Tag Archives: UP

Qwertyman No. 206: The Unfinished Building

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Qwertyman for Monday, July 13, 2026

AS I noted in a Facebook post last week, attending a graduation at the University of the Philippines, as I did last July 5th, always brings a tear to my eye, especially when everyone sings “UP Naming Mahal” at the closing. No matter all the heartaches, disappointments, and challenges we may have gone through in UP as a student, teacher, administrator, and alumnus, and no matter all our disagreements over failed policies, missed opportunities, and misdirected priorities—as an institution, this university of the people remains immutably noble in purpose, an ideal constantly being realized. 

More than 5,000 students graduated from Diliman last week, as well as many more thousands in UP’s eight other constituent universities across the country. Thousands came away with honors—raising the question of whether our students have really gotten that much better, or if our standards seem to be getting laxer; the debate goes on, although no one’s taking anything away from the laureates. This was, after all—as UP President Angelo Jimenez noted—the last pandemic batch to graduate, who entered UP in extremely difficult circumstances, tied down to Zoom, without the benefit of campus life for a significant period.

I sat at the grandstand in Quezon Hall as a professor emeritus among the university’s officials and guests, recalling how I had stood on the other side of that amphitheater more than four decades ago, wondering what the future would be like (short answer: 35 more years in UP). I would become a professor, an administrator, and a retiree, as deeply engaged in university affairs as I had been as an activist toting a molotov cocktail (which I never threw) at the Diliman Commune in 1971. 

That morning’s guest speaker was former Ombudsman and Justice Conchita Carpio Morales, whose biography I had written, so I was glad to run into her at the processional, and I urged her to give everyone a piece of her famous mind. “I’ll be gentle today,” she told me, smiling. Taking off on this year’s commencement theme of “Gumagalang” or “respectfully,” she spoke on the need for respect of the law at a time of great confusion over who and what to follow. 

“In a world increasingly divided by arrogance, intolerance, and indifference, the call to gumalang (respect) is not merely timely, but urgent,” she said. “As a magistrate, it pains me to see lawmakers alleged to be lawbreakers. Rules bent, redefined, or misinterpreted to suit individual or group interests. There is little paggalang for those who have limited or no voice at all. The powerless have become dispensable…. The rule of law is the bedrock of democracy. Sadly, in many parts of the world today, the rule of law is being disregarded…. Unfortunately, what we increasingly see today in many places is the rule of man, where the exercise of power depends less on the law and more on the whims, preferences, or interests of those who hold office.” At the same time, she emphasized that “respect” could not be used as an excuse for authoritarianism, or for stifling contrary voices. (And before you ask, no, I didn’t write or draft those words for her. Nobody writes CCM’s speeches but herself, and if you did, she’d very likely pepper your draft with corrections, as generations of her law clerks well know.)

That was particularly apt in UP, where the commencement ceremonies ended with the customary (by now) lightning rally, and while some slogans sounded rather tired, this year’s emphasis on fighting corruption gave it a particular urgency. UP Diliman’s graduation was taking place on the eve of the opening of the impeachment trial of Vice President Sara Duterte at the Senate, titanic confrontation on both sides of which prominent UP alumni were ranged. 

The irony of the moment could hardly be overstated. Historically, UP has been known to be a bastion of dissent, a haven of nonconformists and rebels of all stripes and colors. I often cite the examples of then UP President Rafael Palma’s daughter Fe, who took part in the first documented student protest action in 1933, a boycott prompted by a tuition fee increase, and of President Manuel L. Quezon being lambasted for extravagance by a young hothead named Ferdinand Marcos. 

Since the 1960s and 1970s , UP has acquired—inaccurately, I think—a reputation for being a breeding ground of communists, a convenient target for such Red-taggers as the NTF-ELCAC and a good excuse for its billions in funds. (Which reminds me: they should set up an NTF-ELCAC to seek and weed out the corrupt.) People forget that for every Joma Sison we produced a Juan Ponce Enrile; for every Benito Tiamzon a Fabian Ver; for every Lean Alejandro an Alan Peter Cayetano; for every Lorie Barros a Pia Cayetano. 

As I emphasize whenever I can, even at the height of student activism, the radical Left was always in the minority in UP as it probably was elsewhere; we were just noisier, better organized, more determined, and literally ready to die for our cause. 

What the usual UP narrative also often ignores is the fact that many of us from the Left who survived the First Quarter Storm and martial law moved toward the liberal middle—indeed, some even to the far Right, becoming its ideologues, executors, and apologists. 

Surveying this year’s crop of bright and starry-eyed graduates, hundreds of them finishing with high honors, I wondered how many of them would, in the next twenty or thirty years, materially contribute to our people’s well-being, and also how many to its deterioration. I don’t think anyone goes to graduation with malice aforethought, but life has a strange way of shaping and testing character in a way that classrooms simply can’t. As we learned in martial-law prison, sometimes it’s the most seemingly inflexible who prove the most brittle and break.

At the ceremonies, pointed comments were made by some deans presenting their graduates about all the unfinished buildings on campus—the new Faculty Center has been a decade in the making, with the refurbishment of Abelardo Hall and the UP Main Library trailing closely behind. These delays can largely be traced to mismanagement under the old DPWH, a couple of projects possibly even tied to the Discayas. 

But it struck me that the truly unfinished building to contemplate is the university itself, in constant reconstruction under pressure from AI, global rankings, and the needs of the people it remains accountable to. Just having marked its 118th anniversary, it could yet be the Sagrada Familia of our national aspirations.

Qwertyman No. 202: Oh, Ateneo

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Qwertyman for Monday, June 15, 2026

WITH SO much already having been said and posted about last week’s saddest story—the tragic drowning of two Ateneo student-athletes in a training activity far off-campus—it seems pointless to add anything more. But as a former university administrator (with that other big school at the other end of Katipunan Avenue, the University of the Philippines), I feel compelled to think aloud and wonder what we should and could have done had this happened to us across the street.

The Ateneo university administration has been roundly (and I believe fairly) scored for not saying and doing enough in the immediate aftermath of the apparent accident to establish what happened, determine accountabilities, and provide sympathy and support to the bereaved. What drowned in Aurora were more than two boys and their hopes; into the depths went their school’s hard-won reputation for a culture of caring.

Institutional mindsets would reflexively call this “damage control,” but “damage control” sounds profoundly inappropriate and inadequate in these circumstances—the greatest damage done was that to the families of Rene Baterbonia and Divine Adili, and it is permanent and cannot be undone. Even to a people inured by tokhang, the heartrending video of a mother’s grief cuts to the bone.

