Penman No. 206: Keeping Faith with Science

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Penman for Monday, July 4, 2016

 

 

IT’S GRADUATION season, and in a departure from tradition, the College of Science at the University of the Philippines invited a humanist—yours truly—to deliver the commencement speech before its graduates last June 26. In my opening, I adverted to my stillborn ambition to become a scientist at the Philippine Science High School. Herewith, some excerpts from my talk:

This isn’t really about me, but about how people like me once had a dream like yours, of working in a lab wearing a white coat, finding Nobel-prizewinning solutions to global hunger and disease—in other planets if not this one. I never did become a scientist or an engineer, but I like to think that I’m still doing science—through creative writing.

Within my own field, I often find myself arguing for the importance of being able to adopt a rationalist outlook, of grounding our artistic judgments and perceptions on a concrete appreciation of our economic, social, and political realities. I’ve always urged my creative writing students to take an active interest in history, technology, business, and public policy as a means of broadening their vision and enriching their material as writers.

I like to think that I continue to have—as Edward Hubble told the Caltech graduating class in 1938, “a healthy skepticism, suspended judgement, and disciplined imagination.”

To be honest, I didn’t know that quote until I read it in an excellent commencement speech delivered just two weeks ago, also at Caltech, by the neurosurgeon and public-health researcher Dr. Atul Gawande, who reminded the graduating class that despite the demonstrated power and beneficence of scientific thinking, science today is under attack from many fronts—from pseudoscientists, from politicians, from all kinds of pundits claiming that climate change is rubbish, that vaccines are bad for your babies, that all GMOs are harmful, and that guns keep people safe. Dr. Gawande even titled his talk “The Mistrust of Science,” and pointed to the emergence of alternative “cultural domains” eager to advance their own agenda at the expense of scientific scrutiny and analysis.

This is not to suggest that science is infallible—it would not be science if it were—but rather that science, in all of its negotiability, has become a political football, especially among the impressionable and uninformed. In our recent experience, for example, statistical surveys and voting machines were wholeheartedly embraced when they favored certain candidates, and torn apart when they did not.

More than ten years ago, I shared with another graduating class an observation that sadly remains true if not even truer today: a disturbing strain of anti-intellectualism in Philippine politics and society. The vulgar expression of this sentiment has taken the form of the suggestion that we can dispense with brains and education—yes, who needs algebra?—when it comes to our national leadership, because they have done us no good, anyway. And while we’re at it, let’s dispense with values, with decency, heck, with the law itself, because none of those things really worked, did they?

It is easy to see how this perception came about, and how its attractiveness derives from its being at least partially true. Many of our people feel betrayed by their best and brightest—the may pinag-aralan, as we are called in our barangays—because we are too easily co-opted by the powers that be. Ferdinand Marcos had probably the best Cabinet in our political history, well-stocked with prestigious PhDs; but in the end, even they could do little against their President and his excesses.

In a sense, therefore, we are all culpable and complicit in creating this monster of the anti-intellectual. Call it, if you will, the revenge of the flunkers (among whom I suppose I could be counted)—if accomplished academics can be employed by despots and crooks against the people, then the people can hardly be faulted for distrusting them.

For us UP graduates, the seductions of power will always be there. Power and wealth are also very interesting games to play, and few play them better than UP alumni—the power side more than the wealth, as I suspect that Ateneans and La Sallians are better at making money than we are.

But even these can put you out of touch. I have had friends in Malacañang and Makati who seem to have lost all sense of life, thought, and feeling on the street, beyond what their own commissioned surveys tell them. Worse, they seem to have lost touch with their old, honest, self-critical selves. They forgot all about Sophocles and poetry and mystery and music you can’t buy at Amazon. They see politics not as the opportunity to serve the people but to keep themselves in power. They take the law not as a means of dispensing justice, but as an inconvenience, an obstacle in the way of their popularity. Indeed a drug menace threatens our society, but there is still no drug more potent and more dangerous than power and its abuse.

We—scientists and artists—have to work together to find and to deploy an antidote to this creeping cynicism, to this wholesale surrender of sense and sensibility at the altar of political expediency and popularity. We may work in different ways, but we are both bound by our quest for the truth—which you approach by fact, and we approach by fiction.

You graduates of the UP College of Science have an additional responsibility: to keep faith with your mission and to hold true to your dream, not just for yourself and your family, but for your country and your people. Hold fast to science as a means not just of expanding the frontiers of knowledge, but also of using that knowledge to improve Filipino lives.

We know that science is often a long-term investment with no immediate and tangible benefits, and we can only hope that politicians can respect that, and can trust physicists searching for subatomic particles like the Higgs boson simply because, well, they’re there, somewhere, and could help us understand the universe better. We need brilliant young minds like that of a Nima Arkani-Hamed, exploring supersymmetry, or a Maryam Mirzakhani, the first woman mathematician ever to win a Fields Medal.

But we also need scientists who can relate more directly and more immediately to society—scientists who can work for peace, for social transformation, for empowering the poor and the weak, scientists in the service of the Filipino. We need scientists with ambition and vision, but also with conscience and humility.

Let me return in closing to some words from Dr. Gawande: “Science is not a major or a career. It is a commitment to a systematic way of thinking, an allegiance to a way of building knowledge and explaining the universe through testing and factual observation. The thing is, that isn’t a normal way of thinking. It is unnatural and counterintuitive. It has to be learned. Scientific explanation stands in contrast to the wisdom of divinity and experience and common sense. Common sense once told us that the sun moves across the sky and that being out in the cold produced colds. But a scientific mind recognized that these intuitions were only hypotheses. They had to be tested.”

I stand here to attest that even those like me who once dreamed of becoming scientists but chose another path in life know this to be true. In these times, when popular sentiment and demagoguery pose grave threats to reason and to the imagination, we need to remember to keep faith with science, as well as with art, to pursue our work despite and within an environment clouded over by politics, in this hour of great moral confusion. By continuing our work, we assert our freedom and our indomitable humanity.

Science and freedom go indispensably together. Science liberates the mind, and without freedom—without a society and a government open to new and contrarian ideas—knowledge cannot prosper. Science must help light the way forward in the resolution of key national issues. Is there proof that the death penalty really works as a deterrent to crime? Should all mining really be banned? Are nuclear plants and incinerators necessarily harmful? The answers may not always be pleasant or agree with our own beliefs, but only science will yield the truest ones.

 

 

 

Penman No. 198: Mind-blowers and Eye-openers

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Penman for Monday, May 2, 2016

 

THE FIRST-EVER Knowledge Festival held by the University of the Philippines in Tagaytay City a couple of weekends ago proved true to its promise and offered mind-blowing, eye-opening discoveries galore, shoring up not only UP’s reputation as the country’s leading university but also that of the Filipino genius as a whole.

