Qwertyman No. 147: Literature Has Many Flags

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Qwertyman for Monday, May 26, 2025

IT WILL be a tempest in a teapot to most Filipinos still caught up in the aftermath of the midterm elections, a topic of interest to a limited few, but I’m bringing it up this week because it’s important enough for larger reasons.

The Philippines will be Guest of Honor (GOH) at this October’s Frankfurt Buchmesse (FBM), the world’s oldest and largest book fair. Being GOH means that the Philippines—its literature, culture, history, and politics—will be foregrounded in Frankfurt, through the dozens of writers, thousands of books, and the many exhibits and presentations that will be brought over to the FBM, through the combined efforts of the National Book Development Board (NBDB) and the National Commission for Culture and the Arts (NCCA), among other organizations. 

Much of the groundwork for this initiative, which began well before the pandemic, was laid by Sen. Loren Legarda, the principal advocate of arts and culture in the Senate. GOH status is an honor given every year to a different country, but it doesn’t come free; the project involves hundreds of millions of pesos, which its proponents see as a worthwhile investment in raising the global profile of the Philippines through its culture and expanding the international market for Philippine books and authors. The past two years have seen intensive efforts made by the NBDB and the Philippine GOH Committee to prepare the program, select the delegates, and arrange the logistics for our historic participation in October at the FBM.

Comes now a move, led by some prominent Filipino writers and activists, to boycott the FBM for various reasons, including what some see as the government’s misplaced priorities in funding our GOH participation, but primarily in protest of the FBM’s alleged support for Israel in its war in Gaza, and also of Germany’s complicity as an Israeli ally in that conflict. At the moment, it hasn’t gained much traction, but I wouldn’t be surprised if, in the intervening months between now and October, it gathers some steam—likely not enough to stop us from going, but enough to cause some dismay and dissension within our ranks.

I’m not in favor of this boycott, for reasons I’ll shortly explain, but first, full disclosure: I have been formally invited to attend the FBM as a delegate, and have accepted the invitation; I will be involved in several events—a launch of the new Spanish translation of my second novel Soledad’s Sister, several book readings, and possibly some panel discussions. All my expenses will be answered for. This will be my third (and at my age, likely my last) participation at the Frankfurt book fair, as an author whose books have been translated into Italian, French, German, and Spanish editions. In other words, I have a vested interest in going to Frankfurt. (To those who have never been to the FBM, it is no junket; expect long hours manning the booths, talking to people, selling book rights, and walking kilometers of hallways on the enormous fairgrounds. Frankfurt is not a particularly scenic city, although a side trip to nearby Heidelberg and its Rizal connections will be a welcome break.)

Some readers might find the connection between the FBM and Gaza tenuous and the call for a boycott bewildering, but it does have some basis worth serious consideration. The relationship between Germany and Israel, or the Germans and Jews, is long and complex (highlighted by the Holocaust before Israel even came to be, and the 1972 Munich Olympics massacre, among others), but the immediate trigger for the outcry was the FBM’s controversial cancelation of an awards ceremony for the celebrated Palestinian writer Adana Shibli in the immediate wake of Hamas’ attack on October 7, 2023. 

The outrage is justifiable and widely shared. In this column and other media, I myself have written against Israel’s assault on the Palestinian people (see “The Country I Wanted to Love,” from April 19, 2024), as have many other commentators. Indeed, I know of very few Filipino writers who have cheered the onslaught on—typically those holding orthodox Catholic views upholding Israel as God’s chosen nation. 

Israel’s relentless pounding of Gaza, resulting in the wanton slaughter of innocents, has long outlived its excuse of neutralizing Hamas. It is genocidal butchery by any standard, this calculated starvation of Gaza’s remaining residents, the killing of aid workers, and the mechanical attribution of atrocities to “operational errors.” Netanyahu’s encouragement of Trump’s crass and bizarre proposal to depopulate Gaza so he can turn it into “the Riviera of the Middle East” reveals the utter moral depravity of these two men. 

Israel’s barbarism in its campaign of terror and annihilation has now exceeded Hamas’ own (yes, unlike many protestors, I hold Hamas accountable for its own brutality—something that will surely not endear me to the far Left on this issue). Those of us who study Elizabethan revenge tragedy know this only too well: the line beyond which the revenger no longer seeks justice but mindless retribution, and becomes a horrifying, blood-soaked caricature of the very object it opposes.

The question for us writers is: will any of this be helped by withdrawing our participation from one of the world’s largest (if arguably not freest) exchanges of ideas through books? Will we prevent ourselves at Frankfurt—should the need and opportunity arise—from expressing our opinions on Gaza, among a host of other global issues concerning human rights? (Current German rules restrict financial support to artists seen as anti-Israel, especially those identified with the Boycott, Divest, and Sanctions movement or BDS, among other repressive measures.)

My answer is no. I stand for peace and justice for both the Palestinian and Israeli people—indeed, for all oppressed peoples of the world, including our own. But divesting ourselves of a historic opportunity to express our collective resistance to injustice—not just in Gaza or over this one issue, no matter how pressing, will only be counter-productive. Unless it catches fire (other prominent authors elsewhere, as in Indonesia—which was GOH some years ago—have expressed support), a symbolic boycott will be as deafening and as consequential as a tree falling in the forest.

In the end, this will come down to an individual act of conscience, however one decides, for which we must reserve our respectful acceptance. Whether one goes or stays, one’s reasons or motives have to be clear, so the gesture will not be wasted. I will go to Frankfurt proudly, with neither guilt nor shame, to speak about our people and our struggles for freedom through my books. Engagement, not withdrawal, will be the best service writers can perform for their country and for all oppressed and silenced people everywhere. 

Politicians like to wave one flag—Filipino, American, Israeli, Palestinian. Literature, like all art, has many flags: peace, justice, freedom, equality, truth, love, beauty, and harmony. Let all these fly in Frankfurt.

(Image from Studio Dialogo)

Qwertyman No. 146: A Shift in the Tide

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Qwertyman for Monday, May 19, 2025

THE PUNDITS have spoken and all kinds of analyses have been made about the recently concluded midterm elections, with most observers remarking on the surprise victories of Bam Aquino and Francis Pangilinan in the Senate and of Akbayan and ML in the partylist, as well as the steep decline of the hard Left alongside the continuing strength of the pro-Duterte forces. 

