Category Archives: lifestyle

Penman No. 457: The Actor as Painter

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Penman for Sunday, December 3, 2023

A FEW months ago, I had the good fortune of coming into ownership of four watercolors by Juan Arellano (1888-1960), the famous architect of such landmarks as the Metropolitan Theater, the Post Office Building, and the Legislative Building (now the National Museum). Less known to many was that Arellano’s first love was painting, and it was a passion he pursued throughout his life. 

My inquiries into the background of my paintings led me to cross paths—initially online—with Juan’s grandson Raul Arellano, who turned out to be an accomplished painter in his own right. Born in Cagayan de Oro, Raul has been based for almost 30 years now in the United States, but he has recently been returning to the Philippines more often. When, one day, he messaged me to ask if we could meet up, I said yes, eager to learn what he could recall of his grandfather but also to get to know him and his art. 

I’m by no means an art critic, but my wife Beng (a professional art conservator and watercolorist) and I are museum rats and enjoy both traditional and modernist art, and peek into the local art scene when we can. There’s a lot of brilliance and energy out there to be sure, but also much safe and tiresome repetitiveness from artists who’ve settled on a commercial formula, such that their work no longer exudes emotional power. Many young painters—like their writing counterparts whom I meet at workshops and teach in school—also seem to think that the only worthy subject is death and despair, which invariably means dark canvases devoid of any suggestion of wonder and mystery, let alone delight.

When I saw Raul’s work online, even before we met, what leapt out at me was exactly what I found missing in many others—an element of metaphysical magic, fantastical but relatable, the kind of paintings you want to return to over and over again. I saw flashes of Henri Rousseau, Van Gogh, and William Blake, among others, but it was still all him—not his grandfather, for sure—trying to tell me something I hadn’t really thought much about before.

As it turned out, Raul never met his grandfather, who died five years before Raul was born in 1965 (Raul’s father was Juan’s third son Cesar). All he has of him is a self-portrait—and, of course, a passion for art that runs in the family; his cousin Carlos or “Chuckie,” the son of architect Otilio, was a formidable art patron and collector; Chuckie’s younger sister Agnes remains one of the country’s leading and most imaginative sculptors; Cesar’s brother Salvador or “Dodong” Arellano became a well-known painter of horses and game fowl in California.

Raul’s path to painting was neither straight nor easy. His first great obsession was acting, to the point of becoming a resident actor of Tanghalang Pilipino at the Cultural Center of the Philippines, playing a smoldering Tony Javier in a production of Nick Joaquin’s “Portrait of the Artist as Filipino.” “We were trained in method acting,” says Raul, “and it got to the point that I became so immersed in my character that other people on the set found it unnerving.” He would go on to act in the movies, in the crime drama Akin ang Puri(1996) directed by Toto Natividad, Batang West Side (2001) directed by Lav Diaz, and Himpapawid (2009) directed by Raymond Red. Of his performance in Himpapawid, reviewer Jude Bautista noted that “Raul Arellano as the main character is able to show the frustrations of the common man without going over the top. There is a quiet intensity in his performance.”

That intensity had been brewing in Raul the person for some time, leading to and compounded by domestic problems. In 1995, he took the opportunity to go on a film fellowship at the Art Institute of Chicago. The Midwest was too cold so he later moved to California, and quickly realized what all dreamseekers in LA wake up to: that he had to start all over again at the bottom rung of the ladder. “I swept floors. I learned how to operate a forklift. When the big steel container that you’re lifting comes crashing to the ground, you can feel the jolt running down your spine. I was in a lot of pain, but I kept on. When I left, my boss was very sorry to lose me.”

He set up a business restoring American muscle cars. “I had a Russian mechanic, but I took care of the interiors myself. I specialized in Mustangs—you could show me a Ford screw and I could tell you the year and model it came from. I had a fastback Mustang but my best sale was a Shelby Cobra.” But again another personal crisis blew up and he enrolled in a community college to study painting. He left school once he felt he had learned enough about the history, the theory, and the techniques of art to express himself. “Something in me was always wanting to come out, and I found that release in painting. I had no models or artists I looked up to. I just wanted to express myself, to work from my subconscious. I found that I could work best in a cemetery, because it was so peaceful. I still like working in the open, in plein air.”

The lure of painting proved irresistible. He worked in oils, and one of his favorite paints was lead white, popularly used in the past for its visual qualities and permanence. However, it was banned in the 1970s because of the danger of lead poisoning—a danger Raul was well aware of but embraced. “I found a stash of old paint and bought it all up. I was inhaling it every day and I could feel it doing strange things to my head.”

He returned to Manila every now and then and even resumed acting, but the death of a close friend shook him up badly. “I was all set to come out with an exhibit of traditional, representational paintings, but I was overcome with grief over the loss of my friend, and I just had to express that feeling in my work. So I put all my old work aside and began ‘Crucifixion.’” That work is one of his most impressive and a personal favorite, painted in 2004 at the outbreak of the war in Iraq.

(Image from artesdelasfilipinas.com)

Today Raul spends time in a small farm in Batangas, enjoying quick sketches in the sylvan scenery, and contemplating the possibility of exhibiting in his homeland. With him having gone from peace to pain, from calm to conflict and back again, one can only wonder what new work will emerge from this phase of his life. I find myself wishing for his playfulness to return, but that of course depends on what Raul Arellano is feeling inside.

(More here on Raul Arellano: https://artesdelasfilipinas.com/archives/85/the-art-and-thought-of-raul-arellano-original-)

Qwertyman No. 69: Tabi Kayo Riyan!

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Qwertyman for Monday, November 28, 2023

WHEN THE EDSA busway—a special lane just meant for public utility buses—was inaugurated in June 2020, I was among the many millions of Metro Manila motorists and commuters who breathed a sigh of relief and said, “Finally! Somebody’s come to their senses and did what had to be done.” 

It wasn’t going to banish the traffic problem for good—that burden still lies with our woefully inadequate mass transit system—but it applied a logical solution to a particularly oppressive aspect of our urban existence, the infernal sludge that tossing private cars and public buses into the same slurry produces. The traffic’s still bad in many spots on busy days and hours, but at least you could see some order in disorder. For this driver in his car, I can even find some ironic humor in watching buses speed down their lane while I struggle like a jockey in the middle of the pack to keep a nose ahead of the big SUV sniffing at my flank.

