Category Archives: Education

Penman No. 467: Recovering Our Memory of the Sea

Posted on by
Reply

Penman for October 20, 2024

I’VE OFTEN remarked, in academic conferences, about the glaring absence of the sea in our mainstream and modern literature, beyond serving as a decorative backdrop or romantic element. I recently learned that this may not be so true of the native literatures of the Philippine South, for whose people the sea is their economic and cultural lifeblood, but for most of the rest of us, the only sea we’ll ever know is Boracay, or the Dolomite Beach.

That’s a sad thing when we consider that the Philippines—the world’s second largest archipelago after Indonesia—also has one of the world’s longest coastlines (over 36,000 kilometers), is rich in marine biodiversity, and can look back to a long, proud, and continuing seafaring tradition. Despite the alarming depletion of our marine resources due to overfishing and damage to marine ecosystems, we continue to rank high among the world’s fish producers; ironically, our fishermen are among our country’s poorest citizens. And for many decades now, the Philippines has sent out its seafarers to crew the ships of the world—over 550,000 of them last year, making up a fourth of all the world’s seaborne workers.

To go back even farther into the past, pre-Hispanic Filipinos built the balangay that helped populate Austronesia as well as the speedy warship, the caracoa; in Spanish times our ancestors built the galleons that crossed the oceans. In Moby Dick, Herman Melville referred to Filipinos aboard the whalers as “Manila men.”

Behind these figures runs a compelling human and social drama, but it’s a story largely unknown and untold to our own people, and what little we know is fading even faster as more of us leave our islands for the big cities, slowly but surely losing our personal connections to the sea. We encounter sea life only in the fish market or the seafood section of the grocery, or in tin cans; our children do not know the names of fish, which many now refuse to eat, in favor of sausages and noodles.

Thankfully, the National Historical Commission of the Philippines (NHCP) has done something critically important to fill this gap in our collective memory—by establishing a Museum of Philippine Maritime History (MPMH) that tells the story of our seafaring past. And it’s significant that this museum isn’t located in Manila, which would seem to be the logical first choice given Manila Bay and its port, but in Iloilo, which has also had a long and continuing affinity with the sea. Iloilo has historically supplied many if not most of the country’s seafarers to the global market. The city has a plethora of schools offering maritime courses, ensuring the continuity of talent.

I stumbled on the MPMH during a recent visit to Iloilo—among my favorite local destinations for all the obvious reasons (the food, the Esplanade, the heritage houses, the churches, the hospitality, the culture, and of course the people). The amazing boom it’s undergone over the past two decades under the sponsorship of former Sen. Frank Drilon and his local counterparts has dramatically transformed the city’s physical and economic landscape, but it hasn’t forgotten its past as it moves resolutely forward. 

Iloilo has long been known as the city of museums. Aside from the Museo Iloilo and any number of restored mansions, it now boasts the Museum of Philippine Economic History, which chronicles the city’s and region’s central role in sugar, shipping, and commerce; the Rosendo Mejica Museum, which celebrates Iloilo’s journalistic heritage (and I’m proud to say that my wife Beng descends from a Mejica); and the Iloilo Museum of Contemporary Art, which places Iloilo squarely in the center of cutting-edge art production.

The MPMH, which opened in January 2023 at what used to be the Old Customs House on Calle Loney and Aduana in City Proper behind Sunburst Park, walks the visitor through exhibits covering the past until the Spanish era, and the American period to modern times. One very informative section presents the variety of Philippine boats (biray, casco, vinta, batil, etc.); scale models bring some to life. Key figures in our maritime history such as Luis Yangco (1841-1907), who had a shipping empire and supported the revolution are introduced. Historical photographs, posters, and other artifacts provide vivid visual proof of how vital the maritime industry was to our economy and society. Another panel notes the many waterborne festivals we Filipinos hold throughout the country, such as the Pista ‘Y Dayat in Lingayen, Pangasinan every May, and the Bangkero Festival in Pagsanjan, Laguna every March.

It’s not a huge gallery, and one wishes there were even more artifacts on display to ponder, but in terms of curation and presentation, the MPMH can hold its own, given its present limitations, against other international museums of its kind, with crisp, clear graphics, well-chosen items, and useful and interesting detail. (I’ve had the privilege of visiting the National Maritime Museum at Greenwich in the UK and the Museo Naval in Madrid, so as global standards go, those two maritime giants would be tough to match.) The MPMH’s best come-on—which probably accounted for the hordes of students present when we came by—is that it’s absolutely free, although donations are welcome. That’s a great start, with the kids, toward recovering our memory of the sea.

Qwertyman No. 115: Why I Teach

Posted on by
1

Qwertyman for Monday, October 14, 2024

LAST OCTOBER 5, we marked World Teachers Day—not one of our most popular or noisiest holidays (it isn’t even an official one), but one that gives us pause to remember some of the most important people in our young lives. I taught for 35 years before I retired in 2019, and I still teach one writing subject every semester as professor emeritus, so I suppose I wanted to be that “VIP” in someone’s life. 

When we teach writing—and not even creative writing, but composition—to freshmen, we take young people by the hand and help them make sense out of their lives and their ideas, such as they are. The term “composition” applies as much to the writer as to the text: one composes oneself, drawing out the essentials and leaving out the dross. Creative writing pushes that process one step farther, by turning to the imagination instead of one’s limited experience for material and insight. 

The creative writing teacher’s task is not only to encourage but also to guide and to train that imagination, sparing the student from having to reinvent the wheel but affording him or her the thrill of self-discovery. 

It’s an inarguably fine and noble mission. On the other hand, and in economic terms, the teaching of creative writing is brutally inefficient. In a typical workshop class of 20 people, an instructor would be fortunate to find two or three with real talent—an aptitude for language, a maturity of insight, a stylistic flair. Among those, far fewer will have the discipline and perseverance to write and write well for life.

So why should we even persist, or expend public funds to produce boatloads of people who will probably never write the kind of line you will mumble in your half-sleep, or will cry out to the heavens in your most painful or most euphoric moment?

For one, because producing good creative writers is like mining for precious stones, where a ton of ore might have to be torn out of the earth and sifted through to produce one small jewel-grade rock, which has yet to be cut and shaped by expert hands. 

We must also persist in teaching creative writing because the production of new literature reinvigorates and replenishes our imagination as a people, our imagination of ourselves. It is that imagination, however dark, that gives us hope and makes reality endurable. The truth of numbers—of GDP and ROI and per capita income and population growth rates—is important (I’ve often remarked what a terribly innumerate society we are); but it is a limited and even sometimes deceptive truth that barely begins to tell our story. History does this, but without much latitude for pure conjecture. As in painting and the other arts, creative writers have often simply done, and done first, what critics and theorists would later describe and systematize. Creative writing is a breath of intuition caught on paper.