Some read the results as a sharp repudiation of the administration, others as a resurgence of the “Pinklawan” moderates, and yet others as just more proof of the Pinoy voter’s kabobohan in keeping the same old names in power. What’s clear is that it was a mixed outcome, giving everyone something to either crow or complain about.

At my favorite poker haunt, where I’ve been playing with a bunch of regulars for nearly twenty years, the table talk inevitably came around to the election results. The people here—mostly young and but with many seniors, mostly men, mostly middle class and urban (you need some money to play poker)—represent for me a good cross-section of our society, perhaps statistically imperfect but more grounded in gritty reality: neither scholars nor ideologues but homeboys coming from both Manila and the far provinces, brought together by nothing grander than chasing after a straight flush and pocket aces.

Maybe to rattle their opponents or to deflect attention from the cards, these guys can talk up a storm about politics. My general strategy is to shut up and smile to keep them guessing; although they know me as a UP professor and could presume on my liberalism, I’ve decided that listening rather than arguing would yield me a truer picture of the Pinoy mind, and protect my hand.

Back in 2022—to my great dismay—that mind was overwhelmingly pro-“Uniteam.” Despite all the information floating out there about Marcosian martial law and Dutertean bloodlust, my fellow pokeristas and even the dealers loudly proclaimed that they were voting for BBM, hushing the few Kakampinks in the room. 

Last week, the atmosphere in the poker place was decidedly different, one of great amazement and relief. There was surprise–but also joy—that Bam and Kiko won. The biggest buzz revolved around Pasig City Mayor Vico Sotto, less over the win that everyone expected than his political future, which everyone agreed should include the Senate and at least the vice presidency, the only concern being his youth (not that he was too young for the job, but for the legal minimum age). No tears were shed over the loss of popular entertainers and media personalities. Not much was said about BBM and VP Sara, who seemed strangely irrelevant, despite the fact that the midterms were effectively a proxy war between them.

Now of course you could say that a gambling den is hardly representative of the Filipino people, but then gamblers are among the most hardboiled cynics you can find, not easily given to idle wonderment. (And then again, poker wouldn’t thrive without foolishly hopeful patsies like me—called “fish”—who go all-in on a pair of deuces, hoping to catch a trio. Remember Anton Chekhov’s description of gamblers as people who “go out for their daily dose of injustice.”) That a shift in the tide seemed to ripple on the surface of these poker faces was encouraging. I suspect that these dehadista sentiments were there all along—but have now been emboldened to surface, and I can see this happening all over the country: it’s okay to hope, to bet on the long shot.

It’s probably a measure of how desperate we’d become, more than anything else, that progressives all over the country are ecstatic to have won two out of 12 seats in the senatorial race, never mind that the other winners were mostly your usual crowd of trapos and Family Feud participants.

After previous wipeouts and defeats that, we were convinced, only massive fraud could have engineered, these signal victories—along with a smattering of other partylist and local wins—have now raised our hopes for a more enlightened electorate and a resurgent opposition.

The question is, who will that opposition be, and who and what will it be opposing? Frozen out of the Palace and facing impeachment, VP Sara has claimed the mantle of opposition leader in her post-election statement. That’s “opposition” in the trapo sense of the word—another faction of the same ruling elite, another version of greed and lust for power.

It should be clear by now that a real, viable, and electable opposition can come only from the middle forces that are beginning to regain their footing after the hard loss of 2022. The sad but not surprising defeat of the more radical Gabriela and Bayan Muna partylist groups—which some see as the triumph of Red-tagging—puts the burden of the fight against corruption and for good governance on Bam Aquino, Kiko Pangilinan, Risa Hontiveros & Co., because it’s something that no one else in the government, certainly not the Dutertites, have the moral authority to undertake.

For this battle, and in preparation for 2028, this opposition has to adopt and master coalition politics—or rather their supporters have to learn how to unite, to maintain focus on the big picture, and to yield ground when necessary for the greater good.

For example, as I noted in an FB comment, Luke Espiritu and Heidi Mendoza turned in good performances—but they could have been better if some of our “liberal”-minded friends didn’t junk them on single issues: Luke for supposedly being an “abortionist” and Heidi for being a “homophobe.” Until we can get beyond our enclaves and agree on broader issues, the real evil will win. Sometimes we look for perfect candidates, people who align with all our principles, check all the boxes, lead blameless lives. But everyone’s flawed—any writer from the Greek playwrights onward knows that. 

We hand-wringers can be our own worst enemies. As a recent opinion piece in the New York Times put it, “Members of the educated elite… tend to operate by analysis, not instinct, which renders them slow-footed in comparison to the Trumps of the world…. Such elites sometimes assume that if they can persuade themselves that they are morally superior, then that in itself constitutes victory; it’s all they need to do.”

We have three years to see what was really achieved in May 2025, and if, like a good pokerista, our middle forces will know how to play a weak hand from a strong position, with a single-minded audacity and resolve.

Qwertyman No. 145: The Devil on My Shoulder

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Qwertyman for Monday, May 12, 2025

TODAY, ONCE again, we troop to the polling booths in the hope of making our votes matter—votes that, if the cynics are to be believed, might as well be dust in the wind. The surveys have spoken, the winners named. All that remains is for this day to be over, for the formalities to be done with, for the supposedly inevitable to play itself out. And then we’ll watch the new-old Senators of the Republic proclaimed in a ceremony that will showcase the state of our electoral mind. 

As absurd as it may seem, many Pinoys will actually be happy with the outcome—that’s what the surveys are all about, aren’t they? These are the senators we wanted—or most of us, anyway. “Most of them” is probably what you’re thinking, if you’re a regular reader of this column and agree with most of my views.

I can’t think of a more complicated election in recent times, in terms of an answer to the question of “What’s in our best interest as Filipinos, and how do we make that happen?”

The idealist in me has the simplest and probably the morally most unambiguous response: vote for the best candidates, period: the intelligent, the progressive, the principled, the proven, the humane, the hardworking, the uncompromised. Whether they win or lose, it shouldn’t matter—you’ve done your best as a responsible citizen; in a sense, you’ve won. I sorely want to believe this, and to do this today.

But persistently, impishly, like a little devil perched on my shoulder, a contrarian spirit urges me to temper my idealism with some consideration of its practical costs.

Last week in California, a Fil-Am friend asked me to explain the significance of these elections. In the US, midterms usually mean a referendum on the incumbent President’s performance, and next year will most definitely be one for the Orange Pope and his systematic dismantling of American democracy.

For us Filipinos, May 2025 isn’t that clear-cut—although it should have been, if the armies of May 2022 had remained in place, leaving us with a stark choice between the good and the bad.

