop’s NUSP. 

I don’t know what Edjop himself would think of our situation now, of another Marcos in Malacañang trying to face down a possibly even more vicious alternative, of a CPP fractured by internecine warfare, of a people too easily swayed by rumor and shadow. If the effect of Edjop—the movie and the man—is to make us think of where we ourselves stand today, then the effort of making this film will well have been worth it.

Penman No. 489: Grateful and Graceful

Posted on by
Reply

Penman for Sunday, September 20, 2026

IT ISN’T every day that a certified celebrity comes up to shake your hand and to introduce herself to you as your fan—especially when it’s really the other way around. Here’s someone you’ve admired from a distance all your life, maybe even had a schoolboy crush on, and now here she is, taking your hands in hers like an old friend.

This happened last week at the Manila International Book Fair at SMX, where I was signing books for Anvil Publishing among others, and the surprise visitor to my table was none other than Boots Anson-Roa (now Rodrigo)—the actress, radio-TV host, humanitarian, and public servant—who, as it turned out, was also an Anvil author and who was also signing her newly minted biography titled Grateful, co-authored by Jennie Leuterio Ilustre.

Intrigued, I secured a copy of the book, and soon found myself drawn into the engaging story of a life well-lived, despite the inevitable dips and turns that come with surviving so many tumultuous decades. I recalled my own unpublished biography of another great Filipino actress, the late Rosa Rosal, whose vampish roles tended to be the complete opposite of Boots’ motherly persona, and whose real-life drama outclassed anything she portrayed onscreen—two very different images, and yet two women bonded by the same deeply held traditional values and by their devotion to family and public service.

Maria Elisa Cristobal Anson was born on January 30, 1945 ,just days before the Battle of Manila began, to Oscar Anson (later the actor Oscar Moreno, the “Robert Taylor of the Philippines) and Belen Cristobal, a pharmacy board topnotcher and chemistry teacher, who met and fell in love amidst the turmoil. Belen became pregnant, and the book reveals that it was only at age 53 that Boots discovered that the couple had considered terminating the pregnancy because of the harshness of the times; instead they decided to marry, making Boots possible. (The “Boots” comes from “Bebot” then “Bot.”) 

The young Boots tagged along with her father to his shoots, so pretty that Sampaguita boss “Doc” Perez predicted she would become a star, but she was more interested in watching movies than being in them. She did join theater at the University of the Philippines where she studied English, speech, and drama and served as a corps sponsor, but it was a hosting gig at TV 5’s popular Dance-O-Rama—a slot she twice refused—that finally landed her onscreen.

That choice proved life-changing in another, even more significant way, because this is where the “Roa” in her name comes in, care of Pete Roa, her Dance-O-Rama co-host and reputed ladies’ man, who courted her with flowers plucked from the show’s bouquets and asked her out to post-show dinners “to critique her performance.” The tactics worked. Boots fell for Pete, the two decided to get married, the parents on both sides naturally threw a fit, leaving elopement the only way out. The two snuck out of their show after a commercial break, and managed to get then QC Mayor Norberto Amoranto to marry them on June 5, 1964, followed by a hasty church wedding that same afternoon.

So began a highly visible and celebrated marriage of 43 years that produced four children—Leah, Joey, Chiqui, and Ben. The “Roa” would stick to “Boots Anson” so permanently that even after her second wedding to King Rodrigo in 2014, King would urge her to keep it, to honor that bond. 

The Boots Anson-Roa we know comes mostly from her movies—over a hundred of them—and her TV hostings. Her first movie came in 1968, when she was already a wife and mother of two, then highly unusual—indeed unheard of—for a leading lady. It was her role as the governess Carla in Lino Brocka’s landmark 1970 tearjerker Wanted: Perfect Mother that remains embedded in my memory, as in many others’—caring, loving, but also proper and self-sacrificing, an image that probably prompted her daughter Chiqui to call Boots “the quintessential Mama Mary.” Boots received a FAMAS Best Actress nomination for that performance, and she would go on to major roles in such movies as Tatay Na si Erap (named Best Actress along with Vilma Santos), May Minamahal, Mano Po, Blue Moon, Caregiver, and One True Love.

But from her elopement story onwards, Boots would be the first to upend her “Goody Two-Shoes” projection. “I’m not a saint,” she insists—just level-headed, fair, and thoroughly professional, the kind of performer who always shows up on time, delivers, then goes home to family. The book also chronicles her many other roles and jobs, which we know or remember little of: her work with the US Embassy in Washington in the 1980s, with the Population Commission in the 1970s, with the UP-PGH Medical Foundation, with the Philippine Red Cross, and up to now with Mowelfund. She also taught Communication Arts subjects in UP, Ateneo, and La Salle, wrote newspaper columns, and handled radio programs. Always more than a sweet face, she brought substance to the job.