The damage to the university’s reputation is substantial but, in the thick-skinned way these things go, fleeting and survivable. What people are calling for is justice, and let the damage fall where it may. In an academic universe increasingly driven by global ratings, a university’s reputation should seem to matter more, but where in the statistics do factors like compassion count? 

I know how difficult it is for academic bureaucrats to respond to a crushing crisis like this. My old job at UP, aside from teaching English and creative writing, was that of Vice President for Public Affairs, which meant that I was both the university’s spokesperson and shock absorber, the one who had to face the likes of Ka Tunying at seven in the morning to answer questions about all the rich kids in UP, fraternity hazing, communists on campus, and UP’s squatter problem.

It was understood that I was there to help promote and protect the university’s image, at a time when that image was being battered from both right and left, often from critics at the very top of the same government that we were dependent on for our annual budget. For the sake of that budget—which had its own critics—we had to tread a thin line between cooperating with authority and preserving our autonomy and academic freedom, a process fraught with conflict and, yes, sometimes hypocrisy, as when we had to smile in the face of politicians we would otherwise have cursed. While each little and isolated case may have been challenging and disturbing, eventually they all became administrative routine, necessarily tolerable.

But for every institution, there comes a defining moment when more than budgets or reputations are at stake, when its very spirit itself is under question and under threat. That moment seems to have arrived for Ateneo, a great university unlike many others, even unlike UP, founded as it is on Christian and indeed Ignatian principles that include magis or the striving for excellence for God’s greater glory and cura personalis or caring for the whole person. As Fr. Pedro Arrupe, SJ put it, a Jesuit education aims at producing “men and women for others.” UP has its “Serve the People,” but its secular character imposes less of a spiritual and more of a political mission on its community.

This is why the Ateneo administration’s seeming inadequacy of response to the accident, beyond its terse initial announcement, comes as a perplexing disappointment to many, on top of the awful pain and grief caused by the deaths themselves. In the very least, a statement providing more details of what happened, committing to a thorough and impartial investigation, and offering support to the affected families would have eased many initial concerns. 

Ultimately an institution’s image is made more by what it does than what it says, but the saying is also part of the doing. I would have arranged an immediate meeting between the Ateneo president and team coach and Rene’s family—and at least by Zoom with Divine’s—for them to personally explain what happened and to make the necessary amends.

Despite efforts to politicize and capitalize on the issue, I myself believe that what happened was a terrible accident, albeit a preventable one, with better foresight. Almost exactly a year ago, I lost a good friend, Don Rodis, to a rogue wave and riptide that pulled him into the waters off Los Cabos in Mexico; one minute he was just strolling on the beach, the next he was gone. 

That’s nature at its indifferent and cruelest worst, which, beyond preparing for, we can do little about. Human nature also arises spontaneously, in the shock, grief, and even anger that followed the accident. But human agency is something else—the “what could and should have been done’s,” both before and after the event.

I can imagine, as administrators would have instinctively responded, that Ateneo’s academic and athletic managers first called the lawyers in to find out who was responsible for what and what the university’s liabilities were. It’s a logical institutional reaction, but again Ateneo could have risen above that to show true compassion, which should come instantly and unbidden, without lawyers or preconditions. I have no doubt that the likes of Fr. Flavie Villanueva, Fr. Albert Alejo, or Fr. Robert Reyes would have rushed to and embraced the grieving mother if they could. 

(It has been a bad week for Ateneo in more ways. The athletes’ deaths obscured the passing of another prime Atenean talent, the poet and professor Rofel Brion. Rofel once said that “I write mostly about small, ordinary events, and in doing so, I capture them. I hold on to them and never let them go. And this, I guess, is how I pay homage to them.” This was his way of living the Ignatian principle of finding God in the ordinary. )

I have many friends at Ateneo and have even taught there—once as a substitute for the late Prof. Doreen Fernandez when she was unwell, and another time as the holder of its professorial chair in creative writing. While not particularly religious myself, I am a strong believer in its mission and in its products. I appreciate its efforts to diversify and to bring in more poor scholars into its fold. 

If Ateneo is as great as its history suggests, it will use this instance to reflect deeply on what it wants to be, and to be regarded as. I have no doubt that with sincere introspection and self-criticism, it will find the best ways to do right by the families of Rene and Divine, to run a fit and humane athletics program, to set the right policies and put the right people in place, and to reassure its community that it has recovered its true Ignatian spirit.

Penman No. 485: Forever Young—in Yearbooks

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Penman for Sunday, May 3, 2026

THERE’S SOMETHING terribly sad and yet also strangely soothing about thumbing through the pages of college and high school yearbooks from decades past. As a diehard UP alum and collector of UP memorabilia, I’ve accumulated a stack of yearbooks from the University of the Philippines called the Philippinensian (a name likely inspired by that from one of UP’s formative models, the University of Michigan’s Michiganensian). 

Going through them inevitably fills me with what I know to be a naïve longing for seemingly simpler times; the past gets rosier the farther we move away from it. But these images, imbued with innocence, still offer relief from today’s sordid realities. When I look at the youthful visages of such figures as Juan Ponce Enrile and Jose Ma. Sison, I am reminded that we had choices, and that, while indicative, college could be too soon to plot the full trajectory of our lives. Yearbooks are also, of course, an intellectual and social history of the university itself, balancing the frilly fun of a Cadena de Amor with the sonorous seriousness of editorial commentary.

The first issue of the Philippinensian came out in 1915, seven years after UP opened in 1908—occasioned, argued its editors, by the realization that “There has heretofore been little consolidation of interests on the part of students of the University and the so-called University spirit, which should be stronger here because of the maturer quality of the students enrolled, was subordinated to the college spirit.” (I was fortunate to find a copy of this maiden volume, once owned and signed by Guillermo Tolentino.) 

In 1928, the Philippinensian apparently assumed the name of UP Alpha. If you studied then at the College of Liberal Arts your professors would have been people like Maximo Kalaw, Conrado Benitez, H. Otley Beyer, Vidal Tan, Carlos P. Romulo, Maria Agoncillo, Paz Marquez Benitez, Manuel Bernabe, Jose P. Laurel, Marcial Lichauco, Mauro and Mendez, and Pura Santillan. The college’s editorialist expressed the tenuous hope that education would resolve the class struggle: “Far out in the villages away from cities reign ignorance, selfishness, suspicion, all things that a life of isolation and narrow-mindedness afford. We recognize the need for light in those nooks, that light which will add strength of vision to the eyes of the unlearned, which will make them see the invisible ties that unite hearts the world over. We are aware of the selfish exploitation of the poor by those who have greater cunning, and higher intelligence; but we believe that the broadening of the sympathies of the latter and the opening of their closed, hard hearts will banish away all suspicion and hatred that rend souls asunder.”

