Penman No. 442: Yes, You Cane!

Penman for Sunday, September 4, 2022

AS IF I didn’t have enough junk filling up every corner of the house, I’ve lately gone on another collecting binge, for which the only justification I can offer is that, well, it’s age-appropriate. 

I’m talking about collecting canes and walking sticks (we’ll use those terms interchangeably for this article, although there are technical differences between them), accessories we now associate with the onset of decrepitude or some other infirmity. I’m not quite there yet—although, at 68, I should need no excuse for carrying a cane, especially for my periodic attacks of gout—but I thought it prudent to prepare now for the inevitable, and acquire artful and functional canes while I’m still sentient enough to know between wood and plastic.

I’m not sure when this newfound diversion began for me. I’d been using the familiar, adjustable metal canes you can buy at drugstores for my gout, which Beng has also leaned on for her arthritis. At some point—as with my other follies—I must have said to myself, “If I’m going to carry this around all day, it might as well be nice. No, forget nice, it might as well be grand!”

And so began my hunt—online, in Japan-surplus shops, and wherever else you can find them—for the perfect cane, which, as soon as you say it, you realize is an impossibility, because the next one is always going to be better, or at least different.  That’s just how it is for collectibles, and how my few working fountain pens grew to 400 at one point (now trimmed down to a more modest 150). 

To bring some reason into this passion, let’s go back to the utilitarian roots of walking sticks and canes, supposedly in the long sticks or poles that shepherds carried to protect themselves and their flocks from predators like wolves. The same sticks were used as walking aids, to climb up hills and mountains with, as well as for taking measurements. By the 1500s, with the use of cane for the shafts, the word “cane” entered popular usage.

Meanwhile, beyond saving you from a bad fall, these wooden sticks found a new and loftier purpose in the hands of men (and some women) who ruled over vast kingdoms and had to show something for it. They became scepters for emperors, kings, and queens—bishops also took to holding even longer staffs—and as such had to look the part, acquiring embellishments of silver, gold, and precious gemstones. When you had to say something like “Off with his head!”, it seemed more convincing to do it with an upraised stick. Moses, of course, had the most potent rod of all, good for getting water out of rocks and for smiting down the detested Amalekites. 

(Image from 123rf.com)

All that pomp and pageantry associated with carrying sticks must have rubbed off on the bourgeoisie, who took to canes as fashion accessories, one more way of showing (or showing off) how prosperous and important one was. Carrying a cane didn’t mean you were lame; to the contrary, it suggested that you wielded power as a bona fide member of the gentry. Genteel ladies had their own versions, some of which had secret compartments for perfumes, combs, fans, and even mirrors; the men liked theirs with swords, knives, and guns—these multipurpose sticks were called “system” canes.

In the London of the 1700s, according to one history of canes, “A gentleman had to procure licenses for the privilege of carrying canes. It was expected that they would abide by certain rules or risk loss of the privilege. The authorities actually policed rules for canes and walking sticks vehemently. It was considered an extreme violation of manners to carry a walking stick under one’s arm, to brandish it in the air, drag it on the ground or to lean on it while standing.”

Thankfully today no such licenses are required, and the etiquette of canes is observed mainly in the breach. Canes are back to being the implements of the sick and the aged, and eyebrows will rise if you appear on the street or in your workplace sporting an antique derby (a popular style with a short wavy handle) or a shillelagh (a cane made from a rough piece of wood with a knob on top).

As a senior, I consider myself exempted from all licenses, excuses, and medical prescriptions in this regard. I collect canes because, like my pens, they’re both tools and works of art, relics from an age of manners and elegance. That they’re out of fashion is an even bigger plus, because it means very few other people want them, and their prices will be reasonable. 

The Philippines is a great place to start collecting canes, because we have very fine antique and vintage ones, made of kamagong or some other hardwood, intricately carved with mother-of-pearl inlays. Some others have silver pommels, handles, bands, and ferrules (the metal caps at the tips) and fine repoussé (hammered) work on the silver. Japanese canes often come in bamboo, which can be very expressive at their bent handles. 

What I’ve looked for outside of our region are canes from Europe and the US, which employ horn, silver, brass, and other materials for their handles, which can be elaborately carved and decorated with animals, skulls (not my thing), and whatever floats the owner’s boat. Vintage canes can also come with bands or badges that denote provenance, such as the owner’s monogram or his military service. There are many websites online devoted to this hobby, and eBay is always a rich source for canes (new but vintage-style ones made in India can be had for not too much). It’s important, by the way, to trim your canes down to size—your hand should be just resting lightly over the handle beside you—not bent upward or reaching down. I do this myself with a hacksaw, and use one of those rubber plugs sold in True Value for chairs to cap the bare tip.