But I also teach creative writing in the conviction that every student—no matter the person’s background—has at least one good story to tell, and that it is our task as teachers to release that story. Most of my students may come to my classes merely to pass the time, or fulfill a requirement, or satisfy a craving for some critical attention; many may never write another story in their lives. But I want them to come out appreciating and respecting the liberative and ameliorative power of art—which is a fancy way of saying that, for those of us who will never be mistaken on the street for Brad Pitt or Superman, here we can be and do anything, for as long as we make artistic sense.

As K. Patricia Cross, professor emerita of higher education at Berkeley, reminds us, “The task of the excellent teacher is to stimulate ‘apparently ordinary’ people to unusual effort. The tough problem is not in identifying winners: it is in making winners out of ordinary people.”

Anyone can write anything, but not everyone can be a writer. By the same token, not every writer can be a teacher. People who have no problems stringing seamless paragraphs of compound-complex sentences can’t give a lecture or an exercise worth an ATM receipt. It takes a different sensibility—and, yes, another set of talents (or what I call a whole bunch of P’s—preparation, perseverance, patience, and passion)—to teach well and to endure in the classroom.

I feel passionate about teaching in UP and in this country, and in giving back to them, through my students, what they have given me. But teaching is not a word I often say in the same breath as love. I cannot honestly say that I love teaching, in the sense of wanting to do it for most of my waking hours, or missing it terribly when I’m doing something else. Teaching is one of the most exhausting jobs you can get. The job doesn’t begin or end in the classroom; it just happens there.

Every time I step into a classroom, I pause at the doorway to expel a deep sigh and collect my thoughts, wondering if I have enough to sustain a 90-minute performance. As the American novelist Gail Godwin famously said, “Good teaching is one-fourth preparation and three-fourths theatre.” Indeed I spend the last ten minutes before class writing a script in my head: I will say this; I will do this; I will bring these props and use them at some point; I will ignite an argument; I will leave them with a question that will buzz in their ears for a week. Even bad stories can be turned to great lessons; where’s the teaching point? How can I say it without crushing or diminishing the person? 

It doesn’t always work—sometimes I simply collapse into my chair and count away the minutes—but we all attempt some variation of this drill. Basically, we are saying: I will do my best to make this day worth their time and mine. It’s what they expect; it’s what I promised.

It is not love but duty that drives me to teach—although duty, perhaps, can also be a form of love; a love not of the thing itself but of some larger principle. That principle to me is service—service to country, people, university, and service to the great and truly free republic of the imagination.

“How do you know that what you’re doing matters?” I was asked once. “How can you tell if you’re making a difference?” My answer was, I don’t know, I can’t tell. But for a teacher, the only distinguished achievement that counts is the quality of one’s students. You are distinguished by their achievement, and in this sense, I have been distinguished aplenty.

Qwertyman No. 113: My Lessons from Martial Law

Posted on by
Reply

Qwertyman for Monday, September 30, 2024

I WAS recently invited by a student organization at the University of the Philippines to speak to them about my martial-law experience, given that I had been a student activist in UP during what we called the First Quarter Storm, had been imprisoned, and had, against all odds, survived into a reasonably comfortable old age. It occurred to me, as I entered the SOLAIR building in Diliman where the event was going to be held, that I had last stepped into that place as a 17-year-old activist back in 1971 (that’s me in the picture, second from right, in that building). What had I learned since then? Here are some points I raised with my young audience:

1. We were always in the minority. Even at the height of student activism in UP and in other universities, those of us whom you might call truly militant or at least progressive were far smaller in numbers than the majority who dutifully went on with their studies and their lives and saw us as little more than a rowdy, noisy bunch of troublemakers. And the fact is, we were still in the minority in 2022, which is why Leni lost (yes, even in Barangay UP Campus). This bears emphasizing and thinking about, because sometimes we fall into the trap of believing that since we think we’re so right, surely others must think the same way. Which brings us to my next point.

2. We have to learn to communicate with other people with different views. The phrase “echo chamber” often came up in the last election, and with 2025 looming, it’s even more vital that we master modern propaganda as well as the other side does. This means sharper and more effective messaging. Enough of those two-page, single-spaced manifestoes written in the Marxist jargon of the 1970s and 1980s and ending with a string of slogans. Learn how to fight the meme war, how to navigate and employ Tiktok, Twitter/X, Facebook, Instagram, Youtube, and all the arenas now open in digital space.

3. When talking about martial law, don’t just dwell on it as the horror movie that it was for some of us. True, many thousands of people were killed, tortured, raped, imprisoned, and harassed. True, the trauma of that experience has lasted a lifetime for those involved. But most Filipinos never went through that experience, adjusting quickly to the new authoritarianism; many even look back to that period with nostalgic longing. That’s proof of martial law’s more widespread and insidious damage—the capture of the passive mind, and its acceptance or denial of the massive scale of theft and State terror taking place behind the scenes. Martial law imprisoned our minds.

3. People change; you could, too. One pointed question I was asked at the forum was, “Why is it that some very prominent student activists turned their backs on the movement and went over to the dark side?” It’s true—many of the shrillest Red-taggers we’ve seen these past few years were reportedly once high-ranking Reds themselves. So why the 180-degree turn? Well, it’s perfectly human, I said, trying to be as kind as I could, despite being at the receiving end of some of that calumny. People can hardly be expected to stay the same after twenty or forty years. Even if many if not most of my generation of activists have remained steadfast in our quest of the truth, freedom, and justice, one’s definition of exactly what is true, free, and just can change. Some people change their stripes out of conviction; some others do it for the oldest of reasons—money and power, or sheer survival. I’m saddened but no longer surprised by brazen betrayal. I learned from martial-law prison that people have breaking points, and some thresholds are much lower than others. 

4. We have to admit we were wrong about some things. This will vary from person to person, and there’s a line that could even constitute the “betrayal” I mentioned above. Some fellow activists will probably disagree with me on one of these key points: armed struggle didn’t work, and it won’t, not in the Philippines nor anytime soon. However we feel about the subject, the fact is, one armed Filipino revolutionary force or other has been at it for more than 80 years now—“the world’s longest running insurgency” as it’s often been referred to—with little gain to show for it. I don’t mean to denigrate the noble and heroic sacrifice of the thousands who gave up their lives fighting what they believed was a brutal dictatorship—many were personal friends—but how many more lives will it take to prove the efficacy of revolutionary violence, one way or another?

5. That leads me to the last point I made to my young listeners: live, don’t die, for your country. We can and will die for it if we absolutely have to (especially us seniors who have little more to lose), but today’s youth have options we never did. In the 1970s, if you were young, idealistic, politically aware, and daring if not brave, you could not but conclude that something was terribly wrong with Philippine society, and that change was badly and urgently needed. You chose between reform and revolution—and it was only a matter of time before you became convinced that the latter was the only way forward. 

Agreed, the basic problems of Philippine society may not have changed much—but one’s ways and means of addressing them have. The growth of civil society—the proliferation of NGOs covering a broad range of causes and concerns—offers practical, focused, peaceful, and professional alternatives to young people seeking social and economic change. One need not embrace the burdens of the entire nation, only to feel inadequate or ineffectual; one can do much if not enough by improving the lives of families and communities. Beyond feeling sorry or guilty for those who fought and died as martyrs, do what you can as a living, intelligent, and capable citizen to create a better Filipino future to the best of your ability.