Part academic conference and part science fair, the festival brought together over 200 of UP’s top scientists and artists from the university’s many campuses all over the country to showcase the best and most promising products of their ongoing research. The festival also featured talks by experts on key academic and research issues (I excerpted my own keynote here last week), and presented the university’s expansion plans and the latest publications of the UP Press. A roundtable with members of the media had UP President Alfredo E. Pascual exchanging views with some of the country’s top journalists on future directions in Philippine higher education.

But it was the exhibits themselves that formed the living heart of the festival. Most were focused on science and technology, but UP’s most advanced endeavors in the arts, education, and mass communications were on display as well. What unified them was the element of interdisciplinarity, of crossing traditional academic turfs and boundaries to arrive at better solutions to age-old problems, or better products for the 21st century. Most of the projects were being financed by the university’s Emerging Interdisciplinary Research fund (EIDR), an ambitious program which has funneled many hundreds of millions of pesos into projects cutting across disciplines and with a positive impact on the government’s Key Result Areas (KRAs).

(I know—I get fidgety myself whenever I step on the road to Acronymia, but like I said in the open forum after my talk, artists—especially those in public life—have to learn to speak bureaucratese and to do the math if they want to engage outside their comfort zones, which is also key to getting grants.)

The exhibits were organized into six clusters: (1) agri/aquaculture, food, and nutrition; (2) health and wellness; (3) disaster risk management and climate change; (4) energy, environment and ecotourism; (5) technology, new materials and other products; and (6) progressive teaching and learning.

As a frustrated scientist (I entered UP as an Industrial Engineering major fresh out of Philippine Science High), I’m always fascinated by what goes on in S&T, and touring the science booths gave me an overview of the research and development in the field within UP. Among the dozens of projects on show, I lingered longest on a few: an analysis of the use of Twitter to keep track of typhoon events; the development of the Philippine Scientific Earth Observation Microsatellite (better known as Diwata-1, which is now in orbit) for disaster risk reduction; an ecosystem assessment of Laguna de Bay, a study aimed at finding ways to revive a dying lake; and a study on the use of microbes from shipworms (tamilok) as potential sources of enzymes for biofuel production. (I’ve had tamilok wriggling down my gullet on a dare during trips to Palawan, where they’re a delicacy, and I’d happily give them up to biofuels.)

In the health and wellness cluster were a flurry of projects ranging from a dengue detection kit to the development of best-practice guidelines for the better management of prevalent community diseases and the use of social media for promoting healthcare. In agriculture, a product called BioN promised to replace 30-50% of chemical fertilizers while increasing yields by 11%, keeping plants “healthy and green even in drought and in the presence of pests.”

Although it was a tucked away in a corner of the learning cluster, what especially caught my eye was a little black box called VISSER—short for “Versatile Instrumentation System for Science Education and Research,” a highly portable science kit which can do over 120 experiments in biology, chemistry, physics, engineering and environmental science. As it turned out, VISSER had been developed by a team headed by a fraternity brother of mine, physicist Dr. Giovanni Tapang, originally with some support from the University of Maryland. The argument for VISSER is compelling: more than a third of the country’s 13,000 high schools—catering to about 7 million students—have no labs, and of those that do, only 2,800 have access to digital tools. The VISSER kit isn’t cheap at over P40,000 per unit—about the price of a laptop—but its potentials are huge, with a total market value estimated at almost P60 billion. It isn’t just good science, but good business as well for technopreneurs.

And speaking of technopreneurship, few Pinoys can be more inspiring than Dr. Gonzalo “Al” Serafica, a much sought-after consultant on technology commercialization who also spoke in Tagaytay on how he developed new uses for microbial cellulose—known to most of us as the lowly nata de coco—for the global medical market as brain patches and artificial skin. A chemical engineer and also a PSHS alumnus like Dr. Tapang, Al Serafica holds 10 US and 20 international patents and co-founded Xylos Corporation in 1996, proving that crossing over from the lab to the boardroom isn’t only possible but, in many cases, necessary.

On the whole, the Knowledge Festival offered ample proof that with the right support and incentives, Filipino scientists, artists, and researchers can be right up there with their international counterparts, but we have a lot of catching up to do. As a UP study notes, we spend about half of what our ASEAN neighbors spend on education, and even less on R&D. But just showing ourselves what’s possible is a good start, and UP will soon be touring key exhibits not just around the UP system but to other universities as well.

And UP itself will keep growing, as I was mighty impressed to see in the display that featured ongoing and upcoming expansion projects: the UP Clark Green City that will include, among others, a new College of the Natural Environment and College of Designed Environments; the soon-to-open UP Bonifacio Global City that will host classes in law, engineering, business, architecture, labor and industrial relations, urban and regional planning, statistics, and distance education; the UP Professional Schools-South Road Properties in Cebu; the Philippine Genome Center in Diliman; the new UP Diliman Sports Complex rising out of the rubble of the old track oval; and an upcoming UP Cavite incubator campus.

If we can shoot satellites up into the cosmos and turn a coconut dessert into brain implants, you’d have to believe that the sky’s the limit for the Filipino genius—as long as we don’t get sidetracked by personality politics and medieval mindsets.

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[Diwata-1 photo courtesy of ESA/Tim Peake]

Penman No. 193: Knowledge as Capital

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Penman for Monday, March 28, 2016

 

 

THE UNIVERSITY of the Philippines (UP) campus in Cebu City hosted the second presidential debate a couple of Sundays ago, and with education on the debate agenda, the setting couldn’t have been more appropriate. UP—so far, our only “national university” so designated—may be more than a hundred years old, but it continues to grow, particularly in places like the Visayas, Mindanao, and Central Luzon, where the demand for quality higher education is as great as ever.

Not too many people may have been aware of it, but in preparation for the debate—and indeed for the next national administration—UP President Alfredo E. Pascual commissioned a study by the university’s think tank, the Center for Integrative Development Studies (CIDS), to look into where we are in the regional scheme of things and how we can expect to catch up and compete with our more advanced neighbors.

Copies of the paper—titled “Knowledge-Based Development and Governance: Challenges and Recommendations to the 2016 Presidential Candidates”—were provided by UP to the staffs of the presidential candidates in advance of the Cebu debate. But knowing most politicians’ propensity to go for the sound bite and dwell on the personal, I tend to doubt if more than one or two of the candidates or their staffs found the time and the focus to read it.

