Category Archives: Asia

Qwertyman No. 120: Greatness of Spirit

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Qwertyman for Monday, November 18, 2024

AFTER A week marked by sordid political revelations, reversals, and antics that make us despair over the future of democracy in this country and elsewhere in the world, it was refreshing and inspiring to be reminded last Saturday that goodness, reason, and justice still prevail somewhere, even against monumental odds.

Saturday was when the 2024 Ramon Magsaysay Awards were handed out to five Asian champions who made landmark contributions to their societies and the world at large  by manifesting “greatness of spirit,” the lofty benchmark established by the foundation granting the prestigious awards, often referred to as Asia’s Nobel Prize.

I was privileged to attend the award ceremonies at the Metropolitan Theater, and thereby to meet this year’s laureates. There were no Filipinos among them this time around (last year, they had peace negotiator Miriam Coronel-Ferrer), but the causes and concerns that each laureate represented would have resonated well with Filipinos on many levels.

The Thai Rural Doctors Movement (RDM), for example, addressed a problem that has plagued many developing countries around the world: the chronic lack of doctors to provide adequate medical care in the countryside. In the 1970s, idealistic young doctors joined the popular pro-democracy movement in Thailand, but a government crackdown forced them to seek refuge in the rural areas. The doctors formed close bonds with their host communities and attended to their needs. When these doctors later gained national influence, they maintained their focus on the rural poor, to the point that Thailand now has one of the best Universal Health Coverage systems in the world.

In Vietnam, Dr. Nguyen Thi Ngoc Phuong confronted a lethal legacy of the war that had nearly destroyed her country half a century earlier. Despite the passage of so much time, many Vietnamese, including newborn babies, continued to suffer from one of the war’s cruelest after-effects: the damage caused by TCDD or “Agent Orange,” one of the most toxic chemicals known, used freely by the American military to flush out their enemy. Dr. Phuong took it upon herself to discover the truth about Agent Orange, seek justice for its victims, and help the afflicted.

Indonesia’s Farwiza Farhan took on a most formidable challenge despite her relative youth: the environmental damage wrought on the Leuser Ecosystem in her home province of Aceh on the island of Sumatra. Working with fellow activists and especially local women, she founded the Forest Nature and Environment of Aceh Foundation or Yayasan Hutan Alam dan Lingkungan Aceh (HAkA), which has succeeded, among others, in gaining a court verdict that led to USD26 million in fines against a palm oil company that burned forests, and stopped a hydroelectric dam that would have threatened the elephant’s habitat. Most importantly, her organization has trained local communities to protect their environment through sustainable forest management.

Mountainous Bhutan is a country often idealized as an idyllic Shangri-la and prime tourist destination, but it is in fact a low-income country plagued by unemployment, inadequate social services, and threatened traditions and values. Taking these problems by the horns, a young Oxford-trained monk has combined his religious devotion and historical scholarship with modern management to help bring Bhutan into the 21st century. Karma Phuntsho established the Loden Foundation to promote education, practice social entrepreneurship, and document the country’s cultural heritage. Phuntsho himself has written a definitive history of Bhutan, whose next stages he and the Loden Foundation will help define.

And finally, Japan’s Miyazaki Hayao has created some of the world’s most memorable animated films through Studio Ghibli, established in 1985 and today a byword in digital animation. While animated films in the West have fed off a broad audience employing superheroes with lucrative market appeal, Miyazaki and Studio Ghibli have focused on an audience most difficult to please—children. Nevertheless, Ghibli classics such as My Neighbor Totoro have also called out to an adult fan base charmed by Miyazaki’s craft. This director has taken animation beyond entertainment and even education to enlightenment, always in an engaging manner.

That such good people exist and persist in their passions offers a bracing antidote to the creeping pessimism in which we seem to be wallowing today, an easy and perhaps fatalistic surrender to inaction, tyranny, and hopelessness. We Filipinos are no strangers to distress and despair, with millions remaining in abject poverty, left behind by any growth in our economy. Adequate healthcare remains beyond the reach of most of us, with even middle-class families left devastated by just one catastrophic illness. But neither do we lack for champions and heroes seeking to alleviate these hardships.

Instructively, for the Ramon Magsaysay laureates, their life’s mission often began with dark epiphanies. For Dr. Phuong—who would go on to head Vietnam’s largest obstetric hospital—it was her encounter as a young doctor with babies severely deformed by Agent Orange and their mothers’ anguished and then-unanswerable questions. For Farwiza Farhan, it was returning to Indonesia from her studies abroad, only to discover that the island home whose forests she had embraced as a child was now being ravaged by commercial exploitation. For rural doctors in Thailand, it was seeing poor farmers sell their daughters just so they could pay for the medical care they needed. But rather than be paralyzed by the enormity of the challenge, they decided to do something about it, rolled up their sleeves, and have yet to roll them down.

Something that stands out to me is that these Magsaysay awardees were hardly fire-breathing revolutionaries who sought sweeping changes in one convulsive action, but reformers who pursued their objectives over decades with as much patience as passion—and, of course, vision, anchored on a unquenchable faith in the attainability of a better world, starting with one’s own space and sphere. And beyond individual actions, they set up networks of influence to spread the message and the work, and ensure that whatever they began would survive them. It was never about them, and that’s greatness of spirit.

Qwertyman No. 118: A Flickering Flame

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Qwertyman for Monday, November 4, 2024

TOMORROW, NOVEMBER 5 (or Wednesday, November 6, our time), American voters will choose who between Republican Donald J. Trump and Democrat Kamala Harris will lead them from the White House over the next four years.

For more than four million Filipino-Americans, the outcome will bear a direct impact on their daily lives, their choices, their standing in society, their future. For the rest of the world, including those of us here in the Philippines, the result will shape not only how we see America, but also how America sees us in the global scheme of things.

Only the foolish will think that we have no stake in this election, and that America’s position in the world will be the same regardless of who wins. For the people of Ukraine, a Trump victory might as well be his friend Putin’s; for the Taiwanese, the Filipinos, and others dependent on at least the deterrence if not the active deployment of American military power vis-à-vis Chinese expansionism in Asia, Trumpian isolationism can only invite more unbridled aggressiveness from the region’s bullies.

As I’ve often said here before, like many millions of Filipinos, my stake is more personal than that: our daughter lives and works in California, and my sister is also a US citizen, both of them contributing productively to that country’s economic and social well-being. Both are proudly voting and campaigning for the only candidate who offers real hope for the future of America and the world: Kamala Harris. To them, she represents not just the right political but also and even perhaps more importantly the right moral choice.

