Category Archives: Education

Qwertyman No. 99: A Call to Engage

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Qwertyman for Monday, June 24, 2024

I WASN’T going to start this column on this note since I had another topic in mind, but it occurred to me that these two concerns may after all be related and have a bearing on one another.

You may have missed it since it was just local news, but a few weeks ago, elections were held for the University of the Philippines Student Council (UPSC) in Diliman—historically, the breeding ground of young hopefuls destined for national politics. It’s always been a tight and sometimes even bitter contest of personalities and platforms, strategies and tactics, rhetoric and resources. Given its superior organization, ideological discipline, and progressive platform, the student Left has held an advantage in these elections over the past few decades, but vigorous and sometimes successful challenges have arisen from centrist parties appealing to more student-oriented causes. 

The outcome is often eagerly awaited. But last month, something incredible happened. The “abstain” vote won, leaving the posts of chairperson, vice chairperson, and many councilors unfilled—and they will so remain. 

It would be easy to read this as a sign of apathy, especially given that only 36.7 percent of the student body voted this year, but those “abstain” votes sent a clear and deliberate message: we don’t want any of you, we want something or someone better—could we please have some real change around here?

I could understand that; as a teacher (I still teach optionally, even if I’m retired), I’ve opened the classroom door to scores of student candidates asking for five minutes to make their campaign pitch, and almost invariably, it’s the same familiar litany of complaints over this and that (the same ones we ourselves mouthed half a century ago)—valid complaints, to be sure, but thoroughly tired and uninspiring. And when you ask, even in your mind, “So what are you going to do about it?”, you can hear the answer coming: “Elect us, and we’ll show you!” I let my students raise the difficult questions (that’s what I train them to do) and share their discomfort and embarrassment when they don’t get the specific and well thought-out answers they deserve.

Now, put that scene on “pause,” and let me report on another UP matter (even if you’re not from UP, this likely concerns you because UP accounts for about 20 percent of our national budget for higher education).

Last week, on the occasion of UP’s 116th founding anniversary, President Angelo A. Jimenez formally presented a set of ten “flagship programs” to the media and the public which his relatively new administration will seek to undertake—not necessarily complete, but at least initiate—over the remaining five years of his tenure. These programs were the result of year-long consultations with the university’s academic and administrative leaders. They cover academic excellence; inclusive admissions; research and innovation; Open Distance e-Learning (ODeL); Archipelagic and Oceanic Virtual University (AOVU); active and collaborative partnerships; arts and culture; expansion of public service offices; Quality Management System (QMS) and Quality Assurance (QA); and digital transformation. 

Jimenez (or “PAJ” as the university community calls him) was quick to explain that rather than being new or distinctly separate programs, these are really thematic priorities that pull together many existing threads from UP’s wide range of teaching and research expertise. For example, the AOVU concept whereby UP will undertake a more comprehensive but also more coordinated study of our marine resources—our “blue economy”—draws on UP’s longstanding experience in marine science, fisheries, and maritime law, with the added emphasis on our archipelagic geography as a strength rather than a weakness. This will be supported by such innovations as UP Los Baños’ new PhD offering in Environmental Diplomacy and Negotiations aimed at developing leaders from around Southeast Asia who can bring good science into environmental conflict management and sustainable development.

There are many aspects and details of the ten flagship programs that deserve deeper discussion—and some will certainly be challenging if not controversial—but some key themes resonated with me most strongly as a former administrator, a teacher, and a UP fanatic since my childhood days when my mom (UP Educ. 1956) indoctrinated me by playing a record of “UP Beloved” and “Push On, UP” over and over again on our turntable.

Likely of greatest impact to most Filipinos was PAJ’s pledge to democratize UP even further by adopting policies that will bring in more students from underrepresented and marginalized sectors of the country, to correct the lopsidedness of UP’s student profile now favoring private and largely metropolitan high school graduates without necessarily compromising UP’s high admission standards. One way would be by engaging more UP student and faculty “Pahinungod” volunteers to help in teaching disadvantaged students pre-UPCAT, and also by providing sustained support to such students who pass the UPCAT but decide to stay out because of the high expenses of studying in a UP campus (a budget has been set aside to support 350 of these students under the Lingap Iskolar program).

But the key word of the day was “service,” which has been added by PAJ to UP’s traditional motto of “Honor and Excellence.” (I know there’s been some grumbling, in typical UP fashion, over the process by which that decision was arrived at, leading me to sigh and ask, “Is that even a fight worth picking? Isn’t ‘service’ the one thing we can all implicitly agree on?”) Jimenez wants UP to be more engaged with the people, with communities, with other universities, citing programs such as UP Tacloban’s response to the seasonal red tides that render mussels unsafe to eat but still useful as extracted material for pharmaceuticals and cosmetics.

Above all, service should be a mindset that impels UP students and faculty members to find meaningful roles on their own in their community, whether local, national, or global. It struck me that perhaps this was what our student politicians needed to find and articulate, beyond sloganeering about often abstract issues—how can I serve you and our people, as I am, where I am? What can I do for you?

That “abstain” vote should be minded by the administration as well, and not just in UP. Our youth are seeking to be engaged and inspired—but their cynicism will abate only if they see, in their elders, the exemplars of the integrity and accountability, aside from ability, that any prospective servant of the people should bring to the job.

(Image from upd.edu.ph)

Qwertyman No. 98: Panahon Not

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Qwertyman for Monday, June 17, 2024

WHOEVER URGED President Marcos Jr. to issue that memo mandating all government agencies and schools to sing the new “Bagong Pilipinas” hymn and recite the accompanying pledge at flag ceremonies should be banished to the farthest reaches of Malacañang, in the archives chronicling his predecessors’ most stupid mistakes.

PBBM was already riding a cresting wave of nationalism (bordering, let’s admit it, on Sinophobia for many) because of Chinese aggression in the West Philippine Sea and scandals related to offshore gambling operations run by Chinese in the country. He also earned grudging points from even his staunchest critics and detractors for seemingly being open to investigating the human rights excesses of his iron-fisted predecessor and sanctioning the arrest of one of that man’s most notorious cronies (an unsuccessful operation that Vice President Sara Duterte found the delicacy to deplore for its “excessive use of force,” which you never heard her say about her papa’s murderous tokhang campaign). 