It would be a pity if that indeed were the case, not only because of all the work that UP put into the paper (CIDS was backstopped by the offices of the President and the Vice President for Academic Affairs), but because of all the opportunities for development that we will likely miss, again, if our political leaders don’t heed what our top academic minds are saying.

The full text of the paper can be found here: http://www.up.edu.ph/wp-content/uploads/2016/03/20160315-UP-Knowledge-Paper-Final.pdf. For the benefit of our readers (and maybe the odd politician who will read this), I’ll unpack the technical jargon and get to the core of what the paper says and proposes.

It opens with an indisputable premise: Education is indispensable for economic development. More education means less poverty and income inequality, because it drives innovation and productivity, and helps people adjust to new challenges and opportunities.

But of course we already knew that. In a society like ours, we all look to education as the way out and the way forward, which is why our people slave for years overseas to put their kids through college. So sacred is education to the Filipino family that every candidate for public office, especially the Presidency, feels duty-bound to extol its virtues.

To be fair to the present administration, it’s put its money where its mouth is, for the most part. The study notes that “Since Benigno S. Aquino III assumed the presidency, government expenditure on public education has enjoyed annual increases. Out of the education sector‘s PHP364.9 billion budget for 2015, PHP43.3 billion was given to state universities and colleges—a 13.8 percent increase over the 2014 allotment…. Over PHP3 billion was made available for scholarships under SUCs and more than PHP2 billion for scholarships administered by the Commission on Higher Education. A total of PHP316 million (roughly 0.09 percent) was earmarked to fund research.”

That sounds good, but sadly it’s still not enough. The rest of our ASEAN neighbors spend an average of 5 to 6 percent of their GDP on education, but we try to make do with 3 percent. That’s why even our best universities lag behind their global and regional counterparts. The study notes that “In 2014, the University of the Philippines ranked only 8th out of the top 10 universities in ASEAN. In 2010, the Philippines ranked 89th in the global Knowledge Economy Index, far behind Singapore, which placed 19th.”

With all the new phones, computers, and call centers we see around us, we might be led to believe that the Philippines has become a high-tech haven, but that just isn’t so. (“We may be No. 1 in voice operations,” I once heard President Pascual say in relation to BPOs, “but were just around No. 9 in non-voice, which is where there’s more value-added. We need not just call center agents, but software engineers!”)

In its summary, the study observes that “Our level of technology remains low in quality and scale, and concentrated in low-productivity sectors. To catch up and move ahead faster, we need to raise our scientific and technological skills, which only better and more focused education can achieve.

“This calls for massive government investments in high-level knowledge capital—the so-called ‘suprastructure’ of economic growth. This human capital will create a knowledge-based economy driven not just by brawn but brains, tapping into one of our richest but least developed resources.”

In other words, and to put it plainly, we need more brainpower—more nerds, if you will—of the kind who can innovate, produce, do trailblazing research, and network with their global peers. That kind of knowledge can reap sizeable benefits for our economy, as it’s done for Singapore, China, Korea, and a host of other countries who’ve invested in their “suprastructure.”

But PhDs don’t come easy and don’t come cheap. UP argues that our government should have a plan to produce them systematically. The object of our educational system shouldn’t just be producing hordes of college graduates who can’t find good jobs, but graduates in fields and with skills that the economy actually needs. The best of them should be sent abroad for advanced degrees, and then brought home with sufficient incentives and an environment conducive to research. The UP paper goes even farther and recommends that in areas where we lack expertise, world-class professors and researchers should be enticed to teach here and work with their local counterparts, in the same way that Singapore was able to considerably shorten its learning curve.

While much of this will occur in science and technology, the paper wisely notes that “Because values are important in setting the right path to growth, the promotion of science and engineering should be closely integrated with the social sciences, the arts, and the humanities to ensure the holistic development of the Filipino.”

To spread the work and its benefits, the UP paper envisions a hubs-and-spokes model of development anchored on regional centers of excellence in certain fields—possibly even other national universities beyond UP.

There’s a lot more to be found in the study that was UP’s gift to the candidates—and thereby to the nation—but whether any practical good comes out of it will depend on the political leaders who govern our fortunes, and, ultimately, on us who vote them into office.

(Kindly note that as a “think paper” subject to further discussion, the study mentioned here does not necessarily reflect the position of the UP academic community as a whole, but rather of the researchers and offices involved.)

 

Penman No. 186: What the Fax?

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Penman for Monday, February 1, 2016

 

A CASUALTY of the recent upgrade in my home-office setup, which I reported on last week, turned out to be something I hadn’t given much thought to in a very long time—my fax machine, or rather the fax part of my multi-function printer. Moving to a new Internet service provider also happened to mean giving up my old telephone line—one which was practically dedicated to faxing—and I realized, while plugging this line in and unplugging that one, that I really didn’t need a fax machine anymore. Who still sends faxes these days, anyway?

I tried to think of the last time I’d received a truly useful fax message, and I honestly couldn’t remember when that happened. A few years ago, my wife Beng would still receive faxed invitations to bid on certain government contracts for her art restoration business, until I told her to tell her senders that they were better off just emailing the invitations to her, which I suppose they did, because the faxes stopped. I even used to get spam faxes advertising car loans and real estate deals, which was the most annoying thing, because unlike junk email, faxes ate up your paper and your ink.

I’ve written requiems in this corner to late, lamented technologies, especially those having to do with writing and communication. In July 2011, I wrote one for the typewriter, noting that an Indian outfit called Godrej and Boyce—the last company in the world still making typewriters—was closing shop. In August 2013 I performed the same sad ritual for the telegraph (which sent its last full stop, again, in India). For a time, the fountain pen seemed fated to be tossed to the dustbin, thanks to the advance of the ballpoint, the rollerball, and of course the computer, but it’s undergone a remarkable resurgence, although more as a fashion accessory than a writing tool. We can write odes to the newsroom telex, the rotary phone, and the pager (I still have my EasyCall beeper, and when I stuck a battery into it the other day, just to see, it still gave off a faint green glow).

But the fax? Does anyone and will anyone truly miss the fax?

Before we try to answer that question, let’s take a long step backward and recall how the fax (short for “facsimile”) was born—in 1843, from a patent applied for by Alexander Bain, a Scottish inventor who’s also credited for the electric clock. The patent was for “improvements in producing and regulating electric currents and improvements in timepieces, and in electric printing, and signal telegraphs,” and one of its results was a contraption, using two pendulums, that transferred an image line-by-line from one to the other. Frederick Bakewell improved on the idea with his “image telegraph” in 1848, and in 1861, the Italian Giovanni Caselli did both men better with his “Pantelegraph,” the first commercial fax service between Paris and Lyon—more than a decade before the first working telephones! (Thank you, Wikipedia, for the factoids.)