Of course, I totally agree. Why anyone would vote for a man who even many of his supporters admit is a convicted felon, a habitual liar, a womanizer, a pervert, a racist, a chauvinist, and a would-be dictator is beyond me. But apparently enough Americans will, enough to make all polls point to a dead heat between the two candidates, with the outcome likely to be decided by voters in a handful of so-called “battleground” states.

Among those many millions of Trumpists willing to overlook his not-insubstantial shortcomings are legions of Fil-Ams who—despite having historically voted Democrat as an ethnic minority—now find common cause with Trump’s blatantly racist anti-immigrant rhetoric (it isn’t even about illegal immigration anymore, but about immigrants from “garbage” countries in Asia, Africa, and Latin America) and his supposed “anti-abortion” stance (since diluted for political expediency). Among other single-issue MAGA voters, “the economy” remains their strongest reason for choosing Trump, despite 23 Nobel-prizewinning economists writing that Trump’s tariff-based economic plans will be disastrous for the US.

Eighty-two Nobel laureates, in fact, are on record supporting Harris, but that clearly matters little in an election driven more by primal fear than by truth and reason. As astrophysicist Neil deGrasse Tyson lamented, “How sad it must be—believing that scientists, scholars, historians, economists, and journalists have devoted their entire lives to deceiving you, while a reality TV star with decades of fraud and exhaustively documented lying is your only beacon of truth and honesty.”

My own sense is that many Trump voters won’t be voting for Trump the man, whom his sharper and more hidebound supporters—many of whom, like Sen. Ted Cruz, he has savagely maligned but who have masochistically endured his insults to ensure their own survival—will admit before God to be the lowest of the execrably low. They will be voting for the deep grievances and resentments that Trump has so craftily stoked in them, and against the idea of an “elite” and a “swamp” that Trump and his new acolyte Elon Musk, strangely enough, represent more visibly than most Democrats.

Thus the very real possibility remains that we may wake up Friday morning to the specter of Trump 2.0 and whatever it will bring. Should that happen, we can imagine the global wave of consternation and dismay that will ensue among liberals and progressives everywhere. On the other front will resound the triumphant cheers and chuckles of global despots and their minions.

All this brings me to what I suspect has been my real worry all along—not the US election, about which we can do nothing, but our own political horizon, on which familiar dangers are looming large.

At least one online pundit with an unusual point of view has lauded the recent performances of Vice President Sara Duterte and her father former President Rodrigo Duterte at their Senate hearings as a kind of resurrection—in the very least, an affirmation of their continuing political viability, if not resurgent power. 

The Dutertes mastered their fumbling inquisitors, this commentator crowed, reporting that the gallery even clapped for the senior Duterte at the end of a raucous session at which he virtually confessed to willfully causing the summary execution of suspects without ever being prosecuted. The Dutertes, he seemed to imply, remain above and beyond the law; with their cohorts in office, they are the law, or shall soon be again.

Indeed Philippine politics has become a theater where bravado, bluster, and buffoonery matter. We cannot even tell the actors from the characters any longer. Lies resound louder than the truth, and the audience rewards the best “hugot line” with wild applause.

The upcoming midterm election already promises to showcase the worst of our political predilections, with family dynasties and patently unfit candidates crowding the top of the poll rankings.

So if the Americans choose Trump over Harris, why should we be surprised? Where character, reason, and talent no longer matter, the tyrants rule with fools at their feet to keep the populace amused.

But if Kamala Harris wins, whatever it brings to America, it will mean for me that, however fragile, hope remains for good sense to prevail even in extremely fraught situations such as ours. If only for that flickering flame, I pray she wins.

(Image from newsweek.com)

Qwertyman N0. 117: Our Best Books Forward

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Qwertyman for Monday, October 28, 2024

NOW ON its 76th year, the Frankfurter Buchmesse (FBM)—better known outside Germany as the Frankfurt Book Fair, the world’s oldest and largest such event—ended successfully last October 20 with a significant representation from the Philippines, which sent scores of authors, publishers, and book industry officials to the fair. All that was in preparation for FBM 2025, when the Philippines will be Guest of Honor (GOH), the country whose literature will be the focus of the fair’s attention.

You can think of the Frankfurt Book Fair as the Olympics of the global book industry, with over 200,000 participants (book industry persons and the public) representing over 100 countries. However, there are no prizes for Best Novel, Best Nonfiction Book, Best Children’s Book, and so on. Everyone is effectively in competition with everyone else, but the real rewards are in the professional and personal connections made between and among authors, publishers, agents, editors, and translators at the fair, connections that materialize into deals for translation and publication rights. Although exhibited books can be sold at the close of the fair, the FBM isn’t meant to sell books, but rights to books, for which it has become the world’s oldest and largest marketplace. This means that, through the right contacts, Filipino books can be translated into and sold in French, Turkish, Spanish, and Urdu editions, etc. and vice versa. 

Becoming GOH is a signal distinction—but it doesn’t come free. Nations vie and pay for the honor, which this year went to Italy and in 2026 will go to the Czech Republic. I’m sure that there have been and will be more criticisms of our participation in Frankfurt, chiefly of the costs of our foreign exposure vs. the local promotion of our literature, but it’s not a zero-sum game. We need both kinds of investments. We have impressive literary production from all over the country—much of it unknown even to ourselves—but we also need to share the best of it with the world, to raise their understanding of the Filipino above the stereotypes they know (Imelda’s shoes, Manny Pacquiao, DHs, cruise ship crewmen, etc.—not all of them bad, for sure, especially our OFWs, but in need of context).

If FBM 2024 was any indication, FBM 2025 will be an even more resounding success for the Philippines. All literary genres were represented this year in terms of books and panel discussions, and valuable connections were made with European publishers, translators, and agents. Philippine literature will never be the same after this. (This year’s upshot for me is that my novel Soledad’s Sister will be coming out soon in Spanish, after its versions in Italian, French, and German.)

Having followed trends in international publishing for some time, I’m particularly impressed by the way the FBM has helped to promote our new writing by young authors in literary categories that have traditionally received less attention compared to what I’ve called “the big white whale” of publishing, the novel. Approach most publishers and agents at the FBM, and what they’ll ask you is, “Where’s your novel?” For primarily commercial reasons, the novel remains the most saleable and traded commodity at book fairs. (I know many who will wince at my reference to books as commodities, but let’s be absolutely clear about this: the bottom line of book publishing and book fairs is business, not “Kumbaya”-type international peace and understanding.) 