If this sounds like the voice of a tired old man, it is. I’m tired of death and despair; I choose to fight for life and hope. 

Qwertyman No. 108: The Owl and the Parrot

Posted on by
Reply

Qwertyman for Monday, August 26, 2024

The Owl and the Pussy-Cat went to sea

In a beautiful pea-green boat.

They took some honey, and plenty of money

Wrapped up in a five-pound note.

WHO’S THE English-educated Pinoy of my generation who doesn’t remember this verse by Edward Lear, a so-called “nonsense” poem which we happily recited even if, as expected, it made no sense? It had animals who had fun doing outrageously improbable things together, and we were so caught up in the magic of a pig who sells his nose-ring so the owl and pussycat could get married by a turkey that we even believed a word like “runcible” existed, even if it didn’t, at least not before the poem. After the poem—and because of the poem, first published in 1871—“runcible spoon” entered the English dictionary as “a sharp-edged fork with three broad curved prongs.” That’s why MS Word no longer flagged “runcible” as a misspelling as I typed it on my computer a few minutes ago.

That’s the power of true literature, something that gets beneath your skin and deep into your subconscious imagination, more effectively than reason or logic can, so that it becomes more real and more credible than reality itself. There’s a disarming honesty to nonsense poetry that doesn’t pretend to be anything else but. (Of course, given how students of literature have to sound deathly scholarly to earn or deserve their PhDs, a lot more nonsense has been written and published in ponderous journals about what “The Owl and the Pussy-Cat” really, really means.) 

As adult readers or reciters, we can all just enjoy the image of the owl and the pussycat dancing “by the light of the moon,” and think about how good that would be to do with our owl, our pussycat, so why can’t or don’t we? We’re amused but wistful at the same time, and that’s a complex emotion—wistfulness or “regretful longing” especially cuts backward through time and experience to make spot valuations, mostly about losses.

But let’s get back to the fun part—or maybe not so fun. 

Last week, it came to our attention that our multi-talented Vice President Sara Duterte—fresh out of her role as the “mother of Philippine education”—is apparently also an author of children’s books, having come out with one titled Isang Kaibigan (A Friend). We should all be happy when our political leaders turn to writing (presumably without the aid of a ghost writer), because it offers proof that (1) they actually think; (2) they still know their subjects, predicates, and objects, and therefore understand that people commit acts that lead to consequences; and (3) they know they won’t be in power forever, and want to be remembered in a good way for a long time.

That said, it’s a pity that most politician-authors throw away their chance at real greatness (in literature, if not in politics) by churning out some commissioned biography inflating or embellishing his or her accomplishments while leaving out the tricky ((and truly interesting) stuff. Good business for peons like me, but usually so poorly done as to be forgettable, the worst fate a book can suffer. If you think of pole vaulting, the bar was set highest at 7 meters by Winston Churchill, who became both Prime Minister and Nobel Prize winner for Literature (yes, literature). At around 5.5 meters we have genuinely talented fellows like Jeffrey (now Baron) Archer, the colorful Conservative MP who wrote popular novels, one of which sold 34 million copies (out of 320 million total for his entire oeuvre). Most others can barely hop over the bar at one meter. 

Enter VP Sara, whose maiden venture, a 16-page book, reportedly touts the virtues of friendship among people in dire straits. While it makes me wonder why the VP’s thoughts are drifting in this direction, it’s surely a worthwhile message, given all the unfriendliness in Philippine politics—even in the Philippine Senate. 

That’s where VP Sara went to ask for a P2-billion budget for her office, including a paltry item of P10 million for the printing and distribution of 200,000 copies of her book. Rather reasonably, Sen. Risa Hontiveros asked the VP what her book was about, prompting this strangely tart reply:

“This is an example of politicizing the budget hearing through the questions of a senator. Her problem is, my name is listed in the book. And we will be giving that book to the children. And those children have parents who will be voting. And my name will be spread wherever the book is given.”

I became even more curious about what was in the book, so I went online and discovered that it was the story of an owl whose nest is destroyed by a typhoon and who then finds refuge with a friendly parrot. So, okay, maybe it won’t win any PBBY book prizes for writing for children. And I’m afraid to say that with answers like that, Author Sara won’t fare too well in the writers’ workshops, where the panelists are far nastier than Sen. Risa.

But Isang Kaibigan establishes an important point, right? Friendships are important; friendships can save you; what you do for a friend in need today will be remembered tomorrow. (Never mind what the naughty wags will say about the VP being left out in a political storm—who will offer succor? Who will prove her true friends while she rebuilds her house toward 2028?) And where more pretentious authors typically load their “About the Author” pages with cloying lists of “awards won” and annoying cliches like “He divides his time between Bacolod and Berlin,” VP Sara keeps it simple and gets straight to the point: “Isa siyang kaibigan.” She’s a friend!

So what’s not to like? Well, maybe the P10 million bill, which lesser writers like me can only be envious of, having to wait years to watch our print run of 1,000 copies vanish book by painful book. VP Sara’s 200,000 guaranteed sales will surely break bestseller records, and we can gnash our teeth all we want but it still won’t answer our question, “How to be you?”

I don’t know how many millions of pounds Sir Winnie asked for and got from His Majesty’s government to print and distribute his books during the war, but it must have been a lot and the Brits must have read all of them because they certainly came through with just their blood, tears, and sweat. Sometimes, some honey and plenty of money is all an author needs to shine and be happy.

Qwertyman No. 104: The Knowing Is in the Living

Posted on by
Reply

Qwertyman for Monday, July 29, 2024

(This is the full text of the shortened version published in my column for today of my commencement address to the graduating class of the University of the Philippines Diliman Extension Program in Olongapo and Pampanga on July 26, 2024.)

A VERY pleasant afternoon, and my warmest congratulations first of all to our graduates and their parents today. Thank you for inviting me to come over today to share some of this old man’s thoughts with you.

I have given commencement speeches at UP graduations before—twice at UP Baguio, once at the UPD College of Science, and then at UPM’s College of Medicine—so you would think that I would take this assignment in stride and just repeat what I told the others, but no. 

This is probably the smallest and most intimate of all UP graduations I have attended, for which reason I thought I would do something different, something special, and write something new, this short talk I’ve titled “The Knowing Is in the Living.”

Now, as nice as our young graduates are, they’re probably thinking, “Oh, no, they invited another of those tiresome old Boomers who’ll be telling us things that we already have coming out of our ears. Things like, how hard and difficult life was for them, walking to school in the sun or taking notes by hand and we have it easy, so we should stop bitching about slow wi-fi and weak aircon and toughen up. 

“He’ll talk about how socially aware and politically committed they were, how they cut classes to march in the streets and fight the dictatorship, going underground, getting caught and tortured in martial-law prison while watching friends die in heroic battles with fascist forces—while we argue about the characters in House of the Dragon over cappuccino at Starbucks. 