The heyday of the fax was back in the 1980s, and that’s where many of us baby boomers will remember it from—particularly the smelly rolls of chemically impregnated paper that you needed to keep feeding the machine (and the Xerox machine in the corner, which wasn’t quite ready to take plain paper yet). Having a fax machine at home meant you were busy and important, and having a phone line dedicated to it meant you were doubly busy and doubly important. For senders, the thing to say was “Fax tone, please!” and if your listener heard you right, you got an ear-ache from the resultant screech.

We were still faxing in the 1990s, by which time I was an editorial writer and Lifestyle columnist for the newspaper TODAY. That meant I had to send my piece in by fax—email and Word attachments hadn’t quite caught on, yet. I remember what a thrill it was to pair my computer—a PowerBook 2400c, the precursor of today’s ultrathin MacBook Air—with my Nokia 6210, through the wonders of infrared. You had to line up the two devices so that their IR ports matched exactly, and in those days before Bluetooth and wi-fi, it was the coolest thing, giving you bragging rights as a “road warrior” in the “Roamin’ Empire,” as the computer and connectivity ads of the period trumpeted.

And then email and PDF happened, and suddenly all you had to do was to scan or even photograph a document—or even more simply, save it as PDF—and then to drag and drop it into your outgoing message. Like photographic film, faxing lost its reason for being in a historical instant, at least for most users.

There are, to be sure, holdouts who insist that reports of the death of fax are grossly exaggerated. There’s a piece online with exactly that title that even points out that instead of dying out, faxing has actually grown in recent times. “In 2010,” says the report, “the computer-based fax market was roughly $350 million per year, according to Business2Community.com. What’s the size of the market in 2013? The market for computer-based faxing is $620 million. Yeah, fax is still around. There are good reasons for the growth in electronic faxing, too. While e-mail has subsumed much of the role faxing used to play, fax technology still offers a number of benefits. These include the need for a paper trail, security, ease of use and business processes that are built around fax and are easier to keep alive than to replace with new processes.”

Take note, however, that the article says “computer-based” or “electronic” faxing, no longer the old method that required a special machine. It goes on to explain that “Just as phone calls have migrated to voice-over-IP (VoIP), fax has migrated to fax-over-IP. This digital version of the fax cuts out the need for paper and fax machines altogether, becoming a form of digital document that acts like e-mail but integrates more fully with older workflows and fax technology.” So FoIP (the “IP” is for “Internet protocol”) seems to be where Bain’s pendulums have gone, and its users argue that there are still things today’s fax technology can do—like provide digital receipts—that regular email can’t (a dubious argument, it seems to me).

As for myself, I’m glad to be rid of that old whine-and-screech. If you have a document for me, email it to me, or upload it to DropBox, and we’ll be saving a small stand of trees and a tub of ink in the process. I’m prone to weeping in remembrance of things past, but losing my fax machine simply leaves me radiant with the glow of digital liberation.

[Image from hlsbs.com]

 

 

 

 

Penman No. 185: Wired for Fun

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Penman for Monday, February 1, 2016

 

 

SOME INTERESTING changes took place in my home-office environment over the recent Christmas break. First, as a gift to the household, especially my movie-loving mom, I got a multi-user subscription to Netflix. Second, because of Netflix, I signed up with a lifetime Virtual Private Network (VPN) service, which, among other benefits, allows users to watch US-based offerings (like Netflix, which very recently opened a limited Philippine operation, largely dispensing with the need for VPN). Third and perhaps most importantly for the long run, I ramped up our Internet connection, from the old 5 Mbps to a whopping 100 Mbps fiber-optic line that had just become available in our Diliman neighborhood. The setup then prompted me to acquire an Apple TV unit, which streams Netflix shows, among others, from the Internet to your HDTV set, completing the home-movie experience (well, throw in some popcorn and Coke for the full effect).

If you’re not too tech-savvy and if I’ve left you hopelessly confused by that exasperatingly jargon-laden paragraph, let me unpack it for you, as I’d explain it to someone like my mom. (I should add that my mother is unlike most 87-year-olds. She doesn’t have a computer, but she’s otherwise glued to four devices—her TV, her iPhone, her iPad, and her Android tablet. She loves playing vocabulary and bubble-type games, which keep her brain cells humming, on top of the 20-minute walk she takes every afternoon.)

“Home office” refers to the fact that over the past three decades, with the rise of the Internet and indeed its indispensability to modern living, more people have been able to work at home, or to bring much of their work home. I teach at the university, but most of my writing is done at home. My wife Beng also has her art-restoration studio at home. This means that we have to invest in equipment and technology that will allow us to get our work done, and done well, right where we are.

For me, that means several computers—I use a small MacBook Air as my main workhorse, portable but powerful, with a very fast processor and a large hard drive; for a backup, I have an older, larger MacBook Air, a bit slower, but good to have around just in case the main machine falters or is in repair; I also keep an iMac on another desk for when I need to see larger images, or to have fun surfing (or playing online poker) while I work. Yet another screen is almost always open at my desk: a tabletop TV, on which I keep up with the news.

All that hardware would be of little use without a fast and reliable Internet connection, and here I was lucky to be living in an area now covered by PLDTFibr, which ran a promo over the Christmas break offering a 100 Mbps service for six months (it’ll slide back down to 50 after six months, but you can’t sneeze at 50 Mbps either—and no, I’m not getting anything from the company for this plug, not even a coffee mug).

What does “100 Mbps” mean for the consumer? Webpages load in a snap, instead of crawling down the screen as some circular icon keeps spinning; you can download a 1-gigabyte software update in minutes rather than hours or overnight, as I used to be resigned to; and you can upload large files, say to DropBox or YouTube, without having to knit a doily while it loads. Is it expensive? It cost me only P500 more to level up from my old 5 Mbps service from another provider, which I had been a faithful client of for over ten years.

The best beneficiary of a fast Internet connection, however, is streaming, which is the way those who sell movies and music, like the iTunes Store and Netflix send you their material over the air—in one continuous flow, like you were watching a movie at the theater. But that’s more hopeful than achieved for most Pinoy consumers, because, as of a year ago, the Philippines had the third-slowest average Internet speed, at about 2.8 Mbps, in Asia, according to the folks at Akamai, who keep tabs on these things (No. 1 Korea averages 23.6 Mbps).

That means that your screen will very likely freeze just when things get really interesting in the movie, as your provider struggles to bring up the rest, like those guys who ran reels between theaters in the old days. (Lilia Ramos Shahani wrote a great piece on this for the Star, “Why Is Our Internet So Slow?” last August.)