But the ruling “Uniteam” alliance has since collapsed, with each side fielding its own troubled slate of aspirants, all seething with the most primal of motives: survival, revenge, profit, and opportunity.

The opposition seems to be a loose coalition of liberal, Left, and anti-administration forces. Among these, four names have consistently surged to the top in the kind of social media neighborhood I inhabit. I’ll call them my Triple A candidates, the ones I won’t have any second thoughts about, leaving me with eight more spots to fill.

It’s those eight that give me pause—not for any lack of qualified and virtuous prospects, but because there could be dire consequences for not filling up the rest of my ballot, as some have suggested, or voting for names without a prayer of winning, as a matter of principle (or, by this time, by force of habit).

It’s interesting to observe how, unlike in previous elections where voting straight for a party’s slate was the norm, various formulas and menus have emerged on social media—cafeteria or halo-halo style—to reflect this urge for some balance between the ideal and the practical in this three-cornered fight. Even opposition stalwarts, including Leni Robredo herself, have been excoriated for their previously unthinkable endorsements of certain candidates from the other side. Whatever happened to ideological purity? (It was always an illusion: note the Left’s earlier alliances with a notoriously bloodthirsty Digong Duterte and an unabashedly capitalist Manny Villar.)

I think many Filipinos understand what’s at stake in this election—not just who will compose the next Senate, but what that composition will mean. As I told my Fil-Am friend, Rodrigo Duterte may be safely imprisoned in the Netherlands, but his specter looms large and heavy over these midterms, through his proxies led by his daughter, VP Sara and their “DuterTEN” team (now more like DuterTWELVE, if you add one Marcos and one Villar). Sara was all set to be impeached for grave threats against the First Family and grand theft Piattos—which would not only have taken her out as VP but disqualified her from running for President in 2028. But that procedure—needing at least 16 votes in the Senate—got kicked down the road, after the election, leaving Sara’s fate up to the newly reconstituted Senate to seal.

So again, I told my friend, presuming that the BBM administration’s game plan here is to freeze Sara out of the presidency so it can install its own man, 2025 is really all about 2028. It’s a referendum, sure—not so much about the present President, but rather the past and maybe the future one. We’re not just—or not even—voting necessarily for the best candidates, but for senators who will push Sara out, or keep her in. Daddy Digong’s summary extradition to the ICC, while a relief for many, merely intensified that drama, raising the stakes to a matter of survival for the Dutertes.

It’s another sad and sorry spot to be in, for these elections to come down to choosing among the lesser or the least of 8, or 16, or 24 evils, against the statistical near-certainty of another wipeout for the truly good. Should I support this fairly familiar trapo, the devil I know, over that manifest idiot, just to help ensure that the latter stays out? Or, again, should I simply disregard all the surveys and scenarios, and vote from my purest and most innocent of hearts for the best people on that ballot? (Was this how the cardinals chose Pope Leo XIV, or did more pragmatic considerations come into play?)

By the time you read this, I shall have cast an early vote as a senior in my barangay. Like we often say, we are whom we vote for, and there’s a part of me that fears what I’ve become or may have to be. I need some of that Holy Spirit with me today—we all will.

Penman No. 473: Taking Care of Emy

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Penman for Friday, May 9, 2025

MY MOM Emy turns 97 today, May 9. Some years, her birthday coincides with Mothers’ Day, saving us a celebration. But that’s a bit deceptive, because when you have a parent this old living with you, every day is a blessing worth celebrating. 

It’s hard to believe that Mommy Emy is a lot healthier than she was a quarter-century ago, when we all feared that we were about to lose her, just a few years after our dad Joe Sr. passed away in 1996 from a ruptured aneurysm. After all, the stories usually went that way—one spouse dies, the other follows soon after, out of grief or a sense of life suddenly losing its purpose and meaning. Whatever caused it, Mom fell ill with tuberculosis, with the disease progressing so devastatingly that she was coughing blood and feeling terribly weak. Luckily, her doctor put her on a menu of cutting-edge pills that, over two years, miraculously banished the TB, well enough for her to secure a US visa to join my sister Elaine in California.

Over the next decade, she regained her strength, and even as she sorely missed our dad, indulged in a newfound zest for life—traveling with my sisters in the US, Canada, and Europe, visiting glaciers, going up the Tower of Pisa, and settling into in the quiet suburbs of Virginia just outside of DC with Elaine and her husband Eddie. She stayed there long enough to gain a green card, and we would visit her every now and then, sensing that, despite Elaine’s and Eddie’s loving care, she was pining for home. Eventually she did return to Manila, giving up her green card. “I want to die here,” she stated with finality, and that was that. 

One thing I love about my mom is her eminently practical sense. Since at least five years ago, she has written out clear instructions about what to do in case she was dying—no intubation, no extraordinary efforts to prolong her life, just as quiet and as painless a departure as could be managed. Last year we went out with her to the department store to pick out her funeral dress—a macabre chore to some, but for us, and especially for her, a cheerful excursion, with much discussion about this cut or that shade of blue (yes, she’s going in blue). 

She was born in Romblon a landlord’s youngest daughter, the apple of his eye, the only one to go to UP in Manila, from where she graduated with an Education degree. Growing up, she rode a horse on the farm and accompanied my Lolo Cosme on his trips to Manila. She remembers how easy and provident life was back then: “We would go to the beach and Papa would throw a net into the water, not far from shore, and it would come up teeming with fish, and the fish were everywhere, jumping in the air.” 

My father was a sharecropper’s grandson, too poor to finish college but with a sharp mind and a gift for words that must have swept Emy off her feet. Like many couples of their time and place, they decided to seek their fortune in Manila a few years after I was born. Their love was deep but often tested, given that there were five of us to raise. There was even a time when Dad was a barker for jeepneys, and Mom worked as postal clerk for minimum wage. Life sometimes felt like a soap opera, but we all pulled through, and often it was Emy’s internal toughness that made sure we were fed and ready for school.

Since her return from Virginia, my mom has been staying with us in UP Diliman, occasionally spending time with my three other siblings (Elaine is now in Canada). Still figure-conscious despite her age, she watches what she eats, but we indulge her every whim. It doesn’t take much to make her happy—almost daily Facetime calls from Elaine in Canada and our daughter Demi in the US, a weekly manicure, visits from her brood, and Tuesday Circle get-togethers with her group of neighborhood friends, among whom she is now most senior. 