“He’ll wax nostalgic about fountain pens and typewriters, index cards and pencil sharpeners, about inhaling the dust in the library stacks and paying fines for overdue books, while we’ve become overly dependent on Google and that new monster, AI, which can do in seconds what took him weeks to produce. He’ll talk about integrity like he invented the word, about refusing to compromise no matter what. 

“He’ll tell us to learn to live in monastic simplicity, in denial of today’s comforts and conveniences and the allure of the coming iPhone 16. In other words, he’ll do his best to make us feel like we were born in the wrong decade, that we missed out on the great defining and character-building struggles of the past—World War II, martial law, EDSA (and no, Covid doesn’t count)—and that we’re lost souls floating in some kind of existential limbo, with little substance and without purpose.”

Well—did I tell you any of that? Do I look like the kind of commencement speaker who would inflict his wisdom—otherwise known as pain and anguish—on his captive audience for the next half-hour, in revenge for all the predictable and long-winded speeches he himself had to listen to all his life?

Before you smile too broadly, let me remind you that I’m still in command of this podium and could do just that, just for the fun of it—but I probably won’t. And I won’t, because the opportunity is just too great and too inviting to be different, to say something you will actually remember and maybe even cherish for the rest of your life.

Ordinarily, on an occasion like this, I would have spoken to you about the topics I usually take up in my columns for the Star—about how important it is to match intelligence with values, about the need to seek out the truth in this age of fake news and AI, about how deftly but resolutely we should navigate the murky political waters ahead of us; in other words, about how we must develop a strong and clear moral core, whatever profession we choose, and live for the good of others.

But again that’s the kind of message that AI itself could have written, fed with the prompt “Write me a graduation speech for the University of the Philippines.”

I will trust that you already know these things. I will not speak about your degrees and what they will mean to the nation, which surely will be substantial. I will not even say how important UP is to the Filipino people; you already knew that when you took the UPCAT, which was why you took the UPCAT.

Instead, today I will talk to you about time—yes, that fourth dimension which, according to science and philosophy, is really a function or a measure of change. Without change, there is no time. 

Why time? Because it’s been on my mind a lot lately. Last January, I celebrated my 70th birthday and my 50thwedding anniversary with my wife June. I was deeply grateful for those milestones, which I honestly never expected to reach, having been a young activist who went to martial-law prison and who saw many of his friends die too soon. So for me, anything beyond 20 was what you would call in music a “grace note,” an unexpected bonus that has just kept on giving and giving. 

To be sure, it hasn’t always been an easy life, and I won’t bother you with the details, but I can tell you what a huge surprise and relief it is to be here, alive and reasonably well, at 70. I am now older than my professors were when I was your age, and the reversal is both fascinating and, for you on the other end of it now, a mystery yet to be written.

For most of us, life has a fairly predictable plot, and it goes this way:

In your twenties you will want to know who you are, what you stand for. You will choose a course and a profession, get a job, dress up like an adult.

In your thirties you will think more seriously about companionship, maybe marriage, maybe children. You will want your heart to make up its dizzy mind, and settle on someone, or get used to being alone.

In your forties you will fret about finances, your position in your company, maybe have an affair, lose your faith, and then again if you’re lucky maybe gain everything back.

In your fifties you will be expert at many things, sit on boards and manage this and that. You will begin to think about words like “stability,” “reputation,” and “legacy.”

In your sixties your steps will become shorter and slower, and you will want comfort most of all—a soft bed, an easy chair, good food and wine—and indulge your bucket list.

In your seventies and eighties, you will just want and fight to be alive.

In your nineties, with most of your friends gone, and with your eyesight and hearing going, you may well just want to be dead.

That’s the basic plot—but like time itself, it’s not a fixed one. Time is strangely flexible.

In my writing classes, I often say that a well-written story, even if it’s twenty pages long, feels like it ended too swiftly, but a badly written one, no matter how short, feels like forever. And we all know but don’t understand why happiness always seems to be fleeting, while grief and pain endure. That’s how time is bent by whatever we fill it up with—how it holds meaning, or loses it.

How will you fill up that space with change, and make your time worthwhile? What kind of story will your life be? 


As one of my book titles go, “The Knowing Is in the Writing.” By this I mean that we writers think that we know our characters from the beginning—but in fact, we only really know them as we write about them, and subject them to the kind of intense pressure that life will bring to bear on each one of you.

Let’s say, for example, that Tony is a young lawyer, smart and idealistic, determined to seek justice and freedom for his people, destined for professional success. He works for an NGO for not much money. He is engaged to Marie, a PGH nurse who’s also supporting her family, and who has been offered a job in the UK. Tony doesn’t want Marie to go, because she will be away for many years and he wants them to marry, but he can’t support them both and their families as well on his salary. Tony is then recruited by a big real estate firm to work in its legal division, where he will help in the removal of squatters from company property and the conversion of farms into subdivisions. What will Tony do?

How well do we know Tony, until he actually makes a moral choice that could possibly run against the character we thought we knew?

In fiction and in playwriting, I often point out to my students that characters become most interesting when they go out of character—not whimsically, but out of dramatic necessity and inevitability, the kind of tortured inner logic that drives us to do things we never thought we could, in our imagination of ourselves as good people: to lie, to cheat, to steal, to support extrajudicial killing, to laugh at rape jokes, and to think that someone who habitually lies and brings out the worst in people can be fit to be president. But conversely, that turn of character can also lead us to perform amazing acts of nobility and charity, of heroism.

In your case, the knowing will be in the living. You think you know yourself today, what you want, where you want to go, and how to get there—and it’s important that even now, you have this game plan and this compass to lead you forward. But you will never know and discover your true self until your most vulnerable moment, at which your soul will be revealed in utter transparency. 

For some of us, the sad truth is that life will be short. But that’s no reason to say it will be worth little, because you can still make it meaningful and memorable. Remember Achilles, who in the Iliad was given a choice of living a short but glorious life, as opposed to a long but boring one; he chose the former, and thereby became a legend. And there was the brilliant modernist writer Djuna Barnes, who lived to be 90. Taking off from that famous quotation from Thomas Hobbes, she said that “For others, life can be nasty, brutish, and short. For me, it has simply been nasty and brutish.”

But again, how your lives turn out will be your story to write, although you will have many co-authors, including the Divine. Some say life is predestined, which would make for bad fiction; I prefer to believe in at least the illusion of free will, of human agency, because then we and our fictional characters have moral responsibility; and in such stories of inner struggle, there will be lessons to be learned, like the Greeks learned from the plays they watched over and over again.

Life will be a challenge, as soon as you step out of this campus into the world at large. But what I can tell you is that, with grit and a little luck, you will survive. To do that, you may have to learn to forgive yourself for your mistakes, to change your mind, and to compromise if you must, because the ideal you will always be a work in progress. Whoever sits in Malacañang or the White House, you can still find ways to serve the people, for which you will and must survive. We survived martial law; you survived the pandemic. Surely we can give purpose to our good fortune. In my case, I have found that purpose in my writing, in my search for truth and beauty, and in my more modest and focused commitments to my family and community. 