And there’s nothing better to do with streaming than watch movies and TV shows from where they’re stored—the servers of US-based Netflix, for example, which we used to be able to access only through VPN. (Netflix didn’t want people in countries it didn’t serve—like the Philippines, until recently—to see Netflix shows. The Internet being what it is, some smart folks found a workaround, VPN, which tricks the Internet into thinking that you’re in Tampa, Florida instead of Tuguegarao, Cagayan.) There’s been a lot of argument over whether VPN-enabled Netflix is illegal, but it isn’t piracy—you still pay for Netflix, but are simply diverting its stream to your barong-barong. (I pay about $12 or less than P600 a month for a four-user license.)

That argument is now moot, as Netflix has officially added the Philippines to its serviced countries, albeit with a thinner menu; you’d still need to turn on your VPN to get the full US package (Netflix, however, has rethought its toleration of VPN, so that option might not last. I’m not too bothered, as I value VPN more for the PBS documentaries I like to watch on my iPhone in some traffic jam or over long, boring meetings. VPN is also good for your digital security, masking your real IP address from snoopers.)

The piece de resistance in this upgraded setup is the Apple TV, a small black box that uses wi-fi and your TV’s HDMI port to let you enjoy Netflix, YouTube, and other Internet video—even your own library of movies, music, and photos—on your big TV, instead of squinting at them on your phone or laptop. It isn’t cheap—the gadget costs a bit less than P9,000 for the basic fourth-generation model—but there are alternatives. Chromecast, a thumb-sized thingy made by Google and marketed by Globe for about P2,000, will hook you up to Google Play Movies, YouTube, Spotify, and other entertainment fare.

I’ll admit, it’s hard to think of work when you’re this wired for fun, but you can also say that this what makes all that work worth it—digital Disneyland at the click of a remote-control button.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Penman No. 163: The Gentler Path

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Penman for Monday, August 24, 2015

FOR THE first time in something like 20 years, I’m teaching two undergraduate classes this semester. I usually teach one graduate and one undergrad class, but thanks to what I’m taking as a glitch in the registration process, my graduate fiction writing class—which is usually oversubscribed—had zero enrollees this term, forcing its cancellation and my reassignment to a course usually reserved for young instructors, English 11 or “Literature and Society.”

I should make it clear that I’ve always insisted on teaching at least one undergrad class every semester, and have done so unfailingly since I returned from my own graduate studies abroad in 1991. The benefits go both ways—young students get to learn from more experienced professors, and senior profs get to know how young people think. With four years of active teaching left before retirement (it’s hard to believe, but I’m getting there), these encounters with some of the country’s brightest young minds will only become more precious, and as with every class I take on, I can only hope that, many years from now, my former students will remember something useful that they picked up from me.

I haven’t taught English 11 in ages, so it was with some trepidation that I entered the classroom on our first day a couple of weeks ago, under UP’s new academic calendar. Students don’t realize this, but professors can be just as full of anxiety at the start of the semester as they are. As I scan the roomful of faces, I’m already wondering who will likely give me problems and who will make it worth the effort of preparing for every day’s lesson as if I myself were taking an exam. Thankfully, most of these mutual apprehensions soon retreat as I reassure my students that I know what I’m talking about—and that I won’t scream at them if they don’t—and as I begin to understand what exactly I’m working with, which is always a welcome challenge.

This semester, I was glad to discover that my English 11 class of about 30 students was composed of mainly science and engineering majors. You’d think that teaching the humanities to them would pose problems, but I see it as a unique opportunity to lead smart people on an adventure they might have missed out on otherwise. Of course, UP’s General Education program makes sure that our graduates acquire a balanced outlook on life, so my students didn’t really have any choice, but I see my job as making them see Literature as much less an imposed subject than a welcome relief from everything else—in other words, fun. When you disguise labor as discovery, and emphasize incentives over penalties, the students—and you yourself—can feel more relaxed.

English 11 is what used to be English 3 in my time—an introduction to literature—and while some teachers see this as a chance to pile on the heavy stuff like The Brothers Karamazov (and I can understand why), I prefer to take the gentler path to literary enlightenment, and begin with things the students know or can apprehend. That way you can lead them to stranger and more intriguing discoveries about the way language works to convey human experience.

Last week, for example, one of the first poems we took up in class was “Southbound on the Freeway,” a poem published in 1963 by the American poet May Swenson. We could’ve done something like T. S. Eliot’s “The Wasteland,” but unless you train lay people to look at poetry a certain way—to see it as a puzzle or a riddle to be solved, for example—it’s often very hard for them to get a handle on what some poets do on a high and abstracted level of language and idea, much like the way Picasso’s departure into Cubism (think of his women-figures with their eyes looking this way and their noses pointing that way) can be better appreciated if you first consider what goes into a traditional portrait like the Mona Lisa.

“Southbound on the Freeway” reads like a rather simple and even funny poem, in which alien visitors on a spaceship look down at the Earth, and see creatures “made of metal and glass…. They have four eyes. / The two in the back are red. / Sometimes you can see a 5-eyed / one, his red eye turning / on the top of his head.” It doesn’t take much for the student to see that the aliens, hovering above a freeway, have concluded that the cars themselves are Earthlings, and even that some cars—like the “5-eyed” police car—are more special than others.

In literature, this is a familiar device we call “defamiliarization,” by which poets and other artists take something we see everyday and present it to us in fresh and unexpected ways, revealing facets and insights we never really thought about before. The Swenson poem seems like all it does is show us how perspective can change our perception of things, but it goes beyond that eye-trick and asks a very intriguing question at the end: “Those soft shapes, / shadowy inside / the hard bodies—are they / their guts or their brains?”

At this point, I ask the class, what’s this poem really about? Is it just about aliens and humans, or about cars on the road? Inevitably, someone spits out the magic word: technology! So what is it about technology that’s so important, I press on, and what does it have to do with our lives? Why, everything, the class exclaims in a chorus—we’d die without our cell phones and iPads!

We go into a brief and engaging discussion about what exactly technology means, and whether it has benefited human society—or not. We talk about mechanization, automation, better and easier ways of doing things, products that were invented to improve human life, and inventions that did the opposite. We talk about armaments, and about Eli Whitney’s cotton gin and how it actually helped to encourage more slavery in the American South. I tell them that at some point, later in the semester, I’ll talk to them some more about the legend of Dr. Faust and how it led to the stereotype of the mad scientist, all the way to Dr. Strangelove, Lex Luthor, and Doc Ock. I can see that the class is listening, and I’m happy.

I ask them what the real question is that the Swenson poem is posing, and they get it. It’s been a good day in school for Literature and Society.