A decade later, the 1938 Philippinensian opened with a dedication to that year’s commencement speaker, Field Marshal Douglas A. MacArthur, followed by postcard-worthy shots of UP’s Manila campus, carefully curated to show off its best facets. The staging creates ironic if not tragic overtones, especially when taken with the photographs at book’s end of UP’s cadets in smart formation, many of whom would march into the maw of war in a few years. Padre Faura itself would be bombed to ruins, albeit with the Oblation statue still standing defiantly.

After the war, with school having been closed for a while and the whereabouts of hundreds of students and graduates unknown, the Philippinensian resumed in 1946 under the temporary banner of the UP Phoenix 1942-1946, to cover the lost years. The yearbook staff could only note that “Some letters [of invitation to the yearbook] were received postmarked ‘return to sender’ for various reasons: “addressee unknown,” “no such address,” “moved.” In many cases, the addresses were among those burned or shelled during the war. In a few cases, the graduates were already dead. But so long as there was a clue, no matter how unreliable, the staff did not fail to track it down, sending letters, again and again, to the same person, at different addresses.”

Among those who fortunately responded were Narita Manuel of San Andres, Manila, BSE 1942 (soon to marry a writer named NVM Gonzalez); Damiana Ligon Eugenio of Cabanatuan, Nueva Ecija, BSE 1942, cum laude(long before assuming the deanship of Philippine folkloric studies); and Renato Constantino of Manila, PhB 1946, cum laude, then already working for the Malacañang PR Office. (There were no privacy issues then, and one’s full address could be published at will.)

The closer we get to the present, the more familiar the names become, although their juvenile faces always come as a surprise. My mother Emy—who turns 98 next Sunday—was among those who first made the move from Padre Faura to Diliman. She appears as Emilia A. Yap, BSE, from Guinbirayan, Sta. Fe, Romblon, in the 1953 Philippinensian, a volume in which also appear such luminaries as Rafael M. Salas, Rony V. Diaz, Amelia Lapeña, Andrez Cristobal Cruz, Jose T. Joya, and Napoleon V. Abueva. For many alums, the ‘50s were UP’s golden age, and the yearbook reflects that; with the war over, it could claim that “The UP spirit is of beauty…. The tradition of looking for beauty everywhere, even where none is supposed to exist, is born… to temper an otherwise skeptical, cynical mind.”

But by the end of that decade, on the cusp of the ‘60s, and in the midst of the great debates between secular liberals and sectarian conservatives on campus, UP had to be ever reminded of its unique position as social critic. Introducing the 1958 Philippinensian marking UP’s golden jubilee, E. San Juan intoned that “Ours is an age of rebellion…. Man of the twentieth century… strives for a blessedness yet unbestowed, the blessedness incarnated in him as rebel-artist.” Petronilo Bn. Daroy would warn the following year that “It is at this point that we begin to see the estrangement of the university from the mainsprings of life, from the fact of the national reality. With politics controlling the focus and acting as guidepost from which the university must stand to gain its angle of vision, the reality that is revealed for inspection is necessarily fragmented and false.” 

UP’s vibrant social and cultural life continued, with the fraternities and sororities leading the way. The yearbooks lauded the smartest and the prettiest. But the dark clouds were gathering, and the mood was shifting. Writing in the 1966 Philippinensian, Temario C. Rivera began his essay with a stinging line: “Frivolity has always been the most vicious stigma of youth.” But, he concludes, invoking protests around the world, “The youth have finally come of age.”

In a few more years, the First Quarter Storm and the Diliman Commune would erupt, and the last Philippinensian would come out in 1971; the last Cadena de Amor had taken place in 1968. Many of those street warriors, myself included, would live on to their seventies and eighties, brandishing canes and hostage to metformin.

But in these yearbook pages, full of faces brimming with hope and idealism, we remain forever young and forever free.

Qwertyman No. 191: A Letter to Julie

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Qwertyman for Monday, March 30, 2026

I HAVE a dear friend in America named Julie Hill whom I have written about before, an old friend of our country and people. She turned ninety this past week, amid a host of personal challenges that come with age and with living alone. A prolific and published author whose books I edited, Julie was born in Alexandria, Egypt, and moved to the US for graduate school. She traveled and lived around the world, including Manila, with her late husband Arthur, and served as a multinational executive before retiring to Southern California. She has returned to the Philippines many times to visit with her old friends and quietly supports some private charities. 

When I last came to see her last year, despite her own mounting needs, she graciously donated a substantial amount to the University of the Philippines in aid of UP’s poorest students. Despite the entreaties of concerned friends, she refuses to be confined to a nursing home, preferring the company of her memories to the chatter of strangers. She can sometimes be lonely and fearful, but she is proud and brave, and the horizon she gazes at stretches far longer than we can imagine. I thought of writing her this birthday letter to cheer her on.

Dear Julie,

With your ninetieth birthday coming up in a few days, a lot must be going through your mind. I don’t know if your roses are blooming and your oranges fruiting outside your window, but I hope they are, because they always bring you joy and delight, of which our world is desperately short these days.

You have been around that world and have seen both the best and the worst of it. Over the five travel books and memoirs I have edited for you, you found kindness and humanity in the earth’s farthest reaches, and you singled out the Philippines for your warmest affections. Even before we met, you established lifelong friendships with many Filipinos, and continued to visit them and to maintain a special relationship with this place.

And thus you would have seen that the Philippines you knew half a century ago is far different today in many ways, yet unchanged in others. You came here with your husband Arthur, when the Ford Foundation sought to help Philippine education and rural development—priorities which remain unmet. Our population and our cities have grown far beyond their capacity to sustain a decent living. Manila now teems with tall buildings and sleek condominiums, at the literal feet of which the hovels of the poor abound, a cliche we’ve become inured to, and accept as God’s design. We breed children we can barely feed, who can’t read, who seemed doomed to servitude.

Your generous donation to the University of the Philippines, meant to help the poorest of UP students complete their studies, will provide some much-needed hope and relief. While intervention at the college level is often too late for these children, your support, and that of others, gives them a fighting chance. Beyond external assistance, we need massive educational reform, which will require a singular and strategic will on the part of our government to invest in our natural intelligence, before we even speak of AI and other shortcuts. Sometimes I think we need to love ourselves enough.

And so is America changed as well—no longer the welcoming sanctuary you found when you fled Nasser’s Egypt to study in Minnesota, but a paranoid society, hostile to foreign faces, accents, and ideas. You know this yourself, living in an affluent community whose manicured lawns are dotted with MAGA flags. I’ve met some of your neighbors over lunches in your home, and they’re very nice people, except for their politics, now explainable only in terms of mass hypnosis or idolatry. 