Sadly, however, Filipinos have historically not been a novel-writing, novel-buying, and novel-reading people. In this respect, Rizal’s Noli and Fili are aberrations, familiar to us only and thankfully because of the law requiring their study. That said, our writers are masters of the short literary forms—poetry and the short story in particular. I’ve often remarked that we Pinoys are world-class sprinters, not marathoners; our world-view is not Olympian, but pedestrian, formed close-quarters at street level. 

This year, I’m told that over 70 deals were made between Filipino authors and foreign agents and publishers for the translation and publication of works that went well beyond the traditional novel, including children’s stories (another of our strongest suits) and genre and graphic fiction. These authors were young, and some had their works translated from languages other than English. If anything, this surge in translations, long overdue, is one strategic benefit that our FBM participation has enabled, and our GOH status next year should boost it even further.

According to FBM Director Juergen Boos, “I am very excited about the Philippines’ Guest of Honor presentation in 2025. The motto ‘The imagination peoples the air’ resonates with the universality of storytelling. Even though the Philippines is the world’s thirteenth largest nation with more than 109 million citizens, I believe for many of us in Europe, Philippine literature is currently still rather unknown territory. As the country steps into its role as Guest of Honor, we will learn a lot about the importance of storytelling and today’s cultural scene for Philippine civil society. With an incredible 183 different languages spoken on its 7,641 islands, the country’s diverse influences are one of the aspects I am looking forward to seeing in Frankfurt in 2025.”

I did say that there are no prizes awarded at the FBM, but I have to correct that to acknowledge the Diagram Group Prize for the Oddest Title at the FBM, given since 1978 and now voted upon by the public, and won by such books as Proceedings of the Second International Workshop on Nude Mice, The Joy of Chickens, How to Shit in the Woods: An Environmentally Sound Approach to a Lost Art, and If You Want Closure in Your Relationship, Start with Your Legs. This is not a prize to which Filipino writers have so far aspired, but who knows? Pinoy wackiness (alongside wisdom) knows no bounds.

Many thanks to the National Book Development Board, the National Commission for Culture and the Arts, the German literary organization LitProm, culture champion Sen. Loren Legarda, and our other sponsors and supporters for this great opportunity to put our best books forward on the global stage. Mabuhay!

Penman No. 467: Recovering Our Memory of the Sea

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Penman for October 20, 2024

I’VE OFTEN remarked, in academic conferences, about the glaring absence of the sea in our mainstream and modern literature, beyond serving as a decorative backdrop or romantic element. I recently learned that this may not be so true of the native literatures of the Philippine South, for whose people the sea is their economic and cultural lifeblood, but for most of the rest of us, the only sea we’ll ever know is Boracay, or the Dolomite Beach.

That’s a sad thing when we consider that the Philippines—the world’s second largest archipelago after Indonesia—also has one of the world’s longest coastlines (over 36,000 kilometers), is rich in marine biodiversity, and can look back to a long, proud, and continuing seafaring tradition. Despite the alarming depletion of our marine resources due to overfishing and damage to marine ecosystems, we continue to rank high among the world’s fish producers; ironically, our fishermen are among our country’s poorest citizens. And for many decades now, the Philippines has sent out its seafarers to crew the ships of the world—over 550,000 of them last year, making up a fourth of all the world’s seaborne workers.

To go back even farther into the past, pre-Hispanic Filipinos built the balangay that helped populate Austronesia as well as the speedy warship, the caracoa; in Spanish times our ancestors built the galleons that crossed the oceans. In Moby Dick, Herman Melville referred to Filipinos aboard the whalers as “Manila men.”

Behind these figures runs a compelling human and social drama, but it’s a story largely unknown and untold to our own people, and what little we know is fading even faster as more of us leave our islands for the big cities, slowly but surely losing our personal connections to the sea. We encounter sea life only in the fish market or the seafood section of the grocery, or in tin cans; our children do not know the names of fish, which many now refuse to eat, in favor of sausages and noodles.

Thankfully, the National Historical Commission of the Philippines (NHCP) has done something critically important to fill this gap in our collective memory—by establishing a Museum of Philippine Maritime History (MPMH) that tells the story of our seafaring past. And it’s significant that this museum isn’t located in Manila, which would seem to be the logical first choice given Manila Bay and its port, but in Iloilo, which has also had a long and continuing affinity with the sea. Iloilo has historically supplied many if not most of the country’s seafarers to the global market. The city has a plethora of schools offering maritime courses, ensuring the continuity of talent.

I stumbled on the MPMH during a recent visit to Iloilo—among my favorite local destinations for all the obvious reasons (the food, the Esplanade, the heritage houses, the churches, the hospitality, the culture, and of course the people). The amazing boom it’s undergone over the past two decades under the sponsorship of former Sen. Frank Drilon and his local counterparts has dramatically transformed the city’s physical and economic landscape, but it hasn’t forgotten its past as it moves resolutely forward. 

Iloilo has long been known as the city of museums. Aside from the Museo Iloilo and any number of restored mansions, it now boasts the Museum of Philippine Economic History, which chronicles the city’s and region’s central role in sugar, shipping, and commerce; the Rosendo Mejica Museum, which celebrates Iloilo’s journalistic heritage (and I’m proud to say that my wife Beng descends from a Mejica); and the Iloilo Museum of Contemporary Art, which places Iloilo squarely in the center of cutting-edge art production.

The MPMH, which opened in January 2023 at what used to be the Old Customs House on Calle Loney and Aduana in City Proper behind Sunburst Park, walks the visitor through exhibits covering the past until the Spanish era, and the American period to modern times. One very informative section presents the variety of Philippine boats (biray, casco, vinta, batil, etc.); scale models bring some to life. Key figures in our maritime history such as Luis Yangco (1841-1907), who had a shipping empire and supported the revolution are introduced. Historical photographs, posters, and other artifacts provide vivid visual proof of how vital the maritime industry was to our economy and society. Another panel notes the many waterborne festivals we Filipinos hold throughout the country, such as the Pista ‘Y Dayat in Lingayen, Pangasinan every May, and the Bangkero Festival in Pagsanjan, Laguna every March.

It’s not a huge gallery, and one wishes there were even more artifacts on display to ponder, but in terms of curation and presentation, the MPMH can hold its own, given its present limitations, against other international museums of its kind, with crisp, clear graphics, well-chosen items, and useful and interesting detail. (I’ve had the privilege of visiting the National Maritime Museum at Greenwich in the UK and the Museo Naval in Madrid, so as global standards go, those two maritime giants would be tough to match.) The MPMH’s best come-on—which probably accounted for the hordes of students present when we came by—is that it’s absolutely free, although donations are welcome. That’s a great start, with the kids, toward recovering our memory of the sea.