Pete’s passing in 2007 is a poignant highlight. Hit by a stroke in 1997, Pete soldiered on for another decade (I recall being a few beds away from him for physical therapy in the early 2000s at Capitol Med). He later acquired incurable cancer, and facing the inevitable, the family prayed for a peaceful passing, which happened on August 9, 2007, with Boots at his side. Pete had requested a concert instead of a solemn wake, so the industry gathered to pay him tribute. “It was late into the night,” Boots recalls. “All sympathizers and revelers had left what was originally meant to be a quiet chapel. The music was silenced; the animated conversations were stilled; and the laughter was muted. In a rare moment alone with Pete, I did a ‘curtain call’ for his performers. Now allowing that tear to drop, I bid Pete good night until the next morning for his burial. I gleaned a peaceful countenance. I was confident we made him happy. I was glad that, in his repose, he applauded his friends’ command performances. But, tongue-in-cheek, I begged him to spare me his own standing ovation.”

But the book ends with the happy note on which it begins, with Boots’ second marriage to lawyer Francisco “King” Rodrigo Jr., an old family friend and also a widower. For both, it was love the second time around. 

Indeed Boots Anson-Roa has much to be grateful for, as her book title suggests. But “graceful,” which she would never immodestly use for herself, seems just as apt for this woman who has led such a long and distinguished life with dignity, verve, and faith. Pleased and honored to shake your hand, and to wish you and King well for the rest of our earthly time!

Email me at jose@dalisay.ph and visit my blog at http://www.penmanila.ph.

Qwertyman No. 211: Saving the Newborn

Posted on by
Reply

Qwertyman for Monday, August 17, 2026

GIVEN ALL the political, economic, and even meteorological turmoil we’ve recently been going through, I thought I’d write about something undeniably and visibly positive this week, if only to remind us that good things are possible if the “whole of government”—including even our fractious Senate—puts its mind to it. 

Full disclosure: I’ve been editing a book on, of all things, the Philippine Newborn Screening (NBS) program, and I’ve been so impressed by what I’ve come across that I requested and secured permission from its author, Dr. Carmencita D. Padilla, to share some highlights of that program. Dr. Menchit, as we call her, is no ordinary physician; a clinical geneticist and pediatrician, former chancellor of UP Manila and a key figure behind its National Institutes of Health, she was named National Scientist in 2023 for her contributions to medicine.

Back in 1990, Menchit had just returned from a fellowship in Sydney, brimming with enthusiasm about NBS, which had already been adopted and routinely practiced in Australia. 

What NBS addresses is this: babies can be born with any of almost 30 conditions inimical to their health, including congenital hypothyroidism (mental retardation and growth delay, with IQ loss possible as early as the second week of life), congenital adrenal hyperplasia (salt-wasting crisis, shock, death by the end of the first week), PKU, and galactosemia. 

A newborn with any of these conditions looks perfectly well: doctors and mothers will see no rash, no fever, no warning. Looking healthy, the baby will go home, with the disorder hidden for months, or even years, until the symptoms appear—by which time, it could be too late to reverse the damage. Ironically, if the problems are spotted early, there are treatments available, often as simple and as cheap as a modified milk formula for phenylketonuria (PKU), which causes irreversible intellectual disability if left alone.

So early screening of all newborns is key. The process itself is fairly straightforward: “puncturing the heel of a newborn, absorbing a few drops of blood onto a special filter paper card, and transporting the specimen to a specialized laboratory for testing.” These cards could be easily mailed to a central laboratory. In the early 1960s, an American microbiologist named Dr. Robert Guthrie—whose own son and niece suffered from developmental problems—created a test to scan blood samples for indicators of anomalies and proposed this solution. But the medical and scientific communities shunned him, until sufficient publicity forced them to see he was right.

It would take more than 30 years for NBS to reach the Philippines, largely through the efforts of Dr. Carmelita Fagela-Domingo, who had seen NBS working in the West and tried her best to persuade the Philippine health bureaucracy to adopt it, and Dr. Padilla, who finally succeeded where Dr. Domingo had initially failed.

What worked for Menchit Padilla was the support of people like Dr. Domingo herself and UP College of Medicine Dean Alfredo Ramirez, and subsequently other allies in both executive and legislative branches beyond academia. Together, the two women pushed for a comprehensive pilot study that could form the basis for official government policy. Padilla also met Dr. Guthrie, who encouraged her to persevere in the effort.

Twenty-four Philippine hospitals took part in the study as members of the NBS Study Group. Private donors contributed computers, video cameras, fax machines, and pagers. A Finnish company donated a refurbished NBS machine. By 1997 the program was well underway. What was needed now was for the DOH to take over for the program’s full implementation nationwide. By 2000, there were still less than 200 hospitals out of 3,000 birthing hospitals participating in the program.

What was needed was an enabling law. This is the part of the story that I find most instructive, given our current Senate, and which I urged Dr. Menchit to include in her book (which she did, despite her initial misgivings). 

Because they couldn’t afford a lobby group, Menchit took it upon herself to draft the bill—after enrolling for a Master of Arts in Health Policy Studies degree at UP Manila. (I wonder how many of our lawmakers would go that far to get things done right—but then of course they have millions to spend on staff.)

Versions of the bill were filed at the House and Senate early in 2003, but by mid-year, hearings had yet to begin. To get the bill certified as urgent, its proponents had to get the support of Sen. Juan Flavier, who warned them that it would likely take ten years to get the bill passed. Desperate, Padilla turned to Sen. Loren Legarda, who was still hosting a talk show; between breaks, Menchit filled her in and persuaded Loren to start hearings on the bill and to file her own version, which she did on August 1. I’ll leave the rest to Dr. Padilla’s recollection:

“With barely three days until the end of the 12th Congress, we were advised to lodge an appeal for an ‘urgent bill’ with the House Presidential Legislative Liaison Officer, Undersecretary Bernardino Sayo. 