For how else could otherwise well-educated and upright citizens condone and even applaud a mad megalomaniac who starts a war without knowing why, delivering death and suffering the world over? What does it say of people happy to be led by a man utterly without morals, without conscience, and without compassion? Not long ago, with appalling but typical coarseness of spirit, this draft dodger publicly celebrated the passing of a combat veteran he saw as his enemy—an act of crass cowardice to which his followers turned a blind eye.

I’m reminded of those science-fiction movies from the 1950s, where your smiling, all-American neighbors turn out to be aliens beneath the skin, except that, ironically, today we are the aliens, to be excluded and exterminated by ICE, the American Gestapo.

I told you that I’ve sworn not to revisit the US until after Trump and his kind are banished from office, which makes me feel sorry that Beng and I might not see you again for some time, if ever again. The fare situation seems to have made that moot. The way things are going, we can’t even afford a flight down south, let alone across the Pacific. To all those MAGAs and Fil-Ams who tell us to butt out of US politics because it’s none of our business, well, here’s the g—d—n proof: never mind my bellyaching about plane tickets and all the nice beaches I’m missing out on; our jeepney drivers are plying the streets for 12 hours a day with tears in their eyes because they can’t even make enough to cover the gas they’re consuming, let alone pay their operator their “boundary” or daily minimum. When our oil supplies drain out in a few weeks, the agony will worsen. Beng and I will get past this—we’ve been through worse—but the suffering for many poor Filipinos will be incalculable.

I know that you, too, are suffering the aches and pains of old age, and that my periodic bouts with sciatica are nothing compared to yours. Twenty years ago when we first met we were still flush with energy and optimism, full of ideas about books to write and places to go. We wrote most of those books and followed our respective itineraries. When you come to think of it, we’ve led far fuller lives than most people can even dream of.

We can be thankful for the past and for the life partners we have been blessed to share this journey with. We could not have been more fortunate than for you to have had Arthur for half your life and  for me to have Beng for most of mine. But we are not quite done yet. 

We cannot let the bastards win. Our mission is to survive—and to survive them. If only for that, you have to live to 95, or even beyond that, and I have to do the same, so that we might, before finally exiting, regain our cheer, enjoy humor without irony, feel unmitigated joy. Be strong, be safe, and bask in the afternoon sun.

Affectionately,

B.

Qwertyman No. 184: What I Told the Fil-Ams

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Qwertyman for Monday, February 9, 2026

LAST WEEK, at the Executive House of the University of the Philippines where he officially resides, UP President Angelo “Jijil” Jimenez graciously hosted a delegation of about twenty Filipino-American business and community leaders from San Diego, California, led by our honorary consul there, Atty. Audie de Castro. 

I was happy and proud to have helped facilitate this visit, having some close personal and professional ties myself to San Diego. Our unica hija Demi married a San Diegan, and has happily lived there with her husband Jerry for almost 20 years now. My wife Beng and I visit her nearly every year if we can afford it. 

San Diego also happens to be where a dear friend of mine, Mrs. Julie Hill, lives in a lovely home in Rancho Sta. Fe. Julie stayed in the Philippines for some years many decades ago when her husband was the Ford Foundation representative here and fell in love with the country and its people, and despite having traveled and served all over the world, the Philippines retains a special place in Julie’s heart. The last time I dropped in on her a year ago, Julie (who’s approaching 90) announced that she was donating what came out to more than P20 million to help the poorest of UP students. Atty. De Castro helped to formalize that donation as our consul in San Diego, cementing our relationship.

Professionally, but through Julie’s recommendation, I also served as Pacific Leadership Fellow in 2014 at the University of California San Diego, where I had previously lectured on Philippine-American affairs. Beng, meanwhile, observed operations and state-of-the-art techniques at the Balboa Art Conservation Center.

In other words, we’ve established rather close ties to this sunny and vibrant city in Southern California, where many generations of Fil-Ams have taken root, mainly because of the US naval base there, where thousands of Filipino sailors recruited from the Philippines have served. That’s how Demi’s in-laws came to San Diego from Bicol, their children born as Americans but deeply mindful of their Filipino heritage.

Many of our visitors never saw the Philippines until they were grown up, and I think most were setting foot on the UP campus for the first time. So we gave them the warmest reception and the best orientation we could, and engaged them over lunch in a lively discussion.

One of them asked: “What is the Filipino dream?” My UP colleagues responded to that in various ways, coming from different technical and academic disciplines. I tried to give a pedestrian answer: “The Filipino dream is actually a fairly simple one: a roof over one’s head, food on the table, a good education for the children, peace and justice in our communities. We dream for our families. But like all seemingly simple things, achieving that dream is difficult and complicated.”

The visitors had earlier asked President Jimenez about UP’s role in national leadership, and beyond citing how many presidents, senators, and Supreme Court justices we’ve produced—which, to be honest, has also contributed to the ruination of our nation—Jijil emphasized the value his administration places on service to the Filipino people, which can manifest even from beyond our shores. He spoke of UP sharing its knowledge and resources with other SUCs, of UP assuming its responsibilities as the country’s national university—a concept perhaps alien to the American situation but entirely relevant to ours. (I was aware, of course, that UP has many internal issues and priorities of its own to sort out—it always has, regardless of administration.)

A more challenging discussion was one that I had on the side with two ladies who admitted that they represented two ends of the American p0litical spectrum, but had managed to remain friends despite their differences. Their question for me was, what did I personally think of what was happening in America?

No longer in UP spokesman mode, I could have answered as bluntly as possible, but I wanted to give them the more nuanced answer their friendship deserved. 

I began by saying that I considered myself an exemplar of American colonial education, having gone to a private elementary school in the 1960s where I learned about “heifers” and “mackinaws” long before I ever got to see real ones, and even memorized American states and their capitals, to the dismay of my future American friends when we played Trivial Pursuit. I shed off much of the mystification as a student activist in the 1970s and took a far more critical view of the American influence over our history, economy, and politics. 

But the indoctrination was so effective that I retained a fundamental affection and even admiration for many aspects of American culture and technology, and maintained a lifelong and ultimately professional interest in the US. I studied and worked for five years in the Midwestern heartland, in Michigan and Wisconsin, I taught American literature—not just in UP but in America itself, to college students who seemed surprised that I seemed to know more about their country than they did. Not just because our daughter lives there, I continue to follow American affairs keenly, starting my day with the digital editions of the New York Times and the Washington Post (the latter now sadly degraded).

What I told them was that this America was no longer the America I once thought I knew and looked up to, despite its excesses. I said I thought I understood, at least in part, where MAGA was coming from, in the neglect of the American working class and their anxieties in a rapidly changed world. At the same time, Donald Trump had ridden on those grievances to empower and aggrandize himself and the billionaire elite, trampling on the very liberties that had once defined American democracy, imposing his racist and imperialist vision of America, and endangering global peace and security. The shootings in Minnesota were profoundly shocking and depressing. I said that as much as it saddened me, with loved ones in the US, I did not plan on visiting America again until this madness had passed. If even American citizens could be dragged by masked men into vans and summarily deported to El Salvador, then I did not want to risk an encounter with the American Gestapo.