I’m not waiting for my next bout with gout to enjoy my walking sticks. Having resumed my walks around the UP campus, I’ve found that carrying a cane not only supports me but improves my balance and rhythm (I swing it out in front of me like a pendulum). Beng, who needs them more (and who has her own mini-collection), has also discovered that being a cane-carrying senior has its advantages: people are more courteous, service is faster, and seats miraculously appear. I’ll try that the next time we fly!

Penman No. 335: Senior Moments

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Penman for Monday, January 7, 2019

 

BEFORE ANYTHING else, I’d like to put in a word of praise for the only movie that my wife Beng and I really wanted to see among the entries to the recent Metro Manila Film Festival, Joel Lamangan’s Rainbow’s Sunset, a film about two gay old men on the brink of death and of the family around them. I’ve often said that in our youth- and gimmick-centered culture, we don’t have enough movies (or books and songs, for that matter) about old people, and not enough intelligent movies, either.

 Rainbow’s Sunset satisfies both criteria, offering a sensitive, often comic, in-your-face portrayal of the undiminished decades-old love between two men—and of the woman who loves them both—without losing sight of the very real complications it creates for others, no matter how sympathetically inclined. It’s a project that could very easily have given in to caricature and condescension, but it doesn’t. The acting performances are solid and engaging, both individually and as an ensemble. Aside from the lead actors Eddie Garcia and Tony Mabesa, of course, Gloria Romero and the three children—Tirso Cruz, Aiko Melendez, and Sunshine Dizon—are a delight to watch.

It’s far from a perfect movie—I find the title a bit strained (I get it, I get it) and there are a few off-key notes in the drama—but the minor flaws shouldn’t take much away from its overarching achievement. It will probably be gone from the mainstream theaters by the time this comes out, but it deserves more than passing notice, and I hope it leads to more good movies about seniors, who should know a thing or two about love and life.

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SPEAKING OF seniors, I started the New Year in the best and the worst possible way: by buying an old pen, I suppose as a late Christmas or early birthday gift to myself, but whatever the excuse, I’m happy, because it was one of the last of what we collectors call our “grail” pens (as in “Holy Grail”), something I had been dreaming about for, oh, thirty years.

I woke up early on January 1, and like most of us do, I picked up my phone to scan my messages—nothing too interesting there beyond the predictable plethora of New Year greetings. And then, unlike most of us, my digits drifted off to the fountain pen sites, just to see what people could be possibly up to. There is such a thing as a global fountain-pen community (just as there’s an antique typewriter community, a wristwatch community, a Japan-surplus community, and an Apple community—and yes, I belong to all of those, too), and it’s become my virtual hangout online.

Unlike real friends, with whom you have to chug beers and trade miserable stories that inevitably involve retirement options, Metformin, and political sleaze, these thing-centered, Web-based communities offer mostly good cheer and kind intentions. Sure, we get our share of jerks and trolls, but they’re pretty easy to weed out with a few keystrokes. These sites are the best distraction I can find from the front-page news (let’s not get started on that, shall we?), and they offer something often lost in today’s Twitter-driven dystopia: a sense of wonder and discovery, and for an aging romantic like me, an enchantment with things past. I know that we keep bemoaning how consumerism has turned us into heartless, mindless brutes, but you’ll be surprised how people can be their nicest, most civil, and most helpful selves when talking about flexing vintage Waterman nibs, locating the tension lever on an Olivetti Lettera 22, and using Stage Light in Portrait Mode on an iPhone X.

But all that’s a long excuse for treating myself in my creeping old age—I’ll hit 65 and retire in two weeks—with a new old pen. “Senior moments” are supposed to be about forgetting things, but they should also be about remembering things, chiefly that life is short and keeps getting shorter, which means that any treats you deserve or expect had better come sooner rather than later.

The fountain pen I grabbed when I saw it was a (hold your breath) Wahl-Eversharp Personal Point Gold Seal Deco Band Oversize in woodgrain ebonite with a factory 14K stub nib—meaning a large, fancy, impressive-looking pen with gold trim, great for loopy signatures and maybe for stabbing malevolent strangers in the dark (but with a stub or flat nib, it won’t do much damage). A 25-peso ballpoint will probably write better for most people, but with all due respect to most people, I’m a bit odd in some ways.

In its time, the W-E Deco Band was among the classiest of them all, alongside the Parker Duofold Senior and the Waterman Patrician—think Duesenbergs, Auburns, and Bugattis in terms of 1920s cars. This pen I got survived wars (and worse, people with clumsy hands), and given a few weeks, it will make its way from Pennsylvania to California and then to me. It won’t write a novel—maybe it’ll sign a few greeting cards—but even just sitting in my pocket, it will make a boy from Romblon feel like the Great Gatsby, for once in his Nick-Carrawayish life.