“It was a Wednesday, 5 pm. We went to his office at the House of Representatives. After listening to our desperate appeal, which was supported with albums full of pictures of saved and not-saved babies, Undersecretary Sayo agreed to arrange for a certification of an ‘urgent bill’ to be signed by President Gloria Macapagal-Arroyo the following day Thursday at 10 am. We were advised to return to the House of Representatives the following day for the second reading at 4 pm, the last day of the session at the House. With the bill now certified as urgent, our schedule for a second reading was bumped up. House Majority Floor Leader Neptali Gonzales, fortunately for us, helped the bill pass the second reading in the midst of calls for adjournment from the floor. 

“Garnering a unanimous affirmative vote, the bill moved to the required final third reading the following day, Friday, the last day of the 12th Congress. I received a phone call at 6:30pm from the Chief of Staff of Senator Flavier, Mon Navarra. He said ‘The NBS bill was passed into law! We were able to do it in 10 months—not 10 years!’ And since the House had adopted the Senate version in its earlier deliberations, there was no need for a bicameral session. We just had to wait for the signature of President Gloria Macapagal-Arroyo, which happened on April 7, 2004.”

The NBS bill, RA 9288, had itself become something of a miracle baby, giving hope to millions of newborns and the yet-unborn. Today well over 90 percent of Filipino newborns are covered by NBS, with a 100% rate targeted by 2028. Would that our government were so singularly and charitably minded in our other national priorities, especially for those already long born! 

(Top image from miraclefeet.org)

Qwertyman No. 210: A Grand Experiment with AI

Posted on by
Reply

Qwertyman for Monday, August 10, 2026

TOMORROW, TUESDAY morning, will be the first day of the class I’m teaching this semester at the University of the Philippines in Diliman. I retired seven years ago, but as professor emeritus have availed myself of the option to keep teaching at least one course. I don’t have to, and sometime soon I might stop and take a proper rest, but I think it’s good for both my young students and myself to keep up what amounts to an intergenerational dialogue. 

Even in UP, too many courses are being taught by instructors just a few years older than the class. That’s good for communication and relatability of thought and treatment, and sure, the alternative of being lectured by your grandfather isn’t exactly thrilling. But I feel that now, more than ever, we need to bridge what the 1960s called the “generation gap” to make mutual sense of the world we’re living in, which is probably just as perplexing for me as for them. 

I usually teach at the graduate level, but for the first time in years (if not the last), I’ll be handling an undergraduate class, at my department’s request. It’s a course for seniors called Creative Writing 198: Special Topics (Professional Writing), which I myself designed and first taught over twenty years ago. It’s aimed at providing English, literature, and CW majors with the practical writing skills they hardly learn in school. They may know their Shakespeare and Salinger, their Defoe and Derrida, their Virginia Woolf and Virginia Moreno—but they can’t write an application letter, a news report, a feature story, a brochure, a speech, an AV script, or do a proper interview. 

In other words, they can’t write for a living, which is what the big, bad “real world” beyond graduation expects them to do. They get all starry-eyed about writing that great sci-fi or romance novel that will bring them international fame—and yes, who’s to say it won’t ever happen—but they’ll quickly realize that you need a day job to pay for all the instant noodles and pizza (not to mention the studio, the wi-fi, and the commutes) that dreams are made on. So—drawing on all my years as a self-styled “Swiss Army Knife” of writing—I designed CW 198, from which at least two generations of students have now emerged. I’m happy that many still write me back to say that it was one of the most useful courses they ever took. (To those who can’t study with me, you can take a look at my book, Windows on Writing, published by Vibal Press.)

I’m writing this not to advertise the course, which should be fully subscribed by now, but to share the anxieties and apprehensions that many teachers—from full professors down to the greenest instructor—are facing: how to teach writing in the age of AI. The last time I taught CW 198, AI was still something of a joke; I’d ask it to write something in the style of Nick Joaquin and it would throw up laughably pseudo-romantic garbage. 

I do recall, however, saying even then that AI was bound to catch up in time. That time has come, and we’re no longer laughing. The uncanny and frankly scary speed and precision with which AI has learned to mimic human writing—yes, your writing, if you feed it with enough examples—tell us that human thinking can’t be too difficult to approximate if not exceed. (Here, bring in your favorite senator, and you’ll see how low the bar is set. And it’s hard to accuse AI of being “soulless” when so many people and their productions are exactly that.) 

Not surprisingly, AI in education has been met with fear and suspicion, if not outright hostility. There have been reports of professors retiring early to escape the aggravation of having to chase after AI-assisted cheaters, and of having to sort out the natural from the artificial. All over the world, and all over academia, there have been movements against AI, or at least against its abuse and misuse—an aversion extended to all digital media. 

Sweden leads the world in moving back from digital screens to paper in its basic education; phone bans in school are now in effect in Denmark, Finland, France, and Italy, among others, as part of this “analog revival” to improve reading skills. Following such models as the University of Chicago Law School, the UP College of Law will now forbid law freshmen from bringing and using their digital devices in class, to encourage critical thinking.