I could have added that both Americans and Filipinos, as polarized as we have become, need to find some common ground, as we share problems that cut across our differences. Bu the time was short, and we sent our guests off with a smile.

Qwertyman No. 182: Artists, Athletes, and Avatars

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Qwertyman for Monday, January 26, 2026

SOCIAL MEDIA was abuzz last week with mainly praises for but also some questions about Hidilyn Diaz’s appointment to teach weightlifting at the University of the Philippines in Diliman. 

I don’t think anyone doubted the Olympic gold medalist’s mastery of her subject. One post that went viral, however, wondered whether the athlete had what it took to teach at UP, considering that all the preparation she would have received was a four-day orientation the university gives all new faculty members. 

To be fair to the questioner, her concern was legitimate, taking Hidilyn the sports celebrity out of the picture for a minute. As I’ll discuss later, proficiency in a talent or profession doesn’t necessarily translate to good teaching. 

To be fair to Hidilyn, unlike many Filipino athletes, she’s no stranger to the classroom, having graduated in 2023 with a bachelor’s degree in business management from St. Benilde, after several interruptions because of her training and the pandemic.

I have no doubt myself that despite her lack of teaching experience, Hidilyn will be a fine, welcome, and indeed a prize addition to the UP faculty roster. Her presence alone will galvanize student interest in her sport, and in UP athletics in general. 

Her teaching, I’m pretty sure, will take care of itself. Having trained with some of the world’s best coaches, she will not lack for topics and techniques. What will probably challenge her the most will be her transition from star to student—as the learner of teaching that she will have to be. Her students will have to get over their awe of her celebrity to imbibe her lessons. 

Her first year will be fraught with both exhilaration and frustration, as the enthusiasm and even the ecstasy of teaching are weighed down by the drudgery of academic bureaucracy—particularly in UP which, despite its leadership in many fields, remains a laggard in the prompt payment of salaries for new hires.

The fact that we’re even talking about this shows how far we’ve come from the past, when a good reputation was enough to get you in front of the blackboard.

The problem here isn’t Hidilyn, and not even just UP itself, but a global academic culture that seems to have been taken over by the accountants and professional managers from the dreamers. 

I have nothing per se against the numbers crunchers, who are central and vital to every modern university’s survival. But the seemingly ceaseless demand for performance metrics to justify budgets, promotions, and bonuses—a mind-numbing exercise for staff already exhausted from their regular chores—can produce a false dazzle that favors consistency of delivery and even of mediocrity over originality, non-conformity, and inspiration.

As a writer and also a professor and former university administrator myself, I can appreciate the peculiar challenges of recruiting and sustaining what we might call non-traditional academics like creatives and athletes in this kind of environment. You need them to identify and develop their successors among their students; conversely, many of them also need the security of a job. 

But teaching is its own art, its own sport, its own discipline—and I know, from sad experience, that not all artists and athletes, no matter how gifted they may be in their fields, can teach. Some lack the people skills and the empathy the classroom requires; the most expressive artists can be woefully inarticulate, the lithest athlete inexplicably clumsy. 

Those who do connect—performers who know their audiences and who value contact and feedback and continuous learning—become the best teachers.

Many of them might not even meet today’s stringent entrance standards. UP’s College of Science, for example and for good reason, now requires a PhD of its teaching applicants. The humanities and athletics obviously can’t enforce that rule, given that there are Literature PhDs who can’t write a decent poem and SportsEd PhDs who can’t swim.

On the other hand, some very fine writers have taught at UP without even a bachelor’s degree because of their extraordinary talent, notably NVM Gonzalez, IP Soliongco, Jose Lacaba, and Ricky Lee. 

This will be self-serving, but no better example of that kind of avatar exists at UP today than my wife June, who has been teaching the very first course in Art Conservation at the College of Fine Arts as a senior lecturer for the past three years.

Now 75, June came into teaching late in life, after a long career in the arts as a graphic designer, watercolorist, and for the past quarter-century as an art restorer and conservator running her own studio. Few people in this country (excuse the proud husband speaking) have her skill and experience, having worked on all the Filipino masters from Luna, Hidalgo, and Amorsolo onward, including the Spoliarium. She had always dreamt of teaching, knowing how few authentic and scientific conservators there are in the Philippines, and the need to train the young.

The only problem was, as a student activist, she had left UP under martial law a few units short of completing her Fine Arts degree. She married me, worked, became a mother, and never went back to school.

But she did train long and hard in conservation and restoration with the Agencia Internacional of the Spanish government, practically every day for a full year, in a program more rigorous than a master’s. On the strength of that training and her experience—she and her team have restored the collections of the Central Bank, the Philippine National Bank, and the GSIS, among others—she was taken in by UP to advise the administration on conserving the university’s vast art collections, leading to her appointment as lecturer (for a subject that, frankly, no one else in UP can teach right now). Aside from her classes, June has been advocating for UP to set up its degree program in conservation and an Arts Conservation Center to serve as both a teaching and service facility. She still runs her own Artemis Art Restoration company for private clients. For a 75-year-old dropout, that can’t be too bad. She complains of fatigue and of being perplexed by the world of AI, and says she wants to stop before dementia sets in, but I know her students love her and wish she would teach forever (because they tell her so).

I myself was a dropout for a decade and had worked as a journalist and screenwriter before returning to UP to finish my degree so I could teach—which I ended up doing for 35 years and still do long after retirement. 

When I think of Hidilyn Diaz coming in to UP amid all the fuss, I want to tell her to just relax, and to enjoy the campus and her students. Teaching in UP will be full of joys and aggravations, but the heaviest lifting will be within her—of doubts, fears, and the catcalls of the rabble in the bleachers. Welcome to the home of Honor, Excellence, and Service—and never mind that it also happens to be a hornets’ nest.

Qwertyman No. 171: “Quezon” as Theater

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Qwertyman for Monday, November 10, 2025

I’M COMING late to the party, having been away for a couple of weeks, but even in faraway Frankfurt, I was itching to come home to see what the brouhaha over the “Quezon” movie was all about.

Rarely does a Pinoy movie stir a hornet’s nest like this one did, and even without seeing it, I took that as a good sign for our film industry, especially big-ticket projects which sometimes leave people wondering why they were even made.

What especially piqued my interest, of course, was the reaction of Quezon family members and friends who thought the old man’s cartoonish depiction as a womanizing, scheming, and power-hungry politician despicable.