We’ve seen these special bus lanes in use elsewhere—most notably in Jakarta and Bangkok—and they seem to work. (Bangkok’s bus lanes have been around since 1980; Chicago adopted the world’s first bus lane in 1940.) London has set aside about 80 kilometers for 24/7 bus lanes, but some other roads also have designated bus lanes during peak hours; the fines are stiff, going up to as much as P11,000 for an infraction.

Here in Manila, according to the Management Association of the Philippines (MAP), just 550 buses transported as many as 450,000 people a day along EDSA as of December 2022; in its 30 months, the busway accommodated 154 million passengers. That’s a lot of traffic and a lot of people, and the true social benefit of a bus lane isn’t that these buses and their passengers are being shunted aside for our cars to move a little faster, but that those passengers—most of them the workers and wage-earners to whom we owe our other comforts—get to work and get to come home to their families sooner. It’s tacit acknowledgment that their lives are hard enough, and every bit of relief counts. In a sense, it’s social justice in practice. 

But now comes a proposal from the Metro Manila Development Authority (MMDA)—already approved by the Department of Transportation (DOTr), we’re told—to grant exemptions to the President, the Vice President, the Senate President, the Speaker of the House, and the Chief Justice, riding in five-car convoys, to use the bus lanes. Even more, senators and congressmen are also being considered for exemption (emergency vehicles and properly identified government vehicles are already exempted).

It might be argued, at least in theory (since the mischievous will ask for proof), that the big poohbahs have important national business to attend to, requiring their expeditious transport from Point A to Point B. (In Jakarta, only the President and the VP are exempt.)

The same cannot be said for senators and especially congressmen whose business it is to know the situation on the ground and to bring relief to their commonest complaints. Chief among those complaints for millions living in the metropolis is the horrendous traffic, a three-hour immersion in which should be part of every politician’s initiation into public service. 

As even Patricia Evangelista noted in her landmark book, Some People Need Killing, President Noynoy Aquino—for all of his virtues—lacked and almost disdained the common touch. But he understood the fundamental relationship between a leader and his people, and what he may have wanted in empathy, he compensated for in correctness. His proscription against the use of sirens and alarms to open a Moses-like path through traffic for government officials may seem trivial but sent absolutely the right message to citizens for whom “Daang Matuwid” might as well have been just another throwaway slogan. 

Sadly, our “wang-wang” culture—which, as a STAR editorial noted just last week, involves “not just the actual use of sirens and blinkers by VIPs whether in government or in the private sector, but the mindset itself that it’s OK to jump the line and that public officials deserve such VIP entitlements”—has crept back after PNoy, with a vengeance. 

The convoys of black, tinted SUVs with their sirens screaming “Tabi kayo riyan!” have become ubiquitous once again, flaunting the perks of power. The MAP deplored this by stating that “Accommodating convoys of officials demonstrates inconsistency of public policy: favoring the privileged few over the overwhelming majority of the commuters and motorists who deserve an efficient EDSA busway.” I’m sure that you and I have shorter and less Latinate words to say every time one of those convoys brushes past us on EDSA and along that larger avenue we call Philippine society.

That society, for better or for worse, takes its cues from the top. When our presidents behave, we (or most of us, at least) try to walk the straight and narrow; when they steal, their minions feel emboldened if not empowered to fill their own pockets; when their mouths spew obscenities like sewers, rudeness and vulgarity become excusable, and even fashionable.

In the Tang dynasty, the Emperor Taizong was known to be a wise ruler, and even wrote The Zenghuan Executive Guide, a kind of management manual. Among his best practices was the employment of “remonstrants”—as many as 36 of them—whose job was to provide the Emperor with “remonstrances,” to tell him to his face what he was doing wrong. “I often sit quietly and reflect on myself. I am concerned that what I have done may … cause public discontent. I hope to get advice and remonstrance from honest men so that I am not out of touch with the outside world,” Taizong was quoted as saying.

There’s no record of whether the Emperor Taizong’s soldiers pushed other wagons and pedestrians aside on the road to make way for the imperial train, but I suspect not. I just wonder, who will be our Taizong, and who will be his remonstrants?

(Photo from topgear.com.ph)

Qwertyman No. 67: Business with Culture in Iloilo

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Qwertyman for Monday, November 13, 2023

OVER THE past year, still eagerly emerging from our post-pandemic stupor, my wife Beng and I have been traveling up a storm, limiting ourselves to local destinations such as Bacolod, Virac, Davao, Roxas City, and Iloilo City. We chose these places because we’d never been there before—such as Virac and Roxas—or hadn’t visited for many years.

We were most impressed by the progress shown by Iloilo, whose transformation into a rapidly urbanizing metropolis I had begun to observe well before the pandemic. City and provincial officials, under the initial leadership and with the strong support of former Sen. Franklin Drilon, had managed to unite behind the key objectives of a continuing comprehensive development plan that has straddled several local and national administrations. 

All over the country, you hear about politicians achieving national prominence and power, even to the point of aspiring for the presidency—except that back in their home provinces, they did little or nothing for their constituents, and may even have lost the local vote to an outsider as a result. Drilon never ran for President—a job I think he would have performed excellently, if our voters were thinking rationally—but if he did then he could have counted on a near-solid Iloilo vote for never forgetting where he came from and ensuring Iloilo’s emergence as a model of city planning.

Any visitor to Iloilo cannot fail to be impressed by its dynamic growth, from the minute he or she steps off the plane in the city’s airport in Cabatuan, about 20 kilometers from downtown Iloilo. The long drive to the city down the wide, smooth highway is a virtual introduction to the city’s progress, with new malls, office buildings, car dealerships, hotels, construction depots, hospitals, and housing lining both sides of the road; new bridges and overpasses were rising here and there. A Grab car service just opened this year, our driver said, happy to be lifted by that rising economic tide.

The crown jewel of Iloilo’s renaissance is clearly the Iloilo River Esplanade, now stretching nine kilometers along both banks of the river in its expanded form. Designed by the celebrated architect Paulo Alcazaren, the Esplanade is what we Manileños want our Pasig riverbank to look like, in our dreams, but here in Iloilo, it’s been a reality for over a decade now. From early morning until after sunset, the Esplanade is filled with joggers, couples, families, and tourists who can also duck for a drink or a meal into one of the restaurants and cafes lining the walk. The river itself, once described as a septic tank into which the effluents of the city’s factories, slaughterhouse, and beer gardens drained, is clean and clear, fringed by a healthy belt of mangrove where we spotted egrets taking refuge. 