Penman No. 465: Back to the Nineties

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Penman for Sunday, August 11, 2024

AMONG THIS year’s most interesting new books is one that’s neither a novel nor a political exposé, but a musical chronicle of a decade that many Filipinos now look back on with a certain nostalgia, albeit for different reasons—the 1990s.

Say “the Nineties,” and a range of responses will come to mind depending on how old you were then. For today’s seniors, the core of it was likely FVR’s infectious optimism over “Philippines 2000,” the relative stability we had gained after the anti-Cory coups and in anticipation of our centennial in 1998. For those younger but old enough to drink beer, it was the age of the Eraserheads, Clubb Dredd, the ‘70s Bistro, and Mayric’s, an explosion of OPM like we had seen back in the 1970s but with a harder and sharper edge.

It’s that latter scenario—set against the context of our transition from Cory to FVR to Erap—that’s captured in Susan Claire Agbayani’s landmark Tugtugan Pamorningan: The Philippine Music Scene 1990-1999 (University of the Philippines Press, 2024, part of the Philippine Writers Series of the UP Institute of Creative Writing). An indefatigable cultural journalist, publicist, and sometime concert producer (and also, I must proudly admit, my former student), Claire was among the very few writers who could have undertaken this job (Eric Caruncho, Jessica Zafra, and Pocholo Concepcion, all of whom she cites, would have been the others). 

Comprehensively, the book’s chapters cover bars and concerts, the music scene, personality profiles, duos and trios, pop/jazz/R&B/show bands, alternative/rock bands, the Eraserheads (yes, a chapter all to their own), Mr. and Mss. Saigon, and visiting acts, rounded out by a gallery of period pics.

As a compilation of pieces from Claire’s reportage at that time, the book revives not only the music but also the issues besetting the industry then, such as Sen. Tito Sotto’s wanting to ban the Eraserheads song “Alapaap” for supposedly promoting drug abuse. Priceless vignettes abound, such as that of Basil Valdez singing “Ama Namin” to composer George Canseco’s wife over the phone, three days before she died, and of Ely Buendia telling Nonoy Zuñiga that he had won a singing competition in school with the latter’s “Doon Lang.” We learn about Humanities teacher and all-around performer Edru Abraham’s Lebanese ancestry and how it connects him to world music.

The best scenes, I think, are the saddest ones, such as this piece on a jazz diva:

“She goes around greeting the waiters, then the manager. At last, she sits on a stool, and croons ‘Left Alone,’ the song after which the bar was named. She closes her eyes, closed them more tightly as a couple walks out in the middle of her song. The waiters laugh loudly in the background, occupied with their own concerns. Those who remain inside the bar talk not in whispers. No, they don’t know her. They don’t know Annie Brazil.”

But ultimately it’s the music, the sheer variety and vitality of it, that surges through, so innate to the Filipino and so necessary. If there were an Olympics for music, we’d make the podium in all the categories, and Tugtugan Pamorningan reminds us why. As the title implies, it’s a nightlong festival for us when the music starts. But like night itself, even the Nineties came to an end, with the 2000s bringing in MP3, iTunes, and Spotify, and somehow the smoky, small-bar intimacy that the previous decade connoted gave way to Taylor Swift mega-concerts that people actually flew out to instead of taking a taxi.

I contributed an afterword to the book, so here’s a bit more of what I had to say:

I was a bit too old by the time the ‘90s came along to experience it in the way Claire has so capably and faithfully chronicled in this book, but still young enough to imbibe its energy and its excesses. I was 36 in 1990, finishing my PhD in the States, and when I returned to Manila the following year after five years of being away, I found a radically different scene from the one I’d left just after EDSA. I had a lot to adjust to, and somehow San Miguel beer and the city’s new nightlife seemed to ease those pains, at least until the next morning. 

That was how, despite being too old to know the Eraserheads and their music, I managed to stumble once or twice into Club Dredd, Mayrics, the ‘70s Bistro, and a few other meccas mentioned here, but mostly just out of curiosity. I guess I was looking for something else, and found it on Timog Avenue with my partners-in-crime Charlson Ong and Arnold Azurin, finishing up with some coffee or a beer for the road at Sam’s Diner on Quezon Avenue at 3 am. I wasn’t even a Penguin person—I never thought of myself as being hip or cool—and I preferred hanging out with journos after work in that kebab place on Timog.

That was my life as a barfly—which was also how my newspaper column got that title—and its soundtrack consisted of Basia, Bryan Adams, and “Total Eclipse of the Heart.” I wasn’t much into bands—no one could beat the Beatles—and OPM for me meant APO and Louie Ocampo, whose songs were singable and could make me smile, which I needed a lot. It was a wild time, when I was smoking and drinking and messing around town in my white VW, courting disaster, until one day I found my way home and decided to stay there forever.

That makes the ‘90s sound like some kind of inferno, but now that I think about it, it was the last gasp of innocence before the 2000s and everything we associate with it—9/11, GMA and Erap, the Internet, the iPod, social media, K-pop, tokhang, Trump, the pandemic, the Marcos restoration, and AI—came in. There was a simple-mindedness even to our vices then; truth was truth, fake was fake, and it was easy to tell one from the other. It was rough and raw in many ways—even our 14.4K modems screeched like cats in heat when they connected—but we still got wide-eyed about the possibility of extra-terrestial menace in The X-Files, and we may even have believed that FVR’s “Philippines 2000” was going to be a better place even as we got worried sick over what Y2K would bring, so there remained a tender spot of credulity in us.

That’s all gone now, like Jacqui Magno’s voice, replaced by CGIs, deep fakes, and other synthetics produced by FaceMagic and ChatGPT. 

I can’t honestly say that I miss the ‘90s, and I feel much relieved to have survived them, but there’d be a huge hole in my life—and in the nation’s—if they didn’t happen. What’s in that hole is what’s in the music Claire writes about—and the music often gets it better than even we writers can.

Qwertyman No. 98: Panahon Not

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Qwertyman for Monday, June 17, 2024

WHOEVER URGED President Marcos Jr. to issue that memo mandating all government agencies and schools to sing the new “Bagong Pilipinas” hymn and recite the accompanying pledge at flag ceremonies should be banished to the farthest reaches of Malacañang, in the archives chronicling his predecessors’ most stupid mistakes.

PBBM was already riding a cresting wave of nationalism (bordering, let’s admit it, on Sinophobia for many) because of Chinese aggression in the West Philippine Sea and scandals related to offshore gambling operations run by Chinese in the country. He also earned grudging points from even his staunchest critics and detractors for seemingly being open to investigating the human rights excesses of his iron-fisted predecessor and sanctioning the arrest of one of that man’s most notorious cronies (an unsuccessful operation that Vice President Sara Duterte found the delicacy to deplore for its “excessive use of force,” which you never heard her say about her papa’s murderous tokhang campaign). 