Now, my own grandfathers led pretty quiet lives, so I’m sure that if anyone called them womanizing, scheming, and power-hungry, I’d be mighty upset, too.

The difference is, unlike my lolos and going by what the historians suggest, Manuel Luis Quezon seems to have been all of the above—which isn’t to say he wasn’t much more than all those negatives put together. It was apparently that “much more” that the Quezonistas were looking for—MLQ the patriot and freedom fighter—to balance out the picture, especially since most young Filipinos know nothing of the man except as a place-name. Had that been shown, the outrage might arguably have been muted, the image softened.

But of course that wasn’t what the movie’s makers were going for. As has already been noted by dozens of reviewers before me, “Quezon” is no documentary (and let’s not forget that even documentaries can be biased—just watch Leni Riefenstahl’s adoring portrayal of Hitler and his Nazis in her bizarrely beautiful “Triumph of the Will”). From the outset, it declares that it is mixing up history with “elements of fiction,” which is just as good as using that old commercial come-on, “based on a true story.”

I’m no historian—I’ll confess to being an enthusiast—but as it so happens, I’ve been a playwright, screenwriter, biographer, and fictionist at various points of my otherwise uneventful life, so I can probably speak to these issues with some experience. I can attest, for example, having written some biographies of the rich and famous, that families and descendants can inherit myths about their patriarchs, and treat and pr0pagate them as God’s own truth. 

My take is, I don’t think we should receive “Quezon” as history, biography, fiction, or even film. It’s theater (captured on film), and it declares itself as such right from the beginning, as I’ll shortly explain. This may be due to the fact that the script was co-written by one or our most accomplished playwrights, Rody Vera, alongside director Jerrold Tarog. His approach was explicitly stylized and non-realistic, from the use of silent-movie title cards, ghoulish makeup, and painted backdrops in the black-and-white sequences (including that almost balletic choreography of the young MLQ rising from the floor of his prison cell) to the conception and blocking of such scenes as those of Quezon working the floor of the House and the capitalist bosses gathering round the table. (If all this seems obvious and elementary, dear reader, my apologies—in these days of TikTok, I don’t know what people are looking at anymore).

So what if the movie is theater disguised as film? Does that explain or excuse its supposed excesses and exaggerations?

Well, theater is, almost by nature, exaggeration—movements and motives get simplified and magnified, the easier to get them across. Theater is agitational—it aims to provoke emotion, to bring people to their feet, clapping in delight or screaming in rage.

And that’s what “Quezon” did, didn’t it? It got its message across, effectively and efficiently, like a train on schedule, and taking it as theater, I found it roundly entertaining. By and large, the actors carried themselves off with aplomb, from Jericho Rosales’ masterful Quezon, Romnick Sarmenta’s comic-cool Osmeña (his was actually the most difficult role to play, to my mind), Mon Confiado’s aggrieved Aguinaldo, and Karylle’s restrained Aurora. The employment of the fictional journalist Joven Hernando was what a smart scriptwriter would do, to weave the narrative threads together. (Teaser: Quezon and Aguinaldo figure in the novel I’ve been writing about prewar Manila.)

My quibbles have to do with minor complaints like (don’t be surprised) “Wrong period fountain pens again, all of them—why don’t they ever ask me?” (Quezon did hold his pen that odd way, though) and “Does every movie chess scene have to end with a checkmate?” I could have added “Why does everyone’s shirt and pants look fresh in a period movie?” but we’ll excuse those as theatrical costumes.

If there was anything I would have added to the content, it would have been a quiet moment of self-reflection, in which we realize just how Quezon sees himself. That alone might have lifted up his character from caricature.

The real Quezon seems to have been every bit as petty as the movie shows him to be, but also every bit as great, as it seems to have taken for granted.

Quezon had something of a history with the University of the Philippines, whose protesting students (one of them a young buck named Ferdinand Marcos, who accused Quezon of “frivolity” over all the dance parties in Malacañang) led him to ride into UP’s Padre Faura campus astride a white horse to either charm or intimidate them.

He had a long-running tiff with then UP President Rafael Palma over the Hare-Hawes-Cutting Act, and when Palma retired after ten hard years in the hot seat, citing a technicality, the government denied Palma the gratuity that was his due. When Palma died, however, Quezon reportedly went to his wake to deliver a eulogy worthy of the man.

You didn’t see that Quezon in the movie—and then again, maybe you did.

(Image from banknoteworld.com)

Qwertyman No. 157: Rebalancing the UP-IRRI Partnership

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Qwertyman for Monday, August 4, 2025

 

SINCE ITS establishment in 1960 by an agreement between the Ford and Rockefeller Foundations and the Philippine government, the International Rice Research Institute (IRRI) has been known around the world as a leader in agricultural research and a provider of much-needed and applicable solutions to global hunger. With so many people and economies dependent on rice, IRRI’s outputs—especially the famous “IR8” and similar high-yielding varieties—were hailed as gamechangers for billions, reportedly staving off famine in India in the 1960s and spurring “green revolutions” around Asia. The first President Marcos was a staunch supporter of IRRI, folding its “miracle rice” into his Masagana 99 program, which temporarily achieved self-sufficiency in rice but ultimately failed from bad credit and also proved environmentally destructive.

Headquartered in Laguna on the campus of the University of the Philippines Los Baños (UPLB), IRRI and its achievements became a source of pride for the Philippines, which not only hosted the institute but provided much of its manpower—the scientists in its labs and the farmers tilling its experimental plots, among other staff workers. (That sentiment, it should be noted, isn’t universally shared. A coalition of NGOs and individuals called MASIPAG, opposed to the kind of genetic engineering that IRRI and even UPLB does, sees IRRI as “a research arm of big agrochemical corporations in turning the food and environmental crisis into their businesses.”)

While that’s being debated, another issue has come up between IRRI and UP over the land that IRRI has been using, at the nominal rate of P1 a year for the past 65 years. IRRI’s lease on that land, totaling almost 280 hectares, expired last June 30. UP needs and wants some of that land back for its own use, especially with UPLB’s ambitious plans for the establishment of an Agro-Industrial and Information Technology Park in the area.

UP contends that IRRI has actually been using just around half of that property, so it would be good to put those idle hectares to more productive use, following UPLB’s comprehensive land use plan calling for more buildings for administration and research, housing, support services, engineering, and social sciences. It’s not simply getting land from IRRI (land that, let’s be clear, is really UP’s); according to UP’s Vice President for Legal Affairs Rey Acosta, in exchange for the land UPLB needs for its expansion, the UP System is offering IRRI new land to lease across its various campuses in Mindanao, Iloilo, Leyte, Cebu, Baguio, as well as its land grants in Quezon and Laguna, for both rice and non-rice crop research.