So, again, how shall we fill up the time ahead of us? Of course we’re running on different clocks or even calendars. If your life is at brunch, mine has just been called to dinner. I don’t know about you, but I will have that dinner with my wife on the beach, with a glass of wine, imagining what it must be like over the deepening horizon.

That horizon will always be ahead of us. We think we are forging ahead into the future, but in fact, with every breath we take, we are becoming part of the past, of what happened, of what was. When I hold and look at the silly old things I collect—three-hundred year-old books, and old fountain pens and typewriters from when Jose Rizal was still alive—I am comforted by the certainty that the past survives in artifacts and memories, so that it is important that we leave images and signatures that will bring smiles to those who see them.

There is an afterlife. In the very least, it is the life of those we leave behind. You will now be part of my afterlife. Through this speech, through my words, I will live in you.

Let me end with a quote from a favorite source—me—and share something that I have said to every UP graduating class I have been honored to address:

To be a UP student, faculty member, and alumnus is to be burdened but also ennobled by a unique mission—not just the mission of serving the people, which is in itself not unique, and which is also reflected, for example, in the Atenean concept of being a “man for others.” Rather, to my mind, our mission is to lead and to be led by reason—by independent, scientific, and secular reason, rather than by politicians, priests, shamans, bankers, or generals. 

You are UP because you can think and speak for yourselves, by your own wits and on your own two feet, and you can do so no matter what the rest of the people in the room may be thinking. You are UP because no one can tell you to shut up, if you have something sensible and vital to say. You are UP because you dread not the poverty of material comforts but the poverty of the mind. And you are UP because you care about something as abstract and sometimes as treacherous as the idea of “nation”, even if it kills you.

Sometimes, long after UP, we forget these things and become just like everybody else; I certainly have. Even so, I suspect that that forgetfulness is laced with guilt—the guilt of knowing that you were, and could yet become, somebody better. And you cannot even argue that you did not know, because today, I just told you so.

Qwertyman No. 102: Retaining the Fools

Posted on by
Reply

Qwertyman for Monday, July 15, 2024

A RECENT Rappler report on “The Philippine Senate: From statesmen to showmen” by James Patrick Cruz told us much of what we already knew, but didn’t have the exact numbers for—that political families dominate that institution, that most of them come from the big cities, that most of them are men, that older senators (above 50) outnumber young ones, and that many come from the glitzy world of entertainment and media.

Surprisingly (and why am I even using this word?), most senators are highly educated and even have advanced degrees, mostly in law. However, the study says, “the high educational background of senators has not produced ‘evidence-based policymaking.’…  Some lawmakers, for example, have used the Bible to argue against the reproductive health law in a secular setting and have relied on personal experiences in discussions on divorce.”

And not surprisingly, the academics consulted for the study concluded that “If you want better policy, we should go for better inclusion, better representation, and not just be dominated by political families.” Indeed, from the very beginning, it notes that “Political analysts have observed a decline in the quality of the Philippine Senate over the years. The shift from a chamber filled with statesmen to one dominated by entertainers and political dynasties has become evident.”

And then again we already knew all that. What the Rappler study does is provide a historical overview—quantitatively and qualitatively—of how the Philippine Senate has morphed as an institution over the decades, reflecting changes in the electorate and in Philippine society itself. It opens with resonant passages from the speeches of political leaders from a time when the word “senator” bestowed an aura of respectability and consequence upon its bearer. 

It quotes the luminous Jose W. Diokno: “There is one dream that we all Filipinos share: that our children may have a better life than we have had. To make this country, our country, a nation for our children.” Sen. Jovito R. Salonga, another legendary figure and war hero, follows with “Independence, like freedom, is never granted. It is always asserted and affirmed. Its defense is an everyday endeavor—sometimes in the field of battle, oftentimes in the contest of conflicting wills and ideas. It is a daily struggle that may never end—for as long as we live.”

It’s entirely possible—and why not?—that this kind of elevated prose can be uttered today by a senator or congressman backed up by a capable speechwriter, if not AI. The question is, will they be believed? Will the words ring true coming out of their speaker’s mouth—especially if that speaker were one of today’s, shall we say, non-traditional senators, reared more in showbiz and social media than in Demosthenes? 

“Non-traditional” applies as well to political families, which notion we can expand beyond DNA matches to communities of convenience, of shared geographical, economic, and cultural origins—the entertainers, the media stars, business moguls, the Davao boys, and so on. (There’s probably no better guide to how traditional families have ruled the Philippines than An Anarchy of Families: State and Family in the Philippines, edited by Alfred W. McCoy and published by the University of Wisconsin Press in 2009.)

It might also be that the problem lies not so much or not only in the dynastic nature of Philippine politics, as in the fact that the quality of these families has badly deteriorated. And by “quality” I don’t mean anything by way of economic or social candlepower—none of that “de buena familia” silliness. (To be sure, no family—however celebrated—has ever been perfect, coming with its fair share of black sheep, eccentrics, and outliers. Our social lore abounds with barely whispered stories of the abusive father, the spendthrift mother, the gay son—yes, in Pinoy archetype, gay is wayward—and the mad daughter.) 

I suppose we keep looking for some defining virtue, a reputation founded on academic excellence, intellectual prowess, philanthropy, moral ascendancy, and the like. How many families in the Senate and Congress today can lay claim to that kind of legacy? Today, prominent families achieve and maintain their status through their economic and political clout, through popularity or even notoriety, and even through sheer staying power, thanks to the muscle memory of many Pinoys in the voting booths.

In 1998, in my biography of the accomplished, fascinating, and resolutely revolutionary Lava brothers, I noted that “For anyone familiar with the history of the Philippines over these past one hundred years, it will not tax the truth to suggest that so much of that history has been family history. In many ways, modern Philippine history is an extended family picture album in which a few names and facial features keep recurring, with only the characters’ ages, expressions, poses, and costumes changing from page to page. Most ordinary Filipinos have lived in the shadow and by the sufferance of such dynasties as the Marcoses, the Lopezes, the Aquinos, the Laurels, and the Cojuangcos, among others—families which have ritually sired presidents and kingmakers, tycoons, rakes, sportsmen, and society belles. But none of them were like—and there may never be another Filipino family like—the Lavas.”

For those who never knew them, over the mid-20th century, five Lava brothers—Vicente, Francisco, Horacio, Jose, and Jesus—emerged from a moderately affluent landowning family from the heartland of Bulacan to become progressive intellectuals, some of them even leading the Partido Komunista ng Pilipinas. Ironically, these were no workers or peasants. Vicente, a government pensionado, held a PhD in chemistry from Columbia University; Horacio and Francisco also held advanced degrees in economics and law from Berkeley and Stanford, respectively; Jose was a lawyer-CPA whose University of the Philippines thesis was adjudged the best of his class; Jesus was a medical doctor, also graduating from UP.