Penman No. 136: Back to the BlackBerry (Sort of)

IMG_6926Penman for Monday, February 16, 2015

 

THIS MONDAY, I’m going to take a break (and give my readers one as well) from my ponderous ruminations on Philippine culture and politics and revert from PenMan to GadgetBoy, that now-overaged fancier of technotoys who still nurses a naïve faith in technology as the savior of humanity, or at least the bringer of boxed delights.

One of those boxes (in matte black, natch) came my way last month on my US trip, when—shortly before my departure—I discovered that the LG clamshell that I had been using as my US Verizon phone had finally died, refusing to boot up after four years of faithful employment. I’m in the US at least once a year to visit family and attend conferences, so a dedicated US phone has been good to have, which I simply load with prepaid credit when I go there.

Like human life itself, the eventual death of anything digital is a foregone conclusion, but in the case of these gadgets, it’s a passing not necessarily met with lamentation; rather, it’s cause for relief and release, making possible that word that brings joy and profit to every technotoy maker’s heart, “Upgrade!” I was frankly glad to see the little LG go; it was SIM-less and locked to Verizon, and I wanted a US phone that I could use somewhere else. (My iPhone 6 is unlocked, but as my local mainstay, I can’t afford to switch it over to another network while I’m away. Note to Apple: how about a dual-SIM iPhone?)

Enter—or rather re-enter—the BlackBerry. The BlackBerry? Remember, that once-upon-a-time smartphone market leader and innovator, the darling of the business and political crowd? For those born around the time when the world worried not about ISIS but Y2K, the emergence of the BlackBerry and its kickass keypad tore us away from our beloved Palm Pilots and Treos… until the iPhone came along in 2007 and rendered everything else instantly obsolete. (Of course, the iPhone itself has since been periodically upstaged by some Android upstart or other—until the new iPhoneX is announced.)

So the BlackBerry and its shares of stock have languished in the dumps, experiencing a momentary spike only when rumors of a buyout (recently, supposedly by Samsung) skitter through the Web. Which brings up the obvious question: why would anyone still want to get a BB?

That was No. 1 on the mind of BlackBerry CEO John Chen, who in mid-December boldly announced the release of the company’s latest model, the BlackBerry Classic—or I should say, latest but not quite. The BB Classic is premised on the idea that the BlackBerry got to where it did because it stuck true to its most prominent design feature—the physical keypad—and that people still long for solid keys to punch rather than pecking away like mad chickens on a flat screen.

It’s a bold gamble, an appeal to our deepest retro urges, and the design of the Classic revives and reinforces everything we felt about the BlackBerry of old. The Classic, said John Chen, would bring back the old BB faithful who had deserted the platform for the iPhone and Android, typically the more mature business user who felt more comfortable with the tactile keypad, who didn’t mind if their phone came only in black, and who valued security in communications (note that Sony executives hit hard by the Interview hack resorted to BlackBerrys for their fallback). I listened to Chen saying all this to CNN’s Richard Quest and found myself mesmerized—yes, that business user was me, I’d been away from the BB too long, and I missed that keypad like my first serious girlfriend.

Convinced that I needed a new US phone anyway, I ordered an unlocked Classic off Amazon, and had it delivered to my daughter in California in time for my arrival in the US in mid-January. I got a T-Mobile prepaid nanoSIM and a 128GB SanDisk microSD card to complete the package, and was back in BlackBerry heaven.

Sort of. As a phone, the Classic is everything Chen touted it to be—rock-solid, a delight to use, and by far the best in its class (given that it’s a class that graduated six or seven years ago). Externally, it’s the bigger brother of the old BB Bold 9XXX, with the familiar belt, trackpad, and keypad, the square screen, and the rounded corners. It’s a bit heavier than the iPhone, but I don’t mind—my one complaint about the IP6 was that it was so thin I kept panicking to think it was lost. It’s perfect for one-handed operation. The screen is sharp and crisp, the sound is good, and with System 10, you don’t need to go through the old BIS provisioning routine—it’s plug and play.

The downside? As I’d been forewarned, apps are sparse, although the BB can now use many Android apps through Amazon’s AppStore, MobiMarket, and Snap. I was able to get decent versions of many of my favorite iOS apps (WorldMate is BlackBerry Travel, for example); Skype and Viber work just fine, and a free program called Navigation provides useful and accurate street-level guidance. I wanted to give it every chance to become my main phone in lieu of the IP6—but in the end, I just couldn’t do it, on two accounts: the BlackBerry still has no true equivalent for FaceTime, which for those of us with daughters and mothers in the US is the iPhone’s real killer app, and its camera can’t hold a candle to the iPhone’s, which I and many others use semi-professionally, forsaking our bulky DSLRs.

So I say welcome back to the BlackBerry, and the Classic does live up to its name; it’ll be a great backup phone, for a second or a US line. Buying one in 2015 is a bit like choosing a new car with manual transmission, but oldtimers like me know what fun that can be—sometimes.

(The BlackBerry Classic is now available in the Philippines from MemoXpress.)

Penman No. 134: Frontiers and Pioneers

IMG_6867Penman for Monday, Feb. 2, 2015

 

I’VE BEEN to California quite a few times over the past 30 years, on such varied missions as covering Steve Jobs and the iPod Shuffle in MacWorld 2006 and tracking Jose Rizal’s footsteps in San Francisco. Just last September, I was there again to interview a cohort of former activists from the First Quarter Storm.

California’s the kind of place that promises to never run out of surprises for the game and attentive visitor, and this time around—on this ongoing Pacific Leader Fellowship with the University of California in San Diego—I ran into more wonderful discoveries that straddled the past and the future.

My program allowed me to make specific requests for visits to places of personal interest, and after consulting with knowledgeable friends, I settled on two destinations that couldn’t be more different from each other: the old mining town of Julian, about an hour’s drive up the mountains away from downtown San Diego, and The Scripps Research Institute (TSRI), a cutting-edge facility overlooking the blue Pacific. This way I could encounter two extremes, from the museum to the laboratory, from the anciently analog to the dazzlingly digital.

I was accompanied on both visits by Mrs. Julie Hill, a good friend and old Manila hand whose life story and travels to dozens of countries I’ve been privileged to edit in three books, going on a fourth. We were graciously driven to Julian by Greg Mallinger, the coordinator of my program. I usually undertake a digital reconnaissance (meaning, I let my fingers do the walking on the keyboard) of points on my itinerary before the actual visit, but this time, I did no such thing, prepared to be surprised by whatever the place had to offer.