There’s a point of view that sees malls as the bane of urbanization and the death of small, artisanal businesses, and that’s been true in many places. It’s abundantly obvious that malls and mall culture have invaded Iloilo, with some negative consequences down the road. But so strong is local culture and tradition that it’s almost inconceivable that Iloilo will lose Tatoy’s, Breakthrough, Ted’s La Paz Batchoy, Panaderia de Molo, pancit molo, KBL, diwal, and all the other little things that make the city what it is. Indeed, instead of being pushed out, many of these institutions are now in the malls. At the plaza in front of Molo Cathedral, after a 3-km walk from our hotel via the Esplanade, we had breakfast of mini-bibingkas baked right before us the way they’d been done for decades.

It was a happy coincidence that, during our visit, UNESCO named Iloilo as the country’s first Creative City of Gastronomy, in recognition of its outstanding culinary culture and heritage. This was achieved by the city government under Mayor Jerry Treñas with the assistance of a team from UP Visayas’ College of Management that facilitated a workshop for the city’s food-industry leaders last May. Education remains one of the city’s strengths; its West Visayas State University College of Medicine is now one of the country’s top-ranked medical schools, aside from UPV’s commanding role in the region.

It was UPV Chancellor Clement Camposano who, after dinner in one of the many seafood restaurants that have cropped up in Leganes on the city’s outskirts, drove us around so we could appreciate the city by night. On our way to Molo, we passed through the new Megaworld/Festive Walk business district and were blown away by how smartly designed everything was; it was almost as if we were in Singapore or some such country. It was hard to believe that not too long ago, this was the old Iloilo airport in Mandurriao, and that the road we were traveling on had once been a runway. This is also where the Iloilo Convention Center is located, where the APEC 2015 summit was held (Drilon had negotiated the donation of the site from Andrew Tan, in exchange for the ICC’s being built there).

We returned to this place in the daytime to visit one of Iloilo’s most recent and also most impressive attractions: the Iloilo Museum of Contemporary Art or Ilomoca, a three-story showcase of both local and national talent. Ilomoca’s establishment in the middle of one of Iloilo’s CBDs demonstrates what seems to be the local formula for sustainability, the merging of the modern with the traditional, of business with culture. You can best see this in the majestic Consing mansion in front of the Molo Cathedral, which was bought by SM but tastefully renovated and transformed into its Kultura shop. There’s no doubt that modernization is coming to Iloilo in a big way, but its leaders are smart enough to know that the city’s appeal lies in what it has built over the past two centuries, which no money can buy.

You’d think that Iloilo has gotten this far just because of political patronage from Manila, but Iloilo was one of the 15 provinces that went for Leni Robredo in 2022. The city’s former mayor, Jed Mabilog, was hounded out of office by threats of tokhang under the previous administration, but the city seems to have weathered the political storms under Treñas, returning to his old job under the National Unity Party. What this tells me is that good local governance matters, whatever may be happening elsewhere. 

Email me at jose@dalisay.ph and visit my blog at http://www.penmanila.ph.

Penman No. 454: Revenge Travel, Local Edition

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Penman for Sunday, September 3, 2023

WE PINOYS don’t really know what “summer” is any longer, with heavy rains falling out of the sky as much in March as they do in September, but especially with the new school calendar in place, most of us now do what used to be our summer traveling between May and August, if Facebook posts are any indication.

Many Filipinos—those who can afford it—still seem to be in “revenge travel” mode, flying off to Prague, Helsinki, Myanmar, and other parts off the usual travel charts. My wife Beng and I had a couple of dream spots halfway around the world in mind—recalling our pre-pandemic spree in 2019 when we blew a chunk of my retirement kitty on an escapade to Penang, Tokyo, England, Scotland, Singapore, the US, Turkey, and Macau—but our shrunken pesos and aching knees urged something kinder and more affordable: go local, and suffer no jetlag.

As it happened, we visited at least four places these past few months that I’d like to share with our readers looking for alternatives to the usual weekend destinations, ie, Tagaytay, Subic, Baguio, and Boracay. Some of these trips were partly for work, although I have to admit that pleasure pretty much overpowered anything else on our minds once we got there.

The first was a treat for the whole household—Beng, myself, my 95-year-old mom Emy, her caregiver Jaja, our housekeepers Jenny and Ara, Jenny’s husband and Beng’s assistant Sonny, and Jenny’s and Sonny’s kids Jilliane and Buboy. This is our extended family, whom we genuinely enjoy being with, so every year I promise to take them out on an overnight trip to water resort, as everyone (well, at least below 65) loves to swim. That means a wave pool, a place to cook, good and clean rooms for sleeping and showering, and not too long a ride (for my mom who gets carsick). 

Last year it was the Villa Excellance Beach and Wave Pool Resort in Tanza, Cavite that did the trick for us—and it’s still worth a weekend for your family—but a little Googling yielded me something much closer to our home on UP Campus: the Ciudad Christhia Nine Waves Resort in San Mateo, Rizal, just a 30-minute hop away via the Commonwealth/Tumana route. The place had everything we were looking for—it’s an ideal venue as well for teambuilding seminars, if you don’t want to go too far, with very helpful staff and prices that won’t break the bank; you can do your broiling right beside the huge pool, and the cabanas were clean and cozy. While I flailed around in the knee-high water, six-year-old Buboy had a blast in the wave pool, which was all that mattered.

If you don’t mind driving through the mountains on a zigzag road for about three hours, then a trip to Infanta, Quezon will make the effort worth it. Facing the Pacific, but with Pagbilao Island buffering the waves in between, Infanta offers a bevy of beach resorts, of which Beng and I went to the Marpets Beach Resort, which was run by an American expat and his Filipino wife. Aside from its stretch of beach, the resort had three swimming pools, very livable quarters, and deliciously cooked food. The great thing about a roadtrip to Quezon—which is reachable via the zigzag Marilaque Highway from Marikina and also via the equally scenic though more moderate route passing Antipolo, Famy, and Real—is that the journey itself is an adventure, with much local produce to buy along the way, and breathtaking views to snap. 

Our third destination was almost a random but providential choice. Looking for an inexpensive getaway far enough from Manila to require a plane, and with some airline credits to expend, Beng and I looked up Cebu Pacific’s destination map and settled on one spot we’d never been to—Virac, Catanduanes. We Manileños often hear of Virac only in the context of incoming typhoons, for which it’s probably unfairly used as a reference point, but if you catch it on a sunny day like we did, then you’d rather be here than busy Boracay. I found a new boutique hotel on booking.com called Happy Island Inn in San Vicente, a short tricycle ride from downtown fronting the water, and it turned out to be a winner, priced very reasonably with the friendliest front desk fellow I’ve ever met in all my travels.