Bongbong Marcos, in other words, was beginning to look and sound like what Rodrigo Duterte never could: a president with a grasp of the issues and a sensitivity to public opinion. Even former Associate Justice Antonio Carpio, a prominent figure in the opposition in 2022, praised BBM for the latter’s recent foreign policy speech in Singapore, where he cited the Treaty of Washington whereby Spain ceded Philippine territory beyond what was stipulated in the Treaty of Paris. “This finally corrects the greatest misconception in Philippine history,” said Carpio, a militant advocate of Philippine territorial rights, “a watershed moment in our fight to defend our island territories and maritime zones in the West Philippine Sea.” 

No, it didn’t mean that the old pre-EDSA issues were forgiven and forgotten, nor that new ones like the dubious Maharlika fund haven’t emerged over the first two years of his tenure, on top of his wanderlust. But BBM has had the good luck—if you can call it that—of inheriting Chinese expansionism and the Duterte legacy, and the good sense to get on the right side of these thorny concerns. 

Granted, there’s no real way to know if his deviation from Digong’s Sinophilia and trigger-happiness is sincere and not just a ploy to torpedo Inday Sara’s claim to succeeding him and install his own man. At this point, it doesn’t seem to matter much; so brazen has Chinese aggression been that even Duterte’s boys in the Senate have felt compelled to wear “West Philippine Sea” T-shirts, even as their lesser allies pose as “peaceniks” who somehow saw nothing wrong with the former president waging war on his own people.

So did BBM’s team—or BBM himself—think that this was the right time to reap some of that PR dividend, consolidate his gains, and foist the “Bagong Pilipinas” brand on the country through a new song and pledge?

The implicit rationale, we can understand. It’s a page right out of his dad’s New Society playbook: use music—indeed, use culture and education—to generate team spirit, or at least some semblance of it. That’s what anthems, hymns, and fight songs are for, from the American Civil War’s “Battle Hymn of the Republic” to the quintessentially English “Jerusalem” and the Nazi “Horst Wessel Lied.” Here in the Philippines, no martial-law morning was complete without the “Bagong Lipunan” (its real title was “Bagong Pagsilang”) song playing on the radio. 

To be fair (if it’s even possible to say that, given that the regime put me in prison for seven months in 1973), it was a catchy, well-written song, with a martial (what else) rhythm; that we still remember at least the tune five decades later attests to the success of its imprinting. It resurfaced on the airwaves shortly after BBM took office in 2022, reviving apprehensions of a New Society 2.0, but it seems to have been pulled shortly after, leading me to suspect that BBM, after all, wanted to be taken on his own and move away from his father’s shadow, which would have been the smart (if nearly impossible) thing to do.

But the imposition of this “Bagong Pilipinas” hymn and pledge again invites uncomfortable parallels and comparisons with what FM Sr. did—and I don’t mean just having the martial-law anthem composed and played, but everything else that came with the New Society: the corruption, the arrests and killings, the submission of our institutions to autocratic rule. 

If you don’t want to go there, let’s talk about just the “Bagong Pilipinas” song itself—have you even heard it? I’m not a music critic, but even I can tell that it’s barely singable, with an uneven tempo, with immemorable lyrics, the constant refrain of which is “Panahon na ng pagbabago” (“It’s time for change”), probably the tritest political message there ever was. You need a trained choir and a band capable of trumpet flourishes to render the piece effectively; I can be convinced that this will work only if I see and hear the President himself and his Cabinet singing the song from memory at the Malacañang flag ceremony (and let’s add the new Senate President, who has embraced the directive).

I don’t know how many millions went to the lyricist and composer of the song, who have mysteriously remained anonymous; clearly, they weren’t the late National Artists Levi Celerio and Felipe de Leon, who worked together on the “Bagong Lipunan” hymn. Perhaps BBM’s critics should be happy that they weren’t that good because, presidential mandate or not, this hymn and its equally problematic pledge seem fated to be ignored and forgotten for their sheer unusability, superfluity, and irrelevance.

PBBM should have been advised that at a time when the nation needs to pull together against a visible external threat, we need constancy, not change, not confusion over who and what we are. We need our one and only National Anthem more than ever, and the same Pledge of Allegiance we have been reciting since our childhood years. Panahon na? Panahon not.

Qwertyman No. 97: The City That Works

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Qwertyman for Monday, June 10, 2024

I WAS back last week in the city of Kaohsiung in Taiwan with a group of writers from the University of the Philippines Institute of Creative Writing, at the invitation of Dr. Eing Ming Wu of the Edu-Connect Southeast Asia Association, an education NGO seeking to establish stronger ties between Taiwanese universities and their counterparts south of Taiwan. We were there to meet with our literary and academic counterparts, but also to acquaint ourselves with contemporary Taiwanese society and culture. What we found along the way was a city and a government that works—a model we have much to learn from.

It was my second time in Kaohsiung and my sixth in Taiwan since my first visit in 2010, but those earlier sorties were either for tourism or for attending meetings and conferences, so we never really got to immerse ourselves in the place and its people. This time, Dr. Wu made sure that we went beyond casual handshakes and pleasantries with city and university officials to engage our hosts in in-depth conversations.

The first thing that usually strikes visitors about Taiwan is how modern it looks, especially when flying in through Taipei—the High Speed Rail (HSR), the wide roads, the skyscrapers (think Taipei 101, once the world’s tallest), the late-model cars. For quick comparisons, consider this: Taiwan’s population, at 24 million, is about a fifth of ours; in terms of land area, we are almost ten times larger; its nominal per capita GDP, however, is almost ten times larger than ours at US$35,000. Not surprisingly, Taiwan now ranks around 20th in the world in terms of its economic power.

That power came out of decades of dramatic transformation from an agricultural to a highly industrialized economy, starting with massive land reform and the adoption of policies that spurred export-driven growth. Industrialization itself went through key phases from the production of small, labor-intensive goods to heavy industry, electronics, software, and now AR/VR and AI tools and applications.

At a briefing at the Linhai Industrial Park by Dr. Paul Chung, a US-trained engineer who was one of the architects of this economic miracle, we learned how Taiwan built up the right environment for economic growth through such strategies as the creation of industrial parks (there are now 67 of them covering more than 32,000 hectares, with 13,000 companies employing 730,000 people and generating annual revenues of more than US$260 billion—almost eight times what all our OFWs contribute to the economy). The Taiwanese government has also implemented a one-stop-shop approach to investments, bringing together the approvals of many ministries and local governments under one roof.