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The drive to Julian in itself proved a delight, with a view of wide valleys fringed by rolling hills dotted by huge boulders that might have been left by titanic geological upheavals but were now simply picturesque. A brief stop at Sta. Ysabel just before Julian led to a Spanish mission from 1818, recalling our own acceptance in the Philippines of the friars and their message; I had visited another California mission years ago, and had seen there a Chinese-eyed santo carved by a Filipino sculptor in the 1700s—so far, I thought, did Spain’s colonial reach extend.

Julian emerged on the road, a scenic huddle of tall-fronted houses along Main Street. It had experienced a brief boom in gold mining after the discovery of the precious metal there by a black man named Fred Coleman in the 1860s, but the miners have long since been replaced by tourists eager to sample the town’s new gold, its famous apple pie. We were met by the town’s historian, a retired engineer named David Lewis, who also operates the town’s museum (chock full of choice artifacts and very tidily maintained) with his wife.

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Our tour began in Julian’s windy hilltop cemetery, where David introduced us to Julian’s founding fathers and mothers—notably the Baileys who started a mine and the Robinsons who put up a hotel that still stands today—emphasizing the unusual role of African-Americans (such as the Robinsons) in the town’s development. The Julian Hotel is a living museum of 19th century charm—except that it now offers free wi-fi—and I made a mental note to bring my wife Beng there sometime, a wishful thought no doubt shared by the busloads of tourists who descend on the town every Wednesday.

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We met another kind of pioneer and another kind of frontier at the Scripps, an impressive complex of buildings devoted to biomedical research. Lying in La Jolla close to UCSD, the Salk Institute for Biological Studies, and the Sanford-Burnham Medical Research Institute, the Scripps is a key part of a science complex probing the frontiers of medicine and leading the laboratory fight against AIDS, Ebola, cancer, influenza, and other deadly diseases.

Our first stop might have belonged to a Hollywood props or special effects studio—a special lab where what seemed to be colorful toys in all kinds of shapes were laid out on a table. David Goodsell—a professor at TSRI and a molecular biologist who also happens to be an accomplished artist—explained that they were physical models of cells and cellular structures, created by machine through 3-D printing, and creatively colored to be used by researchers and teachers for educational purposes. Dr. Goodsell has exhibited his fabulous watercolor illustrations and published them in a book titled The Machinery of Life (Springer, 2009).

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As beautiful as the structures of life may emerge from Goodsell’s work, TSRI scientists don’t forget for one minute that some of them are the very carriers and agents of diseases that can cripple and kill, understanding and defeating which is a major part of the institute’s mission. (TSRI is also looking into such varied areas as deafness, memory disorders, autism, aging, and stress.) They help discover and develop new drugs to combat diseases and correct disorders.

Those drugs include Zmapp, also developed in San Diego by Mapp Biopharmaceutical. Zmapp gained prominence as the experimental drug used to successfully treat some Americans who had contracted Ebola. To better understand exactly how ZMapp worked, TSRI scientists employed electron microscopy to see how antibodies from the drug bound themselves to the Ebola virus.

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One of those scientists was Andrew Ward, an associate professor in his mid-30s who, when we met him in his lab, looked like he might have just stepped off the stage from playing with a grunge band. Dr. Ward heads a team of 14 scientists pulling long hours at TSRI’s electron microscopy lab, which has seven state-of-the-art electron microscopes, including a $7-million, 12-foot Titan Krios whose million-dollar camera (not part of the package) can see into the smallest corners of cells. Ebola was all over the news, so it was important to work on it, said Dr. Ward, but he emphasized how even more vital it was to lick influenza, a common disease that could kill milllions.

Stepping out of the lab, I remembered how, as a boy, I had marveled at the effects of the 1966 sci-fi classic Fantastic Voyage, in which a miniaturized medical team ventures into the bloodstream of a man. That day at TSRI, I felt like that boy again.

Penman No. 120: Hello, Helvetica

Human2Penman for Monday, October 27, 2014

ALMOST TWENTY years ago, in a column for another paper, I said “Goodbye to Garamond,” in reference to how the world of typography—the way by which the printed word is presented to us by publishers, advertisers, and the media—was perceptibly changing.

Printed letters—like the ones you’re looking at this very instant—are shaped into what are called fonts (a term often used interchangeably with “typeface,” although some experts will insist that there’s a subtle but important difference). They’re how the letters physically look, which in turn may convey psychological, emotional, or subliminal messages to the reader. We’ll get to that in a minute.

First, here’s a bit of what I wrote back then:

“Have you ever wondered about those fonts whose letters look as though they had been scratched onto plywood with a nail by a heroin addict going through withdrawal? Remember the flickery font they used for the credits of Brad Pitt’s Seven?… These, folks, are examples of what’s been called ‘grunge’ typography and ‘degenerative’ art. The idea seems to be to produce aesthetic pleasure through severe disorientation…. Goodbye to Garamond, and all those reassuringly clean and classically balanced fonts. Hello to something like WaxTrax, which fairly drips all over your screen. And so it goes in the BraveNewWorld of cyberspace.”

Cyberspace and the Internet, of course, were still a novelty for most people back in 1996, and were full of raw and rough edges—visually and even audibly. Remember when you could count the dots on your screen and on your printout, and remember how mating modems screeched like cats in heat? Not surprisingly, the digital aesthete had all the finesse of a frontiersman, wielding his mouse like a chainsaw rather than a sable paintbrush. In other words, things looked pretty ugly—including titles and words on the computer screen, which had become the new page.

Or ugly, at least, to someone like me, who grew up with typewriters and liked the evenness of letters on a line, and the little feet (the so-called serifs) that grounded the shapely curves and angles of the A’s and M’s. That’s what I came to love about a graceful font like Garamond, which traces its origins to the 1500s, but which has been tweaked many times over the next 400 years—among others by Apple, which not surprisingly called its version Apple Garamond, used in the word ”Apple” itself by the company in its branding.

Speaking of Apple, this brings me to my little plaint for the day. Over the past month or so, Apple came out not only with the iPhone 6/6+ and with upgraded iPads and Macs; it also put out new versions of its operating systems for its devices and computers—iOS 8.1 for the portables, and MacOS 10.10 or “Yosemite” for the bigger machines.

So I dutifully upgraded to Yosemite, only to discover to my great dismay that—despite nifty new features here and there like being able to text non-iPhone numbers from your Mac and a better way of dictating text into Microsoft Word—I kept getting bothered by one small (and I mean literally small) thing: the new system font, called Helvetica Neue, which replaced the longtime, rounder Lucida Grande. You’ll see Helvetica Neue in the title bars and the bookmarks and tabs in your Safari Web browser—thin, narrow, and barely legible to my 60-year-old eyes.