Bongbong Marcos, in other words, was beginning to look and sound like what Rodrigo Duterte never could: a president with a grasp of the issues and a sensitivity to public opinion. Even former Associate Justice Antonio Carpio, a prominent figure in the opposition in 2022, praised BBM for the latter’s recent foreign policy speech in Singapore, where he cited the Treaty of Washington whereby Spain ceded Philippine territory beyond what was stipulated in the Treaty of Paris. “This finally corrects the greatest misconception in Philippine history,” said Carpio, a militant advocate of Philippine territorial rights, “a watershed moment in our fight to defend our island territories and maritime zones in the West Philippine Sea.” 

No, it didn’t mean that the old pre-EDSA issues were forgiven and forgotten, nor that new ones like the dubious Maharlika fund haven’t emerged over the first two years of his tenure, on top of his wanderlust. But BBM has had the good luck—if you can call it that—of inheriting Chinese expansionism and the Duterte legacy, and the good sense to get on the right side of these thorny concerns. 

Granted, there’s no real way to know if his deviation from Digong’s Sinophilia and trigger-happiness is sincere and not just a ploy to torpedo Inday Sara’s claim to succeeding him and install his own man. At this point, it doesn’t seem to matter much; so brazen has Chinese aggression been that even Duterte’s boys in the Senate have felt compelled to wear “West Philippine Sea” T-shirts, even as their lesser allies pose as “peaceniks” who somehow saw nothing wrong with the former president waging war on his own people.

So did BBM’s team—or BBM himself—think that this was the right time to reap some of that PR dividend, consolidate his gains, and foist the “Bagong Pilipinas” brand on the country through a new song and pledge?

The implicit rationale, we can understand. It’s a page right out of his dad’s New Society playbook: use music—indeed, use culture and education—to generate team spirit, or at least some semblance of it. That’s what anthems, hymns, and fight songs are for, from the American Civil War’s “Battle Hymn of the Republic” to the quintessentially English “Jerusalem” and the Nazi “Horst Wessel Lied.” Here in the Philippines, no martial-law morning was complete without the “Bagong Lipunan” (its real title was “Bagong Pagsilang”) song playing on the radio. 

To be fair (if it’s even possible to say that, given that the regime put me in prison for seven months in 1973), it was a catchy, well-written song, with a martial (what else) rhythm; that we still remember at least the tune five decades later attests to the success of its imprinting. It resurfaced on the airwaves shortly after BBM took office in 2022, reviving apprehensions of a New Society 2.0, but it seems to have been pulled shortly after, leading me to suspect that BBM, after all, wanted to be taken on his own and move away from his father’s shadow, which would have been the smart (if nearly impossible) thing to do.

But the imposition of this “Bagong Pilipinas” hymn and pledge again invites uncomfortable parallels and comparisons with what FM Sr. did—and I don’t mean just having the martial-law anthem composed and played, but everything else that came with the New Society: the corruption, the arrests and killings, the submission of our institutions to autocratic rule. 

If you don’t want to go there, let’s talk about just the “Bagong Pilipinas” song itself—have you even heard it? I’m not a music critic, but even I can tell that it’s barely singable, with an uneven tempo, with immemorable lyrics, the constant refrain of which is “Panahon na ng pagbabago” (“It’s time for change”), probably the tritest political message there ever was. You need a trained choir and a band capable of trumpet flourishes to render the piece effectively; I can be convinced that this will work only if I see and hear the President himself and his Cabinet singing the song from memory at the Malacañang flag ceremony (and let’s add the new Senate President, who has embraced the directive).

I don’t know how many millions went to the lyricist and composer of the song, who have mysteriously remained anonymous; clearly, they weren’t the late National Artists Levi Celerio and Felipe de Leon, who worked together on the “Bagong Lipunan” hymn. Perhaps BBM’s critics should be happy that they weren’t that good because, presidential mandate or not, this hymn and its equally problematic pledge seem fated to be ignored and forgotten for their sheer unusability, superfluity, and irrelevance.

PBBM should have been advised that at a time when the nation needs to pull together against a visible external threat, we need constancy, not change, not confusion over who and what we are. We need our one and only National Anthem more than ever, and the same Pledge of Allegiance we have been reciting since our childhood years. Panahon na? Panahon not.

Qwertyman No. 96: Not Filipino Enough

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Qwertyman for Monday, June 3, 2024

IN THE current feeding frenzy over Bamban, Tarlac Mayor Alice Guo’s allegedly questionable citizenship (to which I admittedly contributed with my tongue-in-cheek take two weeks ago), a consensus appears to have formed that Mayor Guo isn’t Filipino, or isn’t Filipino enough. All kinds of “tests” of “Filipino-ness” have come up online, things that every homegrown Pinoy is supposed to know: dinuguan, chismis, Dolphy, chaka, peks man, etc.

The ancient Hebrews had a word for this practice, by which they distinguished friend from foe: “shibboleth,” which supposedly couldn’t be pronounced correctly by the enemy, much like the myth that “Mickey Mouse” was the password American GIs used on D-Day, because it was something only Yanks understood.

We can understand how and why these exclusionary measures serve a purpose: to protect the community from external threat. At the same time, these cultural code words help define that community by establishing a common denominator (as common as can be—not George Washington or Alexander Hamilton, but Micky Mouse). Interestingly, they say as much about the excluders as the excluded.

The larger question that needs to be asked by truly inquiring minds is this: what does it really take or mean to be Filipino? Not just “a Filipino,” a matter of citizenship or legal personality provable with birth certificates and passports, but “Filipino” in a more personal, cultural, and even psychological sense.

When we challenge Mayor Guo’s identity—is she who she claims to be?—we imply that we know ours, and feel secure in that knowledge. We think that eating balut and pinakbet, dancing the tinikling and budots, listening to the Eraserheads and April Boy Regino, putting out an open palm ahead of us and bending when we cross a busy room, and counting on our hand from one to five starting with the pinky finger make us Pinoy—and of course they do; but are they enough?

Academics (and, let’s not forget, politicians) have long wrestled with this question, given how our extensive colonial history has effectively extinguished whatever the aboriginal pre-Filipino may have been in most of us. For better or for worse, the “Filipino” we speak of and identify as today is a fairly modern construct and, to my mind, still very much a work-in-progress, as is the Filipino nation itself.