The land exchange was part of a new agreement that UP had proposed to IRRI to replace the expired lease. UP also wanted IRRI to pay more realistic rates for the land it was using. One key factor to consider was that since 1972, IRRI had fallen under the ambit of CGIAR (formerly the Consultative Group for International Agricultural Research), a global research network. CGIAR is apparently funded by contributions from many international agencies and countries including the Philippines, but exactly how it funds IRRI or what its legal status is in the Philippines is unclear to me. 

Under the IRRI charter, the Philippine Secretary of Agriculture and the UP President sit on its board of trustees as ex officio members, but the rest, including the Director General, are international experts nominated either by CGIAR or the outgoing board. It would have been at a board meeting that UP President Angelo Jimenez first brought up UP’s proposals over a year ago in anticipation of the end of IRRI’s lease—which, at the bottom line, UP is under no obligation to renew. Last June, IRRI submitted a counter-proposal ceding much less land than UPLB needed, asking for a much longer lease extension period (25 instead of 10) for much less money than UP deemed fair.

Negotiating in good faith, UP agreed to concessions such as giving IRRI almost 200 hectares for its use, and the possibility of a 25-year lease, subject to periodic reviews, if certain conditions were met. But instead of dealing with UP in the same spirit, IRRI went to court for a TRO, represented by one of the Philippines’ most influential (and must I add expensive) law firms. 

There are quarters in the Philippine academic and scientific community that will be happy to see IRRI go—MASIPAG might stand on the far extreme, but even more moderate voices have noted that much of the research that IRRI was known for can now be undertaken by the Philippine Rice Research Institute or PhilRice. Even so, UP’s leadership maintains that it continues to value its historic partnership with IRRI—based on a more balanced and lawful relationship. “We don’t want IRRI to leave,” said President Jimenez. “We would be happy for IRRI to stay but under fair and reasonable terms.” 

For the sake of not just the Philippines’ but the region’s and indeed the world’s food security, we should hope that this disagreement over how to best use that land in Los Baños doesn’t end up in a messy court case involving money, influence, and public relations. IRRI enjoys a generally positive reputation that, rightly or wrongly, most Filipinos still believe in. After 65 years, it’s time to renegotiate an agreement that will more directly and clearly benefit Philippine agriculture and education through its national university, ensure environmentally safe research, remunerate us fairly, and make IRRI the good global citizen an institution of its stature and intentions needs to be.

Qwertyman No. 144: A Better Fighting Chance

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Qwertyman for Monday, May 5, 2025

TWO WEEKS ago, almost 18,000 young Filipinos and their parents awoke to the good news that they had qualified for admission to the University of the Philippines through the UP College Admission Test (UPCAT). Over 135,000 high school students had applied, so this year’s admission rate stood at just over 13%, almost 7% higher than last year’s outcome.

Whatever UP’s critics may think it’s become, entry into one of its eight constituent universities remains the highest of aspirations for many Filipino families, especially the poor for whom the tuition and cost of living at top private universities is impossible without a scholarship. 

UP oldtimers like to recall the days, decades ago, when the quality of public education was still high enough for public and private high school graduates to compete on fairly even terms for admission into UP. It wasn’t unusual for some provinciano wearing chinelas to step into a UP classroom or laboratory and beat the daylights out of some elite-school fellow in academic performance. Many of those provincianos—the likes of Ed Angara, Miriam Defensor, Billy Abueva, and Dodong Nemenzo—went on to stellar careers in government, education, the arts, and industry. UP was clearly doing what it was supposed to do, as its past President Rafael Palma put it: to be “the embodiment of the hopes and aspirations of the people for their cultural and intellectual progress.”

Ironically, by the time the UP Charter was revisited and revised a century after its founding in 2008, giving it the unique status of being the “national university,” UP’s student profile had changed. Jokes about UP Diliman’s parking problems began to underline the popular perception that UP was no longer a school for Filipinos across the archipelago and across income strata but one for the privileged, mainly from the big cities. The introduction of free tuition in state universities and colleges in 2017, while well intentioned, even resulted in subsidizing the children of the rich in UP, who could well have afforded going to Ateneo or La Salle.

But some good news is emerging, as this year’s UPCAT results bear out. Starting with last year’s UPCAT, there’s already been a reversal of the trend favoring graduates from private high schools, with 55% of qualifiers now coming from public and 45% from private high schools. UP President Angelo Jimenez—himself a boy from the boonies, coming out of tribal roots in Bukidnon—has pledged to do even more to give poor students outside of the big cities a better fighting chance of getting into UP.

“We started this banking on two things,” he says, “that UP will respond to the challenge of transforming the so-called common clay—the less-advantaged—into fine porcelain, and that the less-advantaged will respond to the challenge of opportunity. The task of leadership now is to set the enabling environment, structures, and systems to ensure the success of this two-pronged strategy. It’s a big bet, and it gets bigger. We still have the non-UPCAT track. This includes our Associate in Arts program, UPOU’s ODeL, talent-based modes, and finally, the UP Manila School of Health Sciences in Tarlac, Aurora, Palo, and Cotabato. We cannot solve all problems, we are not lowering standards. In fact, we must demand excellence regardless of social and economic status, and enforce it. But we are dropping rope ladders so people long staring up from the base of the fortress walls can have a better chance of scaling its sheer drop with something better than their bare hands.”

Those rope ladders include adding more UPCAT testing centers in faraway places, ultimately to have at least one in each province—a goal that will be met later this year. The testing centers are also being moved from private to public high schools. “We’ve seen that more students tend to participate when the tests are given in their national high schools,” says UP Office of Admissions director Francisco de los Reyes. Aside from more testing centers, UP is helping disadvantaged students prepare better for UPCAT through its Pahinungod volunteers, who distribute reviewers using real items from past UPCATs (these reviewers are also downloadable for UPCAT applicants) and use them for UPCAT simulations, guiding students even with such details as shading the exam oblongs. (De los Reyes reports that wrong shading has caused 20% of their machine counting errors.)

These steps are clearly paying off. Davao de Oro (formerly Compostela Valley), which previously accounted for less than 10 UPCAT qualifiers, has just produced 31, after a testing center was put up in Nabunturan. 

UP’s support for poor students doesn’t end with UPCAT. Every year, thousands of qualifiers from so-called Geographically Isolated and Disadvantaged Areas (GIDAs), even after passing UPCAT against all odds, fail to show up for enrollment after realizing that they cannot afford the costs of living on a UP campus. UP has rolled out a P50-million Lingap Iskolar program that provides such disadvantaged qualifiers who meet certain standards P165,000 a year to cover housing, meals, transportation, books, cellphone load, and other expenses. Almost 200 Lingap Iskolar grants were given out last year. In UP Manila, private donors fund daily meals for over 30 students.