Consistently, in modern times, the private sector has led the way forward, with the government acting as facilitator. This was much in evidence in Kaohsiung, Taiwan’s southern industrial hub that was, until relatively recently, a virtual cesspool, the prime exemplar of industrialization gone amuck. A strategic seaport, Kaohsiung grew out of the need to export Taiwanese sugar during the Japanese occupation (1895-1945); the sugar industry gave rise to railways that went far up north to Keelung and became the backbone of the country’s transport system. After the war, the Kuomintang who displaced the Japanese did little to improve things until a visionary mayor undertook reforms that cleaned up the place. Industry also achieved important synergies by adopting policies toward carbon neutrality and reducing waste—for example, one company’s blast furnace slag is being used to pave roads, and harmful carbon monoxide emissions have been rerouted as inputs to chemical companies.

Kaohsiung today is a city of 2.8 million people, a showcase of how runaway industrialization and urban blight can be reversed through good governance and political will. “People need responsible, responsive, and accountable government,” says Dr. Wu, a public-administration expert who worked for 15 years with five Kaohsiung mayors and who now serves as a visiting professor at UP’s National College of Public Administration and Governance (NCPAG). 

A longtime visitor to the Philippines, Dr. Wu has made it his personal mission to promote Philippine-Taiwanese people-to-people relations—a concept he calls “taiwanihan”—in the conviction that the two countries have much to learn from each other and form a natural geographical, economic, and cultural partnership. “We are each other’s closest neighbor,” Wu says. “Taipei is 96 minutes away by train from Kaohsiung, but Kaohsiung is only 90 minutes away by air from the Philippines.” 

Wu and his colleagues at NCPAG have been exploring the possibilities of developing a corridor of cooperation between Southern Taiwan and Northern Philippines, given their proximity. “We have the technology, you have the resources like biomass,” he adds, pointing out as well that taiwanihan doesn’t just mean a one-way relationship, but that the Philippines can also assist Taiwan with its growing needs, such as engineering talent and manpower. Some 8,000 Filipinos now work in Taiwanese factories, but Taiwan’s demand for highly skilled workers will only get higher as it moves into the next phase of its development, which will be heavily dependent on AI.

Artificial intelligence already takes care of many of Kaohsiung’s more mundane needs such as remote traffic monitoring and even the paid parking of vehicles, which has been outsourced by the government to a private entity. “We buy services, not things,” explains Dr. Wu. “The government provides the land for the parking, the private sector supplies the technology and the hardware. This is our version of public-private partnership: the government listens to the private sector, which can use the city as its lab.” 

E-governance and decentralization led us to an unusual sight: we visited City Hall on a weekday and saw very few people in the lobby, unlike its Philippine counterparts. That doesn’t mean that government is distant from the citizens, as a “1999” complaints center receives and fields calls online or in person, employing the disabled to man its booths. 

And even as AI has taken the forefront, it was abundantly clear that human intelligence and human priorities remained important. Good community governance, for one thing, was key to clean and peaceful neighborhoods (their village officials are appointed rather than elected, eliminating vote-buying). Their libraries alone show how and why the Taiwanese are succeeding: they not only have hundreds of thousands of books available to their citizens, but they have innovations such as the “Adopt-a-Book” program by which you borrow a book just based on a previous reader’s recommendation, and books in both Braille and regular text, so that sighted readers can read along with the blind and enjoy a story together. A city that goes that far to meet its people’s needs can’t fail.

Qwertyman No. 96: Not Filipino Enough

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Qwertyman for Monday, June 3, 2024

IN THE current feeding frenzy over Bamban, Tarlac Mayor Alice Guo’s allegedly questionable citizenship (to which I admittedly contributed with my tongue-in-cheek take two weeks ago), a consensus appears to have formed that Mayor Guo isn’t Filipino, or isn’t Filipino enough. All kinds of “tests” of “Filipino-ness” have come up online, things that every homegrown Pinoy is supposed to know: dinuguan, chismis, Dolphy, chaka, peks man, etc.

The ancient Hebrews had a word for this practice, by which they distinguished friend from foe: “shibboleth,” which supposedly couldn’t be pronounced correctly by the enemy, much like the myth that “Mickey Mouse” was the password American GIs used on D-Day, because it was something only Yanks understood.

We can understand how and why these exclusionary measures serve a purpose: to protect the community from external threat. At the same time, these cultural code words help define that community by establishing a common denominator (as common as can be—not George Washington or Alexander Hamilton, but Micky Mouse). Interestingly, they say as much about the excluders as the excluded.

The larger question that needs to be asked by truly inquiring minds is this: what does it really take or mean to be Filipino? Not just “a Filipino,” a matter of citizenship or legal personality provable with birth certificates and passports, but “Filipino” in a more personal, cultural, and even psychological sense.

When we challenge Mayor Guo’s identity—is she who she claims to be?—we imply that we know ours, and feel secure in that knowledge. We think that eating balut and pinakbet, dancing the tinikling and budots, listening to the Eraserheads and April Boy Regino, putting out an open palm ahead of us and bending when we cross a busy room, and counting on our hand from one to five starting with the pinky finger make us Pinoy—and of course they do; but are they enough?

Academics (and, let’s not forget, politicians) have long wrestled with this question, given how our extensive colonial history has effectively extinguished whatever the aboriginal pre-Filipino may have been in most of us. For better or for worse, the “Filipino” we speak of and identify as today is a fairly modern construct and, to my mind, still very much a work-in-progress, as is the Filipino nation itself.

One such academic view was provided by UP Assistant Professor Jay Yacat in the Philippine Journal of Psychology in 2005, where he wrote that “The label ‘Filipino’ functions as a social category. And as such, it is important to identify its boundaries. The meaningful boundaries define the loob/labas of the concept of Filipino. Identity as Filipino was found to have three relevant components: pinagmulan (socio-political component); kinalakhan (cultural component); and kamalayan (psychological component). This supports the position that national identity is more than a political identity. It is possible to think of national identity as three kinds of relationships: relationship with the state; relationship with culture; and relationship with self and others.…

“However, the more interesting finding is that individuals and groups place differing emphases on the three dimensions…. Another important implication is… the constructed-ness of our national identity. Our notion of being Filipino is negotiated and not fixed. This means that our definitions of being Filipino have the potential to be changed depending on a variety of factors: gender, ethnicity, age, political convictions, background, upbringing among others. True, this flexibility may bring about more confusion about our national identity but on a more positive note, this could also provide maneuverable spaces for marginalized groups to participate in a national context: Chinese-Filipinos, Amerasians and other biracials in the Philippines; naturalized citizens; indigenous peoples; and non-Christian groups….