Soon we learned that nearly everything in Virac is reachable by tricycle, which we hired for a day tour that included a beachside lunch at the ritzy Twin Rocks resort, a visit to the historic Bato church, hewn out of stone and coral, and a bracing dip into the cool and clear waters of Maribina Falls (entry fee, P25 per person). We made new friends of a lovely couple, Bobby and Myette Tablizo, with whom we shared stories under a full moon. There’s a lot more to be discovered of Catanduanes up north—the island can be circled on a first-class circumferential road—but we’ll save that for next time.

My last sortie was by my lonesome and work-related, but work gets doubly hard in a place meant to transport you to blissful oblivion. This was in Panglao, Bohol, which, the last time I looked many years ago, was little more than a cluster of huts. Imagine my surprise when we stepped off the plane into a world-class airport and then, just minutes later, were wheeled into the kind of resort you find on some glossy magazine cover or on the travel channel but never thought was right in your backyard. (Well, of course there’s a whole class of Pinoys who do know about such places, and I’ve been fortunate to have been invited to a few, but my poor-boy’s jaw still can’t help dropping in the face of luxury.)

The Bellevue Resort in Panglao is one such place that will make you wish you’d studied something like plastic surgery so you could spend a few weekends here every year. The rooms are as plush and comfortable as you should expect at its price point, but it’s the waterfront that will captivate the first-time visitor, with its white-sand beach, tour boats, infinity pool, and multilevel restaurant. Breakfast or dinner beachside is an option, and a tour of the rest of Bohol can be arranged.

Of course, there’s always Bali or the south of France, but with the new travel paperwork requirements, who needs the hassle at immigration? Save yourself the travel tax and go local. It’s still more fun in the Philippines, if you know where to look.

Qwertyman No. 55: Persona Non Grata

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Qwertyman for Monday, August 21, 2023

THE HON. Victor M. Dooley was in a foul mood, and no one knew that better than his Chief Political Officer and rumored girlfriend, Yvonne Macahiya.

When his whiskers began to twitch like he was about to sneeze—but didn’t—then something was upsetting her boss. He was trying to say something but couldn’t find the words for it, so his pursed lips went this way and that way, and Yvonne understood that it was an SOS from the senator whose maiden speech she had crafted a year earlier.

“What’s up, boss? Looks like you have a great idea trying to wiggle out of your brain.”

“Have you seen the latest surveys? 2025 is coming up and my poll numbers are going nowhere! There’s 12 slots and I’m in No. 16, behind two lawyers with a hair piece and buck teeth! These preschool feeding and rural literacy programs you’ve come up with are doing nothing for me—babies don’t vote, and even their mothers prefer cash!”

She bent low and purred into his ear. “We needed to soften your macho image, to make you look cuddly and caring—“

He put his arm around her waist. “You mean I haven’t been cuddly and caring enough?”

She slunk out of his grip and pretended to dust the plaster Maneki Neko cat on his corner table. The senator liked to wave back to it and giggle when he entered or left the room, feeling like it gave him good luck.

“Boss, you have my vote. One vote. You need ten million more from people who’ll never know how kind and generous you can be when I blow air behind your ears to put you to sleep.”

He smiled at the pleasurable memory and nearly forgot what he was all upset about. But then the Three O’Clock Prayer came on the Senate PA system and he suddenly remembered. Yvonne respectfully lowered her eyes and mumbled her devotions but the Hon. Dooley’s eyes grew wide with  realization.

“Holy Mamaw, I know what we should do! You hear that prayer? You know that—that Luka Luka something who impersonated the Lord and who, according to the Philippine Statistics Authority, offended 85 percent of Filipinos?”

“Yes, the drag queen who performed the Lord’s Prayer and who was declared persona non grata by eight municipalities. Why?”

“You see the media mileage he/she/they got?” Dooley had attended an obligatory gender-sensitivity program and was very careful with his pronouns. “It’s all over the news and social media! Even when I’m watching all these sexy reels on TikTok, I keep seeing this, uhm, person!”

“So what do you want to do? Get yourself declared PNG? Are you out of your mind? You want me to dress you up as Mary Magdalen?”

“No, no, no, that’s not what I meant. Let’s declare someone persona non grata! I’m sure it will make waves. Not Luka, that’s done. I hear even Barangay Suluk-sulukan in Tawi-Tawi, which isn’t even Christian, is declaring him/her/them PNG. We need to find someone new.”

“And who might that be? It will have to be someone everybody hates.”

For a minute, the two sank into deep thought. Dooley stared at Maneki Neko as though the white cat had the answers. He had brought it back as a souvenir from an official visit to Japan, tossing aside the Yayoi Kusama teapot gifted to him by the Ministry of Culture to Yvonne, who promptly sold it on eBay.

The Japanese figurine gave him an idea. “You know, with what’s happening out there, everyone in the region hates China. I mean, not Chinese food or Chinese fakes, everybody loves those, just Chinese bullying. So why don’t we declare Xi Jinping PNG?”

“Why, is he coming over for a visit anytime soon? No point in naming him PNG otherwise. And who cares about Xi when we’re letting in 150,000 POGO workers from China?”

“You’re right. Chinese presidents don’t come here—ours go to them.”

“Even exes,” remarked Yvonne. “

“Oh, him?” said the senator. “Now that was one ballsy guy! Imagine him cursing the Pope and calling God stupid? And there wasn’t one barangay or parish that declared him persona non grata for it!”

“Oh, he’s already PNG upstairs for sure, although I guess he already knew that,” said Yvonne.

A new song came on over the PA system and Yvonne recognized it instantly, emoting with its lyrics. Soon she was singing along: 

But she wears short skirts

I wear T-shirts

She’s Cheer Captain

and I’m on the bleachers….

“Who’s that?” asked the senator.

“Who else? Taylor Swift! She has  79 million Facebook fans, and last year Spotify listed her as the most listened-to artist in the Philippines. And she’s coming soon to Tokyo and Singapore!”

“Hmmm, that’s interesting. Why don’t we declare her persona non grata? I’m sure that’ll generate a lot of buzz!”

“Are you crazy? Taylor Swift? She’s not even coming to the Philippines for her Eras Tour!”

“That’s exactly it. We declare her PNG for excluding us from her world concert.”

“We can’t declare someone PNG and stop them from coming here because they’re not coming here—“

“Let’s call it racism or something. No, that won’t work if she’s going to Tokyo and Singapore. Those Tamils are browner than us. Let’s think of something else.”