Just so we know, the Lavas and their comrades were operating legally and openly right after the War, and were even elected to Congress under the Democratic Alliance in 1946—only to be expelled on trumped-up charges of fraud and terrorism, with their votes on the key parity rights issue discounted. Under threat of extermination, they went underground, followed by two decades of bloody struggle.

That’s what happened to one family with real brains and convictions, even pre-NTF-ELCAC; we expel the thinkers and retain the fools.

(Image from constitutionnet.org)

Qwertyman No. 100: The Political Doghouse

Posted on by
1

Qwertyman for Monday, July 1, 2024


TO NO one’s great surprise, Vice President Sara Duterte resigned from her concurrent posts as Secretary of Education and vice-chair of that long-named (short name: red-tagging) council. Maybe because I was far away from Davao when the news came in, I heard no wailing and gnashing of teeth. A tree fell in the forest. The world moved on.

Inday Sara promised to continue to be a mother to the country’s teachers—the same people she had ordered to strip their walls bare of teaching aids. She was back in the news a week later after reportedly announcing that her father and two brothers were going to run for senator in next year’s elections. Her name was brought up as a possible “leader of the opposition.” None of these silly propositions generated the kind of groundswell she may have been hoping for, as someone once touted to be a shoo-in for the presidency who just got suckered into sliding down to No. 2 (to her Papa Digong’s boundless dismay) in a deal craftily brokered by former President Gloria Macapagal Arroyo.

To Duterte diehards—and let’s face it, there are still quite a few, although being out of office tends to lose people by the day—Sara will always be their golden girl, the victim of craven betrayal by their erstwhile “Uniteam” ally. To her non-fans, she will always be the bratty bureaucrat who demanded P650 million in confidential funds and who bragged about spending P125 million of DepEd money in the time it takes you to say “low PISA scores.”

Where she goes from here is the big question. In a touch of supreme irony, she now finds herself in almost exactly the same position as her predecessor, Leni Robredo, who was boxed out of Digong Duterte’s Cabinet and pretty much left on her own.

And there the inevitable and (for Sara) unfortunate parallels arise, because VP Leni shunned privilege, turned her exclusion into a challenge, and made the OVP a model of what a government office with meager funds could do, with honest, visionary and purpose-driven leadership. Leni became, and continues to be, beloved, as close to a saintlike figure as any elected official could aspire to be. That this quality failed to propel Robredo to the presidency says more about our electorate and political culture than about her—the dark, mutable, and serpentine side of Philippine politics that the Dutertes thrive in.

I have no doubt whatsoever that Sara Duterte will continue to be politically engaged and even run for the presidency in 2028, no matter what. In that, she will have less to worry about from Leni Robredo, who has expressed her desire to return to local politics in Naga, than from the likes of the eminent Sen. Raffy Tulfo, who topped Pulse Asia’s latest survey of presidential contenders at 35 percent against Sara’s 34 and Leni’s 11. Yes, that’s the kind of electorate we have, which can’t tell between meritocracy and mediocrity, so Sara will prosper in that environment and may even win against BBM’s anointed (Speaker Martin Romualdez scored a dismal 1 percent in the same survey).

Still, 2028 is four long years down the road, a lot of time for things to congeal and to unravel. Familia Duterte will close in and consolidate behind the name and the tough-guy brand, and in the event that all three Duterte boys make it to the Senate—an absurdity moderated only by the presence today of so many DNA matches in that august body—then Sara’s path to the Palace will have been cleared by a bulldozer. 

Of some minor interest is the fate of the two Digong acolytes in the Senate—Sens. Bong and Bato—who seem to be feeling orphaned. Both have been making the requisite pledges of fealty to the Dutertes, despite Bong Go being slammed by Davao Mayor Baste Duterte for not defending their home turf loudly enough from the lofty positions to which their patron raised them. Chastised, the two said they would support a Senate inquiry into the “excessive use of force” in the police raid against fugitive pastor Apollo Quiboloy, whom Sen. Bato had vowed to guard with his life should he appear in the Senate under subpoena—a degree of sensitivity and solicitude profoundly absent from the murderous “tokhang” campaign that both men supported.

So the Dutertes are far from dead and gone, but BBM—and let’s not forget the Kakampink forces simmering below the surface—has four more years to vaporize the Uniteam that never really was. (And then again, BBM claims that the Uniteam remains intact—nothing to worry about, folks!—because the Dutertes’ political party, the PDP, was never part of the coalition. Say that again?)

More important than preserving the fiction of the Uniteam, the opening provides Marcos with yet another opportunity to shore up his political capital—already boosted by his turnaround from his predecessor’s policies on Chinese aggression and on the war on drugs—by selecting a qualified, full-time professional for the post. Several names have been mentioned in a hypothetical shortlist, none of them apparently an expert in basic education, where most of our problems begin. And while it may be true, as Inday Sara herself noted, that you don’t have to be a teacher to be DepEd secretary, you have to understand that Philippine education needs more than mandatory toothbrushing to brighten up.

Ultimately, Sara Duterte’s resignation from her DepEd post may yet be her most valuable service to the nation, by opening the door to someone vastly more qualified to take on that critical job—unless, again, the DepEd is made to serve its other purpose as a doghouse for political strays.

Qwertyman No. 99: A Call to Engage

Posted on by
Reply

Qwertyman for Monday, June 24, 2024

I WASN’T going to start this column on this note since I had another topic in mind, but it occurred to me that these two concerns may after all be related and have a bearing on one another.

You may have missed it since it was just local news, but a few weeks ago, elections were held for the University of the Philippines Student Council (UPSC) in Diliman—historically, the breeding ground of young hopefuls destined for national politics. It’s always been a tight and sometimes even bitter contest of personalities and platforms, strategies and tactics, rhetoric and resources. Given its superior organization, ideological discipline, and progressive platform, the student Left has held an advantage in these elections over the past few decades, but vigorous and sometimes successful challenges have arisen from centrist parties appealing to more student-oriented causes. 

The outcome is often eagerly awaited. But last month, something incredible happened. The “abstain” vote won, leaving the posts of chairperson, vice chairperson, and many councilors unfilled—and they will so remain. 

It would be easy to read this as a sign of apathy, especially given that only 36.7 percent of the student body voted this year, but those “abstain” votes sent a clear and deliberate message: we don’t want any of you, we want something or someone better—could we please have some real change around here?

I could understand that; as a teacher (I still teach optionally, even if I’m retired), I’ve opened the classroom door to scores of student candidates asking for five minutes to make their campaign pitch, and almost invariably, it’s the same familiar litany of complaints over this and that (the same ones we ourselves mouthed half a century ago)—valid complaints, to be sure, but thoroughly tired and uninspiring. And when you ask, even in your mind, “So what are you going to do about it?”, you can hear the answer coming: “Elect us, and we’ll show you!” I let my students raise the difficult questions (that’s what I train them to do) and share their discomfort and embarrassment when they don’t get the specific and well thought-out answers they deserve.