“The analysis identified two kinds of Filipino-ness. This is based on the level of identity integration into one’s loob. A more integrated sense of Filipino identity is called ‘Pilipino sa puso.’ The individual who has not fully integrated this sense of being Filipino into the self is known as ‘Pilipino sa pangalan.’ Kamalayan (psychological sense) seems to be the primary determining factor of Filipino-ness.”

That’s a lot to digest, but my clearest takeaway—which we don’t really need a professor to tell us—is that Filipino-ness can be superficial or deeply felt and understood. The degree of that understanding—of who we are, where we came from, where we want to go, how to get there, and whom we need or want to make that journey with—may yet be the ultimate gauge of how Filipino we are. 

Another suggestion I’d like to make is that to be Filipino is to be inclusive, and therefore tolerant of other ethnicities, cultures, and beliefs. We’d never have survived this far if we weren’t so, despite the regionalism that seems ineradicable in our national politics. 

The Senate is right to continue probing Mayor Guo for her suspected ties to illegal gambling and human trafficking, and for the questions hovering over her citizenship. But Filipino-Chinese cultural advocate Teresita Ang See is also right to deplore the disturbing turn of the public mood into one of a witchhunt against the Chinese among us. 

Continuing Chinese provocations in the West Philippine Sea present a clear and present danger. The Guo allegations and suggestions of “sleepers” in the country are riding on those concerns to build up a hysteria that might ultimately divide rather than unify us. They deserve to be investigated, but without losing focus on the real enemy. I’ve seen some of the vicious feedback that Ang See has received for her sober warning; none of that vitriol makes her any less a Filipino than her attackers.

Indeed, the worst damage to our security and sense of nationhood isn’t being done by Chinese spies, but by Filipinos parroting the Chinese line or selling us the story that opposition to Chinese aggression is futile and that seeking international help against it will only bring on a war we can’t win. These are the real sleepers in our midst.

Qwertyman No. 93: A Century of Philippine Accountancy

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Qwertyman for Monday, May 13, 2024

IN MY long life as a professional writer—aside from being a fictionist, journalist, and academic—I’ve occasionally been asked to write books for both private and public institutions and individuals, usually to commemorate an important milestone. My clients have included banks, power and energy companies, accounting firms, NGOs, business tycoons, politicians, and thinkers. 

While it’s a job, it’s also been a great learning experience for me, particularly when I’ve had to deal with topics like oil exploration, steel manufacturing, and geothermal energy. I begin to understand how things really work in our economy and society, seeing the cogs and wheels that turn industry, create jobs, and produce things people need. I meet people I never would have run into otherwise, people with interesting stories to tell about themselves and their work.

Probably the most famous of those people was Washington SyCip, the legendary founder of SGV & Co., once one of Asia’s largest and most highly respected accounting firms, whose biography Wash: Only a Bookkeeper I wrote back in 2008. When people tell me how boring the lives of accountants must be, I tell them the story of Wash, who wasn’t just an academic prodigy who graduated summa cum laude from college at 17, but who also served as a US Army codebreaker in India in the Second World War. Granted, not many accountants lead lives as colorful as Wash’s, but to suggest that there’s no drama in accountancy is certainly mistaken. 

I discovered this in my latest (and very likely my last) commissioned book, A Century of Philippine Accountancy, which will be launched this week by the Philippine Institute of Certified Public Accountants (PICPA) Foundation. The book is a compendium of both big and small stories, an institutional history that also delves into the personal struggles and triumphs of key people in the industry.

The centennial book comes a bit late, because the Philippine accounting profession formally traces its beginning to March 17, 1923, when the Sixth Philippine Legislature passed Act No 3105, “An act regulating the practice of public accounting; creating a Board of Accountancy; providing for examination, for the granting of certificates and the registration of Certified Public Accountants; for the suspension or revocation of certificates and for other purposes.” Six years later, the PICPA was established within the private sector to represent professional interests.

Of course, some form of bookkeeping was being practiced in the Philippines long before that. Given the Philippines’ vigorous trade with other countries such as China even before Spain’s arrival in 1521, there must have been some early form of record-keeping maintained by both natives of the islands and their foreign trading partners. Accounting in early China was said to have reached a peak during the Western Zhou dynasty (1100-771 BC); the Chinese developed sophisticated methods of accounting to keep track of such basics as revenues, expenditures, salaries, and grain. In Spain, regulations began to be applied regarding the accountability of companies starting with Queen Juana and her son Emperor Charles V in the 1500s. Manila’s galleon trade with Mexico, which lasted from 1565 to 1815, required meticulous bookkeeping, and archival records still exist of the cargo manifests of the galleons; these records show, for example, that audits of the ships’ cargo revealed discrepancies in capacity that suggested smuggling (whereby space meant for such necessities as water was reduced to make way for profitable goods).

Since 1923, the profession has grown in the Philippines by leaps and bounds to nearly 200,000 registered CPAs, employed in over 8,000 firms and partnerships. Based on the number of Publicly Listed Companies (PLCs) they audit, six firms dominate the industry: SGV & Co. (Ernst & Young); Isla Lipana & Co. (PricewaterhouseCoopers Philippines); R.G. Manabat & Co. (KPMG Philippines); Reyes Tacandong & Co. (RSM Philippines); Punongbayan & Araullo (Grant Thornton Philippines); and Navarro Amper & Co. (Deloitte Philippines). In keeping with the times, many local firms have affiliated themselves with large global partners to avail themselves of the latest technology and expertise. (For a bit of trivia, the first Filipino CPA was Vicente F. Fabella, the founder of what is now Jose Rizal University.)

The profession is governed by the Board of Accountancy (BOA), which administers the CPA Licensure Exam at least once a year. The BOA in turn is supervised by the Professional Regulatory Commission, along with other professional boards. The BOA and PRC work closely with the Securities and Exchange Commission (SEC), which is responsible for ensuring the integrity of the country’s financial system and its institutions.

The 1997 Asian financial crisis highlighted the importance of quality assurance and adopting international financial reporting standards in accounting. With the help of the Asian Development Bank and the World Bank, the major players in the profession—PICPA, BOA, PRC, and SEC, among others—undertook studies to reform the industry, resulting in the Philippine Accountancy Act of 2004. The SEC also initiated an Oversight Assurance Review to extend and strengthen reforms further. What the book chronicles most significantly, according to former SEC Commissioner Antonieta Fortuna-Ibe, is the Filipino CPA’s rise to global respectability and prominence, because of the industry’s relentless efforts to raise its standards and to keep pace with the latest developments in financial technology. Ibe stood at the vanguard of many basic reforms in Philippine accountancy, and was behind the push for a book to mark their centenary.