One such academic view was provided by UP Assistant Professor Jay Yacat in the Philippine Journal of Psychology in 2005, where he wrote that “The label ‘Filipino’ functions as a social category. And as such, it is important to identify its boundaries. The meaningful boundaries define the loob/labas of the concept of Filipino. Identity as Filipino was found to have three relevant components: pinagmulan (socio-political component); kinalakhan (cultural component); and kamalayan (psychological component). This supports the position that national identity is more than a political identity. It is possible to think of national identity as three kinds of relationships: relationship with the state; relationship with culture; and relationship with self and others.…

“However, the more interesting finding is that individuals and groups place differing emphases on the three dimensions…. Another important implication is… the constructed-ness of our national identity. Our notion of being Filipino is negotiated and not fixed. This means that our definitions of being Filipino have the potential to be changed depending on a variety of factors: gender, ethnicity, age, political convictions, background, upbringing among others. True, this flexibility may bring about more confusion about our national identity but on a more positive note, this could also provide maneuverable spaces for marginalized groups to participate in a national context: Chinese-Filipinos, Amerasians and other biracials in the Philippines; naturalized citizens; indigenous peoples; and non-Christian groups….

“The analysis identified two kinds of Filipino-ness. This is based on the level of identity integration into one’s loob. A more integrated sense of Filipino identity is called ‘Pilipino sa puso.’ The individual who has not fully integrated this sense of being Filipino into the self is known as ‘Pilipino sa pangalan.’ Kamalayan (psychological sense) seems to be the primary determining factor of Filipino-ness.”

That’s a lot to digest, but my clearest takeaway—which we don’t really need a professor to tell us—is that Filipino-ness can be superficial or deeply felt and understood. The degree of that understanding—of who we are, where we came from, where we want to go, how to get there, and whom we need or want to make that journey with—may yet be the ultimate gauge of how Filipino we are. 

Another suggestion I’d like to make is that to be Filipino is to be inclusive, and therefore tolerant of other ethnicities, cultures, and beliefs. We’d never have survived this far if we weren’t so, despite the regionalism that seems ineradicable in our national politics. 

The Senate is right to continue probing Mayor Guo for her suspected ties to illegal gambling and human trafficking, and for the questions hovering over her citizenship. But Filipino-Chinese cultural advocate Teresita Ang See is also right to deplore the disturbing turn of the public mood into one of a witchhunt against the Chinese among us. 

Continuing Chinese provocations in the West Philippine Sea present a clear and present danger. The Guo allegations and suggestions of “sleepers” in the country are riding on those concerns to build up a hysteria that might ultimately divide rather than unify us. They deserve to be investigated, but without losing focus on the real enemy. I’ve seen some of the vicious feedback that Ang See has received for her sober warning; none of that vitriol makes her any less a Filipino than her attackers.

Indeed, the worst damage to our security and sense of nationhood isn’t being done by Chinese spies, but by Filipinos parroting the Chinese line or selling us the story that opposition to Chinese aggression is futile and that seeking international help against it will only bring on a war we can’t win. These are the real sleepers in our midst.

Qwertyman No. 94: Artificial Intelligence

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Qwertyman for Monday, May 20, 2024

DR. CHICHOY Carabuena had a problem. He wanted the school he owned and ran—the Generoso Carabuena Academy of Pedagogy in Santa Vicenta—to place higher in both national and international rankings, partly so he could raise tuition fees, and also so he could claim bragging rights among his university-president friends and drinking buddies. He had inherited the school from his grandfather; Generoso Carabuena was a banker who had collaborated with the Japanese and stolen the money they left behind to open a school for teachers, which was his wife’s dream, becoming a war hero in the process for outsmarting the enemy. 

The school had done well enough to the point that Chichoy’s dad Ramoncito could buy a Mercury Capri that he regularly drove to Manila to carouse in its nightclubs. Chichoy was the product of one of Ramoncito’s dalliances with the agreeable ladies, and it fell on him to rescue both the business and the family name from ruin and disrepute. He had been managing a carinderia for Pinoy workers in Dubai when the call came, and always wanting to become someone of substance, he returned to Sta. Vicenta to turn the daughters and sons of hog butchers and vegetable growers into teachers, like he imagined himself to be. Surely higher education wasn’t all that different from running a restaurant and coming up with the right menu at the right price for your customers. He had secretly dreamed of becoming a mayor, a congressman, or even governor, but first, he had to make a name for himself and make money.

Somewhere along the way he picked up a “Dr.” from a diploma mill and dressed the part, coming to his office even in the warmest of days in coat and tie. “More than anything else,” he would lecture his new recruits, “first impressions count, so before you even become a teacher, you have to look like a teacher, walk like a teacher, and sound like a teacher!” He had a faux marble statue made of his grandfather to greet visitors at the school entrance, and another one of Jose Rizal standing behind Generoso, as if looking on in approval. 

But lest people think he was beholden to the past, Chichoy Carabuena peppered his speeches with 21st-century mantras like “disruption,” “innovation,” “sustainability,” “customer-centric,” and, yes, “21st-century.” “The great challenge to higher education today,” he would often declaim, “is to produce graduates attuned to a global climate of disruption and innovation, mindful of evolving needs and opportunities in the marketplace of ideas while seeking sustainable and synergistic 21st-century solutions to problems rooted in our feudal and neocolonial history.”

Those speeches were written for him by his former executive assistant named Mildred, a UP graduate whom he had to fire when his wife discovered them smooching in his office—an act he vehemently insisted to be no more than a paternal gesture, much like  former President’s public bequeathal of a kiss on a married woman, a defense that gained no ground. His wife personally chose his next EA, a former SAF commando named Dogbert; making the best of the situation, Chichoy paraded Dogbert around as his bodyguard, spreading the rumor that his life was under threat from unspecified enemies determined to keep the quality of Philippine education down. “We can give them no quarter,” he declared at the last CHED event he attended. “We must resist, with all impunity, those who aim to keep our poor people shackled to the twin pillars of ignorance and idiocy!” He missed Mildred in those moments, but he felt quite pleased with his growing self-sufficiency in speechwriting, thanks to his new discovery, ChatGPT. Of course it never quite came up to his standards, so he tweaked the prose here and there, like that reference to Samson that he hoped would bring the house down.

But now, reading the reports of top Philippine universities slipping in their rankings in the usual Times Higher Education and Quacquarelli-Symonds surveys, Dr. Carabuena saw an opportunity for his modest HEI to rise. “As their mystique diminishes, so our aura will grow,” he informed an indifferent Dogbert. “We just need to come up with sustainable innovations that will disrupt the status quo.” Dogbert handed him a slim folder. “Sir, someone wants to see you, to apply for the position of Academic Vice President.” It was a position that Chichoy himself had held concurrently to save on salaries, but now he felt obliged to pass it on to a real expert. He flipped the folder open and saw the picture of a cute Chinese-looking woman going by the name of “Dr. Alice Kuan.” Chichoy was mesmerized. “Send her in—and get out!”