I’m particularly happy to report that a dear friend of mine, Julie Hill, recently donated almost P21 million that will be used for a new Agapay Fund that will go toward the upkeep of poor students in UP’s School of Health Sciences, which has a unique ladderized program that enables rural midwives to become nurses, and nurses to become doctors. The program has already produced about 200 doctors who have served their communities back. 

Among them was Dr. Hannah Grace Pugong, who recently landed in the top 10 of the medical board exams, after placing No. 1 in the midwifery and No. 3 in the nursing exams. Dr. Pugong will soon be deployed under the Department of Health’s Doctors to the Barrios (DTTB) program, fulfilling her return service commitment. It is an obligation she willingly embraces, saying that “I have often reminded myself that how I treat my patients should reflect how I want my family members to be treated by other health workers.” 

If that’s not what being a national university should be about, I don’t know what is.

Penman No. 471: A Promise to Keep

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Penman for Sunday, February 9, 2025

Now and then we come across stories of foreigners who fall under the spell of the Philippines so completely that wherever else they go, the Philippines and its panoply of wonders—its mangoes, its waters, its sunsets, and above all its smiling people—stay with them, urging them to return, in spirit if not in person.

One such visitor was my good friend Julie Hill, who with her late husband Arthur first came to Manila in 1968 on a mission to help improve Philippine education, among other concerns. Almost six decades later, after having traveled the world and settled in America, Julie’s thoughts and affections remain bonded to this country and to its future. In the twilight of her life, she has decided to gift poor but bright young Filipinos with a life-changing opportunity to study at the University of the Philippines, from the forthcoming sale at auction of two paintings by National Artists HR Ocampo and Ang Kiukok.

Born in Alexandria, Egypt to Greek parents, Julie Hill went on to a fulfilling life in the United States and around the world with Arthur, who represented the Ford Foundation in the Philippines. Forced to leave Egypt when Nasser took over, Julie found a scholarship for her master’s degree in chemistry at the University of Minnesota. There she met Arthur, an Australian taking his PhD in Education and Mathematical Statistics. 

The two fell in love, married, and embarked on a lifelong adventure around the world—to Western Samoa, Thailand, Indonesia, and Afghanistan, where Arthur’s expertise in education and agricultural development was much sought after. Arthur passed away in 2002, but Julie went on to her own career as an international marketing executive for Lucent and later AT&T. Since retiring at their home in Rancho Sta. Fe, California, she has written and published five books of travel and memoirs—all of which I edited after being introduced to her by our mutual friend Jimmy Laya, turning our business connection into a long and dear friendship.

From the first of those books, A Promise to Keep (2003), come many vivid impressions of a country and society transitioning to modernity, troubled but brimming with energy and promise. Arthur got busy working with UP and the International Rice Research Institute, among others, and the Hills became good friends with the rising technocrats of the time—Cesar Virata, Gerry Sicat, and Jimmy Laya. It was Laya—who remains close to Julie—who introduced her to the local art community.

“The art scene was vibrant,” Julie would write. “Manila, a centuries-old entrepot, was rich in art and culture, and we were privileged to visit many private art collections….

“Art galleries flourished. A self-exiled painter stormed into town and set new price ceilings. The audience increased. So did the column inches devoted to art in the newspapers and magazines….

“The Luz Gallery in Makati was run by Arturo Luz, a leading painter, known for his high standards of professionalism. His gallery gained the trust of the public and the artists. The Solidaridad gallery and bookshop was located in Ermita, run by novelist Frankie Sionil Jose. Solidaridad was the middle ground between the established artists exhibiting at Luz and smaller galleries where new talent was championed. You could find superb examples of prints, drawings, miniatures, relief metal sculptures, collage, photographs, and paintings all over Manila.

“We were interested in meeting the artists and visiting their studios, but were reluctant to pay the gallery prices. If we liked the work of a particular artist, why not buy directly from him or her? This was how we searched for and found the home of Hernando Ocampo.”

“Hernando Ocampo was a pure abstract expressionist with a daring originality in his paintings. His work was unmistakably Filipino, ascribing this national character to his unique, tropical colors. A typical Ocampo painting is not unlike a honeycomb, a complex weave of color and tone with each individual cell suggesting a large, more real life form. His work is tropical and warm and suggestive of symmetry. The colors and shapes seem to dance before the eyes. His home in Maypajo was a mecca for friends, admirers, and collectors. He had an open house on Sundays. Good food and hard and soft drinks were ready for guests. Visiting Ocampo, we felt welcomed not only by the artist but also by his family. We commissioned a painting. Sketches were drawn; we followed the progress of our painting with our weekly Sunday visits, and sampled the wonderful pancit, that ubiquitous Filipino noodle dish, that was offered. We photographed the progress of his work. He completed the ‘Song of Summer’, a mastery of color in 17 different shades of red. It would hang proudly in our home in California, and continue to provide intense, pleasurable excitement, another reminder of our times in the Philippines.” (Note: Ocampo’s sketch and color guide for the painting will go with the artwork at auction.)

The Hills left Manila for Indonesia shortly after martial law, but on a return visit in the early 1980s, their old friends at the Ford Foundation presented them with another painting by another Filipino master, Ang Kiukok.Julie recalls seeing several works by accomplished Filipino painters in the foundation office, purchased back when they were far more affordable, and this may have been one of them. Like the Ocampo, it traveled with the Hills around the world all the way to Rancho Sta. Fe, where I have been visiting Julie over the years (our daughter Demi conveniently lives nearby in San Diego).

It was during our most recent visit there that Julie brought up the idea of donating her two paintings for the benefit of poor UP students. A lifelong but quiet supporter of students as far away as Mindanao and a staunch believer in the transformative power of education, Julie also honored me by anonymously (but no more) endowing the Jose Y. Dalisay Jr. Professorial Chair in Creative Writing at UP, over my embarrassed pleas to put it in her name.

This time, she wants the money to go to UP’s poorest—specifically, those exceptionally bright and mainly provincial students who, against all odds, pass the UPCAT but fail to enroll, lacking the means to afford the cost of living on a UP campus. We’ll need to work out the mechanics, but this will go much farther than professorial chairs in changing Filipino lives.

“I had a privileged education in Alexandria and was fortunate to receive a scholarship for my graduate education in America,” Julie says. “During our years in Manila, Arthur and I developed a deep affection for the people of the Philippines, and I am hoping that this donation will contribute to creating a generation of talented and hopeful Filipinos who will serve their country well.”

The Ocampo and Ang Kiukok paintings will be sold at auction by Leon Gallery on February 22. I pray that generous buyers will help Julie keep her promise to the Filipino people.