What was Apple thinking? Well, certainly not about me (although we baby boomers were the original Apple faithful); “leaner and meaner” seems to be the mantra for the millennial computer user, and Apple is serving up the look in spades. And unlike what you could do with previous OSes, you can’t change or even tweak the size of the system font now, although you could enlarge individual windows in Safari and fonts in Word, probably because the system architecture would come crashing down if you had that option—the look is embedded into the package.

Why is this a big deal, at least for the fussy folk like me? Because it’s another sign—and a very visual one at that—of how the planet’s trendsetters see the present and the future, in the same way that blackletter fonts (more popularly if mistakenly called “Gothic” or “Old English”)—the kind you see in medieval Bibles—evoked an arch, elevated, not-very-accessible mindset.

Fonts and typefaces became more readable over time, and in the modern age, sans-serif (footless) fonts like Helvetica, Univers, and Futura became all the rage. Helvetica (the word itself means “Swiss”, in a tip of the hat to its origins) has been around since the 1950s, and can now be seen everywhere, along with its brethren. Being blocky, sans-serif fonts work best for titles and headlines, but can tire the eyes over long stretches; thus, older, footed fonts like Garamond, Palatino, and New York are still better for body text, because the little feet actually define the letters more sharply (try this by looking at a word like “human” in serif and sans-serif).

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I’ll agree: Helvetica’s a handsome font, and by now probably the world’s most popular one for signage and ads. (Just think of the logos of Lufthansa, American Airlines, Microsoft, Panasonic, Scotch, JCPenney, and The North Face, among others.) Maybe I’m actually sad in a way that Apple’s joining the pack rather than leading it as it often has—and if there was anything Steve Jobs almost literally imprinted into his designers and engineers, it was his fascination for typography.

But please, Apple, when the next upgrade comes around, give us something our aging eyes can better read, even if it isn’t Garamond.

Penman No. 116: The Phabletized Future

FullSizeRenderPenman for Monday, Sept. 29, 2014

 

HAVING WRITTEN with dead seriousness about writing for six straight columns, I hope my readers will indulge me this digression—a periodic, practically biennial, one—having to do with utter frivolity.

Okay, I’ll fess up: I have the new iPhone 6. Naturally. I’ve been an incorrigible Apple fanboy since the mid-1980s—practically since Apple was born—and so no one should be surprised by my prompt (I’ll say “timely”) acquisition of this new bauble, among 10 million other lunatics who snapped up the 6 and its bigger sibling, the 6+, in the gadget’s first three days of being on sale in the global market.

Like an arthritic hippie or a superannuated rebel, I should have no business, as a card-carrying senior, salivating over shiny new toys better seen on 30-somethings dashing off to work or to a dinner date. Well, maybe a little. US demographic studies from 2012 suggest that nearly one-fourth of all iPhone users are 55 and older (and a bit lower for Android and BlackBerry users), so older guys (men use it more than women, 60-40 percent) still make up a good chunk of the iPhone market. That makes sense, because these things don’t come cheap.

Along with literally millions of other people in the US and around the world, I stayed up until dawn on September 12 on the US East Coast to get my order in, and after an interminably long week during which I could only distract myself by doing honest and humorless work on my book project, a brown UPS van arrived to deliver the gadget du jour, a pristine iPhone 6 in smoke gray, 64GB, contract-free under T-Mobile. (Let’s get this out of the way: if you can’t wait for the local telcos to release the IP6 /6+ and want your US-based tita to send you one for an early Christmas, ask for a contract-free T-Mobile unit from the Apple Store—don’t get one from T-Mobile itself, or it will be network-locked.) I took my Globe nanoSIM out of the 5s and popped it into the newcomer, and voila—it was alive!

Never mind the rest of that digital drama, which can only be unremitting silliness to anyone but the most besotted geek. (And it’s only fair to say that millions of other geeks—the Android and Samsung crowd—slept soundly that night.) You can get the full specs and features of the IP6/6+ on dozens of sites online. I’ll cut to the chase with my quickie personal review, because I can just see a bunch of people asking me, “Is it worth it?”

If you’re moving from an older iPhone, the first thing you’ll notice is how thin and light it is—and yet how large. The 6 is larger than the 5/5s, and the 6+ is larger than the 6. I held and tried to like the 6+ in an Apple Store, but came away convinced that it was a cool thing to have if you’re 25, but definitely not for me. I got the 6 because, like many old guys, I prefer smaller, more discreet phones; the IP4 was perfect, but now it won’t run the newest software.

If you need an excuse to upgrade, recite this mantra: better battery, faster processor, bigger screen, thinner profile, better camera, more storage. Add them all up and you might convince yourself that it’s worth a good chunk of change. At 60, I don’t need an excuse; I’m just hopelessly curious, and the older I get, the more curious I am about what the future is going to be like, so every new gadget lets me cheat time.

After a week of playing with the new iPhone, I can say that I can best appreciate the brilliant screen, the excellent camera (I’ve done almost all of my photography with the iPhone for the past few years), and the longer battery life. I still have to get used to the slimness and the lightness of the thing; I’m using a plastic skin on it, but I keep tapping my pocket to make sure it’s still there. I’ve ordered a thick leather wallet case to lend it some heft, and then I’m sure it’ll be just fine.

I know that the so-called “bendgate” issue has come up online alleging that the big IP6+ will bend if you try hard enough (which makes me ask, who would, and why would you?). These “bend” tests are mildly interesting, but if you’re going to base your buying decisions on these, then go buy a tank, not an iPhone. I mean, how many people buy their cars based on crash tests?

What intrigues me more about the future is the new word I picked up this week: “phablet,” which the IP6+ is—a cross between phone and tablet. Frankly, all this talk of a phabletized future—where people walk around with 7- or 8-inch phones stuck to their ears—scares me. If this is the way we’re going, we might as well stick a phone into an iPad mini and call it the iPhone 9. I’ll probably hang around long enough to catch the iPhone 13, which will include telepathic commands among its features. By then, Apple and the iPhone will have gone one of two ways—the way of Godzilla, or the way of Yoda. Godzilla will have a battery life of 20 days and will be strangely reminiscent of the iPad mini; Yoda will have half the battery life but will remind some really old people of the iPhone 1.

By this time, to be fair, size will not be a problem for many people, because fashion designers (starting with Project Runway season XX) have made big pockets trendy; already, one Mafia boss (yes, the Mafia outlived Pope Francis) attributes his surviving an assassination attempt to the big iPhone he carries in his suit pocket, like a shield (it still bends, but it can stop bullets); boardrooms and Mafiosi meetings are soon full of men with bulging fronts. An ad with a digitally recycled Mae West says, “Is that an iPhone, or are you just happy to see me?”

Heck, I’m just happy to see this iPhone now.