When Dr. Alice Kuan stepped into Chichoy’s office, he felt himself enveloped in a miasma of jasmine, peonies, and five spices—everything good he remembered from his only visit to China many years ago. Her lips were lotus-pink, her skin ivory-white, and here and there dumplings suggested themselves to his imagination. “Good morning, Dr. Kuan! Please, have a seat! You’re here to apply for the AVP job?”

“Yes, Mr. President,” she said with a quarter-moon smile, “and I come with many ideas for both improving your curriculum and raising revenues through academic innovations.”

“Innovations! I like that! Like what?”

“Why artificial intelligence, of course! We could use AI to teach many of our courses, reducing costs. Also, we could bring in more foreign students from—uhm—friendly neighboring countries, while creating part-time employment opportunities for them in—uhm—online entertainment, for which we could even lease out some of your campus property. It would create a huge economic boost for Sta. Vicenta!” 

Temple bells rang in Chichoy’s mind. Not only was she fetching; she was smart! Suddenly he could see his political future brightening. He wanted to know more about this adorable avatar, and only then did he notice how patchy her resume was. 

“Your birth certificate was filed when you were…. 17?”

“Was it? I don’t remember.”

“Which elementary school did you go to?”

“I don’t remember. Maybe homeschooling?” She threw him an exasperated sigh. “Look, Dr. Carabuena, does it matter? I can have AI do a perfect resume if that’s what you want. If not, I can take my ideas to the Fontebello Institute of Technology in San Bonito just an hour away, and maybe they’ll be more receptive to disruptive innovations—”

“No, no, no! Disruptive, I like disruptive! Please, Dr. Kuan, stay in your seat! I’ll have somebody prepare your contract. Dogbert!”

(Image generated by AI.)

Qwertyman No. 93: A Century of Philippine Accountancy

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Qwertyman for Monday, May 13, 2024

IN MY long life as a professional writer—aside from being a fictionist, journalist, and academic—I’ve occasionally been asked to write books for both private and public institutions and individuals, usually to commemorate an important milestone. My clients have included banks, power and energy companies, accounting firms, NGOs, business tycoons, politicians, and thinkers. 

While it’s a job, it’s also been a great learning experience for me, particularly when I’ve had to deal with topics like oil exploration, steel manufacturing, and geothermal energy. I begin to understand how things really work in our economy and society, seeing the cogs and wheels that turn industry, create jobs, and produce things people need. I meet people I never would have run into otherwise, people with interesting stories to tell about themselves and their work.

Probably the most famous of those people was Washington SyCip, the legendary founder of SGV & Co., once one of Asia’s largest and most highly respected accounting firms, whose biography Wash: Only a Bookkeeper I wrote back in 2008. When people tell me how boring the lives of accountants must be, I tell them the story of Wash, who wasn’t just an academic prodigy who graduated summa cum laude from college at 17, but who also served as a US Army codebreaker in India in the Second World War. Granted, not many accountants lead lives as colorful as Wash’s, but to suggest that there’s no drama in accountancy is certainly mistaken. 

I discovered this in my latest (and very likely my last) commissioned book, A Century of Philippine Accountancy, which will be launched this week by the Philippine Institute of Certified Public Accountants (PICPA) Foundation. The book is a compendium of both big and small stories, an institutional history that also delves into the personal struggles and triumphs of key people in the industry.

The centennial book comes a bit late, because the Philippine accounting profession formally traces its beginning to March 17, 1923, when the Sixth Philippine Legislature passed Act No 3105, “An act regulating the practice of public accounting; creating a Board of Accountancy; providing for examination, for the granting of certificates and the registration of Certified Public Accountants; for the suspension or revocation of certificates and for other purposes.” Six years later, the PICPA was established within the private sector to represent professional interests.

Of course, some form of bookkeeping was being practiced in the Philippines long before that. Given the Philippines’ vigorous trade with other countries such as China even before Spain’s arrival in 1521, there must have been some early form of record-keeping maintained by both natives of the islands and their foreign trading partners. Accounting in early China was said to have reached a peak during the Western Zhou dynasty (1100-771 BC); the Chinese developed sophisticated methods of accounting to keep track of such basics as revenues, expenditures, salaries, and grain. In Spain, regulations began to be applied regarding the accountability of companies starting with Queen Juana and her son Emperor Charles V in the 1500s. Manila’s galleon trade with Mexico, which lasted from 1565 to 1815, required meticulous bookkeeping, and archival records still exist of the cargo manifests of the galleons; these records show, for example, that audits of the ships’ cargo revealed discrepancies in capacity that suggested smuggling (whereby space meant for such necessities as water was reduced to make way for profitable goods).

Since 1923, the profession has grown in the Philippines by leaps and bounds to nearly 200,000 registered CPAs, employed in over 8,000 firms and partnerships. Based on the number of Publicly Listed Companies (PLCs) they audit, six firms dominate the industry: SGV & Co. (Ernst & Young); Isla Lipana & Co. (PricewaterhouseCoopers Philippines); R.G. Manabat & Co. (KPMG Philippines); Reyes Tacandong & Co. (RSM Philippines); Punongbayan & Araullo (Grant Thornton Philippines); and Navarro Amper & Co. (Deloitte Philippines). In keeping with the times, many local firms have affiliated themselves with large global partners to avail themselves of the latest technology and expertise. (For a bit of trivia, the first Filipino CPA was Vicente F. Fabella, the founder of what is now Jose Rizal University.)

The profession is governed by the Board of Accountancy (BOA), which administers the CPA Licensure Exam at least once a year. The BOA in turn is supervised by the Professional Regulatory Commission, along with other professional boards. The BOA and PRC work closely with the Securities and Exchange Commission (SEC), which is responsible for ensuring the integrity of the country’s financial system and its institutions.

The 1997 Asian financial crisis highlighted the importance of quality assurance and adopting international financial reporting standards in accounting. With the help of the Asian Development Bank and the World Bank, the major players in the profession—PICPA, BOA, PRC, and SEC, among others—undertook studies to reform the industry, resulting in the Philippine Accountancy Act of 2004. The SEC also initiated an Oversight Assurance Review to extend and strengthen reforms further. What the book chronicles most significantly, according to former SEC Commissioner Antonieta Fortuna-Ibe, is the Filipino CPA’s rise to global respectability and prominence, because of the industry’s relentless efforts to raise its standards and to keep pace with the latest developments in financial technology. Ibe stood at the vanguard of many basic reforms in Philippine accountancy, and was behind the push for a book to mark their centenary.