Now, put that scene on “pause,” and let me report on another UP matter (even if you’re not from UP, this likely concerns you because UP accounts for about 20 percent of our national budget for higher education).

Last week, on the occasion of UP’s 116th founding anniversary, President Angelo A. Jimenez formally presented a set of ten “flagship programs” to the media and the public which his relatively new administration will seek to undertake—not necessarily complete, but at least initiate—over the remaining five years of his tenure. These programs were the result of year-long consultations with the university’s academic and administrative leaders. They cover academic excellence; inclusive admissions; research and innovation; Open Distance e-Learning (ODeL); Archipelagic and Oceanic Virtual University (AOVU); active and collaborative partnerships; arts and culture; expansion of public service offices; Quality Management System (QMS) and Quality Assurance (QA); and digital transformation. 

Jimenez (or “PAJ” as the university community calls him) was quick to explain that rather than being new or distinctly separate programs, these are really thematic priorities that pull together many existing threads from UP’s wide range of teaching and research expertise. For example, the AOVU concept whereby UP will undertake a more comprehensive but also more coordinated study of our marine resources—our “blue economy”—draws on UP’s longstanding experience in marine science, fisheries, and maritime law, with the added emphasis on our archipelagic geography as a strength rather than a weakness. This will be supported by such innovations as UP Los Baños’ new PhD offering in Environmental Diplomacy and Negotiations aimed at developing leaders from around Southeast Asia who can bring good science into environmental conflict management and sustainable development.

There are many aspects and details of the ten flagship programs that deserve deeper discussion—and some will certainly be challenging if not controversial—but some key themes resonated with me most strongly as a former administrator, a teacher, and a UP fanatic since my childhood days when my mom (UP Educ. 1956) indoctrinated me by playing a record of “UP Beloved” and “Push On, UP” over and over again on our turntable.

Likely of greatest impact to most Filipinos was PAJ’s pledge to democratize UP even further by adopting policies that will bring in more students from underrepresented and marginalized sectors of the country, to correct the lopsidedness of UP’s student profile now favoring private and largely metropolitan high school graduates without necessarily compromising UP’s high admission standards. One way would be by engaging more UP student and faculty “Pahinungod” volunteers to help in teaching disadvantaged students pre-UPCAT, and also by providing sustained support to such students who pass the UPCAT but decide to stay out because of the high expenses of studying in a UP campus (a budget has been set aside to support 350 of these students under the Lingap Iskolar program).

But the key word of the day was “service,” which has been added by PAJ to UP’s traditional motto of “Honor and Excellence.” (I know there’s been some grumbling, in typical UP fashion, over the process by which that decision was arrived at, leading me to sigh and ask, “Is that even a fight worth picking? Isn’t ‘service’ the one thing we can all implicitly agree on?”) Jimenez wants UP to be more engaged with the people, with communities, with other universities, citing programs such as UP Tacloban’s response to the seasonal red tides that render mussels unsafe to eat but still useful as extracted material for pharmaceuticals and cosmetics.

Above all, service should be a mindset that impels UP students and faculty members to find meaningful roles on their own in their community, whether local, national, or global. It struck me that perhaps this was what our student politicians needed to find and articulate, beyond sloganeering about often abstract issues—how can I serve you and our people, as I am, where I am? What can I do for you?

That “abstain” vote should be minded by the administration as well, and not just in UP. Our youth are seeking to be engaged and inspired—but their cynicism will abate only if they see, in their elders, the exemplars of the integrity and accountability, aside from ability, that any prospective servant of the people should bring to the job.

(Image from upd.edu.ph)

Qwertyman No. 98: Panahon Not

Posted on by
1

Qwertyman for Monday, June 17, 2024

WHOEVER URGED President Marcos Jr. to issue that memo mandating all government agencies and schools to sing the new “Bagong Pilipinas” hymn and recite the accompanying pledge at flag ceremonies should be banished to the farthest reaches of Malacañang, in the archives chronicling his predecessors’ most stupid mistakes.

PBBM was already riding a cresting wave of nationalism (bordering, let’s admit it, on Sinophobia for many) because of Chinese aggression in the West Philippine Sea and scandals related to offshore gambling operations run by Chinese in the country. He also earned grudging points from even his staunchest critics and detractors for seemingly being open to investigating the human rights excesses of his iron-fisted predecessor and sanctioning the arrest of one of that man’s most notorious cronies (an unsuccessful operation that Vice President Sara Duterte found the delicacy to deplore for its “excessive use of force,” which you never heard her say about her papa’s murderous tokhang campaign). 

Bongbong Marcos, in other words, was beginning to look and sound like what Rodrigo Duterte never could: a president with a grasp of the issues and a sensitivity to public opinion. Even former Associate Justice Antonio Carpio, a prominent figure in the opposition in 2022, praised BBM for the latter’s recent foreign policy speech in Singapore, where he cited the Treaty of Washington whereby Spain ceded Philippine territory beyond what was stipulated in the Treaty of Paris. “This finally corrects the greatest misconception in Philippine history,” said Carpio, a militant advocate of Philippine territorial rights, “a watershed moment in our fight to defend our island territories and maritime zones in the West Philippine Sea.” 

No, it didn’t mean that the old pre-EDSA issues were forgiven and forgotten, nor that new ones like the dubious Maharlika fund haven’t emerged over the first two years of his tenure, on top of his wanderlust. But BBM has had the good luck—if you can call it that—of inheriting Chinese expansionism and the Duterte legacy, and the good sense to get on the right side of these thorny concerns. 

Granted, there’s no real way to know if his deviation from Digong’s Sinophilia and trigger-happiness is sincere and not just a ploy to torpedo Inday Sara’s claim to succeeding him and install his own man. At this point, it doesn’t seem to matter much; so brazen has Chinese aggression been that even Duterte’s boys in the Senate have felt compelled to wear “West Philippine Sea” T-shirts, even as their lesser allies pose as “peaceniks” who somehow saw nothing wrong with the former president waging war on his own people.

So did BBM’s team—or BBM himself—think that this was the right time to reap some of that PR dividend, consolidate his gains, and foist the “Bagong Pilipinas” brand on the country through a new song and pledge?

The implicit rationale, we can understand. It’s a page right out of his dad’s New Society playbook: use music—indeed, use culture and education—to generate team spirit, or at least some semblance of it. That’s what anthems, hymns, and fight songs are for, from the American Civil War’s “Battle Hymn of the Republic” to the quintessentially English “Jerusalem” and the Nazi “Horst Wessel Lied.” Here in the Philippines, no martial-law morning was complete without the “Bagong Lipunan” (its real title was “Bagong Pagsilang”) song playing on the radio. 