The profession will need to adapt to the ever-changing financial landscape. As SGV’s Wilson Tan puts it, “While we have yet to see how new technologies such as the Metaverse and the integration of AI into work applications will impact the accounting profession, CPAs of the future will need to likewise evolve their skills and capabilities. Foundational changes will need to be made in the curriculum to integrate learning that encompasses non-financial reporting matters, use of technology, data, and analytics, and cybersecurity, among others.”

Personal integrity, as ever, lies at the bedrock of accountancy. The BIR’s Marissa Cabreros reminds everyone that “Every CPA being asked to sign a financial statement must give weight to the purpose of their signature. If it has your signature as a CPA, we expect that you reviewed and recorded that properly. But unfortunately, sometimes lapses happen and CPAs forget what they signed for. An accountant must always have the importance and value of her signature in her heart.” Wash SyCip could not have put it any better.

Accountants and other members of the public interested in getting a copy of the book can email Lolita Tang at lolitatang@yahoo.com for more information.

Qwertyman No. 91: 1968 Redux

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Qwertyman for Monday, April 29, 2024

A WAVE of pro-Palestinian protests has been sweeping American college campuses, prompting academic administrators and political leaders to push back and invoke their powers—including calling in the police—to curtail the demonstrations. 

House Speaker Mike Johnson—a Trump ally and staunch supporter of Israel—probably spoke for his ilk when he told protesting students at Columbia to “Go back to class! Stop wasting your parents’ money!” He also called on Columbia University president Minouche Shafik—an Oxford Economics PhD and English baroness who also happens to have been born in Alexandria, Egypt to Muslim parents—to resign for not moving strongly enough against antisemitism on the Columbia campus, despite Shafik’s controversial suspension of pro-Palestine student groups earlier and her resort to police action, resulting in mass arrests.

The protests and the violent response to them threw me back to 1968, when the world’s streets from Chicago to Paris shook from the boots of students and workers marching against the Vietnam War, for civil rights, and for women’s liberation. In the Philippines, student organizations such as the SCAUP and the newly formed SDK took up the same causes, on top of a resurgent nationalism. I was too young to have been part of these great movements then, although we marched in high school for “student power,” whatever that meant. I would get deeply involved as the decade turned, infected by the inescapable ferment in the air; in 1973 I would realize that protest had a price when I spent seven months in martial-law prison.

I’ve tried hard to think what it would be like to be 18 and a student today, what cause would drive me to the streets and to pitch a tent on the campus grass. While we Pinoys have our sympathies, Gaza seems too distant for us to mobilize for, and certainly we don’t lack for domestic issues to be bothered by, although our level of tolerance appears to have risen over time. In 1971, a 10-centavo increase in oil prices was enough for us to trigger the Diliman Commune; today we routinely wait for Tuesday’s inevitable announcement of gas price hikes and sigh.

Perhaps time and age do bring about shifts in perspective; some leftist firebrands of my youth have now become darlings of the right, and I myself have moved much closer to the center, ironically morphing from student activist to university official at the time of my retirement.

As that administrator—at a university where protesting is practically part of the curriculum—I can appreciate the bind Dr. Shafik now finds herself in, hemmed in from both left and right, with the complexity of her thinking and the brilliance of her own achievements reduced to a single issue: how to deal with students who won’t “go back to class and stop wasting their parents’ money,” as Speaker Johnson would have it, and will instead insist on their right to self-expression, whatever the cost. Aggressiveness, audacity, and even insolence will come with the territory. Persons in authority become natural targets of one’s rejection of things as they are; the preceding two generations are to be held immediately responsible for things gone wrong. 

I recalled a time when UP students barged into Quezon Hall to interrupt a meeting of the Board of Regents to plead their cause. Some furniture was scuffed, but the president sat down with the students and discussed their demands. No one left happy, of course, but what had to be said on both sides was said. At another meeting later, someone asked if the students involved should have been sanctioned for what they did. I had to butt in to pour cold water on that notion, knowing that any punitive action would just worsen the problem. Open doors, I said, don’t shut them; this is UP—that kind of protest is what makes us UP, and our kind of engaged response is also what makes us UP.

Some will say that these outbursts are but cyclical, and that young people never learn, in repeating what their now-jaded seniors did way back when. But then the State never learns either, by responding to student protests today the way they did back in 1968, with shields and truncheons, effectively affirming everything the young suspect about elderly authority.

The Israel-Hamas war—now magnified, through many lenses, into an Israeli war on Palestinians—is a particularly thorny issue for American academia and for a public habituated to looking at the Jewish people as biblical heroes and historical victims. Gaza has turned that perception around for many, with the aggrieved now seen as the aggressors. In my column two weeks ago, I agreed with that re-evaluation, although I was careful to take the middle road and to condemn the excesses—committed for whatever reason—on both sides. 

Not surprisingly, I quickly got blowback from both my pro-Israel and pro-Palestinian friends. War is always ugly, one said, and Israel has to do what it must to save itself; the Hamas attack on October 7 was overblown by propaganda, said another, and it was something that Israel had coming. 

I still accept neither extreme; call me naïve and even Pollyannish, but I stand not with Israel nor with Palestine, but for peace and justice, which are not exclusive to one side, and can only be achieved by both working and living together. You can argue all the politics and the history you want, but there is absolutely no humane rationalization for the rape of women, the murder of children, and yes, even the killing of innocent men—not even the prospect of potentially saving more lives, the very argument behind the incineration of 200,000 Japanese in Hiroshima and Nagasaki, an act of war we all benefited from, but cannot call guiltless.

In a conflict as brutal and as polarizing as this one, “middle” never quite cuts it, and the excess of one will always be justified by the excess of the other. (To complicate my ambivalence, some issues do seem to have no middle, like Ukraine.) There have been no mass protests or demonstrations to advance my kind of moderation, and I don’t expect students, whether in Columbia or UP, to take to the streets flashing “peace” signs. 

And in mentioning that, I think I’ve put a finger on one difference between 1968 and 2024: “peaceniks” were neither pro-Saigon nor pro-Hanoi, although her critics were quick to paint Jane Fonda red; they just wanted America out of a war that was none of its business. There was an innocence to that that seems to have been lost in our hyper-informed and over-analyzed century. We feel compelled to choose with passion and precision, and are defined by our choices, from politics to sneakers.