The profession will need to adapt to the ever-changing financial landscape. As SGV’s Wilson Tan puts it, “While we have yet to see how new technologies such as the Metaverse and the integration of AI into work applications will impact the accounting profession, CPAs of the future will need to likewise evolve their skills and capabilities. Foundational changes will need to be made in the curriculum to integrate learning that encompasses non-financial reporting matters, use of technology, data, and analytics, and cybersecurity, among others.”

Personal integrity, as ever, lies at the bedrock of accountancy. The BIR’s Marissa Cabreros reminds everyone that “Every CPA being asked to sign a financial statement must give weight to the purpose of their signature. If it has your signature as a CPA, we expect that you reviewed and recorded that properly. But unfortunately, sometimes lapses happen and CPAs forget what they signed for. An accountant must always have the importance and value of her signature in her heart.” Wash SyCip could not have put it any better.

Accountants and other members of the public interested in getting a copy of the book can email Lolita Tang at lolitatang@yahoo.com for more information.

Qwertyman No. 91: 1968 Redux

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Qwertyman for Monday, April 29, 2024

A WAVE of pro-Palestinian protests has been sweeping American college campuses, prompting academic administrators and political leaders to push back and invoke their powers—including calling in the police—to curtail the demonstrations. 

House Speaker Mike Johnson—a Trump ally and staunch supporter of Israel—probably spoke for his ilk when he told protesting students at Columbia to “Go back to class! Stop wasting your parents’ money!” He also called on Columbia University president Minouche Shafik—an Oxford Economics PhD and English baroness who also happens to have been born in Alexandria, Egypt to Muslim parents—to resign for not moving strongly enough against antisemitism on the Columbia campus, despite Shafik’s controversial suspension of pro-Palestine student groups earlier and her resort to police action, resulting in mass arrests.

The protests and the violent response to them threw me back to 1968, when the world’s streets from Chicago to Paris shook from the boots of students and workers marching against the Vietnam War, for civil rights, and for women’s liberation. In the Philippines, student organizations such as the SCAUP and the newly formed SDK took up the same causes, on top of a resurgent nationalism. I was too young to have been part of these great movements then, although we marched in high school for “student power,” whatever that meant. I would get deeply involved as the decade turned, infected by the inescapable ferment in the air; in 1973 I would realize that protest had a price when I spent seven months in martial-law prison.

I’ve tried hard to think what it would be like to be 18 and a student today, what cause would drive me to the streets and to pitch a tent on the campus grass. While we Pinoys have our sympathies, Gaza seems too distant for us to mobilize for, and certainly we don’t lack for domestic issues to be bothered by, although our level of tolerance appears to have risen over time. In 1971, a 10-centavo increase in oil prices was enough for us to trigger the Diliman Commune; today we routinely wait for Tuesday’s inevitable announcement of gas price hikes and sigh.

Perhaps time and age do bring about shifts in perspective; some leftist firebrands of my youth have now become darlings of the right, and I myself have moved much closer to the center, ironically morphing from student activist to university official at the time of my retirement.

As that administrator—at a university where protesting is practically part of the curriculum—I can appreciate the bind Dr. Shafik now finds herself in, hemmed in from both left and right, with the complexity of her thinking and the brilliance of her own achievements reduced to a single issue: how to deal with students who won’t “go back to class and stop wasting their parents’ money,” as Speaker Johnson would have it, and will instead insist on their right to self-expression, whatever the cost. Aggressiveness, audacity, and even insolence will come with the territory. Persons in authority become natural targets of one’s rejection of things as they are; the preceding two generations are to be held immediately responsible for things gone wrong. 

I recalled a time when UP students barged into Quezon Hall to interrupt a meeting of the Board of Regents to plead their cause. Some furniture was scuffed, but the president sat down with the students and discussed their demands. No one left happy, of course, but what had to be said on both sides was said. At another meeting later, someone asked if the students involved should have been sanctioned for what they did. I had to butt in to pour cold water on that notion, knowing that any punitive action would just worsen the problem. Open doors, I said, don’t shut them; this is UP—that kind of protest is what makes us UP, and our kind of engaged response is also what makes us UP.

Some will say that these outbursts are but cyclical, and that young people never learn, in repeating what their now-jaded seniors did way back when. But then the State never learns either, by responding to student protests today the way they did back in 1968, with shields and truncheons, effectively affirming everything the young suspect about elderly authority.

The Israel-Hamas war—now magnified, through many lenses, into an Israeli war on Palestinians—is a particularly thorny issue for American academia and for a public habituated to looking at the Jewish people as biblical heroes and historical victims. Gaza has turned that perception around for many, with the aggrieved now seen as the aggressors. In my column two weeks ago, I agreed with that re-evaluation, although I was careful to take the middle road and to condemn the excesses—committed for whatever reason—on both sides. 

Not surprisingly, I quickly got blowback from both my pro-Israel and pro-Palestinian friends. War is always ugly, one said, and Israel has to do what it must to save itself; the Hamas attack on October 7 was overblown by propaganda, said another, and it was something that Israel had coming. 

I still accept neither extreme; call me naïve and even Pollyannish, but I stand not with Israel nor with Palestine, but for peace and justice, which are not exclusive to one side, and can only be achieved by both working and living together. You can argue all the politics and the history you want, but there is absolutely no humane rationalization for the rape of women, the murder of children, and yes, even the killing of innocent men—not even the prospect of potentially saving more lives, the very argument behind the incineration of 200,000 Japanese in Hiroshima and Nagasaki, an act of war we all benefited from, but cannot call guiltless.

In a conflict as brutal and as polarizing as this one, “middle” never quite cuts it, and the excess of one will always be justified by the excess of the other. (To complicate my ambivalence, some issues do seem to have no middle, like Ukraine.) There have been no mass protests or demonstrations to advance my kind of moderation, and I don’t expect students, whether in Columbia or UP, to take to the streets flashing “peace” signs. 

And in mentioning that, I think I’ve put a finger on one difference between 1968 and 2024: “peaceniks” were neither pro-Saigon nor pro-Hanoi, although her critics were quick to paint Jane Fonda red; they just wanted America out of a war that was none of its business. There was an innocence to that that seems to have been lost in our hyper-informed and over-analyzed century. We feel compelled to choose with passion and precision, and are defined by our choices, from politics to sneakers.