What surprises people who meet her for the first time is how strong and alert she is. She uses a cane and a walker (but only because we insist), but she takes long walks daily around the yard and just outside the house. Her steps are getting slower and harder, but she marched for Leni in 2022, in gratitude for which the VP sent her a video greeting on her 95th birthday. She reads without glasses, and plays word games on her iPad with a passion; she follows Netflix, and watches the news with tart commentary. She’s as prayerful and religious as they come, but is staunchly liberal in her politics. “All my friends are dead” is her frequent complaint, quickly balanced by “But I’m so thankful for my children!” She and Beng share long meals and laughter-filled conversations. We have no doubt that as long as she takes her maintenance meds and doesn’t suffer a bad fall, she’ll live to be a happy hundred. 

Emilia Yap Dalisay’s name will never make it to the society pages, but she’s the biggest star in our small stretch of sky, and taking care of her has been our grandest privilege. Happy birthday, Mommy Emy, and may you have as many more years to come as God’s kindness will allow.

Qwertyman No. 144: A Better Fighting Chance

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Qwertyman for Monday, May 5, 2025

TWO WEEKS ago, almost 18,000 young Filipinos and their parents awoke to the good news that they had qualified for admission to the University of the Philippines through the UP College Admission Test (UPCAT). Over 135,000 high school students had applied, so this year’s admission rate stood at just over 13%, almost 7% higher than last year’s outcome.

Whatever UP’s critics may think it’s become, entry into one of its eight constituent universities remains the highest of aspirations for many Filipino families, especially the poor for whom the tuition and cost of living at top private universities is impossible without a scholarship. 

UP oldtimers like to recall the days, decades ago, when the quality of public education was still high enough for public and private high school graduates to compete on fairly even terms for admission into UP. It wasn’t unusual for some provinciano wearing chinelas to step into a UP classroom or laboratory and beat the daylights out of some elite-school fellow in academic performance. Many of those provincianos—the likes of Ed Angara, Miriam Defensor, Billy Abueva, and Dodong Nemenzo—went on to stellar careers in government, education, the arts, and industry. UP was clearly doing what it was supposed to do, as its past President Rafael Palma put it: to be “the embodiment of the hopes and aspirations of the people for their cultural and intellectual progress.”

Ironically, by the time the UP Charter was revisited and revised a century after its founding in 2008, giving it the unique status of being the “national university,” UP’s student profile had changed. Jokes about UP Diliman’s parking problems began to underline the popular perception that UP was no longer a school for Filipinos across the archipelago and across income strata but one for the privileged, mainly from the big cities. The introduction of free tuition in state universities and colleges in 2017, while well intentioned, even resulted in subsidizing the children of the rich in UP, who could well have afforded going to Ateneo or La Salle.

But some good news is emerging, as this year’s UPCAT results bear out. Starting with last year’s UPCAT, there’s already been a reversal of the trend favoring graduates from private high schools, with 55% of qualifiers now coming from public and 45% from private high schools. UP President Angelo Jimenez—himself a boy from the boonies, coming out of tribal roots in Bukidnon—has pledged to do even more to give poor students outside of the big cities a better fighting chance of getting into UP.

“We started this banking on two things,” he says, “that UP will respond to the challenge of transforming the so-called common clay—the less-advantaged—into fine porcelain, and that the less-advantaged will respond to the challenge of opportunity. The task of leadership now is to set the enabling environment, structures, and systems to ensure the success of this two-pronged strategy. It’s a big bet, and it gets bigger. We still have the non-UPCAT track. This includes our Associate in Arts program, UPOU’s ODeL, talent-based modes, and finally, the UP Manila School of Health Sciences in Tarlac, Aurora, Palo, and Cotabato. We cannot solve all problems, we are not lowering standards. In fact, we must demand excellence regardless of social and economic status, and enforce it. But we are dropping rope ladders so people long staring up from the base of the fortress walls can have a better chance of scaling its sheer drop with something better than their bare hands.”

Those rope ladders include adding more UPCAT testing centers in faraway places, ultimately to have at least one in each province—a goal that will be met later this year. The testing centers are also being moved from private to public high schools. “We’ve seen that more students tend to participate when the tests are given in their national high schools,” says UP Office of Admissions director Francisco de los Reyes. Aside from more testing centers, UP is helping disadvantaged students prepare better for UPCAT through its Pahinungod volunteers, who distribute reviewers using real items from past UPCATs (these reviewers are also downloadable for UPCAT applicants) and use them for UPCAT simulations, guiding students even with such details as shading the exam oblongs. (De los Reyes reports that wrong shading has caused 20% of their machine counting errors.)

These steps are clearly paying off. Davao de Oro (formerly Compostela Valley), which previously accounted for less than 10 UPCAT qualifiers, has just produced 31, after a testing center was put up in Nabunturan. 

UP’s support for poor students doesn’t end with UPCAT. Every year, thousands of qualifiers from so-called Geographically Isolated and Disadvantaged Areas (GIDAs), even after passing UPCAT against all odds, fail to show up for enrollment after realizing that they cannot afford the costs of living on a UP campus. UP has rolled out a P50-million Lingap Iskolar program that provides such disadvantaged qualifiers who meet certain standards P165,000 a year to cover housing, meals, transportation, books, cellphone load, and other expenses. Almost 200 Lingap Iskolar grants were given out last year. In UP Manila, private donors fund daily meals for over 30 students.

I’m particularly happy to report that a dear friend of mine, Julie Hill, recently donated almost P21 million that will be used for a new Agapay Fund that will go toward the upkeep of poor students in UP’s School of Health Sciences, which has a unique ladderized program that enables rural midwives to become nurses, and nurses to become doctors. The program has already produced about 200 doctors who have served their communities back. 

Among them was Dr. Hannah Grace Pugong, who recently landed in the top 10 of the medical board exams, after placing No. 1 in the midwifery and No. 3 in the nursing exams. Dr. Pugong will soon be deployed under the Department of Health’s Doctors to the Barrios (DTTB) program, fulfilling her return service commitment. It is an obligation she willingly embraces, saying that “I have often reminded myself that how I treat my patients should reflect how I want my family members to be treated by other health workers.” 

If that’s not what being a national university should be about, I don’t know what is.

Qwertyman No. 143: I or AI?