And then the song changed, and Yvonne went into an even dreamier state, gliding across the floor with some cool stops and turns.

Cause I-I-I’m in the stars tonight

So watch me bring the fire and set the night alight (hey)

Shining through the city with a little funk and soul

So I’ma light it up like dynamite, whoa oh oh

“Who’s that?” asked Dooley.

“You never heard of BTS? No—no, boss, don’t even think about it! They have what’s called an Army, and it’s bigger than all the people who ever voted for you!”

Qwertyman No. 54: Two Valedictories

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Qwertyman for Monday, August 14, 2023

TWO SPEECHES delivered by graduating students of the University of the Philippines made the rounds of social media last week, garnering generally positive responses for their forthrightness. One was more strident than the other, but both carried essentially the same message: we need to reframe the way we look at the education of the poor, and what true success should mean for the working student.

The first was Val Anghelito R. Llamelo, summa cum laude and class valedictorian, Bachelor of Public Administration. The son of an OFW, Val began working at a very young age at a BPO, as a marketing assistant, and as a tutor to support his needs and that of his family’s. He was, almost needless to say, the first UP graduate his family produced, and finishing summa against all odds was the icing on the cake.

He wasn’t there, he said, to deliver the usual valedictory speech you’d expect from a person with his kind of success story. He was grateful for his opportunities, but he didn’t feel like celebrating his hard-won triumph, which people would typically applaud for its sheer improbability. And that, precisely, was the problem, according to Val.

“Why should I be an exception?” he asked in so many words. “Why can’t more Filipinos from my background do well in college and finish like I did? Why does access to a quality education remain the privilege of a few? During the pandemic, how many poor students underperformed because of their lack of access to digital technology?”

Again I’m paraphrasing here, but Val went on to say, “I don’t want to be your inspiration or role model. No one should have to endure what I faced. I want you to be disgruntled enough with the system to demand something better and not settle for less, to yearn for a system where working students, indigenous people, and individuals from impoverished families can have fair opportunities to study and to succeed. Praising us gives politicians in power an excuse to renege on their commitment to improve our lives. We overvalue resilience. Using the familiar analogy of the glass that’s half-full and half-empty, we’re often made to feel that we should be contented with the fact that it’s half-full, but we should focus on the fact that it’s half-empty, and should hold our leaders accountable for filling it up.”

The other speaker was Leo Jaminola, a BS Political Science cum laude and MA Demography graduate who juggled six jobs—as an encoder, transcriptionist, library student assistant, tutor, writer, and food vendor—to complete his bachelor’s degree. 

“Graduating with honors back then was nothing short of a miracle,” says Leo. “In the years that followed, the list of jobs I took just grew longer as I became a research assistant, a government employee, a development worker, and a consultant for different projects with some engagements overlapping with each other.  

“The past years have been a long-winding maze of seeking financial security and I have still yet to find a way out of this crisis. From full-time work, part-time work, and competitions, I did my best to provide not only for myself but also for my family. 

“While some of my peers have hefty investments in high-yield financial instruments, here I am still overthinking whether I deserve an upgrade to a large Coke while ordering at the local fast food chain. 

“During my childhood, I saw how poverty manifested itself in the form of cramped makeshift houses, children playing near litter-filled canals, and senior citizens succumbing to illnesses without even getting a proper diagnosis. Growing up, I thought of these as normal occurrences that should be accepted as it is the way of life. Now, I do not think that this should be the norm. 

“Some people will say that poverty is a personal failure and that the members of my community should work harder but I know better. One of the things that I learned from my experience is that hard work as the primary factor in being successful is a myth. That’s not to say that it doesn’t play a role but privilege and access to resources have greater impacts on whether a person ends up successful or not. 

“If hard work is all it took, then the many young breadwinners I know who continue to support their families while chasing their own dreams would not be constantly organizing their budget trackers to find ways how to stretch their salary until the next payday. 

“Others will read this and use it as some kind of living proof that people, even those from the most marginalized groups, can make it in life simply by working hard rather than addressing structural barriers. But what of those who didn’t make it despite working as hard or even harder than me? How are their experiences not evidence of the continued inaccessibility of education and opportunities in our country? 

“Rather than success, we should see my experience and the stories of so many others as systemic failures. If anything, my story should make us angry and move us to demand a much better society—one that allows our people to live with dignity, dream freely, and enjoy equal opportunities.”

The speeches echo each other, but then so have the “model” valedictories that Val and Leo so forcefully seek to subvert. Indeed, the usual narrative we hear is that of the poor boy (or girl) made good, followed by congratulatory praises for his or her tenacity and faith in Divine Providence. (Some of them, like the poor boy from Lubao, even become President.)

I have to admit that we find such stories inspiring if not necessary, because they offer the possibility of salvation for a lucky and plucky few. But we have to bear in mind as well—as Val and Leo emphasize—that for every summit achieved like theirs lie hundreds if not thousands of others who never got past base camp, not for lack of talent or will but simply for lack of means. To succeed as a nation and society depends much less on producing exceptional one-offs than on leveling the playing field for most.

(Photos from Philstarlife and pep.ph)

Qwertyman No. 52: Joe Biden’s SOTU

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Qwertyman for Monday, July 31, 2023

BECAUSE OF a glitch that happened when Chinese hackers tried to hijack America’s C-Span network so they could replace congressional programming with X-rated cartoons (on the theory that no one would miss the analogy), for a few minutes in the early morning of July 24, 2023 (Eastern Standard Time), the channel’s viewers were treated instead to the live coverage of an apparently big event happening in faraway Philippines.

Celebrities and bigwigs were getting dropped off by their limousines and luxury SUVs at some place called the “Batasan,” which a commentator helpfully explained was the building that housed the Congress of the Philippines—the Philippine Capitol, in other words, minus the dome.

House Speaker Kevin McCarthy was just about to go to bed in his home in Bakersfield—he had flown back to California for the weekend to avoid the screechings of the Freedom Caucus in his ears—and he had been having a hard time sleeping, wondering which was worse, having to deal with Joe Biden or with Donald Trump. Just when he was about to drift off to dreamland, his cellphone rang. It was an aide back in Washington, and immediately Speaker Kevin wondered if something earthshaking had happened—like Biden resigning after being diagnosed with dementia or Trump discovering honesty and humility and turning to God. “Boss, you have to see this. Tune in to C-Span!”