Penman No. 461: A Parisian Interlude

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Penman for Sunday, April 7, 2024

WHY IS it that just when you think you’ve begun to figure out a foreign city’s transport system, it’s time to come home? That happened again barely two weeks ago when my wife Beng and I flew to France for some speaking engagements in Paris and Le Havre. We were there for work, not tourism, and more work waited for us as well back home, so we couldn’t stay for as long as we would have wanted to. We’d been to Paris three times before and had done the obligatory Louvre and Eiffel Tower visits, but it almost seems criminal not to linger and loiter around such a beautiful city.

We were there at the invitation of SciencesPo, France’s leading social sciences university, for a series of talks on Philippine literature and art. Along with France-based writer Criselda Yabes, I gave a reading as well at the Philippine embassy in Paris at the behest of our most gracious ambassador, Mme. Junever “Jones” Mahilum-West, an avid amateur painter and supporter of Philippine culture. Our host at SciencesPo, Dr. Pauline Couteau, also arranged some events for us at their campus in Le Havre and sponsored a special screening of Lino Brocka’s classic “Maynila sa mga Kuko ng Liwanag” at the Entrepot Theater in Paris.

It was a hectic week that left these footloose septuagenarians exhausted but exhilarated at the same time, warmed up in France’s unseasonably chilly weather (often falling below 10C) by the enthusiasm of our new friends, both French and fellow Filipinos. 

Again, however, we had a sweet problem to deal with even before we flew to Paris: with such little time left on our schedule for more casual diversions, what places or experiences would we put on top of our list for our relaxation and amusement, given Paris’ almost inexhaustible offerings of wonder and delight?

Anthony Bourdain, bless his soul, famously advised short-term visitors to Paris not to make a mad dash to try and see everything all at once, but to just relax, have coffee, imbibe the neighborhood culture, stay in bed (and for those able and inclined, make love). Beng and I recalled, with both fondness and regret, how we had first seen Paris a quarter-century earlier from the back of a bus on a 99-pound budget tour from our base then in Norwich, England. The bus went by the city’s landmarks so fast that Beng missed Rodin because she was in the on-board restroom then. Subsequent visits afforded us a bit more time to see the Mona Lisa (of course) and to go up the Eiffel Tower (of course) but our happiest memories came, as Bourdain suggested, from just walking in the city gardens and along the Seine.

This time, we decided to do just two things with our limited free time: visit one museum, and hit the flea markets. This follows a pattern that Beng and I have observed over decades of traveling together, from Amsterdam, Barcelona, and London to New York, Tokyo, and Shanghai. The museums capture and preserve the glory of the past, and if you’re lucky, rather than pay for made-in-China miniatures at the museum gift shop, you can find some genuine article from that past in the flea market. 

Our choice of museum was easy: Paris has dozens of fantastic museums—and you’ll never, ever finish the entire Louvre in one visit—but the great one we’d never been to was the Musée d’Orsay, the former train station that’s become France’s cathedral of Impressionism. Finally, this time, in the few hours we had just before boarding the train to Le Havre, we managed to step into the Musée d’Orsay, and what a divine experience e that was, to find room after room filled by the masterworks of Renoir, Monet, Manet, Seurat, Degas, Redon, Courbet, and so on, like walking into a book of pictures. 

Understandably, hundreds of other people had the same idea, so the best time to visit may have been after 6 pm—the museum closes at 9:45—when admission rates are also cheaper. Not a few friends have remarked that they found the Musée d’Orsay much better than the Louvre, perhaps because of its relative compactness and its delivery of proven crowd-pleasers in its collection.

Our flea-market sorties proved just as wondrous, with the additional thrill of unpredictability, as each table will be different from the one before it and you need a quick, trained eye to spot the jewel in the junkyard. As flea-market addicts from decades back when we used to scour the yard sales and antique barns of the American Midwest for things we could drag home, Beng and I have developed a routine of scan-and-scrutinize, looking for our respective grails (old fountain pens for me, old bottles and costume jewelry for her).

We were lucky to be billeted near our first flea market, the one at Porte de Vanves, which has about a hundred dealers strung along a large city block selling all manner of goodies from 18th-century books and Christofle silverware to walking sticks and paintings. I searched in vain for that lost Juan Luna and that stray copy of the Fili (which Rizal finished in Paris), but the flea-market gods blessed me instead with an early 1900s “safety” fountain pen sheathed in gold, perfect in every way, lying all by its lonesome on a table of bric-a-brac. “Combien, madame?” I asked in my schoolboy French, my throat dry with anticipation. “Cinquante euros,” she said; it was easily worth five times that, but I gathered up all my courage and countered, “Quarante?” “Okay,” she said, “A quick “Merci!” and 40 euros later, I was a happy boy with a new toy—what could be a better memento of this short trip than a gorgeous century-old pen with the word “Paris” on its 18-carat nib?

Of course, this luck was not to be repeated on our visit to the big flea market of St. Ouen in Clignancourt—reputedly the largest of its kind in the world—a few hours before boarding the plane back for home, but we rewarded our labors with a late lunch in a Chinese restaurant. After a week of French cuisine, immersed in the grandeur of French art and culture, huge platefuls of Cantonese fried rice sounded just about right. It was as if we were being told, “You’ve had your Parisian interlude and your souvenirs, it’s time to go home.” Au revoir!

Qwertyman No. 87: A French Sojourn

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Qwertyman for Monday, April 1, 2024

MY WIFE Beng and I were in France last week to give a series of lectures at the invitation of the Paris Institute of Political Studies, better known as SciencesPo. They don’t formally observe Holy Week in France (nor, for that matter, do many Filipinos to whom it’s simply come to mean “long weekend”). So we thought that it was the best time to come over and share some of our insights into Philippine literature, art, and politics with young French students as well as our countrymen in Paris, for whom I and fellow writer Cris Yabes, who’s based in France, gave a special reading at the Philippine embassy.

For those who’ve never heard of it—which won’t be too surprising given our Pinoy fixation on top American and British universities—SciencesPo (pronounced SEE-ansPO) is France’s leading university in the social sciences. It now has 14,000 students spread out over seven campuses across the country. Only 4,000 of those students are undergraduates; the rest are graduate students, including 350 taking their PhD. Unlike our universities, SciencesPo’s undergrads can finish in only three years, with their last year spent abroad. I was told that there are about 20 Filipino students currently enrolled at SciencesPo, and about half of its students come from overseas. As a public research university, SciencesPo is supported by the government through a private foundation, an arrangement that gives it a high degree of autonomy.

Founded in 1872, the university has served as the training ground for France’s political elite, producing five out of France’s eight presidents: Pompidou, Mitterand, Chirac, Hollande, and the incumbent Macron. Marcel Proust studied here for a year, and Christian Dior was a graduate.