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Qwertyman for Monday, April 27, 2025

I’VE RECENTLY been asked to talk about literature in the time of artificial intelligence (AI) in a couple of conferences in Dumaguete and Manila. What that tells me is that, with AI’s emergence and growing popularity, there’s been much uncertainty, anxiety, and fear—even outright hostility—generated by the seemingly unstoppable intrusion of artificial intelligence not just into literature but into almost every aspect of human life and society. As I’ve said before, depending on how you see and use it, AI is either God’s gift to humanity or the destroyer of civilizations. 

While it has been hailed for its contributions to such fields as medicine and criminology—shortening diagnostic procedures and sharpening digital forensics—AI’s application to less mechanical endeavors is more fraught with both ethical and technical questions. Studio Ghibli’s Hayao Miyazawa, for one, has forsworn the use of AI in his work, calling it “an insult to life itself.” 

For writers and other creatives, the big questions are: Will and can AI replace the author? Is AI capable of artistic imagination? Should writers, publishers, and readers feel threatened by its future development? Might there be a positive role for AI in literary creation? 

Now, we can be very brave and declare that the worst piece of writing or art done by a human is still better than the best of what AI can produce. I’ve heard many authors proudly insist that “AI can never replace me!” But do you honestly think that’s true, and will the readers of the future—say, the consumers of popular fiction—care? The sobering fact is that there is so much bad art and bad writing done by real humans that it shouldn’t be too hard to artificially produce something better, for which people will gladly pay. 

I know that this will strike some of us as being crassly commercial, but it would be naïve to deny that much of what know to be culture today has been commodified—produced and sold as entertainment, whether it be a book, a movie, a concert, a computer program, or the hardware with which to access them. These are all media in which AI is already playing an increasingly important role—initially, perhaps, merely as a facilitator, a simplifier of complex or difficult tasks, or as an aid to the imagination, but also as a co-creator or collaborator, such as in the generation and animation of images. 

Given the fact that most of us produce art to sell—and why shouldn’t we, especially when we promote the idea of “creative industries”—the entry of AI into our thought processes and methods of work could be a matter of survival for many. The question is, will it improve the mediocre, or degrade the excellent? Can we excel without it, or because of it?

Early AI’s clumsy mistakes or “hallucinations” are worth a laugh, but I’m not sure how long we’ll be laughing; AI’s present ineptitude simply means it has a lot to learn—and it will, with the kind of training it’s being fed off our books, our texts, our manner of writing. It will only be a matter of time—I’d say less than a decade—before AI can mimic the best of global writing especially as literary texts get digitized and tossed into the meatgrinder, until it can produce a decent if not impressive approximation of certain styles and approaches. 

(For AI professionals, the next phases of the AI revolution will move into Artificial General Intelligence or AGI, at which point AI can match human intelligence, and ASI or Artificial Super Intelligence, when AI becomes self-aware enough to improve and replicate itself without human intervention and possibly beyond human control. These scary scenarios will not take, they say, a century to happen—some experts predict that AGI could be realized as early as 2027.)

What’s going for us is that while literary styles can be copied, the human imagination is far richer and stranger than we think. AI tends to homogenize; the human artist strives to be unique. Even so, researchers are already talking about algorithmic imagination and experimental humanities as “true collaborations with culture machines.”

Given that it’s inescapable, I propose that instead of fearing it, ignoring it, or maligning it as I’m sure many of us are inclined to do, we study AI and use for what it might be able to offer in aid of the imagination—as unsettling or unappetizing as that proposition sounds.

We’re already tapping AI every time we use Google, and no one seems to mind. I don’t mind admitting that I have used AI—not in fiction but in creative nonfiction or CNF, specifically in writing the biography, where I ask AI to summarize and organize biographical material that I would have eventually found on my own, anyway—in days rather than seconds. 

I suspect that the use of AI in CNF is much less troubling for writers and theorists than its employment in, say, writing the novel or the poem, which we have been trained to think of as more personal, more “us,” than nonfiction. We will yield CNF to AI, but draw the line at fiction and poetry, where we feel we should resist the intrusion of the beast or the machine into the recesses of our imagination. 

I wonder, however, how long this fortress will hold, or what the first crack in the wall will be, if it isn’t there already. I’m pretty sure that somewhere out there, a plodding novelist is already using AI to chart a tree of plot possibilities—What will happen if Maria marries Oscar? What if they decide to live in Davao instead of Baguio? And so on. I wouldn’t do this myself, because the fun of writing for me is in working out the future of my characters in my head. 

And then again I write fiction for the love of it—unlike almost all other kinds of writing that I do for a living. But if I were a novelist under contract to produce a novel a year, I’m not so sure that I wouldn’t seek AI’s help to lighten my load and get the job done. So is AI OK for money but not for love? Is that what it all comes down to?

So right now we have many more questions than answers, and at the pace the world is changing, most answers we come up with will soon be obsolete anyway. But the basic questions will remain, the most vital of which could be, when we say “I am,” is that “I” me, or is it AI speaking?

Qwertyman No. 142: A Long Learning Process

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Qwertyman for Monday, April 21, 2025

I RECENTLY came across a thread on social media urging Filipinos to boycott the midterm elections next month on the expectation that they will be tainted with fraud, as the 2022 elections were believed or alleged to have been by many.

When I looked it up, as early as last October when certificates of candidacy were still being filed, a retired OFW named Ronnie Amorsolo had already protested the elections, telling aspirants to not even run and calling the May 2025 polls a waste of time, energy, and money as they were already rigged. Political dynasties were making sure they would stay in power, he said, with the connivance of the Comelec and Miru Systems, the contractor for this year’s automated vote counting.

I can understand the extreme frustration of our countrymen like Ronnie who feel that the current electoral system is hopeless and that our democracy itself is a fraud given the seemingly unbreakable grip of dynastic families on our political leadership. But I disagree with his cynicism and with his call for a boycott. I think abstention will simply play into the hands of those dynasties and be written off as a virtual surrender.

To put it another way: if Leni Robredo herself believed in the futility of seeking change through elections, then why is she running for mayor of Naga? Granted, it’s friendly territory for the Robredos, but she could have symbolically stayed away to make a point. (There are, of course, those who fault even Leni for not protesting her presidential loss loudly enough and for wishing her opponent well, but I for one admire her for her graciousness and sobriety. I suspect she must have known that whether or whatever fraud may have occurred, much more work needed to be done to move Filipinos toward the light.)