I agree with these moves, especially at the foundational levels of education. At the same time, let me state what I think clearly: we reject or ignore AI at our own peril. It’s not going away, it will keep getting smarter, and our young people will be using it ten years from now with neither guilt nor shame, making precise prompts with natural fluency. I’m not saying that all the ethical questions will have been swept aside by then, but the major technical challenges (yes, with ethical dimensions) like AI’s enormous water and power requirements should have been resolved, likely with AI’s own help. 

That said, what am I going to do with my CW 198 class? I’ve decided that instead of banning it outright (which I suspect will be futile in any case) we’ll use AI—to see what it does and what we can do differently or better. I’ll have them do in-class writing to establish benchmarks, and then we’ll ask AI to come up with its own version. What AI says won’t be the standard by which papers will be scored, although it might be superior in some mechanical ways like grammar and spelling. We’ll see how AI shapes its arguments, against how we might approach the topic and present examples. We’ll put a premium on original thinking, on expressing individuality, focusing not so much on “getting it right” as on “making it mine.” 

I frankly don’t know how this will all work out, but at 72, I’ll be taking a privileged peek over the horizon, embarking on a grand experiment in the spirit of that poem recently recalled by “The Odyssey”: to strive, to seek, to find, and not to yield.

(image from noveltymediaworld.com)

Penman No. 488: Artists in Residence

Posted on by
Reply

Penman for Sunday, August 2, 2026

IT ISN’T every day that I get to spend time with two outstanding artists, and while I’ve become something of a recluse myself, exhausted by literary polemics and limiting my social life to very close friends, I couldn’t say no when my wife Beng asked me if I cared to join her on a day trip to Los Baños to visit the sculptor and painter Junyee. Junyee was a good friend of Beng’s from the UP College of Fine Arts, and while he lives in Los Baños with his wife Tess, Junyee has done many art installations around Diliman and often comes by our house on campus to drop off some buko pie. I’d enjoyed chatting with Junyee whenever our paths crossed, taking in his stories about his arduous struggle to become an artist, including a time when he had to work as a make-up artist for the dead in a funeral parlor in Cebu. But more on that later.

I was doubly pleased to learn that we would be accompanied to Los Baños by another artist-friend, Fil de la Cruz, whom I had known for over fifty years, and by his son Janos, also a talented and highly regarded young artist. Fil stands among our most brilliant, versatile, and accomplished printmakers; both he and Junyee have been nominated for the National Artist Award.

We had long been planning to visit Junyee in LB, where he and his wife Tess, who taught in UPLB, have lived for decades. When Tess retired a few years ago and they had to give up their home on campus, they found and bought a private lot just beyond the university property line, and built a new house there. Since anything that Junyee built was bound to be interesting, we wanted to see it, but the house was honestly just an excuse; we were going there for the artist himself. Now 84, Junyee recently hasn’t been in the best of health.

Though younger at 75, Fil has been facing serious challenges of his own. They had a lot to talk about, for sure—but we resolved to undertake this trip in high spirits, to celebrate art and life in joyful company. 

First we picked up Fil at his home in Muntinlupa. Aptly named Bahaysining, the three-story brick house is part (if not largely) studio, part gallery, and part living space, but immediately the visitor knows it’s a house made by artists for artists in both form and function. “This was much smaller early on,” Fil says of the place, ”and then I just kept adding to it as my practice and capabilities grew.” He shares the space with his son Janos, who keeps a studio of his own on the premises and helps his dad with both work and the daily business of living. 

The rooms teem with paintings, prints, drawings, sculptures, and most visibly, printmaking presses in various sizes that Fil himself designed and had made over the years. Much of his equipment rolls on wheels, the better to move them around when the studio has to meet a commission, and Fil and Janos have to labor long days and nights to get the job done. Fil is amazed that clients remember him and his work from way back and return to order new pieces. 

Fil also paints and sculpts as does Janos, but it’s in printmaking—the art of producing numbered copies of a design pressed on paper in limited editions—that you know his heart truly lies. I met Fil in the early 1970s in one of my past lives as a printmaker. He had graduated from his studies at UST, and I had just come out of martial law prison—where, to pass the time, I had taken up drawing with my fellow detainee Orly Castillo, who then took me under his wing at the Philippine Association of Printmakers in Ermita. The PAP was a hotbed of production for young artists then, and I was lucky to run into the likes of Bencab and Tiny Nuyda (not to mention a pretty girl named June “Beng” Poticar, who became my wife)—and yes, Fil de la Cruz, who even then was already establishing himself as a master of one of printmaking’s most difficult techniques, mezzotint, which produces an almost velvety texture. 

Perhaps because prints are relatively cheaper and come out in multiples, they’ve never quite gotten the respect they deserve, especially here in the Philippines, where the art market is enthralled by multimillion-peso paintings by the masters and by the exclusivity they exude. (Around 1974, when we were all working and hanging out at the PAP studio on Jorge Bocobo, it was a big day when a dealer came by to purchase our prints in bulk for as low as P15 per print, so she could stick them into frames she sold as décor to American servicemen in the bases.)