Grumbling, the Speaker did as asked and had to rub his eyes as he watched a woman step out onto the red carpet dressed like some aboriginal priestess, complete with warlike tattoos. Others came in headdresses, butterfly sleeves, heavily embroidered gowns, and sashes with pictures of dead people. “What’s going on? What the hell am I looking at? Is this some movie premiere or what?”

“It’s a live feed from the Philippines, what they call a SONA—the president’s State of the Nation Address, their version of our State of the Union. The president’s arriving shortly to deliver his speech.”

“You woke me up to get me to listen to some political crap in some backwater country? Are you out of your mind? Don’t we get enough of this in DC?”

“No, no, boss, it’s not about the speech—that’s the whole point, forget the speech, it’s about the fashions! Look at them, preening like peacocks and peahens. Look at the coverage, I’ll bet you, tomorrow, all the papers and social media in Manila will be talking about the dresses, not the speech!”

“And so?” Kevin got up from bed, sufficiently intrigued to pour himself a scotch in anticipation of a longer chat. This aide was his top PR strategist, and sometimes the guy came up with truly inspired ideas, like plucking Ms. Horseface away from the Freedom Caucus to boost his conservative credentials and keep the restless natives in check. Joe Biden was the enemy, but his own crew members could be a bigger pain.

“Well, don’t you see, boss? Joe Biden’s next SOTU is coming up, and… we need a distraction. We don’t want him lecturing the American people about how we’re stripping women of their rights to safe abortions, or teaching the young that slavery had some real benefits, or carving up congressional districts to make sure that dark-skinned people don’t get too much sun on election day. I mean, he’ll do that anyway, but these Filipinos know something we don’t—it’s not the speech, it’s the party! We can turn the SOTU into a fashion show and no one will care what Old Joe says!”

McCarthy took a closer look at the screen and listened to the commentators blabbering about this and that gown and comparing it to last year’s versions—the more outrageous, the better. He recalled being canceled back in January for appearing in a picture wearing a blue suit with brown shoes—par for the course in cool Europe but never in redneck America!—and smiled in anticipation of his revenge. 

As it turned out, the Speaker and his aide weren’t alone. Before the footage could be pulled off C-Span, it had made the rounds of the bars around Washington, DC, and someone found even more detailed coverage on YouTube, and when daylight broke over the Potomac it was all that the senators, congressmen, and their flunkies could talk about over their morning coffee. 

“So what are you going to wear to the SOTU?” reporters asked Georgia Rep. Marjorie Taylor Greene as soon as she stepped out the door of her DC apartment. She had a ready answer for that, having pondered the question over her Wheaties: “I’ll come in a long black dress,” she said, “with the word IMPEACH running down the front!”

It didn’t take long for Marjorie’s arch-rival on the right, Rep. Lauren Broebert of Colorado, to announce that she was coming “As Annie Oakley, in defense of the Second Amendment, the biggest victim of all the mass shootings happening in America today!”

Even Kari Lake, who was still refusing to accept her defeat for the governorship of Arizona, revealed that she was attending the SOTU as a guest, and that she was coming dressed as a Mexican muchacha—“Not to glorify diversity or any of that woke garbage, but to draw attention to illegal immigration, which is sucking the lifeblood of this great country and its legal, blue-passport-carrying citizens!”

Sen. Tommy Tuberville of Alabama, who had stubbornly and singlehandedly been holding up the confirmation of dozens of generals because he didn’t want the military to pay for the abortions of women in the service, had his own idea: “I’m having myself fitted for the uniform of a Confederate general.” Inspired by something he had seen on a related YouTube clip, he added, “And for good measure, my wife Suzanne will be wearing a gold necklace made from the excavated medals and buttons of Union Army officers!”

Reached for comment at Mar-a-Lago, Donald Trump declared he wasn’t coming, and fumed when a reporter reminded him that former presidents were invited to the event. “Who’re you calling a former president? That thievin’, lyin’ Joe is a never president—never, never, never! I should be the one giving the SOTU, not him—and I will, again!”

Alerted to the SONA brouhaha by his butler, Joe Biden passed the sugar on to Jill as the video played in the background. He listened briefly to the other president’s speech and smiled. “A New Philippines, hmmm…. How does ‘A New America’ sound to you, honey?”

“I think not,” said Jill. “In fact, we rather miss the old one, don’t we? When America was a kinder and gentler place?”

“That’s George Bush Senior’s line, honey. From the 1988 GOP convention.”

“Exactly. Back when even some Republicans got some things right.”

Qwertyman No. 49: The Best We Can Do?

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Qwertyman for Monday, July 10, 2023

“IS THIS the best we can do?” That question has been ringing in my mind since a couple of weeks ago when two issues came up that, for me and apparently many others, define the level of mediocrity to which governance and decision-making in this country has sunk. Both concerns have already been well ventilated in social media, which is far more scathing and cruel than a Monday column like mine can afford to be—I hate to start my readers’ week with something likely to leave them with an upset stomach—but let’s just think of this as a gargle to relieve our mouths and throats of unpleasant flavors.

First, ex-Atty. Larry Gadon. I don’t know the guy; I’ve yet to meet him and frankly I hope I never have to. I’ve heard the diatribe for which he was rightfully disbarred by the Supreme Court. It’s an awful slurry of verbal excrement that no one but its own source deserves to experience, and there’s doubtlessly more where it came from, disbarment or not. I can live with that, because I know that there’s an even higher court that will render judgment on this fellow and his kind, and it will come with a harshness commensurate to the totality of one’s character. 

What I find more odious is what came after: the Palace’s affirmation of its trust in its appointee as Presidential Adviser on Poverty Alleviation, and Gadon’s own vague reference to certain corporate managerial skills that supposedly qualified him for the job. I had been chatting with a lawyer the day after the disbarment, wondering what Malacañang would do next. “Oh, that won’t get past Justice Bersamin,” he said, adverting to the Executive Secretary. “Just you wait, they’ll take him down.” The next day Bersamin issued a lame press release echoing Gadon’s argument that he didn’t need to be a lawyer, anyway, to take on the Cabinet-level, Salary Grade 31 post, alleviating at least one person’s shortage of cash. (As Full Professor 12 in UP, after more than 30 years of teaching, I retired at Salary Grade 29. Am I envious? Of course I am—shouldn’t anyone be?)