As a longtime educator, I believe in learning—sometimes, the hard way. What’s happening in America now is what tens of millions of Americans didn’t realize they had voted for—but they did, and now they’re reaping the dire results; we’ll see in the US midterms next year if they’ve learned anything (and the Democrats as well, about their messaging). I’ve always thought that it will take at least two more generations before we Pinoys start looking for real merit in our leaders like the Singaporeans (whose inclination to self-censor I have always scoffed at, but for whom governance has become a learnable science). 

In the meanwhile we will keep making mistakes and keep paying the price—until we learn from those mistakes. Experience, they say, is the best teacher, but to learn from experience, you still need someone in the room to make sense of what just happened and what’s likely to happen again, if we don’t choose wisely. That’s what a good opposition should do—tilt against windmills and prepare to lose if they must, but give voters clear choices and alternatives. And the opposition itself has much to learn in terms of communicating with the seemingly unreachable. I don’t think it’s true that the only language the poor understand at the polls is money; a moving narrative of hope could work miracles.

In a very recent study titled “Elections Under Autocracy: The Opposition’s Dilemma—Compete or Boycott,” law professors Samuel Issacharoff and Sergio Verdugo point out that “Even in extreme authoritarian situations, opposition leaders should develop a pragmatic and strategic assessment of the political landscape. In many cases, the opposition should opt for participation while simultaneously exposing and denouncing the regime’s electoral abuses. Participation does not necessarily imply endorsing the legitimacy of a rigged system—despite the risk of elections strengthening the regime in the end—but instead serves as a means to challenge the regime, mobilize supporters, maintain political visibility and denounce abuses to both the domestic and international communities. By engaging in the process, opposition forces can highlight institutional flaws, document electoral manipulation, and create pressure for reform, even in the face of near-certain defeat. While acknowledging that outright victory is unlikely, there are there are compelling reasons for opposition forces to contest elections in authoritarian settings to be considered.” 

Remember 1985? If we had boycotted the snap elections then—and what a brazen act of larceny those elections turned out to be—would February 1986 have happened? It wasn’t just the plight of the military rebels that brought us out on EDSA; it was our outrage—and yes, maybe we just don’t have enough of that today, but push us some more, and it could happen again.

At this point, let me borrow some thoughts from a group called the Global Transparency and Transformation Advocates Network (GTTAN), which recently put out a statement in response to the calls for a boycott of the May elections: 

“While GTTAN understands that the boycott aims to express dissatisfaction with the electoral system and pressure authorities for reform, the reality is that with only three months remaining, any significant changes are highly unlikely.

“The COMELEC and the current administration have demonstrated little interest in implementing reforms, making boycott rallies an ineffective protest strategy.

“Furthermore, refusing to participate will not prevent the election from taking place. 

“Instead, it may lead to a sweeping victory for the administration’s candidates, as their supporters will still cast their votes.

“An outright boycott risks further weakening opposition to the government.

“For these reasons, GTTAN firmly opposes the call to boycott the elections. Instead, GTTAN advocates a strategic approach that includes: 

  1. Deploying poll watchers to oversee the voting process, including vote counting, recording, and reporting at each precinct; 
  1. Collaborating with and supporting organizations including political parties that are actively working for electoral integrity; 
  1. Advocating for citizens’ rights to review the automated election system, ensuring it meets transparency and auditability standards;
  1. Pushing COMELEC to maintain election records for a minimum of 10 years after each election and to make such records available for inspection by the public upon request; and  
  1. Educating voters on proper voting procedures and raising awareness to prevent election fraud. 

I couldn’t have put it better: engagement, not withdrawal, remains the activist’s bravest and toughest option. Whether those twelve names you write down win or not—or even get counted or not—you’ve already won your own battle against despair.

(Image from philtstar.com)

Qwertyman No. 141: Purity and Perfection

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Qwertyman for Monday, April 14, 2025

LAST WEEK, former Commission on Audit Commissioner and senatorial candidate Heidi Mendoza—a staunch exponent of good governance and nemesis of crooks—drew flak from some people who would have been her natural allies on the liberal side of the political spectrum: the LGBTQ community. At issue was her expressed disagreement with same-sex marriage, as a personal belief she did not seek to impose on anyone else. That still wasn’t enough for some same-sex marriage advocates, who announced their withdrawal of their support for her candidacy.

Of course both Heidi and her detractors have a right to their opinions, but I can’t help thinking that the only people chuckling at this situation are avatars of neither good governance nor gender rights, but the enemies of both.

Heidi Mendoza hasn’t been alone in this position of being seen to have been right on many things but wrong on—well, something, but something big enough to destroy and erase whatever good they’d done before. “Being seen” is important here, because it’s a matter of perception; like beauty, “wrongness” is in the eyes of the beholder. 

Today’s social media is populated by such beholders who can’t wait to see personalities make what they deem to be mistakes, and often to point those out with all the hawkish attentiveness of dancesport judges and the ruthless certitude of Pharisees. 

I’m sure you’ve come across many more such instances of people whom you thought you knew and whose ideas you had largely agreed with, only to find them—suddenly one morning—the object of the nastiest vitriol the Internet can be capable of dishing. Once blood is spotted in the water, the sharks start circling and a feeding frenzy follows. Many comments simply echo the previous one, seeking to be even louder and crueler; little attention is paid to context and nuance.

Witness what has happened just these past few weeks:

A political scientist and commentator who had grown a substantial following for his liberal positions got skewered for comparing Mindanao to sub-Saharan Africa. Never mind his explanatory reference to a scholarly study which made that comparison based on certain criteria. In the verbal shorthand of a TV interview, the soundbite was all that mattered to many.

An expert on infectious diseases—globally recognized in that field—was savaged for opining that former President Rodrigo Duterte should have been tried by a Philippine court instead of being bundled off to The Hague. Never mind that the good doctor made it clear that he was against EJK and all the wrongs that the old man is now in the dock for. Netizens seemed to take it against him that he tried to explain how many Mindanawons felt about Duterte, and that he had worked under that administration to help stop Covid during the pandemic.

A prominent journalist and exponent of ethical journalism—also a fervent convert to evangelical Christianity—upset and lost many friends when he declared his disagreement with the idea of transgender athletes competing with their biological counterparts. (It was a view shared by a former student of mine, a lawyer and legal scholar of the same religious persuasion.) This man’s longstanding commitment to the truth and to justice seemed trivial compared to what he had to say on this one issue.

No doubt these issues are centrally important to some, the litmus test by which they judge people’s character and their “true colors.” But which color is truly “true”—the mass of blue or the spot of yellow? And what effect does single-issue politics have on the big picture?