Fil’s come a long way from those days, and Bahaysining is a testament to his professional success, which has traveled a long arc from his youth in Bulacan and his student days at UST to further studies in New York and Paris, to over thirty solo exhibitions that have brought his prints to France, America, the former Czechoslovakia, Germany, China, Hong Kong, Korea, Spain, Belgium, and throughout the Philippines.

As it was a sunny weekday, the drive to Los Baños didn’t take long through the Jamboree route. Junyee had offered to take all of us out to lunch, but of course we first had to see and tour his and Tess’ three-year-old home. 

To know Junyee—“Luis Enano Yee Jr.” on his birth certificate—is to understand how inseparable art and life can be in the person who, from his youth onward, has seen art not only as descriptive or decorative but liberative, rooted yet transcendent, impermanent yet memorable. Widely acknowledged to be the father of installation art in the Philippines, Junyee has always been testing and pushing the boundaries of art, unbothered by commercial trends. Whether he works with discarded wood, woven metal, or wisps of sooty smoke, Junyee seems compelled to give physical shape to our thoughts and emotions, often using outdoor space as his canvas.

Born in the South and discouraged by his father from pursuing his artistic inclinations, Junyee fled to Manila and UP, where he apprenticed with Napoleon Abueva and found support from Jose Joya—masters whom he would soon surpass in competitions. Caught in the insurgent politics of the sixties, Junyee crafted work like his “Balag” trellis on which protesters could hang their slogans, but unlike many other artists of his time, he never let ideology dictate his insight and technique. He would later devote most of his art to environmental themes.

This was most evident in his new home, a modestly modern structure from the outside, nothing showy, but warm inside with wood, stone, and other natural elements, from the balayong door to the leaflike tapestry to the upturned hammock serving as a lampshade. 

Welcoming our party, Junyee points to a blank wall and remarks with a chuckle that something big used to hang there but had to be let go of, presumably for his crushing medications. It’s one of the few times he’ll advert to his maladies, of which he—and Fil for that matter—don’t make a big thing. When Junyee learns that Fil is similarly afflicted, the men knowingly embrace and call each other “classmate.” They smile, they laugh, they speak excitedly of the work that occupies their waking hours. There’s no time to be glum. Fil and Janos keep racks of sporty bicycles at home, hanging from the ceiling; Junyee shows off a gleaming high-performance BMW motorbike which he received from a patron, adding with a chuckle that “I don’t even know how to ride one!”

Over lunch at a favorite restaurant nearby, we have an animated discussion of AI and its likely effects on art and literature. I expect them to resist, but Junyee in particular is surprisingly open to the possibilities of hybridizing art and technology, as I am. “I’ve always been a fan of science,” he says, “and when I write my memoirs, which I’ll be doing soon, I’ll make sure to include a section on how science has influenced my life and work.” But even more useful and valuable than science for both men right now is faith, and Fil and Junyee speak unabashedly of how their faith strengthens them through their trials. As an installation artist, Junyee has never worried about transience and impermanence. “Everything in this world will pass anyway,” he says.

We pay a visit to the Sculpture Garden that UP Los Baños has put up on campus to showcase some of Junyee’s most important pieces. It is an outdoor gallery of some of his finest pieces, displaying the full range of his concerns, techniques, and capabilities. It’s hugely impressive, but Junyee makes it clear that he isn’t done yet. Across his home, he is constructing an art museum that he hopes will help spark a cultural renaissance in Los Baños, better known for agriculture and forestry, which Junyee’s art has also tapped into. His labors have not gone unnoticed; on top of his numerous local and international awards, Junyee will soon be receiving the highest recognition his alma mater can confer, among the worthiest of its recipients.

Neither is Fil de la Cruz resting on his laurels. He’ll be showing his newest paintings in an exhibit titled “Ephemeral & Eternal” opening next Saturday, August 8, running until the 22nd at Art Camp in Greenbelt 5, Makati. “The central thesis of the exhibition revolves around the duality of existence—the fleeting ‘ephemeral’ moments of lived experience versus the ‘eternal’ span of divinity,” according to the exhibit notes. “De la Cruz does not present time as a linear progression but as a divine force, encompassing all. In this series, he treats the passage of time not with anxiety, but with a refined serenity and deep reverence, seeking to capture the precise point where the transitory nature of life intersects with the infinite.” 

It’s as good a description as any of that trip to Los Baños and of our visit to these artist-friends’ homes, at this point between our shared past and the eternity that beckons to all of us.

Qwertyman No. 206: The Unfinished Building

Posted on by
Reply

Qwertyman for Monday, July 13, 2026

AS I noted in a Facebook post last week, attending a graduation at the University of the Philippines, as I did last July 5th, always brings a tear to my eye, especially when everyone sings “UP Naming Mahal” at the closing. No matter all the heartaches, disappointments, and challenges we may have gone through in UP as a student, teacher, administrator, and alumnus, and no matter all our disagreements over failed policies, missed opportunities, and misdirected priorities—as an institution, this university of the people remains immutably noble in purpose, an ideal constantly being realized. 

More than 5,000 students graduated from Diliman last week, as well as many more thousands in UP’s eight other constituent universities across the country. Thousands came away with honors—raising the question of whether our students have really gotten that much better, or if our standards seem to be getting laxer; the debate goes on, although no one’s taking anything away from the laureates. This was, after all—as UP President Angelo Jimenez noted—the last pandemic batch to graduate, who entered UP in extremely difficult circumstances, tied down to Zoom, without the benefit of campus life for a significant period.