With that kind of elite status comes criticism and controversy, and SciencesPo has had its share over the years. Nevertheless, it remains high on the list of desirable universities, especially for students with plans of joining the French civil service, after further studies at the Ecole Nationale d’Administration. (At Inalco, another Fremch university, we were surprised to find eight Filipino-French students studying Filipino for their degree under Prof. Elisabeth Luquin, who studied in UP and speaks Filipino like a local.)

Beng and I gave presentations on the Philippines at SciencePo’s main campus in Paris—a sprawling complex comprising ten buildings in some of Paris’ most precious real estate—and I had an additional three sessions in Le Havre, where SciencePo’s campus focuses on Asian studies. Wherever we went, we could see signs of intellectual and political ferment; like their predecessors at the Sorbonne whom we admired for their militancy 60 years ago, SciencesPo students have protested and rallied over many causes from domestic violence to Gaza.

To be fair, these concerns have occupied much of the rest of France as well. In a country where street protests are a time-honored tradition that have a real bearing on political outcomes, differences of opinion can run deep and long, and controversy stalks nearly every issue, from the wearing of religious headgear to the extension of the retirement age. To “liberté, egalité, fraternité,” we must now add “identité,” the subject of identity so central to political discourse in many countries today, especially those with large and strong immigrant populations like America and France.

“Over the last few years, France has been torn by culture wars—a shift that was less the effect of American concepts imported into French universities, as many on France’s right claim, than of the long-term decline, beginning in the early 1980s, of class politics and alternatives to capitalism. In a post-ideological France, class struggle has been displaced onto the terrain of identity,” noted sociologist Daniel Zamora in an article for Catalyst in 2021. “Despite Macron’s professed disdain for identity politics, his alternative can scarcely be construed as anti-identitarian. Building on what we have in common, Macron argued, meant finding an answer to the question, ‘What does it mean to be French?’”

Identity, at least, was not in question when Cris Yabes and I gave our reading at the Philippine embassy, thanks to the invitation of Ambassador Junever “Jones” Mahilum-West, one of the most amiable, gracious, and artistically inclined ambassadors I’ve ever met. (She was very game as well, happy to hoist an IPA beer with my wife Beng after our talks.) To a fairly sizeable group from the Filipino community in Paris, Cris and I read pieces that had to do with our foreign relations, particularly in my case with our diaspora, which my second novel Soledad’s Sister (which has been published in French by Mercure de France) dealt with. 

In the conversations that followed, I learned that there are around 26,000 documented Filipinos in France, with perhaps just as many existing belowground, most of them domestic helpers. One of them, Zita Cabais, was a victim of human trafficking more than two decades ago, having been enticed to come to Europe with the promise of a visa and a good job. Instead she was brought to Hungary, from where she was led on foot through Europe to finally reach France, whereupon her employer confiscated her passport, effectively holding her hostage. But unlike many other DH’s, Zita fought back, sued her employer, and succeeded. Since legalized, she now works for organizations devoted to fighting human trafficking. (The path to legalization is reportedly shorter in France, but knowing the French language is a prerequisite.)

One unexpected highlight of our visit was running into a group of Filipino seamen in our hotel in Le Havre, prior to my lecture. Beng and I had just come down for breakfast when we heard the familiar chatter of Filipinos at a nearby table. We came up to them and introduced ourselves, and we had a lively conversation during which they explained that they were still waiting for their ship to dock because of the bad weather. I’d met and chatted with seamen like them before in Hamburg and in Christchurch, among other places; as a writer and as a Filipino, I take it as a pleasant obligation.

Competition, they said, was driving them to accept shorter four-month stints at sea. “We barely break even, and it’s a tough life at sea, but we have no choice, since our families depend on us.” Part of my lecture that day was going to be about our Filipino notion of the hero as martyr, of Christ-like sacrifice for the common good. I suddenly realized that it was Good Friday. We had our smiling selfies taken, and they seemed proud to stand with UP professors, but it was Beng and I who felt honored to be there with them.

Qwertyman No. 86: The Real Pasaways

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Qwertyman for Monday, March 25, 2024

THE LOCAL Internet came down hard last week on an anonymous teacher who was caught on livestream giving her students a scorching tongue-lashing for what she claimed was their lack of respect and discipline. Almost hysterical, Teacher X called them good-for-nothings without a future. Predictably, netizens deplored her derogatory language, which they equated with child abuse, and called on the Department of Education to investigate the incident and impose some disciplinary measure on the teacher concerned.

I agree that Ma’am seems to have gone overboard in expressing her displeasure over her students’ misbehavior, and that she could have been more circumspect in her choice of words. I’m certain that DepEd—which happens to be headed by someone who doesn’t mince words herself when it comes to court sheriffs—will use her case to remind teachers of the need for exemplary behavior, if not some sweetness and light, in classroom management. 

At the same time, having been a teacher myself for forty years, I can imagine and understand the exasperation that must have gone into a titanic diatribe like that. I’ve never taught in elementary or high school, where these aggravations come in spades on both sides of the teacher’s table, but I’ve heard and read enough to know what a cauldron of high emotions a Filipino classroom can be in the worst of circumstances. 

Let’s pack a room meant for twenty students with twice that number or even more, with the heat from a tin roof bearing down on everyone (or, in another season, rain leaking down onto desks and textbooks). The teacher recites her lesson in a funereal monotone, expecting her students (who keep themselves awake by sneaking glances at TikTok on their phones) to regurgitate what she has just said: “Class, how do you pronounce a-DO-le-scent?” 

Not that she truly cares what they say, because her mind’s on the box of chocolates she has to buy for the supervisor whose signature she needs for her salary loan. She’ll spend half that loan on a fence around her garden to keep the roaming pigs and pissing drunks away, and the other half on a new cellphone because her arch-rival Mrs. Buenafe has one that can take selfies without the blemishes. Maybe, if she took better pictures of herself, she could win back her husband Temyong from that tramp in Trece Martires.

Just then a fight breaks out at the back of the room because Etoy has dropped a ballpen to sneak a look at Corito’s underwear, in full view of Corito’s alleged boyfriend Mikmik. “Stop that, quiet, gademet, you imbecile a-DO-lescents, I order you to behave or I’ll squeeze your little balls until they pop! You have no future, you worthless pasaways! You’re going to rot in this living hell they call a classroom!”