To be fair (if it’s even possible to say that, given that the regime put me in prison for seven months in 1973), it was a catchy, well-written song, with a martial (what else) rhythm; that we still remember at least the tune five decades later attests to the success of its imprinting. It resurfaced on the airwaves shortly after BBM took office in 2022, reviving apprehensions of a New Society 2.0, but it seems to have been pulled shortly after, leading me to suspect that BBM, after all, wanted to be taken on his own and move away from his father’s shadow, which would have been the smart (if nearly impossible) thing to do.

But the imposition of this “Bagong Pilipinas” hymn and pledge again invites uncomfortable parallels and comparisons with what FM Sr. did—and I don’t mean just having the martial-law anthem composed and played, but everything else that came with the New Society: the corruption, the arrests and killings, the submission of our institutions to autocratic rule. 

If you don’t want to go there, let’s talk about just the “Bagong Pilipinas” song itself—have you even heard it? I’m not a music critic, but even I can tell that it’s barely singable, with an uneven tempo, with immemorable lyrics, the constant refrain of which is “Panahon na ng pagbabago” (“It’s time for change”), probably the tritest political message there ever was. You need a trained choir and a band capable of trumpet flourishes to render the piece effectively; I can be convinced that this will work only if I see and hear the President himself and his Cabinet singing the song from memory at the Malacañang flag ceremony (and let’s add the new Senate President, who has embraced the directive).

I don’t know how many millions went to the lyricist and composer of the song, who have mysteriously remained anonymous; clearly, they weren’t the late National Artists Levi Celerio and Felipe de Leon, who worked together on the “Bagong Lipunan” hymn. Perhaps BBM’s critics should be happy that they weren’t that good because, presidential mandate or not, this hymn and its equally problematic pledge seem fated to be ignored and forgotten for their sheer unusability, superfluity, and irrelevance.

PBBM should have been advised that at a time when the nation needs to pull together against a visible external threat, we need constancy, not change, not confusion over who and what we are. We need our one and only National Anthem more than ever, and the same Pledge of Allegiance we have been reciting since our childhood years. Panahon na? Panahon not.

Qwertyman No. 96: Not Filipino Enough

Posted on by
Reply

Qwertyman for Monday, June 3, 2024

IN THE current feeding frenzy over Bamban, Tarlac Mayor Alice Guo’s allegedly questionable citizenship (to which I admittedly contributed with my tongue-in-cheek take two weeks ago), a consensus appears to have formed that Mayor Guo isn’t Filipino, or isn’t Filipino enough. All kinds of “tests” of “Filipino-ness” have come up online, things that every homegrown Pinoy is supposed to know: dinuguan, chismis, Dolphy, chaka, peks man, etc.

The ancient Hebrews had a word for this practice, by which they distinguished friend from foe: “shibboleth,” which supposedly couldn’t be pronounced correctly by the enemy, much like the myth that “Mickey Mouse” was the password American GIs used on D-Day, because it was something only Yanks understood.

We can understand how and why these exclusionary measures serve a purpose: to protect the community from external threat. At the same time, these cultural code words help define that community by establishing a common denominator (as common as can be—not George Washington or Alexander Hamilton, but Micky Mouse). Interestingly, they say as much about the excluders as the excluded.

The larger question that needs to be asked by truly inquiring minds is this: what does it really take or mean to be Filipino? Not just “a Filipino,” a matter of citizenship or legal personality provable with birth certificates and passports, but “Filipino” in a more personal, cultural, and even psychological sense.

When we challenge Mayor Guo’s identity—is she who she claims to be?—we imply that we know ours, and feel secure in that knowledge. We think that eating balut and pinakbet, dancing the tinikling and budots, listening to the Eraserheads and April Boy Regino, putting out an open palm ahead of us and bending when we cross a busy room, and counting on our hand from one to five starting with the pinky finger make us Pinoy—and of course they do; but are they enough?

Academics (and, let’s not forget, politicians) have long wrestled with this question, given how our extensive colonial history has effectively extinguished whatever the aboriginal pre-Filipino may have been in most of us. For better or for worse, the “Filipino” we speak of and identify as today is a fairly modern construct and, to my mind, still very much a work-in-progress, as is the Filipino nation itself.

One such academic view was provided by UP Assistant Professor Jay Yacat in the Philippine Journal of Psychology in 2005, where he wrote that “The label ‘Filipino’ functions as a social category. And as such, it is important to identify its boundaries. The meaningful boundaries define the loob/labas of the concept of Filipino. Identity as Filipino was found to have three relevant components: pinagmulan (socio-political component); kinalakhan (cultural component); and kamalayan (psychological component). This supports the position that national identity is more than a political identity. It is possible to think of national identity as three kinds of relationships: relationship with the state; relationship with culture; and relationship with self and others.…

“However, the more interesting finding is that individuals and groups place differing emphases on the three dimensions…. Another important implication is… the constructed-ness of our national identity. Our notion of being Filipino is negotiated and not fixed. This means that our definitions of being Filipino have the potential to be changed depending on a variety of factors: gender, ethnicity, age, political convictions, background, upbringing among others. True, this flexibility may bring about more confusion about our national identity but on a more positive note, this could also provide maneuverable spaces for marginalized groups to participate in a national context: Chinese-Filipinos, Amerasians and other biracials in the Philippines; naturalized citizens; indigenous peoples; and non-Christian groups….

“The analysis identified two kinds of Filipino-ness. This is based on the level of identity integration into one’s loob. A more integrated sense of Filipino identity is called ‘Pilipino sa puso.’ The individual who has not fully integrated this sense of being Filipino into the self is known as ‘Pilipino sa pangalan.’ Kamalayan (psychological sense) seems to be the primary determining factor of Filipino-ness.”

That’s a lot to digest, but my clearest takeaway—which we don’t really need a professor to tell us—is that Filipino-ness can be superficial or deeply felt and understood. The degree of that understanding—of who we are, where we came from, where we want to go, how to get there, and whom we need or want to make that journey with—may yet be the ultimate gauge of how Filipino we are. 

Another suggestion I’d like to make is that to be Filipino is to be inclusive, and therefore tolerant of other ethnicities, cultures, and beliefs. We’d never have survived this far if we weren’t so, despite the regionalism that seems ineradicable in our national politics. 

The Senate is right to continue probing Mayor Guo for her suspected ties to illegal gambling and human trafficking, and for the questions hovering over her citizenship. But Filipino-Chinese cultural advocate Teresita Ang See is also right to deplore the disturbing turn of the public mood into one of a witchhunt against the Chinese among us. 

Continuing Chinese provocations in the West Philippine Sea present a clear and present danger. The Guo allegations and suggestions of “sleepers” in the country are riding on those concerns to build up a hysteria that might ultimately divide rather than unify us. They deserve to be investigated, but without losing focus on the real enemy. I’ve seen some of the vicious feedback that Ang See has received for her sober warning; none of that vitriol makes her any less a Filipino than her attackers.

Indeed, the worst damage to our security and sense of nationhood isn’t being done by Chinese spies, but by Filipinos parroting the Chinese line or selling us the story that opposition to Chinese aggression is futile and that seeking international help against it will only bring on a war we can’t win. These are the real sleepers in our midst.