I sat at the grandstand in Quezon Hall as a professor emeritus among the university’s officials and guests, recalling how I had stood on the other side of that amphitheater more than four decades ago, wondering what the future would be like (short answer: 35 more years in UP). I would become a professor, an administrator, and a retiree, as deeply engaged in university affairs as I had been as an activist toting a molotov cocktail (which I never threw) at the Diliman Commune in 1971. 

That morning’s guest speaker was former Ombudsman and Justice Conchita Carpio Morales, whose biography I had written, so I was glad to run into her at the processional, and I urged her to give everyone a piece of her famous mind. “I’ll be gentle today,” she told me, smiling. Taking off on this year’s commencement theme of “Gumagalang” or “respectfully,” she spoke on the need for respect of the law at a time of great confusion over who and what to follow. 

“In a world increasingly divided by arrogance, intolerance, and indifference, the call to gumalang (respect) is not merely timely, but urgent,” she said. “As a magistrate, it pains me to see lawmakers alleged to be lawbreakers. Rules bent, redefined, or misinterpreted to suit individual or group interests. There is little paggalang for those who have limited or no voice at all. The powerless have become dispensable…. The rule of law is the bedrock of democracy. Sadly, in many parts of the world today, the rule of law is being disregarded…. Unfortunately, what we increasingly see today in many places is the rule of man, where the exercise of power depends less on the law and more on the whims, preferences, or interests of those who hold office.” At the same time, she emphasized that “respect” could not be used as an excuse for authoritarianism, or for stifling contrary voices. (And before you ask, no, I didn’t write or draft those words for her. Nobody writes CCM’s speeches but herself, and if you did, she’d very likely pepper your draft with corrections, as generations of her law clerks well know.)

That was particularly apt in UP, where the commencement ceremonies ended with the customary (by now) lightning rally, and while some slogans sounded rather tired, this year’s emphasis on fighting corruption gave it a particular urgency. UP Diliman’s graduation was taking place on the eve of the opening of the impeachment trial of Vice President Sara Duterte at the Senate, titanic confrontation on both sides of which prominent UP alumni were ranged. 

The irony of the moment could hardly be overstated. Historically, UP has been known to be a bastion of dissent, a haven of nonconformists and rebels of all stripes and colors. I often cite the examples of then UP President Rafael Palma’s daughter Fe, who took part in the first documented student protest action in 1933, a boycott prompted by a tuition fee increase, and of President Manuel L. Quezon being lambasted for extravagance by a young hothead named Ferdinand Marcos. 

Since the 1960s and 1970s , UP has acquired—inaccurately, I think—a reputation for being a breeding ground of communists, a convenient target for such Red-taggers as the NTF-ELCAC and a good excuse for its billions in funds. (Which reminds me: they should set up an NTF-ELCAC to seek and weed out the corrupt.) People forget that for every Joma Sison we produced a Juan Ponce Enrile; for every Benito Tiamzon a Fabian Ver; for every Lean Alejandro an Alan Peter Cayetano; for every Lorie Barros a Pia Cayetano. 

As I emphasize whenever I can, even at the height of student activism, the radical Left was always in the minority in UP as it probably was elsewhere; we were just noisier, better organized, more determined, and literally ready to die for our cause. 

What the usual UP narrative also often ignores is the fact that many of us from the Left who survived the First Quarter Storm and martial law moved toward the liberal middle—indeed, some even to the far Right, becoming its ideologues, executors, and apologists. 

Surveying this year’s crop of bright and starry-eyed graduates, hundreds of them finishing with high honors, I wondered how many of them would, in the next twenty or thirty years, materially contribute to our people’s well-being, and also how many to its deterioration. I don’t think anyone goes to graduation with malice aforethought, but life has a strange way of shaping and testing character in a way that classrooms simply can’t. As we learned in martial-law prison, sometimes it’s the most seemingly inflexible who prove the most brittle and break.

At the ceremonies, pointed comments were made by some deans presenting their graduates about all the unfinished buildings on campus—the new Faculty Center has been a decade in the making, with the refurbishment of Abelardo Hall and the UP Main Library trailing closely behind. These delays can largely be traced to mismanagement under the old DPWH, a couple of projects possibly even tied to the Discayas. 

But it struck me that the truly unfinished building to contemplate is the university itself, in constant reconstruction under pressure from AI, global rankings, and the needs of the people it remains accountable to. Just having marked its 118th anniversary, it could yet be the Sagrada Familia of our national aspirations.

Qwertyman No. 202: Oh, Ateneo

Posted on by
Reply

Qwertyman for Monday, June 15, 2026

WITH SO much already having been said and posted about last week’s saddest story—the tragic drowning of two Ateneo student-athletes in a training activity far off-campus—it seems pointless to add anything more. But as a former university administrator (with that other big school at the other end of Katipunan Avenue, the University of the Philippines), I feel compelled to think aloud and wonder what we should and could have done had this happened to us across the street.

The Ateneo university administration has been roundly (and I believe fairly) scored for not saying and doing enough in the immediate aftermath of the apparent accident to establish what happened, determine accountabilities, and provide sympathy and support to the bereaved. What drowned in Aurora were more than two boys and their hopes; into the depths went their school’s hard-won reputation for a culture of caring.