I wonder what all those Arab-Americans who withheld their vote for Kamala Harris because she didn’t sound pro-Palestinian enough are thinking now that the man they effectively helped return to power is speaking unabashedly about Gaza as “an incredible piece of real estate.” I know that some continue to insist that they did the right thing in holding on to the one issue that mattered to them, and of course it was their right to do so. But I can’t help thinking of all those Fil-Ams who trumpeted the Orange Guy’s alleged support for the rights of the unborn, in disregard of all the pain and misery he’s causing to the born. 

Me, I’m as liberal as they come, with all of that word’s pitfalls and contradictions. I believe in civil liberties and human rights, in free speech, in freedom from censorship, in the equal application of the law for all. I also support divorce, same-sex marriage, abortion rights, transgender rights, and gun control. I stand neither with Zionists nor Hamas but for peace for the people of Israel and Palestine. I believe in and pray to God—a God who is good and just—but mistrust organized religion and both extreme Right and Left (indeed, anyone who claims to know how life should be lived) and resist doctrine of any kind, whether Church, State, or Party. If you’re my FB friend and you find any of these too reprehensible for comfort, feel free to unfriend me, or to stop reading this column. 

I have to admit that, following major upheavals like the 2022 election and the Duterte arrest, I’ve lightened my roster of Facebook friends by offloading a number of characters whose preferences I loathed. I didn’t have any qualms about that, because they were “friends” only in the shallowest Facebook sense of the word. (I find Facebook useful, but blame it for its degradation and devaluation of “friendship.”) Most had never interacted with me, and neither of us would miss the other.

But there are friends you have in real life who are arguably worth more than their politics or religion. By this I don’t mean that they fatten your bank account or make your life easier (although some might); if anything, they remind us how much more complicated people and life can be, and how ideological purity or moral perfection may ultimately be less important (and certainly more boring) than the challenge of finding some common ground and surviving together. In continuing to talk with them, we talk with ourselves and those parts of us still capable of doubt and wonder. 

So disagree as I may with her on this particular point, I’m voting for Heidi Mendoza. I suspect I stand a better chance of convincing her to support same-sex marriage than of straightening out the crooks and dimwits eager to take her place in our already benighted Senate.

Qwertyman No. 140: The City of Stories

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Qwertyman for Monday, April 7, 2025

THIS PAST weekend, I was down in Dumaguete City with National Artist for Literature Resil Mojares, historian Ambeth Ocampo, and scores of other writers for the 2nd Dumaguete Literary Festival. At my age, I’ve frankly tired of going to literary festivals, conferences, and workshops, preferring to work quietly at home—Dr. Mojares apparently feels the same way—but we couldn’t resist the allure of Dumaguete, a city central to the development of Philippine postwar literature, and always well worth visiting on its own for its gentle charms.

I personally have much to thank Dumaguete for, for what it contributed to my own budding literary and academic career. Early in 1981, shortly after I had returned from my first visit to the US, I received an invitation from Dr. Edilberto Tiempo to join the Silliman Writers Workshop which he and his wife Edith—the poet and future National Artist—had started two decades earlier upon their own homecoming from America. 

I had dropped out of college for a decade by then, and was working at NEDA, which had sent me to the US for an observation tour. What that trip to the American Midwest—mainly the campus of Michigan State in East Lansing—did for me was to rekindle my interest in learning. Dr. Tiempo’s invitation could not have come at a better time: a summer devoted to talking about poetry and fiction at Silliman University felt dreamlike, and by the time the workshop ended, my head spinning with magical lines from Robert Graves, I had resolved to quit my job, go back to UP, and just study, write, and teach for the rest of my life. And that’s what happened.

I wasn’t alone in that kind of transformative experience; as the country’s oldest writers’ workshop, the Silliman summer workshop became a virtual rite of passage for young writers, especially in English (some writers in Filipino have also attended, with works in translation). Silliman itself (older than UP by several years) has produced many of the Philippines’ finest writers, aside from the elder Tiempos—among them Ricaredo Demetillo, Aida Rivera-Ford, Merlie Alunan, Leoncio Deriada, Cesar Ruiz Aquino, Elsie Coscolluela, Rowena Tiempo-Torrevillas, Marjorie Evasco, Lakambini Sitoy, Artemio Tadena, and Myrna Peña-Reyes. It also has a strong performing arts tradition, contributing the likes of National Artist Eddie Romero, Gilopez Kabayao, Amiel Leonardia, Junix Inocian, and Elmo Makil, among others.

For all these, Dumaguete has been formally nominated to be designated as a UNESCO City of Literature—one of many such distinctions listed under UNESCO’s Creative Cities Network program that was launched in 2004 to recognize and celebrate cities around the world—350 of them form more than 90 countries to date—for their signal achievements in Crafts & Folk Art, Design, Film, Gastronomy, Literature, Music, and Media Arts. So far, 53 cities in 39 countries have been named Cities of Literature—among them Barcelona, Heidelberg, Iowa City, Lahore, and Norwich. (Iloilo has already been named a City of Gastronomy, and Quezon City is vying to be designated a City of Film.) With the Philippines serving as this year’s Guest of Honor at the Frankfurt Book Fair, Dumaguete’s recognition as a UNESCO City of Literature will raise our global cultural profile even higher, and let the Philippines be known for more than Boracay, Manny Pacquiao, and Imelda’s shoes.

Leading that charge for Dumaguete is Silliman University literature professor Ian Rosales Casocot, one of our best fictionists and co-director of the festival with Gayle Acar. Working with the Dumaguete City government, the Department of Trade and Industry, and the Buglas Writers Guild which Ian heads, Ian notes that aside from developing writers, “Dumaguete itself has been a constant subject of many literary works, from novels to poetry, from essays to plays. It is high time that Dumaguete is recognized for its role in shaping literature in our corner of the world.” The well-attended Dumaguete Literary Festival, now on its second edition, offers proof positive of that city’s continuing centrality to our literary life and culture. 

We had been invited to share our views on various aspects of Philippine literature in this age of artificial intelligence. I joined a panel of writers dedicated to that specific topic—or, as they put it, “Can AI Win a Nobel Prize for Literature?”—which happened to be something I’ve given much thought to.

Understandably, there’s been a lot of fear and anxiety—even outright hostility—generated by the emergence of AI in nearly every aspect of human life and society. Studio Ghibli’s Hayao Miyazawa, for example, has forsworn the use of AI in his work, calling it “an insult to life itself.” While it has been hailed for its contributions to such fields as medicine and criminology—shortening diagnostic procedures and sharpening digital forensics—AI’s application to less mechanical endeavors is more fraught with both ethical and technical questions. 