Now, when Teacher X says “You have no future,” I take it to mean that Ma’am has read the Edcom II report on the sad state of Philippine education, which puts our young learners practically at the cellar of global achievement. Unless some systemic reforms are put in place by the same DepEd that will now trumpet the virtues of better decorum in the classroom, we might as well have cursed those kids that caused Teacher X to blow her top—and by “curse” I don’t mean the use of foul language, but rather a hex such as a witch might put on some unfortunate soul. 

Philippine education is full of pasaways, many of them more than ten or even fifteen years old. Some have been in the system for so long that they have mastered its ways and means (e.g., how to make good money off bad textbooks) to a level of proficiency worthy of a doctorate. Secretaries of Education come and go—some more lamented than others—but these pasaways remain, as they do in certain bureaus dealing with government revenues, because they ensure continuity, which everyone but the occasional and hopelessly naive reformer appreciates. They may even be well-mannered, with the nicest smiles and mildest dispositions you ever saw, because of their contentment with the world as it is and their philosophical acceptance of human frailty.

This brings to mind another kind of pasaway, a certain man of God—no, make that Son of God—who has steadfastly refused to honor a summons by a Senate committee looking into sex trafficking, of which this pastor has been accused, among other crimes and misdemeanors. Let me judged by the proper court, he has argued through his lawyers, although—if he is who he claims to be—then no one but God the Father will qualify for that privilege.

God must have been a prolific babymaker, because this prosperous preacher is but one of many around the world proclaiming themselves to be Sons of God. Nearly all have landed in some kind of trouble with the law, usually in matters of sex and money, paltry and mundane emoluments that Sons of God seem to feel especially entitled to, in partial recompense for the heavy burdens of divinity.

Someone should have assured our good pastor that the Senate is a decorous institution, exceedingly kind to its guests, as a recent hearing involving police officials being questioned by a former police official showed. A senator who walked out of that hearing out of disgust over the “babying” shown the witnesses by their inquisitor now himself stands accused of discourtesy. Notwithstanding the presence of a chairperson known for her intolerance of untruths, our Son of God can surely count on the professed and unshakeable friendship of some of her honorable colleagues to shelter him from the slings and arrows of earthly justice. We are a much kinder people than that apoplectic teacher might suggest.

Qwertyman No. 85: Epilogue to a Novel

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Qwertyman for Monday, March 18, 2024

IT WAS in 1986, shortly after EDSA and my arrival in the US for my graduate studies, that I began thinking about what would eventually become my master’s thesis and my first novel, Killing Time in a Warm Place. It was published by Anvil in 1992 when I came home to resume teaching after completing my PhD. 

For those who’ve never heard of it, the novel is a semi-autobiographical account of coming of age during the Marcos years, from the point of view of a Filipino who makes the traditional journey from island to metropolis to the world at large, becoming, in the process, a kind of political chameleon. 

I had sent the first draft directly to several US publishers—my first try at getting a book published abroad—and one of them, Alfred Knopf, responded. They were interested, they said, but they needed some revisions. I knew very little about the book publishing industry then; I had no agent, wasn’t sure what lay ahead, and was in a hurry to see my book out, so I passed on Knopf—which turned out to be a titan in literary publishing—and went with Anvil, which had barely just opened.

I haven’t regretted that decision, although the Knopf deal, had it pushed through, would have been a tremendous break, not just for myself but for Philippine literature as a whole. I could understand that after EDSA, US publishing was hungry for books from and about the Philippines, so that opportunity was there, but I was also impatient to be read as a novelist by my fellow Filipinos, after having written short stories and plays. 

Anvil published the book in many printings and editions over the next two decades, as it got on the syllabi of college teachers who were looking for a novel in English on martial law, alongside Lualhati Bautista’s iconic Dekada 70. This has been my greatest reward and satisfaction from this book—knowing that somehow, it helped some of my countrymen understand what they went through.

It took a while for the novel to gain some traction overseas. In 2010, it was published in the US by Schaffner Press in a dual edition with my second novel, Soledad’s Sister. In 2012, it was translated into Spanish by Maria Alcaraz and published in Barcelona by Libros del Asteroide under the title Pasando el rato en un pais calido.

A few months ago, I received the happy news from my publisher Anvil that Killing Time was being picked up by the German publisher of Soledad’s Sister, which had apparently been doing well in the German market. So now the book is being translated into German, hopefully for a launch by Transit Verlag in time for the Frankfurt Book Fair this October, leading up to our big Frankfurt Guest of Honor year in 2025.

But I didn’t write this column just to tell you about the story of a book—rather, I wanted to say something about the story of its story.

In a message to Anvil a few days ago, my German publisher requested that I write a short epilogue to the novel, given that it’s been more than 30 years since it first came out, and that many things have happened since to the world and the Philippines—the Internet, Trump, and fake news, among others. 

So I sat down and wrote the short piece below, which I’m sharing with you since it’s highly unlikely that you’ll come across, or understand, the German translation of this epilogue if and when the new edition comes out. Here goes:

I began writing this novel in 1986, shortly after the downfall of the Marcos regime. That happened because of a massive uprising in Manila’s streets that made headlines and became a kind of model for peaceful anti-authoritarian movements worldwide. I proudly took part in that revolt, and felt the euphoria of liberation after more than a decade of martial law. It was a moment I would often return to and savor as the Iron Curtain fell and as various and largely non-violent revolutions took place elsewhere, including the Arab Spring.

I thought then that the best thing I could do was to write a novel that would try and explain how and why people fell under the spell of a dictatorship, as they did under Nazi Germany—not sparing myself, having been complicit in its later actions as an employee of the regime. I wrote it—in English—in America, mainly to fulfill my graduate school requirements, but also to celebrate our hard-won victory and share the good news with the world.

Almost four decades later, the seemingly unthinkable has happened: the right is back in power, not only in the Philippines but in many places we had thought to be reformed democracies. The optimism sweeping the planet toward the end of the 20th century has given way to a darkening horizon, a hardening of hearts, a closing of minds. Our most basic freedoms and values are under stiff and unrelenting assault, from forces we now realize had never really been vanquished but had merely been lying in wait, biding their time, seeking an opportunity for revival amidst the excesses of late capitalism.

And once again I am hearing the siren song of despotism, and see the eyes of people glazing over in the desperate desire for quick relief from their troubles, for quick salvation. I hear the march of boots, to which many young citizens—their ears plugged by loud music—seem indifferent. Even among many of their elders is a renascent yearning for the simple discipline of strongman rule.

I see all these and I wonder if I should write a sequel, an update for the new century, but what would be the point of repetition? My novel was supposed to be about the past. Why is it so suddenly pertinent again?