Institutional mindsets would reflexively call this “damage control,” but “damage control” sounds profoundly inappropriate and inadequate in these circumstances—the greatest damage done was that to the families of Rene Baterbonia and Divine Adili, and it is permanent and cannot be undone. Even to a people inured by tokhang, the heartrending video of a mother’s grief cuts to the bone.

The damage to the university’s reputation is substantial but, in the thick-skinned way these things go, fleeting and survivable. What people are calling for is justice, and let the damage fall where it may. In an academic universe increasingly driven by global ratings, a university’s reputation should seem to matter more, but where in the statistics do factors like compassion count? 

I know how difficult it is for academic bureaucrats to respond to a crushing crisis like this. My old job at UP, aside from teaching English and creative writing, was that of Vice President for Public Affairs, which meant that I was both the university’s spokesperson and shock absorber, the one who had to face the likes of Ka Tunying at seven in the morning to answer questions about all the rich kids in UP, fraternity hazing, communists on campus, and UP’s squatter problem.

It was understood that I was there to help promote and protect the university’s image, at a time when that image was being battered from both right and left, often from critics at the very top of the same government that we were dependent on for our annual budget. For the sake of that budget—which had its own critics—we had to tread a thin line between cooperating with authority and preserving our autonomy and academic freedom, a process fraught with conflict and, yes, sometimes hypocrisy, as when we had to smile in the face of politicians we would otherwise have cursed. While each little and isolated case may have been challenging and disturbing, eventually they all became administrative routine, necessarily tolerable.

But for every institution, there comes a defining moment when more than budgets or reputations are at stake, when its very spirit itself is under question and under threat. That moment seems to have arrived for Ateneo, a great university unlike many others, even unlike UP, founded as it is on Christian and indeed Ignatian principles that include magis or the striving for excellence for God’s greater glory and cura personalis or caring for the whole person. As Fr. Pedro Arrupe, SJ put it, a Jesuit education aims at producing “men and women for others.” UP has its “Serve the People,” but its secular character imposes less of a spiritual and more of a political mission on its community.

This is why the Ateneo administration’s seeming inadequacy of response to the accident, beyond its terse initial announcement, comes as a perplexing disappointment to many, on top of the awful pain and grief caused by the deaths themselves. In the very least, a statement providing more details of what happened, committing to a thorough and impartial investigation, and offering support to the affected families would have eased many initial concerns. 

Ultimately an institution’s image is made more by what it does than what it says, but the saying is also part of the doing. I would have arranged an immediate meeting between the Ateneo president and team coach and Rene’s family—and at least by Zoom with Divine’s—for them to personally explain what happened and to make the necessary amends.

Despite efforts to politicize and capitalize on the issue, I myself believe that what happened was a terrible accident, albeit a preventable one, with better foresight. Almost exactly a year ago, I lost a good friend, Don Rodis, to a rogue wave and riptide that pulled him into the waters off Los Cabos in Mexico; one minute he was just strolling on the beach, the next he was gone. 

That’s nature at its indifferent and cruelest worst, which, beyond preparing for, we can do little about. Human nature also arises spontaneously, in the shock, grief, and even anger that followed the accident. But human agency is something else—the “what could and should have been done’s,” both before and after the event.

I can imagine, as administrators would have instinctively responded, that Ateneo’s academic and athletic managers first called the lawyers in to find out who was responsible for what and what the university’s liabilities were. It’s a logical institutional reaction, but again Ateneo could have risen above that to show true compassion, which should come instantly and unbidden, without lawyers or preconditions. I have no doubt that the likes of Fr. Flavie Villanueva, Fr. Albert Alejo, or Fr. Robert Reyes would have rushed to and embraced the grieving mother if they could. 

(It has been a bad week for Ateneo in more ways. The athletes’ deaths obscured the passing of another prime Atenean talent, the poet and professor Rofel Brion. Rofel once said that “I write mostly about small, ordinary events, and in doing so, I capture them. I hold on to them and never let them go. And this, I guess, is how I pay homage to them.” This was his way of living the Ignatian principle of finding God in the ordinary. )

I have many friends at Ateneo and have even taught there—once as a substitute for the late Prof. Doreen Fernandez when she was unwell, and another time as the holder of its professorial chair in creative writing. While not particularly religious myself, I am a strong believer in its mission and in its products. I appreciate its efforts to diversify and to bring in more poor scholars into its fold. 

If Ateneo is as great as its history suggests, it will use this instance to reflect deeply on what it wants to be, and to be regarded as. I have no doubt that with sincere introspection and self-criticism, it will find the best ways to do right by the families of Rene and Divine, to run a fit and humane athletics program, to set the right policies and put the right people in place, and to reassure its community that it has recovered its true Ignatian spirit.

Qwertyman No. 197: Cultural Lobotomy

Posted on by
Reply

Qwertyman for Monday, May 11, 2026

OUR FRIEND Toym Imao, among our most talented and productive sculptors, also serves as dean of the UP College of Fine Arts where my wife Beng teaches art conservation. Lately, like many academic administrators, Toym’s been feeling embattled because of the lack of resources given to his college, whose buildings may look new and good on the outside but whose roofs leak, among other ailments and deficiencies. (At least they have a building; my home College of Arts and Letters is still a vagrant in Diliman, more than ten years after the Faculty Center burned down.) Beng—who envisions the creation of a formal art conservation program and center in UP to serve the country’s longstanding needs in this area—sometimes has to teach in the garage of our campus home for lack of table space in their department. 