In previous lectures and again in Dumaguete, I showed how—at this point—AI poses little threat to the writer of truly good and imaginative literature, by yielding execrable responses to such prompts as “Write a paragraph about a summer night in Spanish Manila in the style of Nick Joaquin.” It’s worth a laugh, but I’m not sure how long we’ll be laughing; AI’s present ineptitude simply means it has a lot to learn—and it will, with the kind of training it’s being fed off our books, our texts, our manner of writing. It will only be a matter of time—I’d say less than a decade—before AI can mimic the best of global writing. For me, the best response is neither to hate nor to ignore it, but to understand it and employ it for helpful uses we have yet to find. (We’re already tapping AI every time we use Google, and no one seems to mind.) It should even be possible for authors to creatively interact with AI in what I’m calling a game of prompts.

What we can reasonably certain of is that while literary styles can be copied, the human imagination is far richer and stranger than we think. AI tends to homogenize; the good creative writer strives to be unique. Like Dumaguete, there’s a whole city, a labyrinthine cosmopolis, of stories in every writer’s mind to be discovered and explored.

Penman No. 473: New Light on (and from) the Philippine Short Story

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Penman for Sunday, April 6, 2025

FEW MAY have noticed, but this year, 2025, marks the centenary of what has been widely acknowledged to be our first classic short story in English, Paz Marquez Benitez’s deathless “Dead Stars.”

As I’ve often observed as both a writer and teacher of Philippine literature, there’s probably no literary form more popular among Filipinos than the short story and its predecessors—myths, legends, folktales, and such stories that draw on the power of narrative to tell and teach us something about human life. 

A lot of this has to do with the fact that people and cultures everywhere have made use of stories to make sense of things—to establish causality in human actions—often as a way of prescribing and also proscribing certain behaviors. Stories were there to learn from, like the biblical parables, Aesop’s fables, and the creation myths. The more exciting and entertaining the stories were, the easier the learning happened. Even the mere recognition of oneself in a story that could have taken place a thousand years ago in a place across the planet makes our lives seem more meaningful.

In the Philippines—as it did in the West, where the modern short story took form—the short story was a staple of prewar weekly magazines like the Sunday Tribune, where a story written by an American author would be matched by a local story during what our early literary scholars like Leopoldo Yabes would call our period of apprenticeship. This was in English, but the short story in Filipino (then Tagalog) and other Philippine languages had developed even earlier, and continued (as it continues) to explore new forms and material.

Why the short story and not the novel? That’s another long discussion to be had, and I’ve addressed it in a lecture titled “Novelists in Progress,” but the short of it is that, well, we Pinoys like things in small doses (think Nick Joaquin’s “heritage of smallness”), and the short story satisfies our craving for a touch of fiction and fantasy in our ordinary lives. We’re not marathoners, but great sprinters; we’re not summiteers or navel-gazers, but masters of the street and alley. 

And so, over the past century, important anthologies of the Philippine short story have been published, tracking the development of the genre and its practitioners, from Yabes’ landmark Philippine Short Stories 1925-1940 (a project continued by Gemino Abad for 1956-2008) to Isagani Cruz’s Best Philippine Short Stories of the Twentieth Century (2000). Outside of English, Mga Agos sa Disyerto edited by Efren Abueg came out in 1964, proclaiming new directions for Tagalog short fiction, and the much-needed Ulirat: Best Contemporary Stories in Translation from the Philippines was published in 2021, edited by Kristine Ong Muslim.

But the 21st century is now a quarter of the way through, and just in these past two decades or so, a fresh bumper crop of brilliant new stories has built up, awaiting harvest.

Five years ago, an American friend named Gerald “Jerry” Burns—a fellow academic and a scholar of Philippine literature in English, now Emeritus Professor at Franklin Pierce University in New Hampshire—decided to do just that: review the best of the newest Philippine short stories and produce a selection with which to introduce them to the world. He needed a collaborator, and having worked with Jerry earlier when he was a Fulbright professor at our English department in UP, I agreed to co-edit the volume with him. Because of our backgrounds, our stories would be mainly those written in English (and the excellent Ulirat had already covered much more ground in the other Philippine languages than we ever could) but Jerry wisely insisted that we should have at least some representation of non-English stories in translation in the book, if only to lead the reader to explore more in Ulirat.

The selection process was predictably long and bruising, with all the political, aesthetic, and practical considerations that go into anthologizing, but in the end we came up with 18 stories written by both familiar and fresh names, from within and beyond the Philippines, including the diaspora: Dennis Andrew Aguinaldo, Dean Francis Alfar, Mia Alvar, John Bengan, Ian Rosales Casocot, Richard Giye, Vicente Groyon, Ino Habana, Carljoe Javier, Monica Macansantos, Perry Mangilaya, Doms Pagliawan, Ma. Elena Paulma, John Pucay, Anna Sanchez, Larissa Mae R. Suarez, Lysley A. Tenorio, and Socorro Villanueva. We also found an agreeable and supportive publisher, Milflores Publishing, fortuitously run by Andrea Pasion-Flores, herself a fine fictionist who understood the need for a new anthology like this, especially on the threshold of the Philippines’ participation as Guest of Honor in this year’s Frankfurt Buchmesse.

The book’s title, What Light It Can Hold: The Philippine Short Story in the Twenty-First Century, was suggested to Jerry by an encounter with the piña weavers of Kalibo, Aklan, and a caption he saw that said: “How fragile a single thread of piña is, how delicate, but look how much light it can hold.” He explains that “What Light… is intended to recognize the limited capacity of the Philippine short story in this period to offer any widespread or definitive illumination of the nation’s life and culture. At the same time, a more expansive understanding of that title is possible. For the short story, as will be suggested in the next pages, is a signature Philippine product, too. And these slender narratives, fashioned by their makers with a skill, patience, and devotion comparable to the piña weavers’, bring what light they can hold to vital areas of contemporary Philippine and larger human experience.”

No anthology project will be without its perceived failures and omissions, and Dr. Burns and I remain fully open to criticism in that respect. But we believe the sympathetic reader still stands to profit from both the selections and the introduction, penned largely by Jerry, that makes salient observations on the changes that have taken place in this most favored literary form of ours over the past century. Happy reading! (What Light It Can Hold is available on Lazada and Shopee.)