At this point I was pulling hairs off my balding head. So, okay, he doesn’t need to be a lawyer to lead poverty alleviation. But what else does he bring to the job? Is choosing him the best BBM can do? Or does his selection merely confirm what Palace critics believe to be the lack of any genuine commitment to effective and legitimate governance, to give way to the dispensation of favors to political allies? Just when even skeptics were beginning to give their grudging approval to some appointments that made sense—Jimi FlorCruz as ambassador to China and Gibo Teodoro to Defense being two of them—we slid right back into the muck of patronage politics.

Does BBM think so poorly of the poor that he would entrust their fortunes to a man who, using the Supreme Court’s own words, was booted out of lawyering for his “misogynistic, sexist, abusive, and repeated intemperate language”? How will Presidential Adviser Gadon deal with the hundreds of poor women who will be flocking to his office seeking relief for their plaints? Now that he’s beyond the pale of the Supreme Court, will Gadon feel suitably chastened, or will he be emboldened to spread even more nightsoil around the yard? (The dramatist in me is whispering that true character will assert itself, and bring on its own downfall.)

Issue No. 2, the new “Love the Philippines” tourism slogan and the plagiarism mess that followed with its video. I never liked the word or expression “Meh,” which seems a lazy way to express dissatisfaction, but as 99% of social media seems to agree, “Love the Philippines” was triple-meh, totally uninspiring and unimaginative, and visually cluttered. I’m not even complaining about the P49 million reported to have been paid by the government to the ad agency that conceptualized the slogan; we know that the right few words, properly chosen, could make a world of difference in sales, many times more than the investment. (Nike’s “Just Do It” campaign, credited to the American Wieden+Kennedy agency, reportedly boosted Nike’s worldwide sales from $877 million in 1988 to $9.2 billion ten years later. We don’t know how much Nike paid for those three words, but its trademark and stunningly simple “swoosh” was drawn by a female college student who was paid $2 per hour in 1971.)

I also understand that we seem to be too self-critical and terribly hard to please when it comes to tourism slogans, maybe because they’re supposed to encapsulate and project our national identity—on which we have yet to arrive at a consensus, a century and a quarter onward. 

Dick Gordon’s “WOW Philippines” and the subsequent “It’s More Fun in the Philippines” earned their share of brickbats. But whatever those criticisms were, I’d have to agree that either one of them is infinitely better than “Love the Philippines,” whose imperative voice sounds tonally off. (Not to mention its susceptibility to parody, which the Palace’s PR watchdogs should have caught—a “Rob the Philippines” meme has been making the rounds, a tamer verb choice than others I’ve seen.) 

Social media is abuzz with what reportedly happened behind the scenes and what a Palace-favored director supposedly did to screw things up—but again, I’m not even going there, and will limit my dismay to the poor result that often emerges when money, politics, and egos get the better of creatives. The use of video clips from foreign sources to prop up a campaign for Philippine tourism was almost absurdly hilarious and totally inexcusable, and it’s hard to believe that a company as experienced and reputable as the contracted ad agency would have done that knowingly, although it owned up to it. 

At any rate, these missteps don’t do any good for any administration trying to earn the people’s trust, and the ultimate question is, what are they going to do about it? The answer will tell more about those in charge than the minor figures in these scandals.

Qwertyman No. 44: Again, America

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Qwertyman for Monday, June 5, 2023

I HAVE a good friend whom we’ll call Ted, a Fil-Am who retired a few years ago as a ranking officer in the US Navy. He was in town recently on some family business, and like we always do when circumstances permit, we had dinner and a good chat just before he and his wife flew back home.

Most of us have friends if not relatives in America, and all of this would be pretty routine except for one fact: I’m a flaming liberal, and Ted is a Trump Republican. Over the fifteen years or so that we’ve known each other—well before Donald Trump entered the picture—we’ve been aware of those political differences, but rather than politely skirt them in our conversation like many sane people would, we feel comfortable enough with each other to talk at length about them, and even exchange some friendly barbs.

Much of that level of comfort comes from my belief that, in his own way, Ted sincerely and deeply loves his country—and his ancestral home, the Philippines. He’s smart, curious, eager to learn and understand. In his former naval job and as a private citizen, Ted—who was born in the US but spent some of his formative years in his family’s hometown in Bicol, and speaks some of the local language aside from Filipino—has visited the Philippines as often as he can, trying his best to improve relations between the two countries on a personal level. (On this last visit, for example, he also took part in a ceremony to celebrate the commissioning of the USS Telesforo Trinidad, named after an Aklan-born Filipino petty officer who was awarded the Medal of Honor for bravely rescuing his shipmates from an explosion aboard their ship in 1915.)

Given his naval background—his dad joined the Navy in the 1970s—I’m not surprised that Ted is a Republican, like many military Fil-Ams are. (One notable exception is a mutual friend of ours, the former West Pointer, Army Ranger, and diplomat Sonny Busa, as staunch a Democrat as they come, and a key figure behind Filipino veterans’ causes in Washington.) His support for Trump despite the man’s many failings continues to mystify me, but I’m guessing that in his calculations, Ted chose to cast his lot with the man best positioned to thwart the liberal agenda. That includes items that Ted and other Republicans feel extremely uncomfortable with, such as what he calls the “celebration, beyond just acceptance” of transgender rights, and their judicial enforcement.

Perhaps with any other person, my liberal hair-trigger would have fired away at such comments with a fusillade of counter-arguments, but with Ted I find more value in listening and trying to understand a certain mindset, as different as some of its premises may be from mine. In our last conversation, what Ted had to say was profoundly disturbing. I’m paraphrasing here, but essentially it was this: “America is a mess. People can’t talk civilly to each other anymore. When I say I’m a Republican, people instantly assume I’m a racist.” To which I said that people at the top like Trump (and our own version of him here) greenlighted that kind of boorish discourse, with additional pressure brought on by right-wing militias armed with AR-15s. We talked about January 6 (which he opined was not an insurrection) and the Second Amendment (which I said seemed sacrosanct in American politics). “You have cancel culture,” he sighed, “to which the other guy responds by going bam bam bam!” He was deploring, not endorsing it, trying to get a fix on his own society’s ailments. “It’s in our DNA,” he said glumly about guns.

Thankfully Ted and I always have other things to talk about—like the Philippines, in which Ted said he feels much more relaxed than his own country. He knows how worked up I can get about politics and our own leadership (or the lack thereof), but as far as he could see on this trip, I and my fellow Filipinos (including those he met in Bicol) were just chugging along. “We’re survivors,” I said, “and we’ll do what it takes to get by from day to day.”