Let me quote a few salient lines from Toym’s self-described “rant,” which he published online:

“When students are treated as customers (rather than our future), when education becomes a service (than a mission), and when institutions are driven by metrics, compliance, and efficiency, we lose something essential.

“We lose the art school as a space of imagination. As a space of critique and discourse. As a space where we form not just skills, but ways of thinking. A space of engagement and confrontation. A space to take risks and make mistakes in a nurturing environment.

“An art school is not a diploma factory, it is a well of souls, it is a spirit house. If we lose these purposes, we do not just weaken education. We weaken our culture, we lose our spirit as a nation.”

But now Toym & Co. are up against an even bigger enemy, beyond leaking roofs and bureaucratic indifference: a government-sponsored initiative to gut the humanities and to bleed it out of the college curriculum so young Filipinos could enter the workforce sooner. 

The comeuppance of certain pseudo-journalists aside, no issue stood out in our FB feeds over this past week as much as the widespread outrage over the Commission on Higher Education’s proposed “Reframed General Education” program, cutting required GE units from 36 down to 18. They’ll do this by shoehorning the old (and already much-compressed) arts and humanities courses into such brainy-sounding but essentially hollow subjects as “Data, Evidence, and Ethics in a Knowledge Society” (which sounds to me like a puffed-up way of saying “Don’t use AI to plagiarize and write your homework,” which I’ll bet is how it’s going to be taught).

It isn’t hard to imagine how this act of cultural lobotomy came about: the CHED people were given marching orders from the start to find a way of cramming some GE subjects into a three-year curriculum. Never mind what kind of chop suey recipe they would come up with—like mixing a smattering of Philippine history into a sludge of Rizal; just fit everything in three years, and all will be well. 

I’m not even going to discuss in detail how and why the CHED proposal is such a sad, silly, an even stupid solution to a problem that, to begin with, is ill-defined. You can look up the analyses of people more attuned to the theory of education than I am—aside from Toym Imao, experts like Profs. Antonio P. Contreras, Mark Joseph Calano, and Jose Wendell Capili have already written extensively about this, and about the necessity of the humanities in our formation as humans and citizens. 

I will, however, raise a few points and questions for further thought:

Is the problem employability, of not teaching our young the skills our workplaces require? Are the arts and humanities–including language and history—therefore excess baggage that workers don’t need to do their jobs well?

General education isn’t about creating unemployable artists. It’s about helping ordinary people think like artists do—creatively, intuitively, critically, out of the box, to find better viewpoints and solutions than numbers alone can provide. And speaking of unemployed artists, why not build up and support creative industries like South Korea and other countries do, to channel our natural abilities in design, performance, and expression into globally competitive endeavors?

And who and where are the synoptic geniuses who are going to teach these massively integrated courses? Instructors who have a hard time teaching even basic English, and whose own grasp of history and philosophy is tenuous at best?

There’s a lot of the “digital” in the “reframed” GE program, a nod to the pervasiveness of the Internet and AI in education. But the real challenge is not how to detect and use AI, but to be naturally intelligent: to think and reason for yourself without reaching for your phone.

Bad education isn’t going to fix a bad economy and bad governance. But a good education that teaches young people the difference between right and wrong and between good and bad—and only the humanities can do that—will help them elect good leaders who can then make the best decisions for our economic well-being. 

“We have to do something!” cried Beng, as always the more ardent activist between the two of us. “Let’s rally in front of CHED. Let’s show them how strongly we feel about this issue!”

Of course I’ll go march with Beng wherever she goes, but I suspect that in this day and age, rallies don’t work as well as they used to. You’ll shout yourselves hoarse telling your co-marchers things they already know, while the people inside the office go about making coffee and sharing BTS chismis. You might get on the evening news, in between a mugging and a fashion piece.

You have to find the people who can actually change policy, and exert pressure there. They’re in Congress and the Senate, which controls the pursestrings and can make state university presidents and agency heads mumble like marionettes at budget hearings.

The trouble is, even people you’d expect to know better don’t seem to know any better. Sen. Sherwin Gatchalian, who chairs the Senate Basic Education  Committee while co-chairing the influential Edcom 2, is behind the push to cut college down to three years. His proposed Senate Bill 51 aiming for just that is the wind behind the CHED technical committee’s wings. That leaves us with Higher Education Committee Chair Loren Legarda, a staunch champion of the arts and culture, to bear the burden of our arguments in the arena where it matters.

She’ll have a lot of championing to do, against the likes of Sen. Robinhood Padilla, (mind you, the one in charge of constitutional amendments) who has opined that the job of opposition senators is, well, to oppose anything and everything. Indeed, the fact that we have people like him in the Senate is the best argument for a strong GE program—not just to educate them, but to make sure young Filipinos don’t vote donkeys (I’m using the kinder term here) into the Senate ever again.

Just thinking about it makes me want to put on my marching shoes, and I don’t care if Beng and I end up shouting into the wind.