That brings me to another friend, “Tony,” who messaged me out of the blue the other day, obviously distraught by the Senate vote on the Maharlika Fund bill and asking if it was time for him and his family to leave the country, given how we seem to be back on the road to political plunder and economic ruin. It wasn’t just a rhetorical question; he was really thinking about it. Here’s what I said:

“Hi, Tony—If it’s a realistic option, I don’t think anyone can or should blame you for leaving or wanting to leave. We have only one life and we have to make the most of it in all ways. Politics is important, but it’s only one of many other factors that define who we are—love, art, family, and faith, among others. That said, it can have a way of complicating our lives and life choices. 

“Moving to the US has also been an option for me for some time now. Our only daughter lives in California and has been wanting to petition us. But my wife and I have been strongly reluctant to move there, although we visit almost every year and are familiar and comfortable with living in the US, where I spent five years as a grad student. We are artists, and our work is culture-bound. We feel appreciated here, within our small circle of friends. However good we may be, in America we would be marginalized; we don’t want to become an American minority and deal with all the issues that will come with it. And America has become much less inviting now, with all the intolerance and racial violence provoked by Trumpism. 

“So unless it were a matter of life and death, we’ll stay here, despite the present dispensation and many more aggravations like the Maharlika Fund to come in the years ahead, because I feel that my continued survival and success will be my best way of fighting back. Having survived martial law, we can survive this as well. Everyone’s circumstances are different, and again you should feel free to find your place where you can best live with your family and secure their future. Nothing is ever final anyway, and you can always come back. Follow your heart and conscience, and you should be all right, wherever you may go. All best!”

(Image from bu.edu)

Penman No. 451: A Harvest of Books

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Penman for Sunday, June 4, 2023

IF YOU’RE reading this on this Sunday morning, then it’s not yet too late for you to find a cab and get yourself over to the World Trade Center in Pasay City to catch the last day of the Philippine Book Festival, and have your favorite Filipino authors sign their books for you.

Organized by the National Book Development Board (NBDB) in partnership with the National Library and other agencies and organizations, the PBF will showcase the best of new Philippine writing and publishing, with the bonus of having most of the authors around for signings, chats, and the now-obligatory selfies.

Since the Internet took off thirty years ago, people have been declaring that “Books are dead!” (And even before that, “The Author is dead!”—although, of course, not quite in that almost literal sense). Well, guess what—both are very much alive, whole new generations of them, as if the Internet never happened. I don’t have the hard figures to show—I’m sure the NBDB has them—but just from what I’ve seen at the past Manila International Book Fairs (the next one of which will be held in September), there’s much more new writing and publishing happening now than there was before the Internet. 

There are many drivers for that, one of which has to be the proliferation of writing programs and workshops, whose graduates really succeed only when they come out with books. (Like I often remind Creative Writing grad students who take forever to “perfect” their thesis projects, “You’re writing for no more than five readers—your dissertation committee—and when you’re done, your thesis will be sitting on a solitary shelf. Just do what you need to pass the damned defense and focus on producing your first book out of that draft! Your real examiners will be your readers.”) 

Another factor is the growth of the publishing industry, which has become much more diversified in terms of ownership, material, and audience. The long years of martial law drove much creative output underground, so to speak, with few available venues for literary publishing and only competitions like the Palancas providing incentives for continued production. (On the other hand, the government presses kept churning out books on the First Couple’s abounding wisdom.) Post-EDSA, the pent-up dam broke, and literature flourished, but still hardly on the scale we’re seeing today.

I suspect that’s because many new players have gone into publishing, finding niche markets for everything from religious and self-help books to graphic novels and high-end coffee-table books. Among these, I’d count Milflores Publishing, founded by the late Tony Hidalgo and now in the hands of the very capable Andrea Pasion-Flores. Balangay Books, focused on local literature, has been opening doors for new young authors, and belongs to the Indie Pub Collab PH, a group of independent publishers. Down south, Savage Mind Bookshop and the Ateneo de Naga University Press have made great strides in literary publishing not just in the Bicol region but well beyond. Emerging in the wake of the Pink Revolution, San Anselmo Publications has made a name for itself as a purveyor of progressive thought. A recent visit to OMF Literature’s bookshop and office along Boni Avenue showed me how Christian literature is flourishing, attracting both new authors and readers. 

Let’s not forget self-publishing, which with such new technologies as print-on-demand and e-books has outgrown the stigma of “vanity” publishing and has produced both commercial and critical successes. While overall quality remains highly variable, the free Internet has empowered and enabled a new generation of young people to feel like they can become “writers” by posting on such sites as Wattpad—and some of them will be. (The irony here is that, as on Amazon, writers who succeed in their e-book debuts then get picked up by publishers of physical books.) Professional design and editorial outfits such as Studio 5 and Perez NuMedia also exist to help individuals and institutions turn their ideas into prizewinning books.

And then of course the long-established big-name publishers and academic publishers are still around: Anvil Publishing, UP Press, Ateneo de Manila University Press, UST Publishing House, and the University of San Carlos Press, among others. Vibal Publishing has produced impressive and sumptuously printed historical books—as has, let’s not forget, the National Historical Commission. They remain the publishers of choice for what might generally be considered prestigious but non-commercial projects, although their marketing savvy has vastly improved, from book design to distribution (much of the bookselling has moved online, to Shopee and Lazada). But since the wait at these publishing houses tends to be long, even established Filipino authors like novelist Charlson Ong (White Lady, Black Christ) have gone with such alternatives as Milflores (as did I, in its previous incarnation), which can often provide speedier results with no sacrifice of quality.

One more thing: more Filipino authors have begun to get published and noticed abroad, beyond America. Note the recent publication of Ulirát: The Best Contemporary Stories in Translation from the Philippines, edited by Tilde Acuña et al., and the South Africa-based Jim Pascual Agustin’s Waking Up to the Pattern Left by a Snail Overnight, both by Gaudy Boy in Singapore. Singapore is also where Penguin Random House SEA is based, and from where it published Danton Remoto’s novel Riverrun and his book of stories The Heart of Summer(aside from his translations of our classic works in Filipino), and Maryanne Moll’s novel The Maps of Camarines. I’m also happy to report that my novel Soledad’s Sister just came out in a German hardcover edition (as Last Call Manila) from Transit Buchverlag, following earlier editions in Italy, France, and the US. A 15th-anniversary edition of the novel, along with a new edition of my Voyager collected stories, are on sale at PFB—as are almost all of the books I mentioned here, with their authors on hand to sign them.

So wait no further and grab that ride to the WTC, for your share of this bountiful harvest of Filipino books. (Did I say that entrance is free?)